2015 WORLD CINEMA Duke of York’S the Brighton Film Festival 13-29 Nov 2015 OPENING NIGHT Fri 13 Nov / 8:30Pm

Total Page:16

File Type:pdf, Size:1020Kb

2015 WORLD CINEMA Duke of York’S the Brighton Film Festival 13-29 Nov 2015 OPENING NIGHT Fri 13 Nov / 8:30Pm The Brighton Film Festival ADVENTURES IN 13-29 NOV 2015 WORLD CINEMA www.cine-city.co.uk Duke OF YORK’S The Brighton Film Festival 13-29 Nov 2015 OPENING NIGHT FRI 13 NOV / 8:30PM DIR: TODD Haynes. ADVENTURES IN WITH: Cate BLanchett, ROOney MARA, KYLE CHANDLER. WORLD CINEMA UK / USA 2015. 118 MINS. A stirring and stunningly realised adaptation of Patricia Highsmith’s TH novel The Price of Salt, set in Welcome TO THE 13 EDITION OF CINECITY 1950s’ New York. Therese (Rooney Mara) is an aspiring photographer, working in a Manhattan department CINECITY presents the very best store where she first encounters (15) in world cinema with a global mix of Appropriately for our 13th edition, a strong coming-of- Ben Wheatley’s High Rise – both based on acclaimed Carol (Cate Blanchett), an alluring age theme runs right through this year’s selection with novels and with long and complicated paths to the older woman whose marriage is premieres and previews, treasures many titles featuring a young protagonist at their heart, screen - we have produced an updated version of ‘Not breaking down. There is an Carol from the archive, artists’ cinema, navigating their way in the world. Showing at this Cinema’, our programme of unrealised immediate connection between a showcase of films made in this British Cinema, which will be available at venues them but as their connection city and a programme of talks and Highlighted by the screenings of throughout the festival. deepens, a spiralling emotional The Forbidden Room, Hitchcock / intensity has seismic and far-reaching education events. The festival gives Truffaut, Eisenstein in Guanajuato Legendary BBC arts strand Arena is celebrated consequences. Following on you first sight of highly anticipated and many others, cinema itself is with a free exhibition at the University of Brighton from his re-workings of classic titles ahead of release and highlights a recurring theme. Documentary Gallery. Marking its 40th anniversary, Arena: Night Hollywood melodrama with and essay films, dramas and artists’ and Day is a 24 hour visual journey that follows the Far From Heaven and Mildred many others brought to Brighton cinema, illustrated talks and live AV pattern of day and night and is drawn exclusively Pierce, Todd Haynes once again from around the world for one-off performance, all explore aspects of cinema’s from Arena’s rich and varied archive of over 600 films delivers a wondrous film with screenings. past, present and future. Look out for the artists’ films featuring the most significant cultural figures of our time. outstanding performances from such as Phoenix Tapes and The Exquisite Corpus Arena: Night and Day will run for free at the University Cate Blanchett and Rooney Mara. screening at the Duke of York’s; films re-purposing of Brighton from Saturday 21 November. and re-imagining cinema where they should ideally Bringing a real sense of discovery and be seen, on the big screen. To complement the celebration of Arena, we have made highlighting the new talents that help a selection of the very best, latest arts documentaries Duke OF YORK’S keep cinema fresh and inventive, CINECITY has a long-standing interest in the including Laurie Anderson’s Heart of a Dog and SUN 29 NOV / 6:30PM CINECITY 2015 has a clear focus on idea of an invisible or imaginary cinema and this Innocence of Memories directed by Grant Gee. CLOSING NIGHT first features. In a particularly strong year renowned musician, composer and director line-up, the many notable debuts are (and CINECITY patron) Barry Adamson has created To mark the end of the festival, CINECITY join the BFI’s marked throughout the programme including a trailer for the festival, a series of imagined ‘micro- UK–wide Love season as the Music Room of Brighton’s DIR: JacQUES AUDIARD. Laszlo Nemes’ astonishing Son of Saul, winner of the movies’. Prompted by the forthcoming release of high Royal Pavilion is transformed into a picture palace to WITH: ANTOnythasan Grand Prix at this year’s Cannes. profile titles such as Terence Davies’ Sunset Song and celebrate love on the big screen. Jesuthasan, KALieaswaRI SRINIVasan. FRANCE 2015. ENGLISH, TAMIL & FRench WITH ENGLISH subtitLES. CINECITY would like to thank all our CINECITY is presented in partnership CINECITY: Tim Brown, Frank Gray, Nicky Beaumont, 110 MINS. funders and sponsors, the film-makers with Picturehouse Brighton, Screen Sara Duffy, Tracey Gue. and distributors, venues and volunteers Archive South East and the University DIGitaL MARketinG: Emma Green; Winner of the Palme d’Or at Cannes who have made this year’s festival of Brighton. We gratefully acknowledge VOLUNTEER CO-ORdinatOR: Catherine O’Sullivan; NEW FeatuRES COPY WRITER: Neil Mitchell. this year, Dheepan, directed by possible. Please visit www.cine-city. the support we receive from Arts PROGRAMME DESIGN: 6970 Design Jacques Audiard (A Prophet, Rust co.uk to keep fully up to date with the Council England, Brighton & Hove City PR: Midnight Communications; Debbie Plentie. and Bone) is intense, immersive film- programme and the latest information Council, British Film Institute and the PatRONS: Barry Adamson, Nick Cave, Paddy Considine, making of the very highest quality. on visiting film-makers. University of Brighton. Steve Coogan, John Hillcoat, Henry Normal, Ben Wheatley. Sri Lankan strangers Yalini (Kalieaswari Srinivasan) and Dheepan IN PARTNERSHIP WITH SUPPORTED BY (Antonythasan Jesuthasan) escaping the conflict in their country, pretend to be a family to seek asylum in France. Dheepan, a veteran Tamil Tiger is attempting to turn his back on violence and return to civilian life but the unconventional family unit end up on a housing estate outside Paris that www.cine-city.co.uk DHeepan is being fought over by rival gangs. 2 3 DUKE’S AT KOMEDIA SALLIS Benney TheatRE CINEMA Sat 14 NOV / 2PM Duke OF YORK’S Sunset SUN 15 NOV / 6:30PM DEBUT SUN 15 NOV / 7PM UNSEEN OPEN COLOUR PRESENTS SONG DIR: YARED ZELeke. FRANCE-ETHIOPIA 2015. A programme of short films offering an AMHARIC WITH ENGLISH subtitLES. 94 MINS. PENDA’S FEN intriguing glimpse into unrealised and alternative big screen visions. When it was scheduled in the Un Certain Regard section this year, Yared Zeleke’s Tickets £5 Lamb became the first Ethiopian film to screen at the Cannes Film Festival. Born and raised in Addis Ababa, Zeleke has been touted as one of Africa’s brightest new directors THE UNSEEN FILMS thanks to this well-received debut feature. A visually stunning and emotionally OF J.G.BALLARD multi-layered film, Lamb centres on nine-year-old Ephraim (Rediat Amare), who is DIR: CHRIS Petit. UK 1990. 12 MINS. placed into the care of his relatives after his mother dies and his poverty stricken DIR: ALAN CLARke / DAVID RUDKIN. UK 1974. 90 MINS. A short essay film from the director father has to seek work away from the family home. Ephraim’s business-minded aunt of Radio On, exploring the fiction of THE GLASS HOUSE and strict, hard-working uncle are frustrated that his only discernible interest is in A rare 16mm screening of Alan Clarke’s remarkable 1974 BBC Play for Today - one J.G.Ballard and asking why, for such DIR: ZOE BELOFF. USA 2014. 21 MINS. cooking, traditionally viewed as ‘woman’s work’. The affection Ephraim has for his pet of the visionary masterworks of British television drama. The film follows Stephen a cinematic writer, so few screen Based on Sergei Eisenstein’s notes and sheep, Chuni, is another cause for concern, especially as it is earmarked for sacrifice at Franklin, the troubled teenage son of a conservative pastor, through a series of adaptations of his writing have been drawings for a science fiction movie that a forthcoming religious feast. Distraught at the news, Ephraim decides to take drastic mystical experiences and encounters with angels, demons and the pagan King Penda. filmed. Made in 1990, it features an he pitched to Paramount in 1930. He action to save his beloved Chuni… David Rudkin’s script explores themes of resistance, nationhood, religion and sexuality, interview with David Cronenberg about imagined a great glass tower in which Duke OF YORK’S evoking a genuine sense of ‘Deep England’ and its radical potential. ‘An unforgettable his then yet-to-be filmed Crash. not only the walls, but also the floors Sat 14 NOV / 6PM hybrid of horror story, rites-of-passage spiritual quest and vision of an alternative and ceilings would be made out of glass, England.’ The Guardian. CRASH! a structure of complete visibility. Glass DIR: TERENCE DAVIES. WITH: AGYNESS Deyn. UK/LuXEMBOURG 2015. 135 MINS. DIR: HARLey COkeLISS. House was to be satire on capitalism in Introduced by writer and curator Gareth Evans. A revised and expanded edition of UK 1971. 17 MINS. which surveillance undermines relations One of British cinema’s most celebrated directors, Terence Davies, follows up 2011’s The Edge is Where the Centre Is - a beautiful small press publication exploring the A rare sight of a small screen precursor between people. The Glass House imagines The Deep Blue Sea, with his long-awaited adaptation of Lewis Grassic Gibbon’s 1932 film with articles by Evans, Rudkin, William Fowler and Sukhdev Sandhu - will be to David Cronenberg’s controversial what Eisenstein’s film might have been. novel, Sunset Song. The film’s release marks the culmination of a project its director available on the night. adaptation of J.G. Ballard’s novel, Crash. During this frustrating six months in had been trying to get financed for more than a decade. Regarded as one of the most This absorbing 1971 BBC film essay on Hollywood pitching various projects, important Scottish books of the last century, Davies does the classic novel full justice in + Live sound piece From EMBla QuicKBean (Rowan Forestier) the death drive urge, stars UFO’s Eisenstein spent much time with Charlie a beautifully rendered early 1900s-set period piece brimming with emotive themes.
Recommended publications
  • Equipo Crónica
    Equipo Crónica Tomàs Llorens 1 This text is published under an international Attribution-NonCommercial-NoDerivs Creative Commons licence (BY-NC-ND), version 4.0. It may therefore be circulated, copied and reproduced (with no alteration to the contents), but for educational and research purposes only and always citing its author and provenance. It may not be used commercially. View the terms and conditions of this licence at http://creativecommons.org/licenses/by-ncnd/4.0/legalcode Using and copying images are prohibited unless expressly authorised by the owners of the photographs and/or copyright of the works. © of the texts: Bilboko Arte Ederren Museoa Fundazioa-Fundación Museo de Bellas Artes de Bilbao © Equipo Crónica (Manuel Valdés), VEGAP, Bilbao, 2015 Photography credits © Archivo Fotográfico Museo de Arte Contemporáneo de Alicante, MACA: fig. 9 © Archivo Fotográfico Museo Nacional Centro de Arte Reina Sofía: figs. 11, 12 © Bilboko Arte Ederren Museoa-Museo de Bellas Artes de Bilbao: figs. 15, 20 © Colección Arango: fig. 18 © Colección Guillermo Caballero de Luján: figs. 4, 7, 10, 16 © Fundación “la Caixa”. Gasull fotografía: fig. 8 © Patrimonio histórico-artístico del Senado: fig. 19 © Stiftung Museum Kunstpalast - ARTOTHEK: fig. 14 Original text published in the catalogue Equipo Crónica held at the Bilbao Fine Arts Museum (10 February to 18 May 2015). Sponsored by: 2 1 Estampa Popular de Valencia and the beginnings of Equipo Crónica Founded in 1964, Equipo Crónica and Estampa Popular de Valencia presented themselves to the public as two branches of a single project. Essentially, however, they were two different, independent ones and either could have appeared and evolved without the other.
    [Show full text]
  • The Use of Rachmaninov's Second Piano Concerto in the Film Brief
    Soundtrack to a Love Story: The Use of Rachmaninov’s Second Piano Concerto In the Film Brief Encounter Sean O’Connor MHL 252 April 22, 2013 Soundtrack to a Love Story 1 Classic FM, an independent radio station in the United Kingdom, has held a poll each Easter weekend since 1996 where listeners can vote on the top 300 most popular works of classical music. In 2013, Sergei Rachmaninov’s Piano Concerto No. 2 in C minor filled the number-one spot for the third year in a row. However, when BBC News first published an online article about this in April 2011, the headline did not mention the composition’s actual title. Instead, it referred to the concerto as the “Brief Encounter theme”1. Rather than being known as a concerto by Rachmaninov, many listeners in the United Kingdom recognize the music as the score prominently used in the classic British motion picture Brief Encounter (1945). How is it that so many listeners associate the music with this film rather than as arguably Rachmaninov’s most celebrated work? To determine the reason, listeners must critically analyze the concerto and the film together to find a unifying emotion through recurring themes. This analysis will do just that, examining each movement and where excerpts from those movements appear in the film. That analysis must begin, however, with background information on both works. Today, Rachmaninov’s Second Piano Concerto is considered one of the finest musical compositions of the late romantic period, as well as, according to the poll mentioned earlier, one of the most popular pieces of “classical music” around the world.
    [Show full text]
  • Banned Movies in the Jones Media Center
    Banned Movies in the Jones Media Center : JMC Titles Date Title Country Notes Call Number This film was banned due to its extreme depictions of violence and 1971 A Clockwork Orange Ireland rape. Ban lifted in 2000.[26] DVD 6309 Banned for over 30 years, before an attempt at release was made in 2006. However, the submission for a M18 rating was rejected, and the ban was not lifted.[26] The ban was later lifted, with film was shown uncut with an R21 rating on 28 October 2011, as part 1971-2011 A Clockwork Orange Singapore of the Perspectives Film Festival.[70] DVD 6309 Banned due to depictions of violence and gang rape. Has been 1971 A Clockwork Orange South Korea lifted since.[26] DVD 6309 During President Park Chung-hee's regime, the importation of the 1979 Apocalypse Now South Korea film was on hold because of its anti-war theme.[83] DVD 14527 Banned because of the government's belief that time travel is a dangerous element in fiction and because the actions of Marty 1985 Back to the Future China McFly are highly inappropriate.[9] DVD 7462 1925 Battleship Potemkin France Banned due to fears that it could inspire revolution.[16] DVD 71 1933−1945 Battleship Potemkin Germany Banned due to fears it could inspire Marxism.[16][22] DVD 71 Banned for containing "propaganda of superstitious beliefs, namely FILM.047.01- 1959 Ben-Hur (1959) China Christianity." (Never given permission to screen)[9] JWST.022.01-FA13 Borat: Cultural Learnings of America for Make 2006 Benefit Glorious Nation of Kazakhstan Kazakhstan Banned as "offensive"[44] DVD 4611 Borat: Cultural Learnings of America for Make Banned as "offensive"[44] (possibly because of Russia's close 2006 Benefit Glorious Nation of Kazakhstan Russia relationship with Kazakhstan).
    [Show full text]
  • OFFICIAL SELECTIONS UK Films and Co-Productions at the 65Th Berlin International Film Festival
    OFFICIAL SELECTIONS UK Films and Co-productions at the 65th Berlin International Film Festival UK FILM CENTRE, STAND 38, EUROPEAN FILM MARKET, MARTIN GROPIUS BAU, NIEDERKIRCHNER STR 7, 10785 BERLIN TEL: + 49 30 209159 448 Official Selections, 65th Berlin International Film Festival 2015 5 - 15 February 2015 Productions and Co-productions from the United Kingdom Competition 45 Years Andrew Haigh Cast: Charlotte Rampling, Tom Courtenay, Geraldine James, Dolly Wells, David Sibley UK Feature World Premiere Date Time Theatre 05.02.2015 21:30 CinemaxX 9 06.02.2015 15:30 CinemaxX 7 06.02.2015 15:30 CinemaxX 9 06.02.2015 22:00 Berlinale Palast 07.02.2015 10:00 Haus der Berliner Festspiele 07.02.2015 15:00 Friedrichstadt-Palast 07.02.2015 22:15 Haus der Berliner Festspiele Out of Competition Cinderella Kenneth Branagh Cast: Cate Blanchett, Lily James, Richard Madden, Stellan Skarsgard, Derek Jacobi, Helena Bonham-Carter USA/UK Feature International Premiere Date Time Theatre 13.02.2015 12:00 Berlinale Palast 13.02.2015 19:00 Berlinale Palast 14.02.2015 12:00 Friedrichstadt-Palast 15.02.2015 15:30 Berlinale Palast Mr. Holmes Bill Condon Cast: Ian McKellen, Laura Linney, Milo Parker, Hiroyuki Sanada, Hattie Morahan UK Feature World Premiere Date Time Theatre 08.02.2015 09:00 Berlinale Palast 08.02.2015 16:00 Berlinale Palast 09.02.2015 09:30 Friedrichstadt-Palast 09.02.2015 15:00 Friedrichstadt-Palast 11.02.2015 18:00 Friedrichstadt-Palast 15.02.2015 15:30 Friedrichstadt-Palast Generation/14plus Coach Ben Adler Cast: Conner Chapman, Stuart McQuarrie,
    [Show full text]
  • Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
    Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights.
    [Show full text]
  • 新国立劇場バレエ団 the National Ballet of Japan
    公益財団法人 新国立劇場運営財団 01|公演の記録 003 Record of Performances 02|研修事業 096 Young Artists Training Programme 03|普及活動及び観客サービス活動の実施 104 Outreach and Customer Service 04|劇場施設の芸術団体等への提供 108 Theatre Rental to Performing Arts Group 05|現代舞台芸術に関する調査研究、 資料の収集及び活用 110 Research and Study of the Contemporary Performing Arts, Collection and Use of Materials 06|国際交流事業 113 International Affairs 07|民間からの支援協力 114 Financial Support from Private Sector 08|決算 120 Statement of Accounts 09|施設の概要 124 Facilities 10|組織・役員名簿 125 Organization and Executives List 平成29年度=平成29年4月〜平成30年3月(Fiscal 2017 = April 2017 - March 2018) CHAPTER 01|公演の記録 Record of Performances 公益財団法人 新国立劇場運営財団 OZAKI Motoki 理事長 尾﨑元規 President ❶ 公演概況 Outline of Productions New National Theatre Foundation 公演回数 ‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥ 279 Performances 1997.10-2018.3 5,542 新国立劇場は、オペラ、バレエ、ダンス、演劇という現代舞台 As Japan’s only National Theatre dedicated to producing 芸術のためのわが国唯一の国立劇場として、優れた舞台芸術の contemporary Performing Arts of Opera, Ballet, Dance and Drama, 創造、振興、普及に努め、日本の文化向上に寄与し、心豊かで活 the New National Theatre Tokyo creates, develops and promotes high quality performances, in order to elevate the standard of 力ある社会の持続的な発展に貢献することを使命としていま culture in Japan and to play a part in the continuous development ‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥ す。平成29年度は開場20周年ということで、2017/2018シー of an emotionally generous and vibrant society. With much 公演数 33 ズン全体を20周年記念公演とするなど、各部門ともに充実し appreciation, Fiscal Year 2017 turned out to be a fruitful year in Productions た公演成果を収めることができました。 all its genres; presenting all productions in 2017/2018 Season to 1997.10-2018.3 669 新国立劇場では三つの運営基本方針を掲げています。その commemorate our 20th Anniversary. There are three principles as to how we run our theatre. The 一つ目は、「世界水準の舞台をつくる」ことです。本年度におけ first is “To Create World-Class Performances”. As with Opera るオペラ部門では、『ニーベルングの指環』の『ジークフリート』 productions this year, by presenting “Siegfried” and “Twilight of the 『神々の黄昏』が上演され、飯守監督の指揮のもと、素晴らしい Gods” under the baton of the Artistic Director IIMORI completed 出来栄えで4部作が締めくくられました。また、もう一つの新 ‘The Ring Cycle’ and won critical acclaim.
    [Show full text]
  • THE STOPOVER (Voir Du Pays)
    ArchiPel 35 PreseNTs THE STOPOVER (Voir Du pays) A fILm wRITTEN & dIREcTEd by DELphINE & MURIEL COULIN 102 min – DcP – 2.39 INTERNATIONAL PRESS RENDEZ-VOUS Viviana Andriani, Audrey Grimaud 2 rue Turgot 75009 Paris, France Ph. +33 1 42 66 36 35 In Cannes: +33 6 80 16 81 39 [email protected] INTERNATIONAL SALES FILMS DISTRIBUTION 5 rue Nicolas Flamel 75004 Paris, France www.filmsdistribution.com Download press materials: www.rv-press.com SYNOPSIS At the end of their tour of duty in Afghanistan, two young military women, Aurore and Marine, are given three days of “decompression leave” with their unit, among tourists, at a five-star resort in cyprus. But it’s not that easy to forget the war and leave violence behind. DECOMPRESSION PROGRAM since 2008, every French soldier returning from a tour of duty goes through a “decompression period” (canadians do the same thing – us soldiers too). They are taken to a five-star hotel for three days where they are supposed to forget about the war and relax among tourists enjoying their vacation. The program, devised by army psychologists, includes aqua- gym and relaxation classes, boat excursions and group mee- tings where everyone must tell the story of their individual experience during the six months spent in a war zone. This military therapy is more or less successful. TWO POWERFUL WOMEN Aurore and Marine are two young women with strong per- sonalities. They’ve known each other since childhood, come from modest backgrounds and grew up in lorient, an ave- rage town, where there aren’t a lot of alternatives for young people to build a future.
    [Show full text]
  • Appendix 1 Periodicals of Interest to the Television Teacher
    Appendix 1 Periodicals of Interest to the Television Teacher Broadcast The broadcasting industry's weekly magazine. Up-to-the-minute news, information, rumour and gossip with useful longer critical articles. An invaluable source for the teacher wishing to keep abreast or even ahead of current developments in broadcasting. (lllA Wardour Street, London Wl) Independent Broadcasting Quarterly journal of the Independent Broadcasting Authority. Occasionally carries articles of interest both on programmes and educational developments. (Free from the IBA, 70 Brompton Road, London SW3) Journal of the Centre for Advanced TV Studies Contains abstracts and reviews of recent books on television. (48 Theobalds Road, London, WCl 8NW) Journal ofEducational Television Journal of the Educational Television Association. Mainly devoted to educational technology but an increasing number of articles discuss the place of television within the curriculum. (80 Micklegate, York) The Listener Published weekly by the BBC. Contains transcripts of programmes and background articles on broadcasting. Media, Culture and Society A new journal published by the Polytechnic of Central London (309 Regent Street, London Wl) Media Reporter Quarterly journal, mainly devoted to journalism, but also carrying articles on media education. (Brennan Publications, 148 Birchover Way, Allestree, Derby) Media Studies Association Newsletter Contains conference reports, articles, news and reviews relating to media education. (Forster Building, Sunderland Polytechnic, Sunderland) Screen Quarterly. Mainly devoted to film, but there are occasionally critical articles on television. Screen Education Quarterly. Aimed specifically at media teachers and the most useful journal currently available for television teachers. Both Screen and Screen Education are published by the Society for Education in Film and Television.
    [Show full text]
  • A Dangerous Method
    A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M.
    [Show full text]
  • 71 Ans De Festival De Cannes Karine VIGNERON
    71 ans de Festival de Cannes Titre Auteur Editeur Année Localisation Cote Les Années Cannes Jean Marie Gustave Le Hatier 1987 CTLes (Exclu W 5828 Clézio du prêt) Festival de Cannes : stars et reporters Jean-François Téaldi Ed du ricochet 1995 CTLes (Prêt) W 4-9591 Aux marches du palais : Le Festival de Cannes sous le regard des Ministère de la culture et La 2001 Salle Santeuil 791 (44) Mar sciences sociales de la communication Documentation française Cannes memories 1939-2002 : la grande histoire du Festival : Montreuil Média 2002 Salle Santeuil 791 (44) Can l’album officiel du 55ème anniversaire business & (Exclu du prêt) partners Le festival de Cannes sur la scène internationale Loredana Latil Nouveau monde 2005 Salle Santeuil 791 (44) LAT Cannes Yves Alion L’Harmattan 2007 Magasin W 4-27856 (Exclu du prêt) En haut des marches, le cinéma : vitrine, marché ou dernier refuge Isabelle Danel Scrineo 2007 Salle Santeuil 791 (44) DAN du glamour, à 60 ans le Festival de Cannes brille avec le cinéma Cannes Auguste Traverso Cahiers du 2007 Salle Santeuil 791 (44) Can cinéma (Exclu du prêt) Hollywood in Cannes : The history of a love-hate relationship Christian Jungen Amsterdam 2014 Magasin W 32950 University press Sélection officielle Thierry Frémaux Grasset 2017 Magasin W 32430 Ces années-là : 70 chroniques pour 70 éditions du Festival de Stock 2017 Magasin W 32441 Cannes La Quinzaine des réalisateurs à Cannes : cinéma en liberté (1969- Ed de la 1993 Magasin W 4-8679 1993) Martinière (Exclu du prêt) Cannes, cris et chuchotements Michel Pascal
    [Show full text]
  • Download Issue
    SSUSSEUSSExx 1 JJEEwwISIShh nEnEwwSS As readers of SJN already know this is an important year for the Jewish Community but also for the City of Brighton & Hove as, together, we all recognise the first Jewish citizen of Brighton 250 years ago. I am delighted to be able to announce the events that are planned to recognise this momentous year. There is something for everyone, some ticketed some free, so please do get involved. Buy tickets and come along and support the community and the City as we embark on the 250th Anniversary of Judaism in this great City. It has been a pleasure to direct and coordinate the work of so many different people in order to put this programme together and you can see it now on page 7. We are all delighted to be working with the Brighton Fringe (and you must buy tickets through them from today). We also thank the Historical Society for their incredible research work. The opening day on Sunday, May 8th is centred on Middle Street Synagogue whilst the unveiling of the Blue Plaque on July 14th, will be carried out by the Lord Lieutenant. See you during this important year for us all. Ivor Caplin Director 250th Anniversary Events. what’S InSIDE.... haPPY PUrIm | BrIGhtOn JEwrY 250 | cOmInG hOmE | hmD 16 | trIBUtES anD mEmOrIES | WHAT’S On | anD mOrE march 2016 • aDar I - aDar II 5776 • ISSUE 261 2 Pause for thought 3 In the lead up to the spring to bring UK law into conformity to reduce expenditure on police holidays, it is important to take a with the latest European services owing to anti-Israel look at what the UK government Directive on motor vehicle safety.
    [Show full text]
  • The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
    Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author
    [Show full text]