Hourglass 05-18-04.Indd

Total Page:16

File Type:pdf, Size:1020Kb

Hourglass 05-18-04.Indd Inside: EOD inspects package — page 3 That was Public Works sets guidelines then — page 3 Veteran returns to Community Kwaj 50 years later Services looks down under — pages 4-5 — page 6 May 18, 2004 The Kwajalein Hourglass www.smdc.army.mil/KWAJ/Hourglass/hourglass.html (Photo courtesy of Leonard Surina) Editorial From Amber to Rob to Trish to Rupert, it’s all good I’ve become a reality show junkie. where Trish, the model scorned last week, This is what happens when you get mar- returns to try and get back in the game? ried and have kids. You’re not at the club, “I get what I want, and I want my boy- or staying late at the softball field or even friend back,” she says. “working out” at the gym at all hours, which Now the producers have to be in on this is to say hanging out and talking about to tell her exactly where Jesse and Mandy crude topics with other guys while acting Jaye are staying and dating, then to conve- like you’ve exercised recently. niently put them in hotel rooms, one above No, after work, playing with the kids, the other, for the exterior shot of all three and finally getting them to bed, the brain to the final three, thinking that somehow looking out their windows. becomes Jello. There’s nothing left, and she might beat not just Amber but Rob, as And when Trish appeared, Jesse and even the most mindless entertainment well, in the following day’s immunity chal- Mandy Jaye looked like Maverick when he becomes Shakespeare. lenge. She hasn’t won an event all series. saw that Charlie was the civilian expert in Which brings me back to this past week, What color is the sky in her world? “Top Gun.” which essentially marks a renaissance Well, we all know how it turned out, with They all had to think, “Are we supposed period in reality television. Funny how May Rob proposing to Amber before the votes to keep a straight face here?” sweeps do that. were read. A ploy to get his share of the Then Trish becomes twice scorned, It started with the finale of “Survivor million? The wife says not, and who am I to setting her up as the next misunderstood All-Stars,” where we saw Boston Rob and argue with her? vixen, “Bachelorette.” Amber face off against Jenna L. and Ru- They’re already marketing the wedding Jesse picks Tara from Oklahoma to go pert in the final four. rights, and I’m not making that up. But we’ll to the final two. She’s a shoe-in for the win, How did any sane contestant on the watch at my house, because my wife likes but my wife would rather not see a nice show let the Rob-Amber alliance survive them, and I like her, especially when she’s Okie girl go with such a creep, she says. to the final four? It does not take a rocket in a content mood. And in an untelevised event, we learn scientist to see that duo was set from week We follow this up with a controversial that Rupert receives the $1 million Mr. 4 on, and I’ve discussed the matter with vote on “American Idol.” There is nothing Congenialty prize on “Survivor All-Stars,” rocket scientists. about Donna Summer disco “classics” that as voted by the public, while Amber and The other all-stars acted like rookies, let- should spark controversy. They are sim- Colby get voted hottest contestants. ting that pair get through. ply a reflection of a time, long ago, when Rupert is cool. I won’t argue the point. Then Jenna L. makes the safe play to get people were, in a word, weird. Amber and Colby — this is why you will But I’m still a fan of Disco Bowling at the never see “Survivor: Antarctica.” Marshallese Word of the Day local alley, featuring Thompson “Huggy Gotta go now. “Trading Spaces” is com- Bear” Tarwoj. ing on and I love it when the couple hates lale — look And up there with the 1980 Olympics, the room, and Paige puts on the, “we-just- will any of us forget where we were during fouled-up-your-house-but-we’re-putting- The Kwajalein Hourglass the scintillating episode of “The Bachelor” this-on-national-TV-anyway” look. Commanding Officer ...Col. Jerry Brown Buckminster and Friends by Sabrina Mumma Public Affairs Officer...LuAnne Fantasia Editor .....................................Jim Bennett Graphics Designer....................Dan Adler Reporter................................ Jan Waddell Circulation............................... Jon Cassel Intern.......................... Krystle McAllister The Hourglass is named for the insignia of the U.S. Army 7th Infantry Division, which liberated the island from the forces of Imperial Japan on Feb 4, 1944. The Kwajalein Hourglass is an authorized publication for military personnel, federal employees, contractor workers and their families assigned to USAKA. Contents of the Hourglass are not necessarily official views of, or endorsed by, the U.S. Government, Department of Defense, Department of the Army or USAKA. It is published Tuesdays and Fridays in accordance with Army Regulation 360-1 and using a network printer by Kwajalein Range Services editorial staff, P.O. Box 23, APO AP 96555. Phone: Autovon 254-3539; local 53539. Printed circulation: 2,000 The Kwajalein Hourglass 2 May 18, 2004 May 18, 2004 The Kwajalein Hourglass Lagoon Road closed for suspicious package By Jan Waddell Eisele said a section of Lagoon He went to the basketball court Reporter and six housing units along with and picked Collier up. They then An unidentified package closed off the north side of Coral BQ were went to the scene with the bomb Lagoon Road Thursday afternoon. evacuated. disposal vehicle. Collier suited At 5:05 p.m., a suspect package “We evacuated everyone within up in the bomb suit and remotely was reported in the backyard of the blast distance,” said Liz Col- opened the package to verify what Quarters 497. lier, explosive ordinance disposal the contents were. When the owner of the package technician. Everyone was moved to “[It was] miscellaneous personal could not be located the Kwajalein a safe location. items,” Eisele said. Fire and Police Department set up According to Eisele, the EOD Collier said, “Everything went off a perimeter on Lagoon Road and is on call 24-hours a day and no without a hitch.” notified the Explosive Ordinance matter what they are doing they The operation was cleared around Disposal unit, according to C. respond to calls. 6:30 p.m. Thomas Eisele, explosive ordinance “[Collier] was playing basketball,” “Everybody did a beautiful job,” disposal technician. when the call came in, Eisele said. Collier said. Public Works inspects yard and housing upkeep By Jan Waddell for the community whether it’s different hours or ad- Reporter ditional days the store would be open. The Public Works Department has set forth guide- “Keep Kwajalein beautiful,” Brown said. “Everyone lines to make yard and housing upkeep easier for Kwa- has to be responsible for their quarters.” jalein residents. “Our goal is to be part of this effort,” said John Brown, Public Works, Kwajalein Operations manager. Yard Guidelines According to Brown, the USAKA regulations are “very Yard Maintenance definite about what is required.” He added, guidelines • Yard mowing and trimming should be carried out 50 are to “make it easier and more helpful to residents feet from the residence, to the road or fire lane or midpoint to understand what is expected about yard mainte- between adjoining quarters. nance.” • Grass should not exceed five inches in height. The goal is to also help develop a self-help program of • All walks drives and other finished surfaces should be equipment and hours that fit residents’ needs. free of clippings. When the weather is rainy or windy there is an in- • Trim where mowers are not accessible. crease in growth in lawns and more leaves to rake. • Hedges should be trimmed or pruned prior if new “We need to continue the effort of maintaining our growth is eight inches or more. lawn,” Brown said. • All clipping shall be bagged or bundled and left neatly A yard inspector program began in December, and at the curb for pick up. they have looked at yards, patios and fences. • Fallen leaves shall be removed once every two weeks Inspectors have raised concerns over blocked acces- and leaves shall be bagged and left at curb side for pick sibility to the residence and harborage of pests, either up. from potted plants, overgrown hedges, lumber and • Potted plant placement and quantities should be rea- building supplies or personal items. There is also a sonable and allow pest control, building maintenance and visual aspect from over-grown lawns and untrimmed emergency services access to the quarters. hedges. • Residents are not allowed to plant hedges, shrubber- Brown said residents should do things around their ies, trees or other plants without written authorization from property they can manage such as mowing, trimming Logistics Housing Office. hedges and shrubs, raking leaves, storing personal • No amount of lumber, brick, concrete blocks, pipe or items neatly, and not storing building materials. other building materials shall be kept at the quarters. He also encouraged residents to help maintain • Residents have 90 days from purchase or transfer of shared space with neighbors. ownership, of building materials, to make use of the items The Self Help Store has basic equipment such as or remove them. mowers, weed trimmers and hedge trimmers to aid Violations Procedure residents in the maintenance of their yards. • First Violation – Personnel will receive a warning from “We have been building the [self help] program,” Logistics Housing Office Brown said.
Recommended publications
  • The Edward R. Murrow of Docudramas and Documentary
    Media History Monographs 12:1 (2010) ISSN 1940-8862 The Edward R. Murrow of Docudramas and Documentary By Lawrence N. Strout Mississippi State University Three major TV and film productions about Edward R. Murrow‟s life are the subject of this research: Murrow, HBO, 1986; Edward R. Murrow: This Reporter, PBS, 1990; and Good Night, and Good Luck, Warner Brothers, 2005. Murrow has frequently been referred to as the “father” of broadcast journalism. So, studying the “documentation” of his life in an attempt to ascertain its historical role in supporting, challenging, and/or adding to the collective memory and mythology surrounding him is important. Research on the docudramas and documentary suggests the depiction that provided the least amount of context regarding Murrow‟s life (Good Night) may be the most available for viewing (DVD). Therefore, Good Night might ultimately contribute to this generation (and the next) having a more narrow and skewed memory of Murrow. And, Good Night even seems to add (if that is possible) to Murrow‟s already “larger than life” mythological image. ©2010 Lawrence N. Strout Media History Monographs 12:1 Strout: Edward R. Murrow The Edward R. Murrow of Docudramas and Documentary Edward R. Murrow officially resigned from Life and Legacy of Edward R. Murrow” at CBS in January of 1961 and he died of cancer AEJMC‟s annual convention in August 2008, April 27, 1965.1 Unquestionably, Murrow journalists and academicians devoted a great contributed greatly to broadcast journalism‟s deal of time revisiting Edward R. Murrow‟s development; achieved unprecedented fame in contributions to broadcast journalism‟s the United States during his career at CBS;2 history.
    [Show full text]
  • Turning the Camera on Court TV: Does Televising Trials Teach Us Anything About the Real Law?
    Turning the Camera on Court TV: Does Televising Trials Teach Us Anything About the Real Law? ANGELIQUE M. PAUL* I. INTRODUCTION What people think about the law is important because ours is a "public opinion" society, "which makes heavy use of referenda, and in which government does not lift a finger or move a muscle without reading the tea leaves of public desire."' The public's perception of justice influences the courts, the laws, the judges, and essentially the democratic process. So what influences the public's perception of justice? Television. For the majority of Americans, television is the most important source of information, and for many it is the only source of information. 2 This is particularly true when it comes to gathering information about the law. Because the majority of Americans have had no personal experience with the legal system,3 and because the majority of Americans get their information about the world solely from television, 4 the portrayal of justice on television is extremely important not only to the continued viability of the legal system, but also to the individual's understanding of that system. Studies indicate that the * The author would like to thank her parents, David and Lynda Paul, for their unconditional love and support. I David A. Harris, The Appearance of Justice: Court TV, Conventional Television, and Public Undersandingof the Criminal Justice Sstem, 35 ARiz. L. REv. 785, 796 (1993) (quoting Lawrence Friedman, Law, Lawyers, and Popular Culture, 98 YALE L. J. 1579, 1597 (1989)). Friedman believes that the portrayal of the legal system in popular culture is important "because it ultimately helps shape the legal culture, which in turn influences the law itself." Id.
    [Show full text]
  • Nailing an Exclusive Interview in Prime Time
    The Business of Getting “The Get”: Nailing an Exclusive Interview in Prime Time by Connie Chung The Joan Shorenstein Center I PRESS POLITICS Discussion Paper D-28 April 1998 IIPUBLIC POLICY Harvard University John F. Kennedy School of Government The Business of Getting “The Get” Nailing an Exclusive Interview in Prime Time by Connie Chung Discussion Paper D-28 April 1998 INTRODUCTION In “The Business of Getting ‘The Get’,” TV to recover a sense of lost balance and integrity news veteran Connie Chung has given us a dra- that appears to trouble as many news profes- matic—and powerfully informative—insider’s sionals as it does, and, to judge by polls, the account of a driving, indeed sometimes defining, American news audience. force in modern television news: the celebrity One may agree or disagree with all or part interview. of her conclusion; what is not disputable is that The celebrity may be well established or Chung has provided us in this paper with a an overnight sensation; the distinction barely nuanced and provocatively insightful view into matters in the relentless hunger of a Nielsen- the world of journalism at the end of the 20th driven industry that many charge has too often century, and one of the main pressures which in recent years crossed over the line between drive it as a commercial medium, whether print “news” and “entertainment.” or broadcast. One may lament the world it Chung focuses her study on how, in early reveals; one may appreciate the frankness with 1997, retired Army Sergeant Major Brenda which it is portrayed; one may embrace or reject Hoster came to accuse the Army’s top enlisted the conclusions and recommendations Chung man, Sergeant Major Gene McKinney—and the has given us.
    [Show full text]
  • Moving Towards Prevention: a Guide for Reframing Sexual Violence
    Moving toward prevention A guide for reframing sexual violence Moving toward prevention A guide for reframing sexual violence Preface Have you ever felt lost trying to explain your work in preventing sexual violence — or even explaining that sexual violence can be prevented? I know I have. Even when I was confident about my own messages, I also know the overwhelming feeling of looking into the eyes of my audience and seeing their uncertainty, confusion, and skepticism. When I began my journey at the National Sexual Violence Resource Center, I often felt lost when navigating how to communicate about prevention. But after reading the guide you are holding now, I feel empowered to embrace these conversations and enthusiastic to share this tool with you. Although I had joined our team with over a decade of experience working in public health including sexual health promotion, I found the complicated jargon, acronyms, and language experts use in talking about sexual violence prevention to be a challenging barrier. It wasn’t that I didn’t understand prevention. The underlying idea of primary prevention — stopping sexual violence before it starts — was easy for me to understand. In fact, I found it inspiring. The vision that we can work to build safer communities, organizations, and institutions where safety and respect are the norm is what motivated me to join this field in the first place. But it was difficult to share this vision with others when the language that field experts use is miles away from how everyday people and the general public talk about this issue.
    [Show full text]
  • Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
    doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer
    [Show full text]
  • Applying a Rhizomatic Lens to Television Genres
    A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here.
    [Show full text]
  • Winter/Spring 2005
    WINTER/SPRING JOHN F. K ENNEDY LIBRARY FOUNDATION 2005 NEWSLETTER New U.S. Citizens Help Mark Kennedy Library’s 25th Anniversary he John F. Kennedy Presidential Library and Museum marked the T 25th anniversary of its October 20, 1979 dedication by host- ing a celebration of the naturalization of new citizens of the United States. The ceremony was presided over by United States District Court Judge Nancy Gertner and was followed by a reception for the new citizens and their families, including a birthday cake for the Kennedy Presidential Library and Museum. TOM FITZSIMMONS In an editorial marking the Kennedy Library’s 25th anniversary, The Boston Globe observed that, “It is difficult to imagine a better New Americans take the oath of U.S. citizenship in Library Pavilion. place to begin the American experience than in this living urban museum, humming with the energy to the great-grandson of Irish immi- citizen,” Shattuck said. “And he spoke honor public service and inspire grants and that no other ceremony often about it, especially after he was new generations.” could be more fitting to celebrate his elected to the highest office in our land. If there is one phrase that captures It is difficult to imagine a better place to begin the the essence of his presidency and American experience than in this living urban museum… the meaning of citizenship as he saw it, it is that powerful phrase in his In welcoming the new citizens, library than to welcome new citizens Inaugural Address, ‘And so my fellow John Shattuck, CEO of the Kennedy from around the world.
    [Show full text]
  • IMMEDIATE RELEASE 07/14/03 Revised 8/11/03
    FOR IMMEDIATE RELEASE 07/14/03 Revised 8/11/03 THE 24th ANNUAL NEWS AND DOCUMENTARY EMMY AWARD NOMINEES ANNOUNCED TODAY BY THE NATIONAL ACADEMY OF TELEVISION ARTS AND SCIENCES Lifetime Achievement Award to be Presented to 60 Minutes Creator and Executive Producer Don Hewitt and Past and Present Correspondents and Producers New York, July 14, 2003 -- The 24th Annual News and Documentary Emmy Award nominees were announced today by Peter O. Price, President of the National Academy of Television Arts and Sciences. The awards recognize outstanding achievement by individuals and programs broadcast during the 2002 calendar year. The News and Documentary Emmy Awards will be presented at a black-tie dinner and ceremony on Wednesday evening, September 3, 2003 at the Marriott Marquis Hotel in New York City. “This year’s nominations illustrate the excellent work currently being done in the field of news & documentary,” said Price. “The hard news nominees showcase remarkable reporting on such diverse topics as international terrorism, airport security, the Israeli- Palestinian conflict, the arrest of the D.C. snipers, the brutal conflict in the Congo, and the rescue of the Pennsylvania miners. The breadth of coverage in the documentary area is equally impressive, ranging from a five-part series on the human brain to a portrait of the celebrated American landscape photographer Ansel Adams.” “We received nearly 1,500 entries, one of the largest numbers ever,” said Bill Small, Vice Chairman for News and Documentaries. “The number and range of entries
    [Show full text]
  • America Radio Archive Broadcasting Books
    ARA Broadcasting Books EXHIBIT A-1 COLLECTION LISTING CALL # AUTHOR TITLE Description Local Note MBookT TYPELocation Second copy location 001.901 K91b [Broadcasting Collection] Krauss, Lawrence Beyond Star Trek : physics from alien xii, 190 p.; 22 cm. Book Reading Room Maxwell. invasions to the end of time / Lawrence M. Krauss. 011.502 M976c [Broadcasting Collection] Murgio, Matthew P. Communications graphics Matthew P. 240 p. : ill. (part Book Reading Room Murgio. col.) ; 29 cm. 016.38454 P976g [Broadcasting Collection] Public Archives of Guide to CBC sources at the Public viii, 125, 141, viii p. Book Reading Room Canada. Archives / Ernest J. Dick. ; 28 cm. 016.7817296073 S628b [Broadcasting Skowronski, JoAnn. Black music in America : a ix, 723 p. ; 23 cm. Book Reading Room Collection] bibliography / by JoAnn Skowronski. 016.791 M498m [Broadcasting Collection] Mehr, Linda Harris. Motion pictures, television and radio : a xxvii, 201 p. ; 25 Book Reading Room union catalogue of manuscript and cm. special collections in the Western United States / compiled and edited by Linda Harris Mehr ; sponsored by the Film and Television Study Center, inc. 016.7914 R797r [Broadcasting Collection] Rose, Oscar. Radio broadcasting and television, an 120 p. 24 cm. Book Reading Room annotated bibliography / edited by Oscar Rose ... 016.79145 J17t [Broadcasting Collection] Television research : a directory of vi, 138 p. ; 23 cm. Book Reading Room conceptual categories, topic suggestions, and selected sources / compiled by Ronald L. Jacobson. 051 [Broadcasting Collection] TV guide index. 3 copies Book Archive Bldg 070.1 B583n [Broadcasting Collection] Bickel, Karl A. (Karl New empires : the newspaper and the 112 p.
    [Show full text]
  • Youth in Oregon
    YOUTH IN OREGON Director: Joel David Moore Screenwriter: Andrew Eisen Starring: Frank Langella, Billy Crudup, Christina Applegate, Nicola Peltz, Alex Shaffer, with Mary Kay Place, and Josh Lucas Release Date: In Theaters & On Demand February 3rd Genre: Comedy, Drama, Independent Running Time: 99 minutes Publicity Contacts: MPRM Communications Samuel Goldwyn Films Rene Ridinger, [email protected] Melanie Miller, [email protected] Sara Tehrani, [email protected] Ryan Boring, [email protected] SHORT SYNOPSIS Fixed on being euthanized for his 80th birthday, RAYMOND (Frank Langella) embarks on a cross-country road trip with a son-in-law (Billy Crudup) determined to change his mind in YOUTH IN OREGON. LONG SYNOPSIS When 79-year-old curmudgeon Raymond (Frank Langella) makes arrangements to be euthanized in Oregon, his family refuses to accept his decision. But when another family emergency arises, Raymond’s daughter Kate (Christina Applegate) turns to her husband Brian (Billy Crudup) for a little help. So Brian reluctantly volunteers to drive the cantankerous Raymond and his wine-loving wife Estelle (Mary Kay Place) three- thousand miles to Oregon. Determined to change the old man’s mind before they reach the Beaver State, it becomes quickly apparent to Brian that convincing your father-in- law to keep living when he’s ready to check out is no simple task. DIRECTOR JOEL DAVID MOORE, ON DIRECTING YOUTH IN OREGON: Overall, this is a beautiful script that deals with the moral compass of life’s most intriguing and mystifying struggles. Told through the lens very estranged, intimacy- parched family that has to bear the burden of a patriarch’s decision to leave them all behind.
    [Show full text]
  • That's Television Entertainment: the History, Development, and Impact
    That’s Television Entertainment: The History, Development, and Impact of the First Five Seasons of “Entertainment Tonight,” 1981-86 A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Sara C. Magee August 2008 © 2008 Sara C. Magee All Rights Reserved ii This dissertation titled That’s Television Entertainment: The History, Development, and Impact of the First Five Seasons of “Entertainment Tonight,” 1981-86 by SARA C. MAGEE has been approved for the E. W. Scripps School of Journalism and the Scripps College of Communication by Patrick S. Washburn Professor of Journalism Gregory J. Shepherd Dean, Scripps College of Communication iii Abstract MAGEE, SARA C., Ph.D., August 2008, Mass Communication That’s Television Entertainment: The History, Development, and Impact of the First Five Seasons of “Entertainment Tonight,” 1981-86 (306 pp.) Director of Dissertation: Patrick S. Washburn The line between news and entertainment on television grows more blurry every day. Heated debates over what is news and what is entertainment pepper local, national, and cable newsrooms. Cable channels devoted entirely to entertainment and a plethora of syndicated, half-hour entertainment news magazines air nightly. It was not always so. When “Entertainment Tonight” premiered in 1981, the first daily half-hour syndicated news program, no one thought it would survive. No one believed there was enough celebrity and Hollywood news to fill a daily half-hour, much less interest an audience. Still, “ET” set out to become the glitzy, glamorous newscast of record for the entertainment industry and twenty-seven years later is still going strong.
    [Show full text]
  • Functions of Intermediality in the Simpsons
    Functions of Intertextuality and Intermediality in The Simpsons Der Fakultät für Geisteswissenschaften der Universität Duisburg-Essen zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) eingereichte Dissertation von Wanja Matthias Freiherr von der Goltz Datum der Disputation: 05. Juli 2011 Gutachter: Prof. Dr. Josef Raab Prof. Dr. Jens Gurr Table of Contents List of Figures...................................................................................................................... 4 1. Introduction .............................................................................................. 5 1.1 The Simpsons: Postmodern Entertainment across Generations ................ 5 1.2 Research Focus .............................................................................................11 1.3 Choice of Material ..........................................................................................16 1.4 Current State of Research .............................................................................21 2. Text-Text Relations in Television Programs ....................................... 39 2.1 Poststructural Intertextuality: Bakhtin, Kristeva, Barthes, Bloom, Riffaterre .........................................................................................................39 2.2 Forms and Functions of Intertextual References ........................................48 2.3 Intertextuality and Intermediality ..................................................................64 2.4 Television as a
    [Show full text]