King's Film Society Past Films 1992 –
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Index Academy Awards (Oscars), 34, 57, Antares , 2 1 8 98, 103, 167, 184 Antonioni, Michelangelo, 80–90, Actors ’ Studio, 5 7 92–93, 118, 159, 170, 188, 193, Adaptation, 1, 3, 23–24, 69–70, 243, 255 98–100, 111, 121, 125, 145, 169, Ariel , 158–160 171, 178–179, 182, 184, 197–199, Aristotle, 2 4 , 80 201–204, 206, 273 Armstrong, Gillian, 121, 124, 129 A denauer, Konrad, 1 3 4 , 137 Armstrong, Louis, 180 A lbee, Edward, 113 L ’ Atalante, 63 Alexandra, 176 Atget, Eugène, 64 Aliyev, Arif, 175 Auteurism , 6 7 , 118, 142, 145, 147, All About Anna , 2 18 149, 175, 187, 195, 269 All My Sons , 52 Avant-gardism, 82 Amidei, Sergio, 36 L ’ A vventura ( The Adventure), 80–90, Anatomy of Hell, 2 18 243, 255, 270, 272, 274 And Life Goes On . , 186, 238 Anderson, Lindsay, 58 Baba, Masuru, 145 Andersson,COPYRIGHTED Karl, 27 Bach, MATERIAL Johann Sebastian, 92 Anne Pedersdotter , 2 3 , 25 Bagheri, Abdolhossein, 195 Ansah, Kwaw, 157 Baise-moi, 2 18 Film Analysis: A Casebook, First Edition. Bert Cardullo. © 2015 John Wiley & Sons, Inc. Published 2015 by John Wiley & Sons, Inc. 284 Index Bal Poussière , 157 Bodrov, Sergei Jr., 184 Balabanov, Aleksei, 176, 184 Bolshevism, 5 The Ballad of Narayama , 147, Boogie , 234 149–150 Braine, John, 69–70 Ballad of a Soldier , 174, 183–184 Bram Stoker ’ s Dracula , 1 Bancroft, Anne, 114 Brando, Marlon, 5 4 , 56–57, 59 Banks, Russell, 197–198, 201–204, Brandt, Willy, 137 206 BRD Trilogy (Fassbinder), see FRG Barbarosa, 129 Trilogy Barker, Philip, 207 Breaker Morant, 120, 129 Barrett, Ray, 128 Breathless , 60, 62, 67 Battle -
It's a Woman's World: Almodóvar's Fighting Girls Vs. the Struggles Of
It’s a Woman’s World: Almodóvar’s Fighting Girls vs. the Struggles of the 90s Casey Watson Marshall University Spanish Capstone Watson 2 Pedro Almodóvar is a well-known director that centers his films around his home country of Spain. Almodóvar was one of the heads of the arts movement called La Movida Madrileña. Dr. Mark Allinson wrote the book A Spanish Labyrinth: Films of Pedro Almodóvar, which analyzes Almodóvar’s background and breaks down his films, “Pedro Almodóvar symbolized free and democratic Spain – as its chronicler and as its agent provocateur…” (Allinson 3). Almodóvar has been seen as a provocateur for his shock-filled and controversial films. His films have been seen as a starter of a movement of liberating Spain from its oppressed past and a look into the dark sides of the world. Almodóvar used his film, All about My Mother to fight against the oppression of women and the LGBTQ community from Spain’s history and to bring forth the struggles that were faced in the 1990s. The oppression of these groups is rooted in Spain’s history that goes back to the coup d’état of the Republic and the dictatorship of Franco. The Republic, 1931-1939, was a golden age of for women in Spain. “According to the historian Mirta Núñez (2004), the Republic prompted women to have and seek an autonomous presence in the public sphere, a presence not subordinated to men. It pushed them to seek and find paid employment in order to make a living on their own, and it also tried to instill equality in early education” (Ayerra 247). -
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs The thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. Word count: 85,810 Abstract Extreme art cinema, has, in recent film scholarship, become an important area of study. Many of the existing practices are motivated by a Franco-centric lens, which ultimately defines transgressive art cinema as a new phenomenon. The thesis argues that a study of extreme art cinema needs to consider filmic production both within and beyond France. It also argues that it requires an historical analysis, and I contest the notion that extreme art cinema is a recent mode of Film production. The study considers extreme art cinema as inhabiting a space between ‘high’ and ‘low’ art forms, noting the slippage between the two often polarised industries. The study has a focus on the paratext, with an analysis of DVD extras including ‘making ofs’ and documentary featurettes, interviews with directors, and cover sleeves. This will be used to examine audience engagement with the artefacts, and the films’ position within the film market. Through a detailed assessment of the visual symbols used throughout the films’ narrative images, the thesis observes the manner in which they engage with the taste structures and pictorial templates of art and exploitation cinema. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
DOCUMENT RESUME ED 391 195 CS 509 138 AUTHOR Tillman, Lisa M.; Bochner, Arthur P. TITLE Seeing Through Film: Cinemaas Inquiry An
DOCUMENT RESUME ED 391 195 CS 509 138 AUTHOR Tillman, Lisa M.; Bochner, Arthur P. TITLE Seeing through Film: Cinemaas Inquiry and Pedagogy. PUB DATE Nov 95 NOTE 12p.; Paper presented at the AnnualMeeting of the Speech Communication Association (8Ist, SanAntonio, TX, November 18-21, 1995). PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Speeches/Conference Papers (150) EDRS PRICE MFOI/PC01 Plus Postage. DESCRIPTORS *Audience Response; Communication (ThoughtTransfer); *Critical Thinking; *Film Criticism; *FilmStudy; Higher Education; InstructionalEffectiveness; *Relationship; Undergraduate Students IDENTIFIERS *Film Viewing; University of SouthFlorida ABSTRACT An undergraduate course at the Universityof South Florida called "Relationshipson Film" treats movies as relationship texts to be "read" by active viewers. Throughthe semester, students engage film in two ways. First, they interpret filmsas response papers. Each week, students watch the assigned filmoutside of class. Then they select the relational issuesthey want to address, and write about what they find most evocative,interesting, or questionable. Second, students turna reflexive eye onto themselves and ask what values arid assumptionsthey use to interpret relationship experience. In other words,after students write about issues they select, they examine theiranalyses and consider such questions as, "How am I positionedas a viewer of this film?" or "What does my selection of theseissues say about me?" These questions call students to examine criticallytheir own structures of interpretation--their memories, their familytraditions, their cultural Cairo," two films that affirmthat people today live in what N. Denzin Cairo," 2 films that affirmthat people today live in what N. Denzin calls "a cinematic society."These "movies about movies" suggest that film mediates identity andrelationships in several ways. -
Download the List of History Films and Videos (PDF)
Video List in Alphabetical Order Department of History # Title of Video Description Producer/Dir Year 532 1984 Who controls the past controls the future Istanb ul Int. 1984 Film 540 12 Years a Slave In 1841, Northup an accomplished, free citizen of New Dolby 2013 York, is kidnapped and sold into slavery. Stripped of his identity and deprived of dignity, Northup is ultimately purchased by ruthless plantation owner Edwin Epps and must find the strength to survive. Approx. 134 mins., color. 460 4 Months, 3 Weeks and Two college roommates have 24 hours to make the IFC Films 2 Days 235 500 Nations Story of America’s original inhabitants; filmed at actual TIG 2004 locations from jungles of Central American to the Productions Canadian Artic. Color; 372 mins. 166 Abraham Lincoln (2 This intimate portrait of Lincoln, using authentic stills of Simitar 1994 tapes) the time, will help in understanding the complexities of our Entertainment 16th President of the United States. (94 min.) 402 Abe Lincoln in Illinois “Handsome, dignified, human and moving. WB 2009 (DVD) 430 Afghan Star This timely and moving film follows the dramatic stories Zeitgest video 2009 of your young finalists—two men and two very brave women—as they hazard everything to become the nation’s favorite performer. By observing the Afghani people’s relationship to their pop culture. Afghan Star is the perfect window into a country’s tenuous, ongoing struggle for modernity. What Americans consider frivolous entertainment is downright revolutionary in this embattled part of the world. Approx. 88 min. Color with English subtitles 369 Africa 4 DVDs This epic series presents Africa through the eyes of its National 2001 Episode 1 Episode people, conveying the diversity and beauty of the land and Geographic 5 the compelling personal stories of the people who shape Episode 2 Episode its future. -
FFF Osama SG
Osama Study Guide Alicia McGivern fresh film festival 2005 1 Osama Osama Introduction Questions dir. Siddaq Barmak/ Osama is a film about life for a young Mulan is another film where the Afghanistan-Netherlands-Japan-Ireland- girl under Taliban rule in Afghanistan, central character must change her Iran/83mins/2003 the home of director and writer, Siddiq identity in order to survive. Do you Barmak. Said to be the first film know this film? Describe the story Cast produced in the country since this and compare with Osama. Marina Golbahari Osama extreme religious regime was ousted in Can you think of any other films in Arif Herati Espandi 2002, it premiered at Cannes in 2003 which the central character has to Zubaida Sahar Mother and went on to win a Golden Globe for change their identity? Best Foreign Film in 2004. The film What do you know about Afghanistan? Other cast opens with a quote from Nelson Brainstorm with your class. Mohamad NadUer Khadjeh Mandela - ‘I cannot forget, but I will Mohamad Haref Harati forgive’, which serves to entice the Director Gol Rahman Ghorbandi viewer to speculate on the story as Siddiq Barmak’s filmmaking career Khwaja Nader well as suggest an indictment of the can be seen as a reflection of recent Hamida Refah system on which the story is based. Afghan history. His early interest in The film tells the story of a cinema began in the Park Cinema in Production young girl who has to reinvent herself Kabul. Some 30 years later he Production Designer Akbar Meshkini in order to survive. -
'-Ifl/Of THESIS COMMITTEE MEMBER (TYPED) ~Wsignature DATE' ------FILM LUMIERE: NEW GENRE OR NEW LOOK at an OLD GENRE?
CALIFORNIA STATE UNIVERSITY SAN MARCOS THESIS SIGNATURE PAGE THESIS SUBMITTED FOR PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS IN LITERATURE AND WRITING STUDIES THESIS TITLE Film Lumi~re: New Genre or New Look at an Old Genre? AUTHOR: Margie Garrett DATE OF SUCCESSFUL DEFENSE: May31,2001 THE THESIS HAS BEEN ACCEPTED BY THE THESIS COMMITTEE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LITERATURE AND WRITING STUDIES. s-h~ Dr. Oliver Berghof Ql l THESIS COMMITTEE CHAIR (TYPED) SIGN~ TUR DATE Dr. Yuan Yuan THESIS COMMITTEE MEMBER (TYPED) SIGNATURE Professor Brandon Cesmat -'-ifl/of THESIS COMMITTEE MEMBER (TYPED) ~wSIGNATURE DATE' - ------------------------------------------------------------------------------------------------------------------------------ -- FILM LUMIERE: NEW GENRE OR NEW LOOK AT AN OLD GENRE? A Thesis for the Master of Arts Degree in Literature and Writing studies by Margie Garrett May 31, 2001 3 TABLE OF CONTENTS Filmography 4 Dedication and Acknowledgments 5 Chapter 1 What is Lyricism? 7 Chapter 2 A Preliminary Look at Lyrical Film 28 Chapter 3 Narrative and Lyric: Natural Enemies or Marriage of Convenience? 38 Chapter 4 The Psychology of Lyricism: Kristeva•s Chora 46 Chapter 5 The Fusion of Lyric and Epic in Film 51 Chapter 6 Lyrical Film as Objective Correlative: Music, Poetry, and Film 61 Chapter 7 The Lyrical Pattern and Film Lumiere 67 Chapter 8 Film Lumiere and its Relatives: A Continuum 82 Chapter 9 Film Technology and the Lyrical Pattern 85 Chapter 10 An In-depth Look at Several Lyrical Films 99 Chapter 11 The Major Films Compared and Contrasted 119 Chapter 12 Music of the Spheres: The Value of the Lyrical Universe 126 Works Cited 132 4 FILMOGRAPHY Films About Music and Poetry: The Piano (1993) Il Postino (1994) Blue (1993) The Double Life of Veronique (1991) Non-narrative Films: Koyaanitsqatsi (1983) Microcosmos (1996) Epics: Dr. -
Gender and the Family in Contemporary Chinese-Language Film Remakes
Gender and the family in contemporary Chinese-language film remakes Sarah Woodland BBusMan., BA (Hons) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2016 School of Languages and Cultures 1 Abstract This thesis argues that cinematic remakes in the Chinese cultural context are a far more complex phenomenon than adaptive translation between disparate cultures. While early work conducted on French cinema and recent work on Chinese-language remakes by scholars including Li, Chan and Wang focused primarily on issues of intercultural difference, this thesis looks not only at remaking across cultures, but also at intracultural remakes. In doing so, it moves beyond questions of cultural politics, taking full advantage of the unique opportunity provided by remakes to compare and contrast two versions of the same narrative, and investigates more broadly at the many reasons why changes between a source film and remake might occur. Using gender as a lens through which these changes can be observed, this thesis conducts a comparative analysis of two pairs of intercultural and two pairs of intracultural films, each chapter highlighting a different dimension of remakes, and illustrating how changes in gender representations can be reflective not just of differences in attitudes towards gender across cultures, but also of broader concerns relating to culture, genre, auteurism, politics and temporality. The thesis endeavours to investigate the complexities of remaking processes in a Chinese-language cinematic context, with a view to exploring the ways in which remakes might reflect different perspectives on Chinese society more broadly, through their ability to compel the viewer to reflect not only on the past, by virtue of the relationship with a source text, but also on the present, through the way in which the remake reshapes this text to address its audience. -
The Filmic Qualities of Tennessee Williams' Plays and Stories, Their
PEDRO ALMODÓVAR’S “HOMAGE” TO TENNESSEE WILLIAMS MICHAEL S. D. HOOPER “A Streetcar Named Desire has marked my life.”1 The filmic qualities of Tennessee Williams’ plays and stories, their perceived adaptability and the writer’s own willingness to explore the possibilities of an emergent Hollywood cinema in the early part of his career have contributed in no small part to the wide reach of his success and reputation. Indeed, his experimentation with dramatic forms, evident as early as 1944 with The Glass Menagerie and its “plastic theatre”,2 has been seen as an extension of the techniques Williams no doubt assimilated from a youth spent in movie houses: The drama of Tennessee Williams derives its lyric naturalism from the adaptation of the modern short story for the cinematic theatre. Throughout the canon, film techniques undermine the conventions of stage realism. Music comes out of nowhere. Lighting is symbolic.3 Williams often seems to have had one eye on a broader canvas, one which eschews the limitations of theatrical mimesis and which measurably assisted the transition of his work to the big screen. Notwithstanding these artistic overlaps, we have, in the post-war Hollywood versions of his plays, a second Tennessee Williams, one that may, for a variety of reasons, have reached a receptive public 1 Manuela in Todo sobre mi madre, directed by Pedro Almodóvar, El Deseo, 1999. 2 In his “Production Notes” for The Glass Menagerie, Williams writes about this as a concept that “must take the place of the exhausted theatre of realistic conventions”. See Tennessee Williams, The Glass Menagerie, in The Theatre of Tennessee Williams, New York: New Directions, 1971, I, 131. -
Tape ID Title Language Type System
Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year