November 27, 2002 Don Hewitt, Executive Producer 60 Minutes 524
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Shadows and Wind
1 HUMAN RIGHTS UNDER VIETNAMESE COMMUNISM A Politically Incorrect Approach Ottawa, February 2001 For Human Rights (Huntington Beach, C.A.) March 2001 Ton That Thien American anti-war writers and Vietnam For decades, the literature on Vietnam was strongly dominated by a coterie of Western - predominantly American – journalists and academics who claimed to be experts on Vietnam. These “experts” were fiercely anti-war revolutionaries determined to bring down South Vietnam for internal American reasons. South Vietnam provided the most convenient focus for the anti-war denunciations and demonstrations. As David Horowitz, one of the most radical leaders of the American anti-war movement wrote in his reflections after the war: “My speech illustrated the real importance of Vietnam to the radical cause, which was not ultimately about Vietnam but about our antagonism to America in our desire for revolution. Vietnam served to justify the desire; we needed the war and its violent images to vindicate our destructive intentions”.1 Typical of the above attitude is the “Indo-China Peace Campaign” organized by the famed actress Jane Fonda, which “worked tirelessly to ensure the victory of the North Vietnamese Communists...Fonda travelled first to Hanoi and then to the liberated zones of South Vietnam to make a propaganda film... it attempted to persuade viewers that the Communists were going to create a new society in the south. Equality and justice awaited its inhabitants if only America would cut off support for the Saigon regime...”2 Another illustration is that of Frances Fitzgerald, author of the best seller and Pulitzer Prize winning book, Fire in the Lake. -
The Legacy of American Photojournalism in Ken Burns's
Interfaces Image Texte Language 41 | 2019 Images / Memories The Legacy of American Photojournalism in Ken Burns’s Vietnam War Documentary Series Camille Rouquet Electronic version URL: http://journals.openedition.org/interfaces/647 DOI: 10.4000/interfaces.647 ISSN: 2647-6754 Publisher: Université de Bourgogne, Université de Paris, College of the Holy Cross Printed version Date of publication: 21 June 2019 Number of pages: 65-83 ISSN: 1164-6225 Electronic reference Camille Rouquet, “The Legacy of American Photojournalism in Ken Burns’s Vietnam War Documentary Series”, Interfaces [Online], 41 | 2019, Online since 21 June 2019, connection on 07 January 2021. URL: http://journals.openedition.org/interfaces/647 ; DOI: https://doi.org/10.4000/interfaces.647 Les contenus de la revue Interfaces sont mis à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International. THE LEGACY OF AMERICAN PHOTOJOURNALISM IN KEN BURNS’S VIETNAM WAR DOCUMENTARY SERIES Camille Rouquet LARCA/Paris Sciences et Lettres In his review of The Vietnam War, the 18-hour-long documentary series directed by Ken Burns and Lynn Novick released in September 2017, New York Times television critic James Poniewozik wrote: “The Vietnam War” is not Mr. Burns’s most innovative film. Since the war was waged in the TV era, the filmmakers rely less exclusively on the trademark “Ken Burns effect” pans over still images. Since Vietnam was the “living-room war,” played out on the nightly news, this documentary doesn’t show us the fighting with new eyes, the way “The War” did with its unearthed archival World War II footage. -
The Edward R. Murrow of Docudramas and Documentary
Media History Monographs 12:1 (2010) ISSN 1940-8862 The Edward R. Murrow of Docudramas and Documentary By Lawrence N. Strout Mississippi State University Three major TV and film productions about Edward R. Murrow‟s life are the subject of this research: Murrow, HBO, 1986; Edward R. Murrow: This Reporter, PBS, 1990; and Good Night, and Good Luck, Warner Brothers, 2005. Murrow has frequently been referred to as the “father” of broadcast journalism. So, studying the “documentation” of his life in an attempt to ascertain its historical role in supporting, challenging, and/or adding to the collective memory and mythology surrounding him is important. Research on the docudramas and documentary suggests the depiction that provided the least amount of context regarding Murrow‟s life (Good Night) may be the most available for viewing (DVD). Therefore, Good Night might ultimately contribute to this generation (and the next) having a more narrow and skewed memory of Murrow. And, Good Night even seems to add (if that is possible) to Murrow‟s already “larger than life” mythological image. ©2010 Lawrence N. Strout Media History Monographs 12:1 Strout: Edward R. Murrow The Edward R. Murrow of Docudramas and Documentary Edward R. Murrow officially resigned from Life and Legacy of Edward R. Murrow” at CBS in January of 1961 and he died of cancer AEJMC‟s annual convention in August 2008, April 27, 1965.1 Unquestionably, Murrow journalists and academicians devoted a great contributed greatly to broadcast journalism‟s deal of time revisiting Edward R. Murrow‟s development; achieved unprecedented fame in contributions to broadcast journalism‟s the United States during his career at CBS;2 history. -
Turning the Camera on Court TV: Does Televising Trials Teach Us Anything About the Real Law?
Turning the Camera on Court TV: Does Televising Trials Teach Us Anything About the Real Law? ANGELIQUE M. PAUL* I. INTRODUCTION What people think about the law is important because ours is a "public opinion" society, "which makes heavy use of referenda, and in which government does not lift a finger or move a muscle without reading the tea leaves of public desire."' The public's perception of justice influences the courts, the laws, the judges, and essentially the democratic process. So what influences the public's perception of justice? Television. For the majority of Americans, television is the most important source of information, and for many it is the only source of information. 2 This is particularly true when it comes to gathering information about the law. Because the majority of Americans have had no personal experience with the legal system,3 and because the majority of Americans get their information about the world solely from television, 4 the portrayal of justice on television is extremely important not only to the continued viability of the legal system, but also to the individual's understanding of that system. Studies indicate that the * The author would like to thank her parents, David and Lynda Paul, for their unconditional love and support. I David A. Harris, The Appearance of Justice: Court TV, Conventional Television, and Public Undersandingof the Criminal Justice Sstem, 35 ARiz. L. REv. 785, 796 (1993) (quoting Lawrence Friedman, Law, Lawyers, and Popular Culture, 98 YALE L. J. 1579, 1597 (1989)). Friedman believes that the portrayal of the legal system in popular culture is important "because it ultimately helps shape the legal culture, which in turn influences the law itself." Id. -
J366E HISTORY of JOURNALISM University of Texas School of Journalism Spring 2012
J366E HISTORY OF JOURNALISM University of Texas School of Journalism Spring 2012 Instructor: Dr. Tom Johnson Office: CMA 5.155 Phone: 232-3831 email: [email protected] Office Hours: W, Th 1:30-3 by appointment and when you least expect it Class Time: 11-12:15 Tuesday and Thursday, CMA 3.120 REQUIRED READINGS Wm David Sloan, The Media in America: A History (8th Edition). Reading packet: available on Blackboard. COURSE DESCRIPTION Development of the mass media; social, economic, and political factors that have contributed to changes in the press. Three lecture hours a week for one semester. Prerequisite: Upper-division standing and a major in journalism, or consent of instructor. OBJECTIVES J 366E will trace the development of American media with an emphasis on cultural, technological and economic backgrounds of press development. To put it more simply, this course will examine the historic relationship between American society and the media. An underlying assumption of this class is that the content and values of the media have been greatly influenced by changes in society over the last 300 years. Conversely, the media have helped shape our society. More specifically, this course will: 1. Examine how journalistic values such as objectivity have evolved. 2. Explain how the media influenced society and how society influenced the media during different periods of our nation's history. 3. Examine who controlled the media at different periods of time, how that control was exercised and how that control influenced media content. 4. Investigate the relationship between the public and the media during different periods of time. -
The Cooper Union for the Advancement of Science and Art Atcooper 2 | the Cooper Union for the Advancement of Science and Art
Winter 2008/09 The Cooper Union for the Advancement of Science and Art atCooper 2 | The Cooper Union for the Advancement of Science and Art Message from President George Campbell Jr. Union The Cooper Union has a history characterized by extraordinary At Cooper Union resilience. For almost 150 years, without ever charging tuition to a Winter 2008/09 single student, the college has successfully weathered the vagaries of political, economic and social upheaval. Once again, the institution Message from the President 2 is facing a major challenge. The severe downturn afflicting the glob- al economy has had a significant impact on every sector of American News Briefs 3 U.S. News & World Report Ranking economic activity, and higher education is no exception. All across Daniel and Joanna Rose Fund Gift the country, colleges and universities are grappling with the prospect Alumni Roof Terrace of diminished resources from two major sources of funds: endow- Urban Visionaries Benefit ment and contributions. Fortunately, The Cooper Union entered the In Memory of Louis Dorfsman (A’39) current economic slump in its best financial state in recent memory. Sue Ferguson Gussow (A’56): As a result of progress on our Master Plan in recent years, Cooper Architects Draw–Freeing the Hand Union ended fiscal year 2008 in June with the first balanced operat- ing budget in two decades and with a considerably strengthened Features 8 endowment. Due to the excellent work of the Investment Committee Azin Valy (AR’90) & Suzan Wines (AR’90): Simple Gestures of our Board of Trustees, our portfolio continues to outperform the Ryan (A’04) and Trevor Oakes (A’04): major indices, although that is of little solace in view of diminishing The Confluence of Art and Science returns. -
Nailing an Exclusive Interview in Prime Time
The Business of Getting “The Get”: Nailing an Exclusive Interview in Prime Time by Connie Chung The Joan Shorenstein Center I PRESS POLITICS Discussion Paper D-28 April 1998 IIPUBLIC POLICY Harvard University John F. Kennedy School of Government The Business of Getting “The Get” Nailing an Exclusive Interview in Prime Time by Connie Chung Discussion Paper D-28 April 1998 INTRODUCTION In “The Business of Getting ‘The Get’,” TV to recover a sense of lost balance and integrity news veteran Connie Chung has given us a dra- that appears to trouble as many news profes- matic—and powerfully informative—insider’s sionals as it does, and, to judge by polls, the account of a driving, indeed sometimes defining, American news audience. force in modern television news: the celebrity One may agree or disagree with all or part interview. of her conclusion; what is not disputable is that The celebrity may be well established or Chung has provided us in this paper with a an overnight sensation; the distinction barely nuanced and provocatively insightful view into matters in the relentless hunger of a Nielsen- the world of journalism at the end of the 20th driven industry that many charge has too often century, and one of the main pressures which in recent years crossed over the line between drive it as a commercial medium, whether print “news” and “entertainment.” or broadcast. One may lament the world it Chung focuses her study on how, in early reveals; one may appreciate the frankness with 1997, retired Army Sergeant Major Brenda which it is portrayed; one may embrace or reject Hoster came to accuse the Army’s top enlisted the conclusions and recommendations Chung man, Sergeant Major Gene McKinney—and the has given us. -
Robert C. Maynard Institute for Journalism Education Oral History Collection
http://oac.cdlib.org/findaid/ark:/13030/c8sb4b6f Online items available Guide to the Robert C. Maynard Institute for Journalism Education Oral History Collection Sean Heyliger African American Museum & Library at Oakland 659 14th Street Oakland, California 94612 Phone: (510) 637-0198 Fax: (510) 637-0204 Email: [email protected] URL: http://www.oaklandlibrary.org/locations/african-american-museum-library-oakland © 2013 African American Museum & Library at Oakland. All rights reserved. Guide to the Robert C. Maynard MS 192 1 Institute for Journalism Education Oral History Collection Guide to the Robert C. Maynard Institute for Journalism Education Oral History Collection Collection number: MS 192 African American Museum & Library at Oakland Oakland, California Processed by: Sean Heyliger Date Completed: 11/06/2015 Encoded by: Sean Heyliger © 2013 African American Museum & Library at Oakland. All rights reserved. Descriptive Summary Title: Robert C. Maynard Institute for Journalism Education Oral History collection Dates: 2001 Collection number: MS 192 Creator: Robert C. Maynard Institute for Journalism Education Collection Size: 1.5 linear feet(2 boxes) Repository: African American Museum & Library at Oakland (Oakland, Calif.) Oakland, CA 94612 Abstract: The Robert C. Maynard Institute for Journalism Education Oral History Collection consists of 29 oral history interviews conducted in 2001 by Earl Caldwell with prominent black journalists that began their careers during the 1960s-1970s. A majority of the interviewees worked at -
University Microfilms International 300 N
EXPLORATION OF AGENDA-SETTING IN THE NEWS MAGAZINE "60 MINUTES". Item Type text; Thesis-Reproduction (electronic) Authors Beal, Martha Bovard. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 10:28:49 Link to Item http://hdl.handle.net/10150/274772 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. -
Hourglass 05-18-04.Indd
Inside: EOD inspects package — page 3 That was Public Works sets guidelines then — page 3 Veteran returns to Community Kwaj 50 years later Services looks down under — pages 4-5 — page 6 May 18, 2004 The Kwajalein Hourglass www.smdc.army.mil/KWAJ/Hourglass/hourglass.html (Photo courtesy of Leonard Surina) Editorial From Amber to Rob to Trish to Rupert, it’s all good I’ve become a reality show junkie. where Trish, the model scorned last week, This is what happens when you get mar- returns to try and get back in the game? ried and have kids. You’re not at the club, “I get what I want, and I want my boy- or staying late at the softball field or even friend back,” she says. “working out” at the gym at all hours, which Now the producers have to be in on this is to say hanging out and talking about to tell her exactly where Jesse and Mandy crude topics with other guys while acting Jaye are staying and dating, then to conve- like you’ve exercised recently. niently put them in hotel rooms, one above No, after work, playing with the kids, the other, for the exterior shot of all three and finally getting them to bed, the brain to the final three, thinking that somehow looking out their windows. becomes Jello. There’s nothing left, and she might beat not just Amber but Rob, as And when Trish appeared, Jesse and even the most mindless entertainment well, in the following day’s immunity chal- Mandy Jaye looked like Maverick when he becomes Shakespeare. -
60 Minutes Program Did on the Chief, You Will Be Interested in the Enclosed Article on the Ethics of the Producers and Participants in That "Show"
h ~·:Z"·' ~i;; ;; ,:,.. ~ H~re is the opinion in the Bob Jones case that was noted recently in the p..::;r.;.e.;;:;s-:-s..::;.==.....;;=..;..:::;=.:=..;::• ~. Although I am inclined to agree with Bill Rehnquist's opinion in the Prince Edward County case now pending on certiorari, it definitely is not a good case for us to address the rather emotional-laden issue. Unhappily, the name of that county itself is synonymous in the minds of many people with dead-end segregation. ~ ·.,. "' .. 'l>.Ji: ... r·'" ,. · ,..:~:1:'.· "'""~·~ :x~ am not sure that Bob Jones presents •'· a better case •." . he issue is not identical, although it does seem close··: ~. I am sending Bill Rehnquist a copy of the opinion also, and will be interested in his views • . , Sincerely, lfp/ss cc: Justice Rehnquist .. ..·;.. I. ·. .' . \ January 8, 1981 Dear Chief: Please put the following cases on the discuss list for the January 9, 1981 Conference: 79-2065 Horwitz v. United States, p. 1 80-436 Turkish v. United States, p. 1 80-5136 Perez v. United States, p. 1 Sincerely, . ' Chief Justice ''' .· I ' ' •:· Dear Chief: Please put the following cases for the January 16, 1981 Conference: •· 80-470 Air Line Pilots Assn. v. Trans Intl. Airlines, p. 1 80-478 Int. Brotherhood Teamsters v. Trans .• Int. Airlines, p. 1 ,: 80-480 Trans Intl. Airlines v. Brotherhood Teamsters, p. 1 80-516 Air Line Pilots Ass'n. Sincerely, ·''l- ,. .. .~ ~j~ ,.. ·" ., ... ·,· :·· .... ., .. "!. ., J.' . t, (" ' ...., . •; •' ..-... ... , ?!;:. ,. ·~; .~.., ""-., ' •,, ""· .. ;;: .'" '"'i,.,. ·•, . :~ ,, ·•, .''~ ... "".'~ ,, ·, .:§u:puntt C!fttu:d ttf f!rt 'Jlfui.ttb .:§twl\' ~lt.S'Ip:nghttt. if~. <!}. 20~)!.~ CHAMBERS OF JUSTICE W><. J . BRENNAN, JR. -
MS104: Enemies of War Film Collection, 1984-1999: a Finding Aid
Enemies of War Film Collection (MS104), 1984-1999: A Finding Aid Moakley Archive and Institute www.suffolk.edu/moakley [email protected] MS104: Enemies of War Film Collection, 1984-1999: A Finding Aid Descriptive Summary Repository: Moakley Archive and Institute at Suffolk University, Boston, MA Creator: Cassidy, Esther Collection Title: Enemies of War Collection, 1984-1999 Dates: 1984-1999 (inclusive) Extent: 25.6 cubic ft. 22 boxes Preferred Citation: Enemies of War Collection (MS104), Moakley Archive and Institute, Suffolk University, Boston, MA Abstract: The Enemies of War Collection consists of 22 boxes of materials from the making of the documentary film Enemies of War, which were donated by its director/producer, Esther Cassidy. The film, which aired on PBS in the 1990s, depicts the political and social ramifications of the Salvadoran civil war with a focus on the struggles of a Salvadoran family and the Congressional investigation led by U.S. Congressman Joe Moakley into the 1989 murders of six Jesuit priests. Administrative Information Acquisition Information: Gift of Esther B. Cassidy in 2008 with an additional 18 videocassettes added in 2009. Access Restrictions: Audiovisual material requires special equipment for viewing. Some audiovisual formats may be unavailable for viewing due to their condition or format. Use Restrictions: Use of materials may be restricted based on their condition or copyright status; consult the Archives for more information. Copyright: Although the Archives claims physical ownership of all the materials in the collection, certain materials might have legal use restrictions based on privacy, copyright or stipulations made by donors; consult series notes and the Archives staff for more information.