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Equipo Crónica
Equipo Crónica Tomàs Llorens 1 This text is published under an international Attribution-NonCommercial-NoDerivs Creative Commons licence (BY-NC-ND), version 4.0. It may therefore be circulated, copied and reproduced (with no alteration to the contents), but for educational and research purposes only and always citing its author and provenance. It may not be used commercially. View the terms and conditions of this licence at http://creativecommons.org/licenses/by-ncnd/4.0/legalcode Using and copying images are prohibited unless expressly authorised by the owners of the photographs and/or copyright of the works. © of the texts: Bilboko Arte Ederren Museoa Fundazioa-Fundación Museo de Bellas Artes de Bilbao © Equipo Crónica (Manuel Valdés), VEGAP, Bilbao, 2015 Photography credits © Archivo Fotográfico Museo de Arte Contemporáneo de Alicante, MACA: fig. 9 © Archivo Fotográfico Museo Nacional Centro de Arte Reina Sofía: figs. 11, 12 © Bilboko Arte Ederren Museoa-Museo de Bellas Artes de Bilbao: figs. 15, 20 © Colección Arango: fig. 18 © Colección Guillermo Caballero de Luján: figs. 4, 7, 10, 16 © Fundación “la Caixa”. Gasull fotografía: fig. 8 © Patrimonio histórico-artístico del Senado: fig. 19 © Stiftung Museum Kunstpalast - ARTOTHEK: fig. 14 Original text published in the catalogue Equipo Crónica held at the Bilbao Fine Arts Museum (10 February to 18 May 2015). Sponsored by: 2 1 Estampa Popular de Valencia and the beginnings of Equipo Crónica Founded in 1964, Equipo Crónica and Estampa Popular de Valencia presented themselves to the public as two branches of a single project. Essentially, however, they were two different, independent ones and either could have appeared and evolved without the other. -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
Book Factsheet Patricia Highsmith Ripley Under Ground
Book factsheet Patricia Highsmith Crime fiction, General Fiction Ripley Under Ground 368 pages 11.6 × 18.4 cm January 1972 Published by Diogenes as Ripley Under Ground Original title: Ripley Under Ground World rights are handled by Diogenes Rights currently sold: Bulgarian (Fama) Chinese/CN (Shanghai Translation) Danish (Lindhardt & Ringhof) English/USA (Norton) Finnish (WSOY) French (Calmann-Lévy) Greek (Agra) Italian (La nave di Teseo) Japanese (Kawade Shobo) Korean (Eulyoo) Polish (Noir sur Blanc) Portuguese/BRA (Intrinseca) Portuguese/PT (Relógio d'Agua) Romanian (Art ) Russian (Azbooka-Atticus) Spanish/world (Anagrama) Swedish (Norstedts) Turkish (Can) Ukrainian (Hemiro) Vietnamese (BachvietBooks) Movie adaptations 2016: A Kind Of Murder Director: Andy Goddard Screenplay: Susan Boyd Cast: Patrick Wilson, Jessica Biel, Haley Bennett 2015: Carol / Salz und sein Preis Director: Todd Haynes Screenplay: Phyllis Nagy Cast: Cate Blanchett, Rooney Mara und Kyle Chandler 2014: The two faces of January Director: Hossein Amini Screenplay: Hossein Amini Cast: Kirsten Dunst, Viggo Mortensen, Oscar In this harrowing illumination of the psychotic mind, the enviable Isaac Tom Ripley has a lovely house in the French countryside, a beautiful and very rich wife, and an art collection worthy of a connoisseur. But 2009: Cry of the Owl such a gracious life has not come easily. One inopportune inquiry, Director: Jamie Thraves one inconvenient friend, and Ripley's world will come tumbling down Screenplay: Jamie Thraves - unless he takes decisive steps. In a mesmerizing novel that coolly Cast: Paddy Considine, Julia Stiles subverts all traditional notions of literary justice, Ripley enthralls us even as we watch him perform acts of pure and unspeakable evil. -
Patricia Highsmith's Queer Disruption: Subverting Gay Tragedy in the 1950S
Patricia Highsmith’s Queer Disruption: Subverting Gay Tragedy in the 1950s By Charlotte Findlay A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2019 ii iii Contents Acknowledgements ………………………………………………………………..……………..iv Abstract……………………………………………………………………………………………v Introduction………………………………………………………………………………………..1 1: Rejoicing in Evil: Queer Ambiguity and Amorality in The Talented Mr Ripley …………..…14 2: “Don’t Do That in Public”: Finding Space for Lesbians in The Price of Salt…………………44 Conclusion ...…………………………………………………………………………………….80 Works Cited …………..…………………………………………………………………………83 iv Acknowledgements Thanks to my supervisor, Jane Stafford, for providing always excellent advice, for helping me clarify my ideas by pointing out which bits of my drafts were in fact good, and for making the whole process surprisingly painless. Thanks to Mum and Tony, for keeping me functional for the last few months (I am sure all the salad improved my writing immensely.) And last but not least, thanks to the ladies of 804 for the support, gossip, pad thai, and niche literary humour I doubt anybody else would appreciate. I hope your year has been as good as mine. v Abstract Published in a time when tragedy was pervasive in gay literature, Patricia Highsmith’s 1952 novel The Price of Salt, published later as Carol, was the first lesbian novel with a happy ending. It was unusual for depicting lesbians as sympathetic, ordinary women, whose sexuality did not consign them to a life of misery. The novel criticises how 1950s American society worked to suppress lesbianism and women’s agency. It also refuses to let that suppression succeed by giving its lesbian couple a future together. -
Documentarists and Documentary/Narrative Filmmakers Those Listed Are Directors, Unless Otherwise Noted
1 COM 321, Documentary Form in Film, Television, & Interactive Media 1/27/17 Documentarists and Documentary/Narrative Filmmakers Those listed are directors, unless otherwise noted. Documentary/Narrative Filmmakers—Many have done both: Name & Key Documentaries Key Narrative Works Nation Allen, Woody Zelig, 1983 (mockumentary) Annie Hall, 1977 US Manhattan, 1979 Altman, Robert The James Dean Story, 1957 M*A*S*H, 1970 US The Player, 1992 Short Cuts, 1993 Anderson, Lindsay Thursday’s Children, 1954 (with Guy if. , 1968 Britain Brenton) O Lucky Man!, 1973 Anderson, Paul Junun, 2015 Boogie Nights, 1997 Thomas There Will be Blood, 2007 The Master, 2012 Anger, Kenneth Kustom Kar Kommandos, 1963 Fireworks, 1947 US Scorpio Rising, 1964 Antonioni, Ragazze in bianco, 1949 L’Avventura, 1960 Michelangelo Chung Kuo – Cina, 1972 La Notte, 1961 Italy L'Eclisse, 1962 Apted, Michael The Up! series (1970‐2012 so far) Gorillas in the Mist, 1988 Britain Nell, 1994 The World is Not Enough, 1999 Berlinger, Joe Brother’s Keeper, 1992 Book of Shadows: Blair Witch 2, 2000 US The Paradise Lost Trilogy, 1996-2011 Facing the Wind, 2015 (all with Bruce Sinofsky) Berman, Shari The Young and the Dead, 2000 The Nanny Diaries, 2007 Springer & Pulcini, Hello, He Lied & Other Truths from Cinema Verite, 2011 Robert the Hollywood Trenches, 2002 Girl Most Likely, 2012 US American Splendor, 2003 (hybrid) Wanderlust, 2006 Blitz, Jeffrey Spellbound, 2002 Rocket Science, 2007 US Lucky, 2010 The Office, 2006-2013 (TV) Brakhage, Stan The Act of Seeing with One’s Own Dog Star Man, -
The Sand Canyon Review 2013
The Sand Canyon Review 2013 1 Dear Reader, The Sand Canyon Review is back for its 6th issue. Since the conception of the magazine, we have wanted to create an outlet for artists of all genres and mediums to express their passion, craft, and talent to the masses in an accessible way. We have worked especially hard to foster a creative atmosphere in which people can express their identity through the work that they do. I have done a lot of thinking about the topic of identity. Whether someone is creating a poem, story, art piece, or multimedia endeavor, we all put a piece of ourselves, a piece of who we are into everything we create. The identity of oneself is embedded into not only our creations but our lives. This year the goal ofThe Sand Canyon Review is to tap into this notion, to go beyond the words on a page, beyond the color on the canvas, and discover the artist behind the piece. This magazine is not only a collection of different artists’ identities, but it is also a part of The Sand Canyon Review team’s identity. On behalf of the entire SCR staff, I wish you a wonderful journey into the lives of everyone represented in these pages. Sincerely, Roberto Manjarrez, Managing Editor MANAGING EDITOR Roberto Manjarrez POETRY SELectION TEAM Faith Pasillas, Director Brittany Whitt Art SELectION TEAM Mariah Ertl, Co-Director Aurora Escott, Co-Director Nicole Hawkins Christopher Negron FIT C ION SELectION TEAM Annmarie Stickels, Editorial Director BILL SUMMERS VICTORIA CEBALLOS Nicole Hakim Brandon Gnuschke GRAphIC DesIGN TEAM Jillian Nicholson, Director Walter Achramowicz Brian Campell Robert Morgan Paul Appel PUBLIC RELATIONS The SCR STAFF COPY EDITORS Bill Summers Nicole Hakim COVER IMAGE The Giving Tree, Owen Klaas EDITOR IN CHIEF Ryan Bartlett 2013 EDITION3 Table of Contents Poetry Come My Good Country You Know 8 Mouse Slipping Through the Knot I Saw Sunrise From My Knees 10 From This Apartment 12 L. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
In New Iranian Cinema
UNIVERSITEIT VAN AMSTERDAM DEPARTMENT OF MEDIA STUDIES MASTER THESIS RETHINKING THE ’TYPICAL’ IN NEW IRANIAN CINEMA A STUDY ON (FEMALE) REPRESENTATION AND LOCATION IN JAFAR PANAHI’S WORK Master in Film and Media Studies Thesis supervisor: Dr. Gerwin van der Pol 2nd reader: Dr. Emiel Martens Date of Completion: 20th May 2019 i ABSTRACT Contemporary Iranian cinema has been acknowledged and praised by film critics, festivals and audiences worldwide. The recent international acclaim that Iranian films have received since the late 1980s, and particularly through the 1990s, show the significance that the films’ exhibition and reception outside Iran has played in the transformation of cinema in Iran, developing certain themes and aesthetics that have become known to be ‘typical’ Iranian and that are the focus of this paper. This survey explores Iranian film culture through the lens of Jafar Panahi and the poetics of his work. Panahi’ films, in past and present, have won numerous prizes within the international festival circuit and have been interpreted by audiences and critics around the world. Although officially banned from his profession since 2010, the Iranian filmmaker has found its ‘own’ creative ways to circumvent the limitations of censorship and express its nation’s social and political issues on screen. After providing a brief historical framework of the history of Iranian cinema since the 1990s, the survey will look at Panahi’s work within two categories. Panahi’s first three feature films will be explored under the aspects of Iranian children’s films, self-reflexivity and female representation(s). With regards to Panahi’s ‘exilic’ position and his current ban on filmmaking, the survey will analyze one of Panahi’s recent self-portrait works to exemplify the filmmaker use of ‘accented’ characteristics in terms of authorship and the meaning of location (open and closed spaces). -
2015 WORLD CINEMA Duke of York’S the Brighton Film Festival 13-29 Nov 2015 OPENING NIGHT Fri 13 Nov / 8:30Pm
The Brighton Film Festival ADVENTURES IN 13-29 NOV 2015 WORLD CINEMA www.cine-city.co.uk Duke OF YORK’S The Brighton Film Festival 13-29 Nov 2015 OPENING NIGHT FRI 13 NOV / 8:30PM DIR: TODD Haynes. ADVENTURES IN WITH: Cate BLanchett, ROOney MARA, KYLE CHANDLER. WORLD CINEMA UK / USA 2015. 118 MINS. A stirring and stunningly realised adaptation of Patricia Highsmith’s TH novel The Price of Salt, set in Welcome TO THE 13 EDITION OF CINECITY 1950s’ New York. Therese (Rooney Mara) is an aspiring photographer, working in a Manhattan department CINECITY presents the very best store where she first encounters (15) in world cinema with a global mix of Appropriately for our 13th edition, a strong coming-of- Ben Wheatley’s High Rise – both based on acclaimed Carol (Cate Blanchett), an alluring age theme runs right through this year’s selection with novels and with long and complicated paths to the older woman whose marriage is premieres and previews, treasures many titles featuring a young protagonist at their heart, screen - we have produced an updated version of ‘Not breaking down. There is an Carol from the archive, artists’ cinema, navigating their way in the world. Showing at this Cinema’, our programme of unrealised immediate connection between a showcase of films made in this British Cinema, which will be available at venues them but as their connection city and a programme of talks and Highlighted by the screenings of throughout the festival. deepens, a spiralling emotional The Forbidden Room, Hitchcock / intensity has seismic and far-reaching education events. -
CC-Film-List
CC’s (incomplete, constantly evolving) list of “must-see” filmmakers and their films Buster Keaton: The General; Sherlock, Jr.; Steamboat Bill, Jr.; The High Sign; Our Hospitality Lucretia Martel: The Swamp; The Holy Girl; The Headless Woman Hirokazu Kore-Eda: Maborosi; Afterlife; Nobody Knows; Still Walking Terence Davies: Distant Voices, Still Lives; The Long Day Closes, The House of Mirth, The Deep Blue Sea Charles Burnett: Killer of Sheep; To Sleep with Anger Agnes Varda: Cleo From Five to Seven, The Vagabond; The Beaches of Agnes; The Gleaners & I Douglas Sirk: Written on the Wind; All That Heaven Allows; The Tarnished Angels Todd Haynes: Safe; Superstar: The Karen Carpenter Story; Far From Heaven John Ford: Stagecoach: My Darling Clementine; The Searchers Vittorio de Sica: Bicycle Thieves; Shoeshine; Umberto D; Roberto Rossellini: Rome, Open City; Paisan; Journey to Italy Luis Buñuel: Un Chien Andalou (with Salvador Dali); Los Olvidados; Illusion Travels by Streetcar: That Obscure Object of Desire; Viridiana; Belle du Jour; The Exterminating Angel Kelly Reichardt: Old Joy; Wendy & Lucy; Meek’s Cut-off; Night Moves John Greyson: Zero Patience; Lillies Sally Potter: Orlando; Yes; Ginger and Rosa Theo Angelopoulos: The Suspended Step of the Stork; Landscape in the Midst Ousmane Sembene: Moolaadé; Faat Kiné; Guelwaar Orson Welles: Citizen Kane; The Magnificent Ambersons; Touch of Evil; The Lady from Shanghai; Chimes at Midnight Zhangke Jia: The World; Still Life; Platform Ken Loach: Riff-Raff; Kes; The Navigators, Raining Stones; My -
King's Film Society Past Films 1992 –
King’s Film Society Past Films 1992 – Fall 1992 Truly, Madly, Deeply Sept. 8 Howard’s End Oct. 13 Search for Intelligent Signs of Life In the Universe Oct. 27 Europa, Europa Nov. 10 Spring 1993 A Woman’s Tale April 13 Everybody’s Fine May 4 My Father’s Glory May 11 Buried on Sunday June 8 Fall 1993 Enchanted April Oct. 5 Cinema Paradiso Oct. 26 The Long Day Closes Nov. 9 The Last Days of Chez-Nous Nov. 23 Much Ado About Nothing Dec. 7 Spring 1994 Strictly Ballroom April 12 Raise the Red Lantern April 26 Like Water for Chocolate May 24 In the Name of the Father June 14 The Joy Luck Club June 28 Fall 1994 The Wedding Banquet Sept 13 The Scent of Green Papaya Sept. 27 Widow’s Peak Oct. 9 Sirens Oct. 25 The Snapper Nov. 8 Madame Sousatzka Nov. 22 Spring 1995 Whale Music April 11 The Madness of King George April 25 Three Colors: Red May 9 To Live May 23 Hoop Dreams June 13 Priscilla: Queen of the Desert June 27 Fall 1995 Strawberry & Chocolate Sept. 26 Muriel’s Wedding Oct. 10 Burnt by the Sun Oct. 24 When Night Rain Is Falling Nov. 14 Before the Rain Nov. 28 Il Postino Dec. 12 Spring 1996 Eat Drink Man Woman March 25 The Mystery of Rampo April 9 Smoke April 23 Le Confessional May 14 A Month by the Lake May 28 Persuasion June 11 Fall 1996 Antonia’s Line Sept. 24 Cold Comfort Farm Oct. 8 Nobody Loves Me Oct. -
Sydney Film Festival Full Guest Line up for 2014 Festival 03/06/2014
MEDIA INFO DOC SYDNEY FILM FESTIVAL FULL GUEST LINE UP FOR 2014 FESTIVAL The 61st Sydney Film Festival presents over 180 films and welcomes over 100 filmmaker guests from 16 countries to walk the red carpet, introduce their films and participate in talks, panels and Q&A sessions this 4-15 June. For the most up-to-date information on guests and film please visit sff.org.au Highlights include: Direct from its world-premiere screening at the Cannes Film Festival, SFF and Vivid Ideas are proud to present the Australian Premiere of the highly anticipated futuristic thriller The Rover and host director David Michôd, actors Guy Pearce and Robert Pattinson and producer Liz Watts at the State Theatre on Saturday 7 June. The Rover screens as part of SFF’s Official Competition. Michôd, Pearce, Pattinson and Watts will also give a talk as part of Vivid Ideas at Town Hall on Sunday 8 June. Actor Cate Blanchett will attend the Festival to introduce a special screening of DreamWorks Animation’s How to Train Your Dragon 2 the second chapter of the epic trilogy in which Blanchett is the voice of the character Valka. The screening is held at 2pm on Public Holiday Monday, 9 June, at Event Cinemas George Street. UK visual artists and film directors Iain Forsyth & Jane Pollard introduce SFF’s Opening Night Film, the Australian Premiere of 20,000 Days on Earth, on Wednesday 4 June at the State Theatre. The film, a highly stylised imagination of a day in the life of musician and author Nick Cave is also in SFF’s Official Competition.