Foreign-Language Dvds in the Hugh Stouppe Memorial
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Ot Tlle Graduate Sohool Ot the University of Y.Anaas in Vartial Fulfi1lment
A. H. Klassen, A.. B. Submit t,.ed to tbe De11artment of EnsJ.isll and the Faoul t.Y ot tlle Graduate SOhool ot the University of Y.anaas in vartial fulfi1lment. of t.be :x~equirement.u for tlle de0.t.'ee of Ya.star of Arts. -----------~----- Ap.p.l"OVed by; r_L.~ July ,1926. There is an advantage in atudying :literatures oom- 11aratively as well a.a by tllemaelvee. !'oliGh literature ia one of the so-called miuor 1i tera.tures of Europe about which. Ame1·icana .bave only a very 211peri'ioial knoi:;ledge. but v1hioh, nevertheless, deserves our attention both for the merit tliat it IJOaaesaea intrinsically and for tile im- . ;por~t place tl11;~t it ras attained in America. This th.es1a attemyta to ~;:e a sw:-vey o! vdm.t is beat in Polish l.i terature and to trace as much 01· 1 t a.a, througl1 translation Ol." ·through .tuatorical and Cl"itioal accounts_. has be.o-ome av-dilab.le to the Amei'ioan reader. Because it is of ten hard to. d1~~~ the . line, aort1e ..B1•i tiah a.a well as ..t\me.rican treatmenta of Polieh 1iteratu.re \1·111 be considered.. I am greatly indebted to .?rofeasor s. L. ~~tu tcomb for suggesting thia eubJeot to. me eJid for the invaluable help he has g1 ven me in gn. tller;DB and selecting the ·ma.- ter1a.l. I a.m al.ao indebted to Protesaor J. H.. l~elson for the aid be has given me in the £inal preparation of .the study. -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
Inside Holy Cross - Inside
Inside Holy Cross - inside VOL. XXI, NO. 86 FRIDAY, FEBRUARY 6,1987 the independent student newspaper serving Notre Dame and Saint Mary’s Three platforms to run for SMC student body offices By MARILYN BENCHIK stated, “No experience necessary,” Assistant Saint Mary’s Editor and said, “ So, we’re just going to go for it.” Canidates for Saint Mary’s student Class officer canidates also attended body offices attended the second pre the Thursday night meeting. Running election information meeting Thursday for senior class officer positions are: night. Julie Bennett, Ana Cote, Patti Petro, Election hopefuls were required to at and Lorie Potenti. Potenti said they are tend only one of the two sessions. The not yet sure who will run for which po first pre-election meeting was held sition. Wednesday night. Sandy Cerimele, “ All four of us have had experience election commissioner, and Jeanne Hel in working with student government in ler, student body president, set the the last three years, and we feel we guidelines for campaigning have a great senior class. We want to procedures. make next year the most memorable,” The three platforms, each consisting Petro said. P of three canidates for the offices of Cote added, “Our experience is one president, vice president for student af of the most im portant factors to be con fairs, and vice president for academic sidered. We’ve already learned to deal affairs, are: Ann Rucker, Ann Reilly, with students’ problems and the issues and Ann Eckhoff; Sarah Cook, Janel which may arise.” Hamann, and Jill Hinterhalter; Eileen Canidates for the junior class posi Hetterich, Smith Hashagen, and Julie tions of president, vice president, sec Parrish. -
BORSALINO » 1970, De Jacques Deray, Avec Alain Delon, Jean-Paul 1 Belmondo
« BORSALINO » 1970, de Jacques Deray, avec Alain Delon, Jean-paul 1 Belmondo. Affiche de Ferracci. 60/90 « LA VACHE ET LE PRISONNIER » 1962, de Henri Verneuil, avec Fernandel 2 Affichette de M.Gourdon. 40/70 « DEMAIN EST UN AUTRE JOUR » 1951, de Leonide Moguy, avec Pier Angeli 3 Affichette de A.Ciriello. 40/70 « L’ARDENTE GITANE» 1956, de Nicholas Ray, avec Cornel Wilde, Jane Russel 4 Affiche de Bertrand -Columbia Films- 80/120 «UNE ESPECE DE GARCE » 1960, de Sidney Lumet, avec Sophia Loren, Tab Hunter. Affiche 5 de Roger Soubie 60/90 « DEUX OU TROIS CHOSES QUE JE SAIS D’ELLE» 1967, de Jean Luc Godard, avec Marina Vlady. Affichette de 6 Ferracci 120/160 «SANS PITIE» 1948, de Alberto Lattuada, avec Carla Del Poggio, John Kitzmille 7 Affiche de A.Ciriello - Lux Films- 80/120 « FERNANDEL » 1947, film de A.Toe Dessin de G.Eric 8 Les Films Roger Richebé 80/120 «LE RETOUR DE MONTE-CRISTO» 1946, de Henry Levin, avec Louis Hayward, Barbara Britton 9 Affiche de H.F. -Columbia Films- 140/180 «BOAT PEOPLE » (Passeport pour l’Enfer) 1982, de Ann Hui 10 Affichette de Roland Topor 60/90 «UN HOMME ET UNE FEMME» 1966, de Claude Lelouch, avec Anouk Aimée, Jean-Louis Trintignant 11 Affichette les Films13 80/120 «LE BOSSU DE ROME » 1960, de Carlo Lizzani, avec Gérard Blain, Pier Paolo Pasolini, Anna Maria Ferrero 12 Affiche de Grinsson 60/90 «LES CHEVALIERS TEUTONIQUES » 1961, de Alexandre Ford 13 Affiche de Jean Mascii -Athos Films- 40/70 «A TOUT CASSER» 1968, de John Berry, avec Eddie Constantine, Johnny Halliday, 14 Catherine Allegret. -
Documentarists and Documentary/Narrative Filmmakers Those Listed Are Directors, Unless Otherwise Noted
1 COM 321, Documentary Form in Film, Television, & Interactive Media 1/27/17 Documentarists and Documentary/Narrative Filmmakers Those listed are directors, unless otherwise noted. Documentary/Narrative Filmmakers—Many have done both: Name & Key Documentaries Key Narrative Works Nation Allen, Woody Zelig, 1983 (mockumentary) Annie Hall, 1977 US Manhattan, 1979 Altman, Robert The James Dean Story, 1957 M*A*S*H, 1970 US The Player, 1992 Short Cuts, 1993 Anderson, Lindsay Thursday’s Children, 1954 (with Guy if. , 1968 Britain Brenton) O Lucky Man!, 1973 Anderson, Paul Junun, 2015 Boogie Nights, 1997 Thomas There Will be Blood, 2007 The Master, 2012 Anger, Kenneth Kustom Kar Kommandos, 1963 Fireworks, 1947 US Scorpio Rising, 1964 Antonioni, Ragazze in bianco, 1949 L’Avventura, 1960 Michelangelo Chung Kuo – Cina, 1972 La Notte, 1961 Italy L'Eclisse, 1962 Apted, Michael The Up! series (1970‐2012 so far) Gorillas in the Mist, 1988 Britain Nell, 1994 The World is Not Enough, 1999 Berlinger, Joe Brother’s Keeper, 1992 Book of Shadows: Blair Witch 2, 2000 US The Paradise Lost Trilogy, 1996-2011 Facing the Wind, 2015 (all with Bruce Sinofsky) Berman, Shari The Young and the Dead, 2000 The Nanny Diaries, 2007 Springer & Pulcini, Hello, He Lied & Other Truths from Cinema Verite, 2011 Robert the Hollywood Trenches, 2002 Girl Most Likely, 2012 US American Splendor, 2003 (hybrid) Wanderlust, 2006 Blitz, Jeffrey Spellbound, 2002 Rocket Science, 2007 US Lucky, 2010 The Office, 2006-2013 (TV) Brakhage, Stan The Act of Seeing with One’s Own Dog Star Man, -
The Sand Canyon Review 2013
The Sand Canyon Review 2013 1 Dear Reader, The Sand Canyon Review is back for its 6th issue. Since the conception of the magazine, we have wanted to create an outlet for artists of all genres and mediums to express their passion, craft, and talent to the masses in an accessible way. We have worked especially hard to foster a creative atmosphere in which people can express their identity through the work that they do. I have done a lot of thinking about the topic of identity. Whether someone is creating a poem, story, art piece, or multimedia endeavor, we all put a piece of ourselves, a piece of who we are into everything we create. The identity of oneself is embedded into not only our creations but our lives. This year the goal ofThe Sand Canyon Review is to tap into this notion, to go beyond the words on a page, beyond the color on the canvas, and discover the artist behind the piece. This magazine is not only a collection of different artists’ identities, but it is also a part of The Sand Canyon Review team’s identity. On behalf of the entire SCR staff, I wish you a wonderful journey into the lives of everyone represented in these pages. Sincerely, Roberto Manjarrez, Managing Editor MANAGING EDITOR Roberto Manjarrez POETRY SELectION TEAM Faith Pasillas, Director Brittany Whitt Art SELectION TEAM Mariah Ertl, Co-Director Aurora Escott, Co-Director Nicole Hawkins Christopher Negron FIT C ION SELectION TEAM Annmarie Stickels, Editorial Director BILL SUMMERS VICTORIA CEBALLOS Nicole Hakim Brandon Gnuschke GRAphIC DesIGN TEAM Jillian Nicholson, Director Walter Achramowicz Brian Campell Robert Morgan Paul Appel PUBLIC RELATIONS The SCR STAFF COPY EDITORS Bill Summers Nicole Hakim COVER IMAGE The Giving Tree, Owen Klaas EDITOR IN CHIEF Ryan Bartlett 2013 EDITION3 Table of Contents Poetry Come My Good Country You Know 8 Mouse Slipping Through the Knot I Saw Sunrise From My Knees 10 From This Apartment 12 L. -
1998 Education
1998 Education JANUARY JUNE 11 Video: Alfred Steiglitz: Photographer 2–5 Workshop: Drawing for the Doubtful, Earnest Ward, artist 17 Teacher Workshop: The Art of Making Books 3 Video: Masters of Illusion 18 Gallery Talk: Arthur Dove’s Nature Abstraction, 10 Video: Cezanne: The Riddle of the Bathers Rose M. Glennon, Curator of Education 17 Video: Mondrian 25 Members Preview: O’Keeffe and Texas 21 Gallery Talk: Nature and Symbol: Impressionist and 26 Colloquium: The Making of the O’Keeffe and Texas Post-impressionism Prints from the McNay Collection, Exhibition, Sharyn Udall, Art Historian, William J. Chiego, Lyle Williams, Curator, Prints and Drawings Director, Rose M. Glennon, Curator of Education 22 Lecture and Members Preveiw: The Garden Setting: Nature Designed, Linda Hardberger, Curator of the Tobin FEBRUARY Collection of Theatre Arts 1 Video: Women in Art: O’Keeffe 24 Teacher Workshop: Arts in Education, Getty 8 Video: Georgia O’Keeffe: The Plains on Paper Education Institute 12 Gallery Talk: Arthur Dove, Georgia O’Keeffe and American Nature, Charles C. Eldredge, title? JULY 15 Video: Alfred Stieglitz: Photographer 7 Members Preview: Kent Rush Retrospective 21 Symposium: O’Keeffe in Texas 12 Gallery Talk: A Discourse on the Non-discursive, Kent Rush, artist MARCH 18 Performance: A Different Notion of Beautiful, Gemini Ink 1 Video: Women in Art: O’Keeffe 19 Performance: A Different Notion of Beautiful, Gemini Ink 8 Lunch and Lecture: A Photographic Affair: Stieglitz’s 26 Gallery Talk: Kent Rush Retrospective, Lyle Williams, Portraits -
May 2014 at BFI Southbank
May 2014 at BFI Southbank Hollywood Babylon, Walerian Borowczyk, Studio Ghibli, Anime Weekend, Edwardian TV Drama, Sci-Fi-London 2014 Hollywood Babylon: Early Talkies Before the Censors is the new Sight & Sound Deep Focus, looking at the daring, provocative and risqué films from the 1930s that launched the careers of cinema luminaries such as Bette Davis, Clark Gable, Barbara Stanwyck and Spencer Tracy. The Passport to Cinema strand continues this scintillating exploration until the end of July Cinema of Desire: The Films of Walerian Borowczyk is the first major UK retrospective of works from the infamous director of The Beast (La Bête, 1975). BFI Southbank joins forces with the 12th Kinoteka Polish Film Festival to present this programme, which will also feature a dedicated event featuring friends and colleagues of the artist on 18 May The concluding part of the Studio Ghibli retrospective, and 30th anniversary celebration, will screen well-loved family favourites including Princess Mononoke (1997), Howl’s Moving Castle (2004) and Ponyo (2008), to complement the release of Hayao Miyazaki’s The Wind Rises (2013), on 9 May The biennial BFI Southbank .Anime Weekend returns with some of the best anime to come out of Japan; this year’s selection boasts three UK premieres, including Ghost in the Shell Arise: Part 2: Ghost Whispers (2013), plus the European premiere of Tiger and Bunny: The Rising (2014) As a prelude to our WWI season in June, Classics on TV: Edwardian Drama on the Small Screen look at the plays which reveal the social -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
New Horizons
new horizons 19. NEW HORIZONS IFF PROGRAM 1 reklama_PISF_white_205x272_cmyk j.pdf 1 09/07/2019 17:00 C M Y CM MY CY CMY K 2 REZERWACJE MIEJSC NA SEANSE Ceny biletów filmowych: Posiadacze karnetów festiwalowych zobowiązani są 25 zł – pojedynczy bilet na galę otwarcia i galę wręczenia informacje praktyczne do rezerwacji miejsc na wybrane seanse filmowe. nagród Mogą to zrobić poprzez internetowy system rezerwacji 20 zł – pojedynczy bilet dostępny pod adresem www.nowehoryzonty.pl/r (strona 18 zł – pojedynczy bilet dla posiadaczy Karty Przyjaciela Kina i posiadaczy karty URBANCARD Premium telefoniczna informacja festiwalowa: dostępna również w wersji mobilnej). Liczba wejść zależy od rodzaju karnetu i liczby punktów na tym karnecie. (bilety dostępne wyłącznie w sprzedaży online) 532 726 581 Na seans można dostać się wyłącznie z rezerwacją. 25 zł – pojedynczy bilet na pokazy filmów Miejsca na wybrane seanse można rezerwować już w sekcji mBank Pokazy galowe GŁÓWNE OBIEKTY FESTIWALOWE w dniu poprzedzającym dany seans od godziny 8:30 do 14 zł – pojedynczy bilet na pokazy filmów godziny rozpoczęcia seansu. Na seanse odbywające się w sekcji Kino dzieci KNH dnia 25 lipca (w tym galę otwarcia festiwalu w Kinie Nowe Kino Nowe Horyzonty – Centrum Festiwalowe Horyzonty) rezerwacji można dokonać od dnia 24 lipca od Na spektakle, pokazy oraz wydarzenia towarzyszące ul. Kazimierza Wielkiego 19a-21 godziny 12:00. Rezerwację można odwołać do 15 minut obowiązują specjalne ceny biletów. Informacja o cenach 24.07-03.08, od 9:00 do 21:00 przed rozpoczęciem seansu. W przypadku nieodwołania dostępna jest na stronie festiwalu oraz w dalszej części 04.08, od 9:00 do 19:00 dokonanej rezerwacji i nieprzybycia na seans z karnetu programu przy opisach konkretnych wydarzeń. -
In New Iranian Cinema
UNIVERSITEIT VAN AMSTERDAM DEPARTMENT OF MEDIA STUDIES MASTER THESIS RETHINKING THE ’TYPICAL’ IN NEW IRANIAN CINEMA A STUDY ON (FEMALE) REPRESENTATION AND LOCATION IN JAFAR PANAHI’S WORK Master in Film and Media Studies Thesis supervisor: Dr. Gerwin van der Pol 2nd reader: Dr. Emiel Martens Date of Completion: 20th May 2019 i ABSTRACT Contemporary Iranian cinema has been acknowledged and praised by film critics, festivals and audiences worldwide. The recent international acclaim that Iranian films have received since the late 1980s, and particularly through the 1990s, show the significance that the films’ exhibition and reception outside Iran has played in the transformation of cinema in Iran, developing certain themes and aesthetics that have become known to be ‘typical’ Iranian and that are the focus of this paper. This survey explores Iranian film culture through the lens of Jafar Panahi and the poetics of his work. Panahi’ films, in past and present, have won numerous prizes within the international festival circuit and have been interpreted by audiences and critics around the world. Although officially banned from his profession since 2010, the Iranian filmmaker has found its ‘own’ creative ways to circumvent the limitations of censorship and express its nation’s social and political issues on screen. After providing a brief historical framework of the history of Iranian cinema since the 1990s, the survey will look at Panahi’s work within two categories. Panahi’s first three feature films will be explored under the aspects of Iranian children’s films, self-reflexivity and female representation(s). With regards to Panahi’s ‘exilic’ position and his current ban on filmmaking, the survey will analyze one of Panahi’s recent self-portrait works to exemplify the filmmaker use of ‘accented’ characteristics in terms of authorship and the meaning of location (open and closed spaces). -
LJER Vol 17 | Issue 1
IN THIS ISSUE Alternative Mercerizing Developed Short Railway Track Alternative Mercerizing Agaents Transmission Performance Agaents IMAGE: OBSERVATORY WITH STAR TRAILS ON MOUNTAINS FOR CLEAR SKY www.journalspress.com LONDON JOURNAL OF ENGINEERING RESEARCH Volume 17 | Issue 1 | Compilation 1.0 17UK © 2017 London Journals Press COMPILED IN UNITED KINGDOMS ENGLISH Powered by TCPDF (www.tcpdf.org) London Journal of Engineering Research Volume 17 | Issue 1 | Compilation 1.0 PUBLISHER London Journals Press 1210th, Waterside Dr,Opposite Arlington Building, Theale, Reading Phone:+444 0118 965 4033 Pin: RG7-4TY United Kingdom SUBSCRIPTION Find more details at https://journalspress.com/journals/subscription ENVIRONMENT London Journals Press is intended about protecting the environment. This journal is printed using led free environmental friendly ink and acid-free papers that are 100% recyclable. Copyright © 2017 by London Journals Press All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permit- ted by copyright law. For permission requests, write to the publisher, addressed “Attention: Permissions Coordinator,” at the address below. London Journals Press holds all the content copyright of this issue. London Journals Press does not hold any responsibility for any thought or content published in this journal; they belong to author's research solely. Visit https://journalspress.com/journals/privacy-policy to know more about our policies. London Journals Press Headquaters 1210th, Waterside Dr, Opposite Arlington Building, Theale, Reading Phone:+444 0118 965 4033 Pin: RG7-4TY United Kingdom Reselling this copy is prohibited.