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新国立劇場バレエ団 the National Ballet of Japan

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新国立劇場バレエ団 the National Ballet of Japan 公益財団法人 新国立劇場運営財団 01｜公演の記録 003 Record of Performances 02｜研修事業 096 Young Artists Training Programme 03｜普及活動及び観客サービス活動の実施 104 Outreach and Customer Service 04｜劇場施設の芸術団体等への提供 108 Theatre Rental to Performing Arts Group 05｜現代舞台芸術に関する調査研究、 資料の収集及び活用 110 Research and Study of the Contemporary Performing Arts, Collection and Use of Materials 06｜国際交流事業 113 International Affairs 07｜民間からの支援協力 114 Financial Support from Private Sector 08｜決算 120 Statement of Accounts 09｜施設の概要 124 Facilities 10｜組織・役員名簿 125 Organization and Executives List 平成29年度=平成29年4月〜平成30年3月（Fiscal 2017 = April 2017 - March 2018） CHAPTER 01｜公演の記録 Record of Performances 公益財団法人 新国立劇場運営財団 OZAKI Motoki 理事長 尾﨑元規 President ❶ 公演概況 Outline of Productions New National Theatre Foundation 公演回数 ‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥ 279 Performances 1997.10-2018.3 5,542 新国立劇場は、オペラ、バレエ、ダンス、演劇という現代舞台 As Japan’s only National Theatre dedicated to producing 芸術のためのわが国唯一の国立劇場として、優れた舞台芸術の contemporary Performing Arts of Opera, Ballet, Dance and Drama, 創造、振興、普及に努め、日本の文化向上に寄与し、心豊かで活 the New National Theatre Tokyo creates, develops and promotes high quality performances, in order to elevate the standard of 力ある社会の持続的な発展に貢献することを使命としていま culture in Japan and to play a part in the continuous development ‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥ す。平成２９年度は開場２０周年ということで、２０１７／２０１８シー of an emotionally generous and vibrant society. With much 公演数 33 ズン全体を２０周年記念公演とするなど、各部門ともに充実し appreciation, Fiscal Year 2017 turned out to be a fruitful year in Productions た公演成果を収めることができました。 all its genres; presenting all productions in 2017/2018 Season to 1997.10-2018.3 669 新国立劇場では三つの運営基本方針を掲げています。その commemorate our 20th Anniversary. There are three principles as to how we run our theatre. The 一つ目は、「世界水準の舞台をつくる」ことです。本年度におけ first is “To Create World-Class Performances”. As with Opera るオペラ部門では、『ニーベルングの指環』の『ジークフリート』 productions this year, by presenting “Siegfried” and “Twilight of the 『神々の黄昏』が上演され、飯守監督の指揮のもと、素晴らしい Gods” under the baton of the Artistic Director IIMORI completed 出来栄えで４部作が締めくくられました。また、もう一つの新 ‘The Ring Cycle’ and won critical acclaim. Another production 新制作公演（オペラ+ バレエ ） ‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥ that has also won praises was the new production of “Matsukaze”; 3+1 制作『松風』は、日本人作曲家によるオペラを海外で高い評価 an opera by a Japanese composer which premiered overseas. New Productions (Opera + Ballet) を得たプロダクションで上演し、大きな話題となりました。バ With our Ballet productions, National Ballet of Japan led by the 1997.10-2018.3 120+45 レエ部門では、大原監督率いる新国立劇場バレエ団による高水 Artistic Director OHARA is going from strength to strength. By 準の舞台が好評を得ています。２９年度は『くるみ割り人形』を introducing a new production of “The Nutcracker and the Mouse 新制作し、定番のレパートリーを充実させて幅広い観客層にご King” this season, the company has added yet another range to their 覧いただいております。ダンス部門でもカンパニーデラシネラ repertoire. We have also presented a dance piece “Alice’s Adventures in Wonderland” by Company Derashinera as well as Butoh の『ふしぎの国のアリス』を家族でお楽しみいただいたほか、新 performances which expanded the range of dance productions at 入場者数（有料）‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥ 国立劇場で初めて舞踏を取り上げるなど、多彩なダンスをご紹 our theatre. In Drama, including new translation for three well- 214,816 Attendance 介しています。演劇部門においては、『君が人生の時』ほか３作 known works such as “The Time of Your Life” and Japan premiere of 品を新訳上演、鄭義信作・演出『赤道の下のマクベス』など、宮 “Macbeth on Equator”, our Artistic Director MIYATA has lined up 1997.10-2018.3 3,948,844 田監督の企画による新国立劇場ならではの作品が上演され、多 a series of works only to be seen at the New National Theatre and earned respect from the audience. くの観客の支持を得ました。 The second of our basic principles is “To Contribute in 運営方針の二つ目は、「舞台に関わる人をつくる」ことです。 Developing Theatre Practitioners”. We find that nurturing artists 次世代を担うトップレベルの芸術家や専門的人材を育成するこ and helping to develop the skills of theatre specialists shall とは、現代舞台芸術の発展に欠かせません。オペラ・バレエ・ contribute to the continuation of Performing Arts. Therefore, we are 普及公 演の入 場 者 数 ‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥‥ 21,386 演劇の各研修事業では在外研修を含め着実に成果を上げ、若い proud of what our Young Artist Training Progammes have achieved Attendance of Performances for Students and Children from their training overseas. 才能が育っています。 The third principle is “To Engage with Society At Large”. We not 1997.10-2018.3 300,080 三つ目は、「社会との関わりを大切にする」ことです。本年度 only presented productions at our theatre in Tokyo but also toured は東京の劇場だけでなく、全国１３ヶ所で９作品３５公演を上演。 to 13 venues with 9 productions and 35 performances around 新国立劇場合唱団は、２２件６４公演。その他４作品がテレビや Japan while the New National Theatre Chorus has performed at ラジオで全国放送されました。また、「こどものためのバレエ劇 22 external concerts and 64 performances. Also, 4 productions have been broadcasted nationwide. By presenting “Ballet for 場」や「高校生のためのオペラ鑑賞教室」を東京と関西で上演す Children” as well as presenting “Educational Programme for High ることで、若い世代に初めて舞台を観る喜びを提供することが School Students” in Tokyo and Kansai, we were able to provide できました。 opportunities for many young people to experience the magic of 私ども新国立劇場はこの開場２０周年を一区切りとし、次の theatre for the first time in their lives. ２０年を見据えて新たなステージへと動き出します。これから Marking 20th Anniversary this year, we are ready to embark on another level having the next 20 years in scope. While we も新国立劇場の使命を果たすべく、最大限の努力をしていく所 continue to make every effort to render your visit worthwhile, we 存ですので、なお一層のご支援、ご協力を賜りますよう宜しく look forward to welcoming you to our theatre. Thank you for your お願い致します。 continuous support. 平成３０年９月 September 2018 002 003 OPERA オペラ オテロ ︿2017.4〉 松風︿2018.2〉 Otello Matsukaze 高校生のためのオペラ鑑賞教室 蝶々夫人︿2017.7〉 椿姫︿2017.11〉 Educational Programme for High School Students in 2017 La Traviata "Madama Butterfly" フィガ ロの 結 婚 ︿2017.4〉 ホフマン 物 語 ︿2018.2‒3〉 Le Nozze di Figaro Les contes d'Hoffmann ばらの騎 士 ︿2017.11‒12〉 高校生のためのオペラ鑑賞教室･関西公演 蝶々夫人︿2017.10‒11〉 Der Rosenkavalier Educational Programme for High School Students in Kansai "Madama Butterfly" 楽劇『ニーベルングの指環』第２日 ジークフリート︿2017.6〉 愛の妙薬︿2018.3〉 "Der Ring des Nibelungen" Zweiter Tag Siegfried L'elisir d'amore こうもり ︿2018.1〉 Die Fledermaus 地域招聘オペラ公演 びわ湖ホール「ミカド」︿2017.8〉 Invitational Programme for Performing arts in the Region Biwako Hall "The Mikado" 楽劇『ニーベルングの指環』第３日 神々の黄昏︿2017.10〉 「ジークフリート」 ハイライトコンサート ︿2017.5〉 "Der Ring des Nibelungen" Dritter Tag Götterdämmerung "Siegfried" Highlights in Concert Style 004 005 BALLET バレエ ニューイヤー・バレエ ︿2018.1〉 New Year Ballet 眠れる森の美女︿2017.5〉 The Sleeping Beauty パ ･ド･カトル Pas de Quatre シ ン フ ォ ニ ー・イ ン・ C Symphony in C Choreography by George Balanchine © School of American Ballet チ ャ イ コ フ ス キ ー・パ・ド・ド ゥ Tschaikovsky Pas de Deux Choreography by George Balanchine © The George Balanchine Trust ジゼル︿2017.6‒7〉 Giselle くる み 割り人 形 ︿2017.10‒11〉 ホフマン物 語 ︿2018.2〉 The Nutcracker and the Mouse King Tales of Hoffmann シンデレラ ︿2017.12〉 こどものためのバレエ劇場 しらゆき姫 ︿2017.7〉 Cinderella Ballet for Children "Snow White" 006 007 DANCE ダンス 小野寺修二 カンパニーデラシネラ「ふしぎの国のアリス」 ︿2017.6〉 Onodera Shuji Company Derashinera "Alice’s Adventures in Wonderland" 高谷史郎︵ダムタイプ︶「ST/LL」︿2018.2〉 Takatani Shiro (Dumb Type) "ST/LL" オカ 山海塾 「海の賑わい 陸の静寂―めぐり」 ︿2017.11〉 Sankai Juku "MEGURI―Teeming Sea, Tranquil Land" 大駱駝艦･天賦典式 「罪と罰」 ︿2018.3〉 DAIRAKUDAKAN TEMPTENSHIKI "Crime and Punishment" 008 009 DRAMA 演 劇 かさなる視点 ―日本戯曲の力 ― Vol.2 城塞︿2017.4〉 Perspectives beyond Generation: the Power of Japanese Drama Vol.2 The Fortress トロイ戦 争は 起こらない ︿2017.10〉 The Trojan War Will Not Take Place かさなる視点 ―日本戯曲の力 ― Vol.3 マリアの首 ―幻に長 崎を想う曲 ―︿2017.5〉 Perspectives beyond Generation: the Power of Japanese Drama Vol.3 The Head of Mary: Nagasaki as Theophany プライムたち の 夜 ︿2017.11〉 JAPAN MEETS …―現 代 劇 の 系 譜 をひもとく ― Ⅺ Marjorie Prime 君が人 生の時 ︿2017.6〉 JAPAN MEETS…A Look at the Lineage of Contemparary Drama‒ XI The Time of Your Life かがみのかなたはたなかのなかに︿2017.12〉 Kagami no Kanata wa Tanaka no Nakani JAPAN MEETS …―現 代 劇 の 系 譜 をひもとく ― Ⅻ 怒りをこめてふり返 れ ︿2017.7〉 JAPAN MEETS…A Look at the Lineage of Contemparary Drama‒ XII 赤 道の下のマクベス ︿2018.3〉 Look Back in Anger Macbeth on the Equator 010 011 NNTT 20TH ANNIVERSARY RELATED WORKS 開場20周年記念事業 開場２０周年 特設ウェブサイト 20th Anniversary Website 新国立劇場開場２０ 周年記念式典 2018年1月8日（ 月・祝 ） オペラ劇 場（オペラパレス） 20th Anniversary Ceremony on 8 January 2018 at the OPERA HOUSE 〈式典〉 国歌演奏 指 揮 オペラ芸術監督 飯守泰次郎 管弦楽 東京フィルハーモニー交響楽団 式 辞 独立行政法人 日本芸術文化振興会理事長 茂木七左衞門 祝 辞 文部科学大臣政務官 宮川典子 祝 辞 元 国立音楽大学学長 海老澤 敏 挨 拶 公益財団法人 新国立劇場運営財団会長 榊原定征 挨 拶 公益財団法人 新国立劇場運営財団理事長 尾﨑元規 ウェルカムフラッグ 羽田空港国内線第２ターミナル広告掲出 〈祝賀会〉オペラパレス ホワイエ Welcome Flags Advertisement Posting at Haneda Airport Domestic Terminal 2 ご挨拶 文化庁長官 宮田亮平 式典・祝賀会司会 TBS アナウンサー 秋沢淳子 〈新国立劇場バレエ団公演「ニューイヤー・バレエ」〉 第1部 「パ・ド・カトル」 「 グ ラン・パ・クラシック 」 「 チャイコフスキ ー・パ・ド・ドゥ」 第 2 部 「 シンフォニ ー・イン・C 」 祝賀会で披露された３研修所研修生によるパフォーマンス Performance by Young Artists of the Training Programme 指 揮 ポール・マーフィー 管弦楽 東京フィルハーモニー交響楽団 新 国 立 劇 場 ポスター 展 「イメージの 記 憶 」 新宿駅構内ポスター 掲示 The Exhibition "Memory of Image" Poster Exhibition at Shinjuku Station 012 013 YOUNG ARTISTS TRAINING PROGRAMME 研修事業 NNT Opera Studio オペラ研修 オペラ ラインアップ OPERA Line-up 〈2016/2017シーズン〉 芸術監督：飯守泰次郎 Artistic Director: IIMORI Taijiro 2017.4 オテロ 016 Otello 2017.4 フィガロの結婚 018 Le Nozze di Figaro 試 演 会 「 ド ン・ジ ョ ヴ ァ ン ニ ～石の招待客（ まろうど ）～」 ︿2017.11〉 修 了 公 演 「 イ ル・カ ン ピ エ ッ ロ 」 ︿2018.3〉 NNTT Young Opera Singers Tomorrow 2017 2017.6 ︿2017.6‒7〉 Graduation Performance 楽劇「ニーベルングの指環」第２日 "Don Giovanni Tenorio, or The Stone Guest" "Il Campiello (The Little Square)" ジ ー クフリート 020 “Der Ring des Nibelungen” Zweiter Tag Siegfried 〈新国立劇場 開場20周年記念 2017/2018シーズン〉 芸術監督：飯守泰次郎 Artistic Director: IIMORI Taijiro 2017.10 楽劇「ニーベルングの指環」第３日 バレエ研修 神々の黄昏 022 NNT Ballet School “Der Ring des Nibelungen” Dritter Tag Götterdämmerung 2017.11 椿姫 024 La Traviata 2017.11-12 ばらの騎士 026 Der Rosenkavalier 2018.1 こうもり 028 Die Fledermaus 2018.2 松風 030 Matsukaze 2018.2-3 バ レ エ・ア ス テ ラ ス ２０１７ カーテンコール ︿2017.7〉 第１３期 生・第１４期 生 発 表 公 演 「オ ータム・コン サ ート２０１７」 エ ト ワ ー ル へ の 道 程 ２０１８ ホフマン物語 032 Ballet Asteras 2017 Curtain Call 「くる み 割り人 形」第２幕 より ︿2017.11〉
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