Robert C. Maynard Institute for Journalism Education Oral History Collection
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
J Ohn S. and J Ames L. K Night F Oundation
A NNUAL REPORT 1999 T HE FIRST FIFTY YEARS J OHN S. AND JAMES L. KNIGHT FOUNDATION he John S. and James L. Kn i ght Fo u n d a ti on was estab- TA B L E O F CO N T E N T S l i s h ed in 1950 as a priva te fo u n d a ti on indepen d en t Tof the Kn i g ht bro t h ers’ n e ws p a per en terpri s e s . It is C h a i r m a n’s Letter 2 ded i c a ted to f urt h ering their ideals of s ervi ce to com mu n i ty, to the highest standards of j o u r n a l i s t ic excell en ce and to the Pr e s i d e n t ’s Message 4 defense of a free pre s s . In both their publishing and ph i l a n t h ropic undert a k i n g s , History 5 the Kn i ght bro t h ers shared a broad vi s i on and uncom m on devo ti on to the com m on wel f a re . It is those ide a l s , as well as Philanthropy Takes Root 6 t h eir ph i l a n t h ropic intere s t s , to wh i ch the Fo u n d a ti on rem a i n s The First Fifty Years 8 f a i t h f u l . -
50Th Anniversary of the Assassination of Illinois Black Panther Chairman Fred Hampton with Dr
50th Anniversary of the Assassination of Illinois Black Panther Chairman Fred Hampton with Dr. Jakobi Williams: library resources to accompany programs FROM THE BULLET TO THE BALLOT: THE ILLINOIS CHAPTER OF THE BLACK PANTHER PARTY AND RACIAL COALITION POLITICS IN CHICAGO. IN CHICAGO by Jakobi Williams: print and e-book copies are on order for ISU from review in Choice: Chicago has long been the proving ground for ethnic and racial political coalition building. In the 1910s-20s, the city experienced substantial black immigration but became in the process the most residentially segregated of all major US cities. During the civil rights struggles of the 1960s, long-simmering frustration and anger led many lower-class blacks to the culturally attractive, militant Black Panther Party. Thus, long before Jesse Jackson's Rainbow Coalition, made famous in the 1980s, or Barack Obama's historic presidential campaigns more recently, the Illinois Chapter of the Black Panther Party (ILPBB) laid much of the groundwork for nontraditional grassroots political activism. The principal architect was a charismatic, marginally educated 20-year-old named Fred Hampton, tragically and brutally murdered by the Chicago police in December 1969 as part of an FBI- backed counter-intelligence program against what it considered subversive political groups. Among other things, Williams (Kentucky) "demonstrates how the ILPBB's community organizing methods and revolutionary self-defense ideology significantly influenced Chicago's machine politics, grassroots organizing, racial coalitions, and political behavior." Williams incorporates previously sealed secret Chicago police files and numerous oral histories. Other review excerpts [Amazon]: A fascinating work that everyone interested in the Black Panther party or racism in Chicago should read.-- Journal of American History A vital historical intervention in African American history, urban and local histories, and Black Power studies. -
The Vietnam War in the American Mind, 1975-1985 Mark W
University of Richmond UR Scholarship Repository Master's Theses Student Research 8-1989 Half a memory : the Vietnam War in the American mind, 1975-1985 Mark W. Jackley Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Recommended Citation Jackley, Mark W., "Half a memory : the Vietnam War in the American mind, 1975-1985" (1989). Master's Theses. Paper 520. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Half A Memory: The Vietnam War In The American Mind, 1975 - 1985 Mark W. Jackley Submitted for the Degree of Master of Arts in History University of Richmond, 1989 Dr. Barry Westin, Thesis Director This study attempts to show how Americans in general remembered the Vietnam War from 1975 to 1985, the decade after it ended. A kind of social history, the study concentrates on the war as remembered in the popular realm, examining novels as well as nonfiction, poetry, plays, movies, articles in political journals, songs, memorials, public opinion polls and more. Most everything but academic history is discussed. The study notes how the war's political historY. was not much remembered; the warrior, not the war, became the focus of national memory. The study argues that personal memory predominated over political memory for a number of reasons, the most important being the relative unimportance of the nation of Vietnam to most Americans. -
Changemakers: Biographies of African Americans in San Francisco Who Made a Difference
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Leo T. McCarthy Center for Public Service and McCarthy Center Student Scholarship the Common Good 2020 Changemakers: Biographies of African Americans in San Francisco Who Made a Difference David Donahue Follow this and additional works at: https://repository.usfca.edu/mccarthy_stu Part of the History Commons CHANGEMAKERS AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE Biographies inspired by San Francisco’s Ella Hill Hutch Community Center murals researched, written, and edited by the University of San Francisco’s Martín-Baró Scholars and Esther Madríz Diversity Scholars CHANGEMAKERS: AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE © 2020 First edition, second printing University of San Francisco 2130 Fulton Street San Francisco, CA 94117 Published with the generous support of the Walter and Elise Haas Fund, Engage San Francisco, The Leo T. McCarthy Center for Public Service and the Common Good, The University of San Francisco College of Arts and Sciences, University of San Francisco Student Housing and Residential Education The front cover features a 1992 portrait of Ella Hill Hutch, painted by Eugene E. White The Inspiration Murals were painted in 1999 by Josef Norris, curated by Leonard ‘Lefty’ Gordon and Wendy Nelder, and supported by the San Francisco Arts Commission and the Mayor’s Offi ce Neighborhood Beautifi cation Project Grateful acknowledgment is made to the many contributors who made this book possible. Please see the back pages for more acknowledgments. The opinions expressed herein represent the voices of students at the University of San Francisco and do not necessarily refl ect the opinions of the University or our sponsors. -
J366E HISTORY of JOURNALISM University of Texas School of Journalism Spring 2012
J366E HISTORY OF JOURNALISM University of Texas School of Journalism Spring 2012 Instructor: Dr. Tom Johnson Office: CMA 5.155 Phone: 232-3831 email: [email protected] Office Hours: W, Th 1:30-3 by appointment and when you least expect it Class Time: 11-12:15 Tuesday and Thursday, CMA 3.120 REQUIRED READINGS Wm David Sloan, The Media in America: A History (8th Edition). Reading packet: available on Blackboard. COURSE DESCRIPTION Development of the mass media; social, economic, and political factors that have contributed to changes in the press. Three lecture hours a week for one semester. Prerequisite: Upper-division standing and a major in journalism, or consent of instructor. OBJECTIVES J 366E will trace the development of American media with an emphasis on cultural, technological and economic backgrounds of press development. To put it more simply, this course will examine the historic relationship between American society and the media. An underlying assumption of this class is that the content and values of the media have been greatly influenced by changes in society over the last 300 years. Conversely, the media have helped shape our society. More specifically, this course will: 1. Examine how journalistic values such as objectivity have evolved. 2. Explain how the media influenced society and how society influenced the media during different periods of our nation's history. 3. Examine who controlled the media at different periods of time, how that control was exercised and how that control influenced media content. 4. Investigate the relationship between the public and the media during different periods of time. -
Nailing an Exclusive Interview in Prime Time
The Business of Getting “The Get”: Nailing an Exclusive Interview in Prime Time by Connie Chung The Joan Shorenstein Center I PRESS POLITICS Discussion Paper D-28 April 1998 IIPUBLIC POLICY Harvard University John F. Kennedy School of Government The Business of Getting “The Get” Nailing an Exclusive Interview in Prime Time by Connie Chung Discussion Paper D-28 April 1998 INTRODUCTION In “The Business of Getting ‘The Get’,” TV to recover a sense of lost balance and integrity news veteran Connie Chung has given us a dra- that appears to trouble as many news profes- matic—and powerfully informative—insider’s sionals as it does, and, to judge by polls, the account of a driving, indeed sometimes defining, American news audience. force in modern television news: the celebrity One may agree or disagree with all or part interview. of her conclusion; what is not disputable is that The celebrity may be well established or Chung has provided us in this paper with a an overnight sensation; the distinction barely nuanced and provocatively insightful view into matters in the relentless hunger of a Nielsen- the world of journalism at the end of the 20th driven industry that many charge has too often century, and one of the main pressures which in recent years crossed over the line between drive it as a commercial medium, whether print “news” and “entertainment.” or broadcast. One may lament the world it Chung focuses her study on how, in early reveals; one may appreciate the frankness with 1997, retired Army Sergeant Major Brenda which it is portrayed; one may embrace or reject Hoster came to accuse the Army’s top enlisted the conclusions and recommendations Chung man, Sergeant Major Gene McKinney—and the has given us. -
City & County of San Francisco
Office of the Mayor Gavin Newsom City & County of San Francisco FOR IMMEDIATE RELEASE: Wednesday, May 2, 2007 Contact: Mayor's Office of Communications 415-554-6131 ***PRESS RELEASE*** MAYOR NEWSOM ANNOUNCES APPOINTMENTS AND REAPPOINTMENTS TO CITY BOARDS AND COMMISSIONS San Francisco, CA – Mayor Gavin Newsom today proudly announced the following appointments and reappointments to San Francisco’s Boards and Commissions: Taxi Commission-Reappointment Mr. Tom Oneto is a born and raised second generation San Franciscan. He is a respected member of the labor community and has spent over 20 years promoting improved and equitable policies for the labor communities he represents. Mr. Oneto has worked as a Sales Supervisor for Wedemeyer Bakery for seven years and at Oroweat for an impressive thirteen years. Mr. Oneto oversaw all San Francisco sales for both companies and was responsible for various issues regarding traffic, parking, contracts, and employment. For ten years, Tom served as the Secretary/Treasurer for Teamsters Local 484 as a contract negotiator and political coordinator, and has also served on Teamsters Local 490 as the business representative and political coordinator. War Memorial Board Belva Davis made history in 1966 as the first black female TV news reporter on the West Coast. But more recently she’s been playing a new role as board president of San Francisco’s Museum of the African Diaspora. Davis' first paid writing job was as a freelance writer for Jet. She soon found work with several weekly black newspapers, including the Bay Area Independent and the San Francisco Sun- Reporter. Davis' career in broadcasting began at radio station KSAN, where she read newspaper clips on the air, becoming the first black female at the station. -
University Microfilms International 300 N
EXPLORATION OF AGENDA-SETTING IN THE NEWS MAGAZINE "60 MINUTES". Item Type text; Thesis-Reproduction (electronic) Authors Beal, Martha Bovard. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 10:28:49 Link to Item http://hdl.handle.net/10150/274772 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. -
MS104: Enemies of War Film Collection, 1984-1999: a Finding Aid
Enemies of War Film Collection (MS104), 1984-1999: A Finding Aid Moakley Archive and Institute www.suffolk.edu/moakley [email protected] MS104: Enemies of War Film Collection, 1984-1999: A Finding Aid Descriptive Summary Repository: Moakley Archive and Institute at Suffolk University, Boston, MA Creator: Cassidy, Esther Collection Title: Enemies of War Collection, 1984-1999 Dates: 1984-1999 (inclusive) Extent: 25.6 cubic ft. 22 boxes Preferred Citation: Enemies of War Collection (MS104), Moakley Archive and Institute, Suffolk University, Boston, MA Abstract: The Enemies of War Collection consists of 22 boxes of materials from the making of the documentary film Enemies of War, which were donated by its director/producer, Esther Cassidy. The film, which aired on PBS in the 1990s, depicts the political and social ramifications of the Salvadoran civil war with a focus on the struggles of a Salvadoran family and the Congressional investigation led by U.S. Congressman Joe Moakley into the 1989 murders of six Jesuit priests. Administrative Information Acquisition Information: Gift of Esther B. Cassidy in 2008 with an additional 18 videocassettes added in 2009. Access Restrictions: Audiovisual material requires special equipment for viewing. Some audiovisual formats may be unavailable for viewing due to their condition or format. Use Restrictions: Use of materials may be restricted based on their condition or copyright status; consult the Archives for more information. Copyright: Although the Archives claims physical ownership of all the materials in the collection, certain materials might have legal use restrictions based on privacy, copyright or stipulations made by donors; consult series notes and the Archives staff for more information. -
The Studio Museum in Harlem Magazine Summer/Fall 2015 Studio Magazine Board of Trustees This Issue of Studio Is Underwritten, Editor-In-Chief Raymond J
The Studio Museum in Harlem Magazine Summer/Fall 2015 Studio magazine Board of Trustees This issue of Studio is underwritten, Editor-in-Chief Raymond J. McGuire, Chairman in part, with support from Elizabeth Gwinn Carol Sutton Lewis, Vice-Chair Rodney M. Miller, Treasurer Creative Director The Studio Museum in Harlem is sup- Thelma Golden Dr. Anita Blanchard ported, in part, with public funds provided Jacqueline L. Bradley Managing Editor by the following government agencies and Valentino D. Carlotti Dana Liss elected representatives: Kathryn C. Chenault Joan S. Davidson Copy Editor The New York City Department of Cultural Gordon J. Davis, Esq. Samir S. Patel Aairs; New York State Council on the Dr. Henry Louis Gates, Jr. Arts, a state agency; National Endowment Design Sandra Grymes for the Arts; the New York City Council; Pentagram Arthur J. Humphrey Jr. and the Manhattan Borough President. George L. Knox Printing Nancy L. Lane Allied Printing Services The Studio Museum in Harlem is deeply Dr. Michael L. Lomax grateful to the following institutional do- Original Design Concept Bernard I. Lumpkin nors for their leadership support: 2X4, Inc. Dr. Amelia Ogunlesi Ann G. Tenenbaum Studio is published two times a year Bloomberg Philanthropies John T. Thompson by The Studio Museum in Harlem, Booth Ferris Foundation Reginald Van Lee 144 W. 125th St., New York, NY 10027. Ed Bradley Family Foundation The Ralph and Fanny Ellison Hon. Bill de Blasio, ex-oicio Copyright ©2015 Studio magazine. Charitable Trust Hon. Tom Finkelpearl, ex-oicio Ford Foundation All rights, including translation into other The Horace W. Goldsmith Foundation languages, are reserved by the publisher. -
Off Camera 1111.P65
In Memoriam: Rollin Post where he was head writer and producer for The Paul by: John Wildermuth, San Francisco Chronicle Coates Report, a syndicated interview show. Rollin Post (Broadcast Legend and Silver Circle In 1961, Mr. Post moved back to the Bay Area as Class of 1990) lived and breathed politics for his a morning producer and assignment editor for KPIX. more than 30 years on Bay Area television, but his A year later, he became a news reporter. work was very different from the hot talk “gotcha” Mr. Post later worked for KQED, where he was a journalism that dominates the airwaves today. commentator on the evening roundtable show “Unlike the heated, often mean-spirited political Newsroom and later co-host with Belva Davis of A reporting and commentary on TV today, Rollin man- Closer Look. aged to be insightful and expose politicians’ hypoc- Davis worked with Mr. Post for more than 30 risy without resorting to snarkiness and sarcasm,” years on a variety of TV news programs, including said Randy Shandobil, former political editor for 18 years as co-hosts of KRON’s California This Week KTVU television. “He was simultaneously a hard- interview show. hitting journalist and a gentleman.” “Whatever I learned about politics started with Mr. Post, who died at his Corte Madera home on Rollie,” said Davis, who currently hosts This Week in October 7th at age 81 from complications of Northern California on KQED. “He was so nice and Alzheimer’s disease, was a familiar figure on local normal and always willing to be of service. -
Justice Sandra O'connor Our Eminent First Professor Dean Carl B. Spaeth
44 FALL 1991 Justice Sandra O'Connor Our Eminent First Professor Dean Carl B. Spaeth Cover: Detail of illustration for "Copyright in the Information Age," the article beginning on page 4. Painted by Barron Storey, 1991. FALL 1991 44 (VOL. 26, NO.1) FROM THE DEAN 2 A Matter of Trust The campus speech issue has more than one side and no easy answers. By Paul Brest FEATURE ARTICLES 4 Copyright in the Information Age New technologies are expanding the nature STAFF and use of intellectual property. DEPARTMENTS Can the law keep pace? Editor: Constance Hellyer By Paul Goldstein Associate Editor: Ann Dethlefsen 24 Editorial Assistants: School News Susan Infantino (AB '91), Jill Daniels (AB '92), and 10 Ann Babb 42 Contributing Editor: Ruth Welch Our Professor, the President Class Notes Designer: Ev Shiro, Benjamin Harrison and his landmark Stanford Publication lectures on the Constitution helped put your Services 87 alma mater on the map. Production artists: In Memoriam Joanna McClean By Howard Bromberg Prisci lIa Johnson 94 ALUMNI/AE WEE KEN D Alumni/a: Gatherings STANFORD LAWYER (ISSN 0585-0576) is published semi-annually for alumni/re and friends of Stanford Law School. 16 Back Cover Correspondence and materials for pub Coming Events lication are welcome and should be sent to: Editor, Stanford Lawyt'T, Stanford Friends, Football, and Law School,Stanford, CA 94305-8610. Copyright 1991 by the Board ofTrust ees of the Leland Stanford Junior Uni a Famous First versity. Reproduction in whole or in An account of the festivities, including the part, without permission of the pub lisher, is ptohibited.