Israel's Dead Soul
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Case: 18-16896, 01/22/2019, ID: 11161862, DktEntry: 69, Page 1 of 26 No. 18-16896 ___________________________________________________________ IN THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT ___________________________________________________________ MIKKEL JORDAHL and MIKKEL (MIK) JORDAHL, P.C., Plaintiffs-Appellees, v. THE STATE OF ARIZONA and MARK BRNOVIC, ARIZONA ATTORNEY GENERAL, Defendants-Appellants, and JIM DRISCOLL, COCONINO COUNTY SHERIFF, et al., Defendants. On Appeal from the United States District Court for the District of Arizona Case No. 3:17-cv-08263 ___________________________________________________________ BRIEF OF AMICI CURIAE, AMERICAN FRIENDS SERVICE COMMITTEE, ISRAEL PALESTINE MISSION NETWORK OF THE PRESBYTERIAN CHURCH (USA), A JEWISH VOICE FOR PEACE, INC., US CAMPAIGN FOR PALESTINIAN RIGHTS, US PALESTINIAN COMMUNITY NETWORK, US CAMPAIGN FOR THE ACADEMIC AND CULTURAL BOYCOTT OF ISRAEL AND FRIENDS OF SABEEL NORTH AMERICA, IN SUPPORT OF PLAINTIFFS-APPELLANTS AND AFFIRMANCE ___________________________________________________________ JETHRO M. EISENSTEIN PROFETA & EISENSTEIN 45 Broadway, Suite 2200 New York, New York 10006 (212) 577-6500 Attorneys for Amici Curiae ___________________________________________________________ Case: 18-16896, 01/22/2019, ID: 11161862, DktEntry: 69, Page 2 of 26 CORPORATE DISCLOSURE STATEMENT A Jewish Voice for Peace, Inc. has no parent corporations. It has no stock, so therefore no publicly held company owns 10% or more of its stock. The other amici joining in this brief are -
Dear Prime Minister, We Note with Concern the Increasingly Violent
Dear Prime Minister, We note with concern the increasingly violent rhetoric directed towards Julian Assange of WikiLeaks. “We should treat Mr Assange the same way as other high-value terrorist targets: Kill him,” writes conservative columnist Jeffrey T Kuhner in the Washington Times. William Kristol, former chief of staff to vice president Dan Quayle, asks, “Why can’t we use our various assets to harass, snatch or neutralize Julian Assange and his collaborators, wherever they are?” “Why isn’t Julian Assange dead?” writes the prominent US pundit Jonah Goldberg. “The CIA should have already killed Julian Assange,” says John Hawkins on the Right Wing News site. Sarah Palin, a likely presidential candidate, compares Assange to an Al Qaeda leader; Rick Santorum, former Pennsylvania senator and potential presidential contender, accuses Assange of “terrorism”. And so on and so forth. Such calls cannot be dismissed as bluster. Over the last decade, we have seen the normalisation of extrajudicial measures once unthinkable, from ‘extraordinary rendition’ (kidnapping) to ‘enhanced interrogation’ (torture). In that context, we now have grave concerns for Mr Assange’s wellbeing. Irrespective of the political controversies surrounding WikiLeaks, Mr Assange remains entitled to conduct his affairs in safety, and to receive procedural fairness in any legal proceedings against him. As is well known, Mr Assange is an Australian citizen. We therefore call upon you to condemn, on behalf of the Australian Government, calls for physical harm to be inflicted upon Mr Assange, and to state publicly that you will ensure Mr Assange receives the rights and protections to which he is entitled, irrespective of whether the unlawful threats against him come from individuals or states. -
Anti-Zionism and Antisemitism Cosmopolitan Reflections
Anti-Zionism and Antisemitism Cosmopolitan Reflections David Hirsh Department of Sociology, Goldsmiths, University of London, New Cross, London SE14 6NW, UK The Working Papers Series is intended to initiate discussion, debate and discourse on a wide variety of issues as it pertains to the analysis of antisemitism, and to further the study of this subject matter. Please feel free to submit papers to the ISGAP working paper series. Contact the ISGAP Coordinator or the Editor of the Working Paper Series, Charles Asher Small. Working Paper Hirsh 2007 ISSN: 1940-610X © Institute for the Study of Global Antisemitism and Policy ISGAP 165 East 56th Street, Second floor New York, NY 10022 United States Office Telephone: 212-230-1840 www.isgap.org ABSTRACT This paper aims to disentangle the difficult relationship between anti-Zionism and antisemitism. On one side, antisemitism appears as a pressing contemporary problem, intimately connected to an intensification of hostility to Israel. Opposing accounts downplay the fact of antisemitism and tend to treat the charge as an instrumental attempt to de-legitimize criticism of Israel. I address the central relationship both conceptually and through a number of empirical case studies which lie in the disputed territory between criticism and demonization. The paper focuses on current debates in the British public sphere and in particular on the campaign to boycott Israeli academia. Sociologically the paper seeks to develop a cosmopolitan framework to confront the methodological nationalism of both Zionism and anti-Zionism. It does not assume that exaggerated hostility to Israel is caused by underlying antisemitism but it explores the possibility that antisemitism may be an effect even of some antiracist forms of anti- Zionism. -
Israel: Growing Pains at 60
Viewpoints Special Edition Israel: Growing Pains at 60 The Middle East Institute Washington, DC Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints are another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US rela- tions with the region. To learn more about the Middle East Institute, visit our website at http://www.mideasti.org The maps on pages 96-103 are copyright The Foundation for Middle East Peace. Our thanks to the Foundation for graciously allowing the inclusion of the maps in this publication. Cover photo in the top row, middle is © Tom Spender/IRIN, as is the photo in the bottom row, extreme left. -
HOW the OTHER HALF VOTES HOW the OTHER Big Brother Viewers and the 2005 General Election HALF VOTES
HOW THE OTHER HALF VOTES HOW THE OTHER Big Brother Viewers and the 2005 General Election HALF VOTES Stephen Coleman Big Brother Viewers and the 2005 General Election Why is it that the experience of taking part in Big Brother is so much more compelling for some people than the routines and rituals of electoral politics? How the Other Half Votes raises radical questions about the condition of contemporary democracy, the Stephen Coleman borders between the political and the popular and the case for thinking creatively about what it means to be politically engaged. May 2006 Price £10 Hansard Society ISBN 0 900432 18 7 www.hansardsociety.org.uk The views expressed in this report are those of the authors and the Hansard Society, as an independent non-party organisation, is neither for nor against. The Society is, however, happy to publish these views and to invite analysis and discussion of them. HOW THE OTHER HALF VOTES Big Brother Viewers and the 2005 General Election Stephen Coleman Stephen Coleman is Professor of Political © Hansard Society 2006 Communication at Leeds University All rights reserved. No part of this publication and also senior research associate may be reproduced, stored in a retrieval system, or with the Hansard Society transmitted in any form or by any means, without the prior permission of the Hansard Society. Published by The Hansard Society is an independent, Hansard Society non-partisan educational charity, which exists 40-43 Chancery Lane to promote effective parliamentary democracy. London WC2A 1JA For further information -
Dorimedia and Apple TV
Apple Picks Up Israeli Neo-Noir Series 'Losing Alice' Rotem Yaron/Apple TV+ 'Losing Alice' Created, written and directed by Sigal Avin, the eight-part thriller stars Ayelet Zurer as an aging director who becomes obsessed with a younger screenwriter. Apple TV+ is expanding its slate of international original series. The streamer has picked up exclusive international rights to Israeli neo-noir series Losing Alice and signed a co- production deal with Israel's Dori Media and cable company HOT. Created, written and directed Sigal Avin, Losing Alice stars Ayelet Zurer (Man of Steel, Daredevil) as Alice, a 48 year-old film director who feels increasingly irrelevant but is inspired once more after becoming obsessed with Sophie, a 24 year- old femme fatale screenwriter played by Lihi Kornowski. Building on the Faust legend, but through the unique prism of a female filmmaker, Losing Alice explores issues such as jealousy, guilt, fear of aging as well as the complex relationships women have among themselves and each other. The first eight-part season of Losing Alice will air on Apple TV+ worldwide later this year and is currently airing on HOT in Israel. Losing Alice joins an ever-growing list of international Apple Originals and is the second high profile Israeli series snapped up by the streamer. Apple TV+ recently boarded drama series Tehran, from Fauda writer Moshe Zonder. Apple TV+ will serve as a co-producer on the series from Cineflix Rights and Israeli network Kan 11. As part of the deal, Apple will serve as the exclusive streaming home to the series in all territories. -
Export Statt Exodus
Bild nur in Printausgabe verfügbar Export statt Exodus Winfried Schumacher | Kleines Land mit großer Kultur: Israels Künstler, Autoren und Filmemacher sind weltweit gefragt. Mit Verve, Chuzpe und Selbst ironie widmen sie sich dem komplizierten Leben in einem von Krieg, Terror und politischen Grabenkämpfen gebeutelten Land. Die Schroffheit und Verletzlichkeit ihrer Alltagshelden kommt auch im Ausland an. Sie feilen an ihren Fingernägeln, kochen Kaffee für den Vorgesetzten, schred- dern nie gelesene Akten und räumen Minenfelder höchstens auf Minesweeper. Die Uniformen der Soldatinnen sitzen schlecht und ihre Knarren sind nichts als lästige Accessoires. Was die israelische Regisseurin Talya Lavie in ihrem Filmdebüt „Zero Motivation“ zeigt, ist gähnende Langeweile in einer Militär- basis. Und doch sorgte die schwarze Komödie in Israel für einen der größten Kinoerfolge der vergangenen Jahre. Keine Kassam-Raketen, keine Konfliktanalysen und schon gar keine Kriegshelden sind in „Zero Motivation“ zu sehen. Mit bösem Witz und mes- serscharfem Blick auf den öden Alltag im Lager beobachtet Lavie das Leben einer Gruppe von Soldatinnen in der Negev-Wüste. Sie zählen die Tage bis 58 IP Länderporträt • 2 / 2016 Export statt Exodus zum Ende ihres Militärdiensts und träumen vom Partyleben in Tel Aviv. Der glorreiche Einsatz für das Land der Väter bedeutet für sie nur das Absitzen von Dienstanweisungen lächerlicher Rangoberer. Wer kein Hebräisch spricht und nie eine israelische Militärbasis von innen gesehen hat – erst recht, wer noch nie in Israel war – wird den Humor eines großen Teiles der Dialoge auch mit englischen Untertiteln nicht ganz verste- hen. Zu vielschichtig und kulturspezifisch ist der Schlagabtausch. Dennoch wurde der Film auf dem Tribeca Film Festival als bester Film ausgezeichnet und erregte das Interesse von BBC America. -
Article the Empire Strikes Back: Brexit, the Irish Peace Process, and The
ARTICLE THE EMPIRE STRIKES BACK: BREXIT, THE IRISH PEACE PROCESS, AND THE LIMITATIONS OF LAW Kieran McEvoy, Anna Bryson, & Amanda Kramer* I. INTRODUCTION ..........................................................610 II. BREXIT, EMPIRE NOSTALGIA, AND THE PEACE PROCESS .......................................................................615 III. ANGLO-IRISH RELATIONS AND THE EUROPEAN UNION ...........................................................................624 IV. THE EU AND THE NORTHERN IRELAND PEACE PROCESS .......................................................................633 V. BREXIT, POLITICAL RELATIONSHIPS AND IDENTITY POLITICS IN NORTHERN IRELAND ....637 VI. BREXIT AND THE “MAINSTREAMING” OF IRISH REUNIFICATION .........................................................643 VII. BREXIT, POLITICAL VIOLENCE AND THE GOVERNANCE OF SECURITY ..................................646 VIII. CONCLUSION: BREXIT AND THE LIMITATIONS OF LAW ...............................................................................657 * The Authors are respectively Professor of Law and Transitional Justice, Senior Lecturer and Lecturer in Law, Queens University Belfast. We would like to acknowledge the comments and advice of a number of colleagues including Colin Harvey, Brian Gormally, Daniel Holder, Rory O’Connell, Gordon Anthony, John Morison, and Chris McCrudden. We would like to thank Alina Utrata, Kevin Hearty, Ashleigh McFeeters, and Órlaith McEvoy for their research assistance. As is detailed below, we would also like to thank the Economic -
Michael Tilson Thomas
• 35 YE 21 AR 0 S 2 BERKSHIRE JEWISH FILM FESTIVAL 2021 marks the 35th anniversary of the Berkshire Jewish Film Festival. The brainchild of Dr. Zev Raviv, the festival was led by Margie Metzger for 30 years. For the first 20 years, the films were shown on a 16mm projector at Knesset Israel in either the Sanctuary or the Social Hall. At the very beginning, a crowd of 25 was considered a success. Amy Abramovich helped run the concession where people could buy ice cream and other goodies. Because it was (and still is) a fundraiser for the Knesset Israel Hebrew School, it was important to involve the students, and each year a contest was held to design the program cover. The tide turned with the screening of the documenta- ry, The Life and Times of Hank Greenberg. There was stand- ing room only and it was then that public perception of the film festival changed. And the rest is history! Over these past 35 years, the BJFF has shown hundreds of films to thousands of people. Last year with the pan- demic forcing us to close the theater doors, we were able to continue as a virtual festival showing films online and engaging our audience members with Zoom talkbacks. This year we are celebrating with a full seven weeks of programming. Including the five short films being shown on August 9th, we are offering eighteen films in total. Our films range from political documentaries and biographies to comedies, heartfelt family stories, and animation. We couldn’t run this festival without our loyal volunteers. -
The Presbyterian Church and Zionism Unsettled: Its Antecedents, and Its Antisemitic Legacy
religions Article The Presbyterian Church and Zionism Unsettled: Its Antecedents, and Its Antisemitic Legacy Cary Nelson English Department, University of Illinois at Urbana-Champaign, Urbana, IL 61801, USA; [email protected] Received: 30 May 2019; Accepted: 20 June 2019; Published: 22 June 2019 Abstract: The new millennium has seen increased hostility to Israel among many progressive constituencies, including several mainline Protestant churches. The evangelical community in the US remains steadfastly Zionist, so overall support for financial aid to Israel remain secure. But the cultural impact of accusations that Israel is a settler colonialist or apartheid regime are nonetheless serious; they are proving sufficient to make support for the Jewish state a political issue for the first time in many decades. Despite a general movement in emphasis from theology to politics in church debate, there remain theological issues at the center of church discussion. The Protestant church with the longest running and most well-funded anti-Zionist constituency is the Presbyterian church in the US. In the last decade, its Israel/Palestine Mission Network (IPMN) has produced several increasingly anti-Zionist books designed to propel divestment resolutions in the church’s annual meeting. The most widely debated of these was 2014’s Zionism Unsettled: A Congregational Study Guide. This essay mounts a detailed analysis and critique of the book which documents the IPMN’s steady movement toward antisemitic positions. Among the theological issues underlying debate in Protestant denominations are the status of the divine covenant with the Jewish people, the role that the gift of land has as part of that covenant, and the nature of the characterization of the Jews as a “chosen people”. -
Dear Mr. Waldman Press Kit Aug08
DEARDEAR MR.MR. WALDMANWALDMAN Michtavim le America A FEATURE FILM BY HANAN PELED Awards: 3 NOMINATIONS Israeli Academy Awards Including Best Actor AUDIENCE AWARD, Reheboth Beach Independent Film Festival Selected Festival Screenings: Jerusalem International Film Festival UK Jewish Film Festival Palm Springs International Film Festival Munich Film Festival Atlanta Jewish Film Festival – Closing Night Film Washington DC Jewish Film Festival Palm Beach Jewish Film Festival Vancouver Jewish Film Festival Chicago Festival of Israeli Cinema San Diego Jewish Film Festival Sacramento Jewish Film Festival Denver Jewish Film Festival Israel Nonstop, NYC Distributed in North America by: The National Center for Jewish Film Brandeis University Lown 102, MS 053 Waltham, MA 02454 (781) 736-8600 [email protected] www.jewishfilm.org AN OPEN DOORS FILMS/TMUNA COMMUNICATIONS DEAR MR. WALDMAN It is the early 1960s in Tel Aviv and ten-year-old Hilik knows his goal in life – to make his parents happy and compensate for the grief they both suffered in the Holocaust. The fragile equilibrium of the new life Rivka and Moishe have forged for themselves and their sons, Hilik and Yonatan, in the new state of Israel begins to waver when Moishe convinces himself that Yankele, his son from his first marriage, didn't actually die in Auschwitz, but rather miraculously escaped to America, where he grew to adulthood and became an advisor to President John Kennedy. Moishe never really accepted the fact that he alone survived the Holocaust, and after seeing “Jack Waldman’s” picture in the newspaper, he finds himself sinking into his past. When Moishe writes a letter to Waldman, Hilik takes matters into his own hands. -
Communication 140 Introduction to Film Studies
COMMUNICATION 140 INTRODUCTION TO FILM STUDIES Waltz With Bashir [Vals Im Bashir] (2008) Written and directed by Ari Folman. Edited by Nili Feller. Music by Max Richter. With the voicework of Ari Folman, Ori Sivan, Ronny Dayag, Shmuel Frenkel, Zahava Solomon, Ron Ben-Yishai, and Dror Harazi. Ari Folman’s broodingly original Waltz With Bashir—one of the highlights of the last New York Film Festival—is a documentary that seems only possible, not to mention bearable, as an animated feature. Folman, whose magic realist youth film Saint Clara was one of the outstanding Israeli films of the 1990s, has created a grim, deeply personal phantasmagoria around the 1982 invasion of Lebanon. Waltz With Bashir, named for Bashir Gemayel, the charismatic hero of the Christian militias that allied themselves with Israel, is an illustrated oral history based on interviews that Folman conducted with former comrades, which mixes dreams with their incomplete or conflicting recollections. Waltz With Bashir opens with a pack of slavering dogs rampaging through nocturnal Tel Aviv—the dramatization of a recurring nightmare experienced by one of Folman’s friends. His assignment, when entering a Lebanese village, had been to silence the dogs because “they knew I couldn’t shoot a person.” One dream triggers another: Folman, who claims to have forgotten everything about his wartime experiences, has his sleep disturbed by a vision of soldiers, naked save for their dog tags and Uzis, drifting zombie-like out of the ocean onto Beirut’s posh hotel strip. That which has been repressed returns with startling ferocity. Although it can be highly explicit in detailing war’s horror, Waltz With Bashir is mainly concerned with the recollection of trauma.