DOCSLIB.ORG

71 Ans De Festival De Cannes Karine VIGNERON

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

71 ans de Festival de Cannes Titre Auteur Editeur Année Localisation Cote Les Années Cannes Jean Marie Gustave Le Hatier 1987 CTLes (Exclu W 5828 Clézio du prêt) Festival de Cannes : stars et reporters Jean-François Téaldi Ed du ricochet 1995 CTLes (Prêt) W 4-9591 Aux marches du palais : Le Festival de Cannes sous le regard des Ministère de la culture et La 2001 Salle Santeuil 791 (44) Mar sciences sociales de la communication Documentation française Cannes memories 1939-2002 : la grande histoire du Festival : Montreuil Média 2002 Salle Santeuil 791 (44) Can l’album officiel du 55ème anniversaire business & (Exclu du prêt) partners Le festival de Cannes sur la scène internationale Loredana Latil Nouveau monde 2005 Salle Santeuil 791 (44) LAT Cannes Yves Alion L’Harmattan 2007 Magasin W 4-27856 (Exclu du prêt) En haut des marches, le cinéma : vitrine, marché ou dernier refuge Isabelle Danel Scrineo 2007 Salle Santeuil 791 (44) DAN du glamour, à 60 ans le Festival de Cannes brille avec le cinéma Cannes Auguste Traverso Cahiers du 2007 Salle Santeuil 791 (44) Can cinéma (Exclu du prêt) Hollywood in Cannes : The history of a love-hate relationship Christian Jungen Amsterdam 2014 Magasin W 32950 University press Sélection officielle Thierry Frémaux Grasset 2017 Magasin W 32430 Ces années-là : 70 chroniques pour 70 éditions du Festival de Stock 2017 Magasin W 32441 Cannes La Quinzaine des réalisateurs à Cannes : cinéma en liberté (1969- Ed de la 1993 Magasin W 4-8679 1993) Martinière (Exclu du prêt) Cannes, cris et chuchotements Michel Pascal Nil editions 1987 CTLes (Prêt) W 10104 Roberto Rossellini et la seconde guerre mondiale : un cinéaste Enrique Seknadje- L’Harmattan 2000 Magasin W 19184 entre propagande et réalisme Askénazi Roberto Rossellini’s Rome open city Cambridge 2004 CTLes (Prêt) W 19470 university press Le Troisième homme : 1949 Gérard Pangon Arte éditions 1997 Magasin BR 2365-3 Karine VIGNERON 71 ans de Festival de Cannes Le Guépard, Luchino Visconti Laurence Schifano Nathan 1991 Magasin W 7870 (Exclu du prêt) Le Guépard (roman) Giuseppe Tomasi di Points 2007 Salle Santeuil 85/4 TOM Gat Lampedusa Les Parapluies de Cherbourg, Jacques Demy : étude critique Jean-Pierre Berthomé Nathan 1996 Magasin W 9900 Un homme et une femme : 1966 Arte éditions 1997 Magasin BR 2365-19 Blow up, une seconde vue : essai sur la complexité filmique Jean-François Robic L’Harmattan 2012 Magasin W 24410 Elio Petri e il cinema politico italiano : la piazza carnevalizzata Alfredo Rossi Mimesis 2015 Magasin W 30951 L’Albero degli zoccoli (L’Arbre aux sabots – roman) Gian Pietro Dell’Acqua Moizzi 1979 Magasin H 6141 (BUFR Italien) Apocalypse now, journal Eleanor Coppola Sonatine 2011 Magasin W 23655 Die Blechtrommel (Le Tambour – roman) Günter Grass Luchterhand 1968 Magasin 83/4 GRA Ble Le Tambour (roman) Günter Grass Ed du seuil 1961 Magasin XC 4144 Paris, Texas Wim Wenders Greno 1984 Magasin W 5370 Pulp fiction : toute l’histoire du chef d’œuvre de Quentin Tarantino Jason Bailey Huginn & 2014 Magasin W 4-28194 Muninn Karine VIGNERON 71 ans de Festival de Cannes La Filmographie Titre Cote Alfie (Alfie le dragueur) – Lewis Gilbert DVD 2495 Alice doesn’t live here anymore (Alice n’est plus ici) – Martin Scorsese DVD 4670 All about Eve – Joseph Mankiewicz DVD 438/5331 Amour – Michael Haneke DVD 5808 An american in paris (Un américain à Paris) – Vincente Minnelli DVD 1527 The Angels’ share (La Part des anges) – Ken Loach DVD 4401 Antoine et Antoinette – Jacques Becker DVD 5083 The Artist – Michel Hazanavicius DVD 4362 L’Avventura – Michelangelo Antonioni DVD 1107 Baccalauréat – Cristian Mungiu DVD 6011 Barton Fink – Joël & Ethan Coen DVD 2594 La Bataille du rail – René Clément DVD 547 Bikur ha-tizmoret (La Visite de la fanfare) – Eran Kolirin DVD 5190 Bird – Clint Eastwood DVD 2945 Birdy – Alan Parker DVD 218 Biutiful – Alejandro Gonzales Inarritu DVD 3748 Die Blechtrommel (Le Tambour) – Volker Schlöndorff DVD 1154 Blow up – Michelangelo Antonioni DVD 4798 Brutti, sporchi e cattivi (Affreux, sales et méchants) – Ettore Scola DVD 1447 Cannes 49ème semaine de la critique DVD 3893 (1-2) Chihwaseon (Ivre de femmes et de peinture) – Im Kwon Taek DVD 804 La Classe operaia va in paradiso (La Classe ouvrière va au paradis) – DVD 4893 Elio Petri The Collector (L’Obsédé) – William Wyler DVD 5020 Compulsion (Le Génie du mal) – Richard Fleischer DVD 4828 The Conversation (Conversation secrète) – Francis Ford Coppola DVD 5327 Cyrano de Bergerac – Jean Paul Rappeneau DVD 114 Dancer in the dark – Lars von Trier DVD 289 Karine VIGNERON 71 ans de Festival de Cannes Days of heaven (Les Moissons du ciel) – Terrence Malick DVD 3936 Des hommes et des dieux – Xavier Beauvois DVD 3346 Dheepan – Jacques Audiard DVD 5705 Diarios de motocicleta (Carnets de voyage) – Walter Salles DVD 1244 La Dolce vita – Federico Fellini DVD 132/1384 La Double vie de Véronique – Krzysztof Kieslowski DVD 5845 Drive – Nicolas Winding Refn DVD 4390 The Duellists (Les Duellistes) – Ridley Scott DVD 4850 East of Eden (A l’est d’Eden) – Elia Kazan DVD 2025 Fargo – Joel & Ethan Coen DVD 5987 Festen – Thomas Vinterberg DVD 27 Le Gamin au vélo – Jean Pierre & Luc Dardenne DVD 5172 Ghost dog – Jim Jarmusch DVD 812 Den Goda viljan (Les Meilleures intentions) – Bille August DVD 4898 La Haine – Matthieu Kassovitz DVD 4756 The Hill (La Colline des hommes perdus) – Sidney Lumet DVD 5338 Hiroshima mon amour – Alain Resnais BR 669 Le Huitième jour – Jaco van Dormael DVD 121 I Daniel Blake (Moi, Daniel Blake) – Ken Loach DVD 5864 Il divo – Paolo Sorrentino DVD 4410 Indagine su un cittadino al di sopra di ogni sospetto (Enquête sur un DVD 4713 citoyen au-dessus de tout soupçon) – Elio Petri Inglourious basterds – Quentin Tarantino DVD 4463 Jeremiah Johnson – Sydney Pollack DVD 2606 Juste la fin du monde – Xavier Dolan DVD 4617 Land and freedom – Ken Loach DVD 2447 The Lobster – Yorgos Lanthimos DVD 5997 La Loi du marché – Stéphane Brizé DVD 5468 Mia madre – Nanni Moretti DVD 5882 Mies vailla menneisyyttä (L’Homme sans passé) – Aki Kaurismäki DVD 962 Mil yang (Secret sunshine) – Lee Chang Dong DVD 2999 Mommy – Xavier Dolan DVD 5129 Mon roi - Maïwenn DVD 5715 Mulholland drive – David Lynch DVD 1134 My name is Joe – Ken Loach DVD 33 Le Mystère Picasso – Henri-Georges Clouzot DVD 226 Naked – Mike Leigh DVD 4634 Karine VIGNERON 71 ans de Festival de Cannes No country for old men – Joel & Etan Coen DVD 3399 No man’s land – Danis Tanovic DVD 852 Nous sommes tous des assassins – André Cayatte DVD 1417 Nuovo Cinema paradiso (Cinema paradiso) – Giuseppe Tornatore DVD 397 Los Olvidados – Luis Bunuel DVD 390 Orfeu negro – Marcel Camus DVD 181 Les Parapluies de Cherbourg – Jacques Demy DVD 19 Le Passé – Asghar Farhadi DVD 4465 Pather panchali (La Complainte du sentier) – Satyajit Ray DVD 1240 Pelle Erobreren (Pelle le conquérant) – Bille August DVD 525 Persepolis – Marjane Satrapi/Vincent Paronnaud DVD 2429 La Pianiste – Michael Haneke DVD 5806 La Piel que habito – Pedro Almodovar DVD 5452 La Planète sauvage – René Laloux DVD 495 Polisse - Maïwenn DVD 5124 Possession – Andrzej Zulawski DVD 5147 Profumo di donna (Parfum de femme) – Dino Risi DVD 1429 Pulp fiction – Quentin Tarantino DVD 4462 Punch drunk love – Paul Thomas Anderson DVD 4815 Les Quatre cents coups – François Truffaut DVD 5411 Raining stones – Ken Loach DVD 2447 La Reine Margot – Patrice Chéreau DVD 1238 Rendez-vous de juillet – Jacques Becker DVD 4394 Roma città aperta (Rome ville ouverte) – Roberto Rossellini DVD 160 Le Sacrifice – Andrei Tarkovski DVD 1428 Salto nel vuoto (Le Saut dans le vide) – Marco Bellocchio DVD 1486 Sat pralat (Tropical malady) – Apitchatpong Weerasethakul DVD 5308 Saul fia (Le Fils de Saul) – Laszlo Nemes DVD 5711 Secrets and lies (Secrets et mensonges) – Mike Leigh DVD 4636 Sex, lies and videotape (Sexe, mensonges et vidéo) – Steven Soderbergh DVD 1988 Solaris – Andrei Tarkovski DVD 1406 Soshite chichi ni naru (Tel père, tel fils) – Hirokazu Kore Eda DVD 4614 Sous le soleil de Satan – Maurice Pialat DVD 202 Stranger than paradise – Jim Jarmusch DVD 3058 The Sweet hereafter (De beaux lendemains) – Atom Egoyan DVD 2256 La Symphonie pastorale – Jean Delannoy DVD 1394 Karine VIGNERON 71 ans de Festival de Cannes Tahtah siah (Le Tableau noir) – Samira Makhmalbaf DVD 831 Ta’m e guilass (Le Goût de la cerise) – Abbas Kiarostami DVD 4803 Taxi driver – Martin Scorsese DVD 5355 Tenue de soirée – Bertrand Blier DVD 133 Thérèse – Alain Cavalier BR 943 The Third man (Le Troisième homme) – Carol Reed DVD 5150 Timbuktu – Adberrahmane Sissako DVD 5114 Todo sobre mi madre (Tout sur ma mère) – Pedro Almodovar DVD 5449 Un prophète – Jacques Audiard DVD 5950 Unagi (L’Anguille) – Shohei Imamura DVD 304 Underground – Emir Kusturica DVD 3484 Une aussi longue absence – Henri Colpi DVD 6008 La Vie rêvée des anges – Erick Zonca DVD 102 Viva Zapata – Elia Kazan DVD 2057 Volver – Pedro Almodovar DVD 1739 Das Weisse band (Le Ruban blanc) – Michael Haneke DVD 5858 4 luni, 3 saptamani si 2 zile (4 mois, 3 semaines et 1 jour) – Cristian DVD 2443 Sur place Mungiu After hours – Martin Scorsese DVD 1569 Sur place L’Albero degli zoccoli (L’Arbre aux sabots) – Ermanno Olmi DVD 4055 Sur place All that jazz (Que le spectacle commence) – Bob Fosse DVD 637 Sur place Apocalypse now – Francis Ford Coppola DVD 566 Sur place Au-delà des grilles – René Clément DVD 2404 Sur place Babel – Alejandro Gonzales Inarritu DVD 2474 Sur place The Barber – Ethan & Joel Coen DVD 3292 Sur place Bàwang biéji (Adieu ma concubine) - Chen Kaige DVD 2263 Sur place Bowling for Columbine
Recommended publications
  • Apichatpong Weerasethakul

    Apichatpong Weerasethakul

    UNKNOWN FORCES: APICHATPONG WEERASETHAKUL April 18 – June 17, 2007 hold of and ask what I should do. I am consulting a fortune teller now for what the next film should be. She told me the main character (light skin, wide forehead), the locations (university, sports stadium, empty temple, mountain), and the elements (the moon and the water). RI: The backdrops of much of your work accentuate feelings of aloneness and isolation from others. Films like Tropical Malady (2004) and Worldly Desires (2005) traverse remote recesses of distant, even enchanted jungles. In FAITH (2006), you leave earth entirely in search of greater solitude in outer space. You seem interested in or at least drawn to obscure or enigmatic sites that have been left relatively unexplored, untouched, unimagined… AW: That’s what I got from the movies. When you are in a dark theater, your mind drifts and travels. In my hometown when I was growing up, there was nothing. The movie theater was a sanctuary where I was mostly addicted to spectacular and disaster films. Now, as a filmmaker, I am trying to search for similar feelings of wonder, of dreams. It’s quite a personal and isolated experience. Tropical Malady is more about a journey into one’s mind rather than Apichatpong Weerasethakul a real jungle. Or sometimes it is a feeling of “watching” movies. RI: Can you speak about your use of old tales and mythologies in your work? What significance do they hold for you? AW: It’s in the air. Thailand’s atmosphere is unique. It might be hard to understand for foreigners.
  • It 2.007 Vc Italian Films On

    It 2.007 Vc Italian Films On

    1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute.
  • Italian Cinema As Literary Art UNO Rome Summer Study Abroad 2019 Dr

    Italian Cinema As Literary Art UNO Rome Summer Study Abroad 2019 Dr

    ENGL 2090: Italian Cinema as Literary Art UNO Rome Summer Study Abroad 2019 Dr. Lisa Verner [email protected] COURSE DESCRIPTION: This course surveys Italian cinema during the postwar period, charting the rise and fall of neorealism after the fall of Mussolini. Neorealism was a response to an existential crisis after World War II, and neorealist films featured stories of the lower classes, the poor, and the oppressed and their material and ethical struggles. After the fall of Mussolini’s state sponsored film industry, filmmakers filled the cinematic void with depictions of real life and questions about Italian morality, both during and after the war. This class will chart the rise of neorealism and its later decline, to be replaced by films concerned with individual, as opposed to national or class-based, struggles. We will consider the films in their historical contexts as literary art forms. REQUIRED TEXTS: Rome, Open City, director Roberto Rossellini (1945) La Dolce Vita, director Federico Fellini (1960) Cinema Paradiso, director Giuseppe Tornatore (1988) Life is Beautiful, director Roberto Benigni (1997) Various articles for which the instructor will supply either a link or a copy in an email attachment LEARNING OUTCOMES: At the completion of this course, students will be able to 1-understand the relationship between Italian post-war cultural developments and the evolution of cinema during the latter part of the 20th century; 2-analyze film as a form of literary expression; 3-compose critical and analytical papers that explore film as a literary, artistic, social and historical construct. GRADES: This course will require weekly short papers (3-4 pages, double spaced, 12- point font); each @ 20% of final grade) and a final exam (20% of final grade).
  • Annual Report and Accounts 2004/2005

    Annual Report and Accounts 2004/2005

    THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to
  • Feature Films

    Feature Films

    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
  • ANGELS' SHARE – Ein Schluck Für Die Engel

    ANGELS' SHARE – Ein Schluck Für Die Engel

    Kirchen + Kino. DER FILMTIPP 7. Staffel, Oktober 2013 – Mai 2014, 4. Film : „Angels’ Share – Ein Schluck für die Engel “ ANGELS’ SHARE – Ein Schluck für die Engel GB/F/B/I 2012 Länge: 101 Minuten FSK: ab 12 Jahren Originalsprache: Englisch Originaltitel: The Angels’ Share Regie: Ken Loach Drehbuch: Paul Laverty Produktion: Rebecca O’Brien Kamera: Robbie Ryan Schnitt: Jonathan Morris Musik: George Fenton Besetzung: Paul Brannigan (Robbie), John Henshaw (Harry, Sozialarbeiter), Jasmin Riggins (Mo), Gary Maitland (Albert), William Ruane (Rhino), Siobhan Reilly (Leonie, Robbies Freundin), Roger Allam (Thaddeus, Whiskyhändler) Auszeichnungen: Festival de Cannes: „Prix du Jury“ Empfehlung: Von www.medientipp.ch. – Programm-, Film- und Medienhinweise zu Kirche, Religion und Gesellschaft wurde der Film ausgezeichnet als Film des Monats Dezember 2012 mit der Begründung: „Eine bittersüsse Komödie über Robbie, der in eine Familien-Fehde verwickelt ist und alles tut, um sich daraus zu befreien. Als er in der Geburtsabteilung zum ersten Mal den kleinen Luke auf dem Arm hält, ist er ist überwältigt. Der junge Mann schwört, dass seinem Sohn nicht dasselbe Schicksal blühen wird. Mit viel Fantasie und Herzblut begibt sich Robbie auf einen neuen Lebensweg. Statt weiter Gewalt und Rache zu säen, entscheidet er sich für ein neues Hobby: dem Degustieren mit feiner Nase und findigem Gaumen. Die überraschende Hinwendung zum Alkohol – nicht Wein, sondern Malt Whiskey vom Feinsten – eröffnet eine neue berufliche Perspektive. Doch bevor Robbie sein Hobby zur Profession machen kann, muss er in den hohen Norden Schottlands reisen und an einer legendären Whiskey-Verkostung teilnehmen. Dabei begleiten ihn Rhino, Albert und Mo in typischer Kilt-Verkleidung.
  • The Odyssey of Fellini Kayla Knuth

    The Odyssey of Fellini Kayla Knuth

    ISSUE #1 | JULY 2020 The Odyssey of Fellini Kayla Knuth Making raw cinematic artistry work on the big screen can be extremely challenging, and directors such as Federico Fellini meet that challenge by giving us unique films, each with a clear vision. There are many masterful auteurs within the film industry, but there is something about Fellini’s good-natured style that truly engages me, along with how he incorporates elements of both reality and fantasy in iconic films such as La Strada (1953), La Dolce Vita (1961), and 8 ½ (1963). Not everyone is capable of digging deeper into what the artist is actually saying, and many are too quick to make harsh judgements about what they see rather than what they interpret. This is another reason why his film work interests me. I enjoy the “chase” that helps me provide a deeper analysis of what certain scenes in his films actually symbolize. This makes me pay closer attention to the films, and I find myself rewinding scenes, taking a step back to investigate the meaning of what I’m seeing. Almost all of Fellini’s films feature a dominant protagonist character with qualities to which the audience can at least secretly relate. Some of Fellini’s most striking cinematic moments are memorable because of characters that tend to stick with you even when the films become unclear at times. In addition, the artistry, passion, zest for life, and inven- tiveness on display in his filmmaking help us appreciate a wide range of possibilities for cinematic representation. Aesthetically, Fellini’s films reach for what I will call “ugliness within beauty.” His films seem to ask: is there beauty to be found within ugliness? Or is there ugliness lurking within the beautiful? Fellini attempts to ask these questions through both his striking visuals and sympathetic characters.
  • Overview of Programs and Exhibitions, Late May–June 2019

    Overview of Programs and Exhibitions, Late May–June 2019

    CALENDAR ADVISORY OVERVIEW OF PROGRAMS AND EXHIBITIONS, LATE MAY–JUNE 2019 Please see below for major screening series, highlighted events, and current exhibitions. Additional programs will be added as confirmed. SCREENING SERIES Panorama Europe Film Festival THROUGH MAY 19, 2019 The eleventh edition of the annual festival of new films from Europe, co-presented by MoMI and the European Union National Institutes of Culture (EUNIC), features seventeen films, including nine directed by women. Upcoming films include: Baikonur, Earth from Italian director Andrea Sorini, who will appear in person; Light as Feathers, from Dutch writer/director Rosanne Pel; Several Conversations About a Very Tall Girl, considered the first Romanian film to feature a lesbian love story, with director Bogdan Theodor Olteanu appearing in person; Babis Makridis’s Pity, which was co-written with Yorgos Lanthimos’s frequent writing partner Efthimis Filippou; from Hungary, One Day (Egy Nap), with director Zsófia Szilágyi in person; and Salomé Lamas’s acclaimed Extinction. Press Release | Schedule & Tickets See It Big! Action THROUGH JULY 7 See It Big! Action offers up favorites of the action-film genre, highlighting work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. Upcoming: a Memorial Day weekend marathon of all six Mission: Impossible films; Police Story, 48 Hrs., Heat, Miami Vice, Big Trouble in Little China, Hard Boiled, Face/Off, Die Hard, Death Proof, Hooper, Point Break, Haywire, Three the Hard Way, Coffy, and Set It Off. See It Big! is the Museum’s signature big-screen series, co-programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky.
  • Tropical Malady: Film & the Question of the Uncanny Human-Animal

    Tropical Malady: Film & the Question of the Uncanny Human-Animal

    etropic 10(2011): Creed, Tropical Malady | 131 Tropical Malady: Film & the Question of the Uncanny Human-Animal “The tiger trails you like a shadow/ his spirit is starving and lonesome/I see you are his prey and his companion” – Tropical Malady. Barbara Creed University of Melbourne Abstract The acclaimed Thai film, Tropical Malady (2004), represents the tropics as a surreal place where conscious and unconscious are as inextricably entwined. Directed by Apichatpong Weerasethakul, Tropical Malady presents two interconnected stories: one a quirky gay love story; the other a strange disconnected narrative about a shape-shifting shaman, a man-beast and a ghostly tiger. This paper will argue that from it beginnings in the silent period, the cinema has created an uncanny zone of tropicality where human and animal merge. rom its beginnings in the early twentieth century the cinema has expressed an F enduring fascination with the tropics as an imaginary space. While many filmmakers have envisaged the tropics as an unspoiled paradise (Bird of Paradise, 1932, 1951; The Moon of Manakoora, 1943; South Pacific, 1958), a view which has its origins in classical times, others have represented the tropics as a deeply uncanny zone where familiar and unfamiliar coalesce. It is as if the heat and intensity of the tropics has liquefied matter until normally incommensurate forms are able to dissolve almost imperceptibly into each other. In this process the boundaries between different systems of thought, ideas and ethics similarly dissipate, creating a space for new and often subversive ideas to flourish. As Driver and Martins state, the meaning of “tropicality” is so elastic a number of discourses have been able to shape it to suit their own purposes.
  • Course Content. All Students Agreed That the Proposed Objectives Had

    Course Content. All Students Agreed That the Proposed Objectives Had

    DOC1'MFvT RPqlMF ED 021 546 JC 680 292 By- Cawthon, David L. OKLAHOMA CONSORTIUM ON RESEARCH DEVELOPMENT PILOTGRANT INTRODUCTION TO FILM. FINAL REPORT. Pub Date 68 Note-10p. EDRS Price MF-10.25 HC- W.48 Descriptors- AUDIOVISUAL AIDS, *COLLEGE CURRICULUM.COURSE EVALUATION. *EDUCATIONAL INNOVATION *EDUCATIONAL OBJECTIVES FILM PRODUCTION, *FILMS,INNOVATION INSTRUCTIONAL INNOVATION *JUNIOR COLLEGES, STUDENT OPINION, STUDENT REACTION Identifiers-*Oklahoma, Shawnee Although educators have beenturning to motion pictures and televisionas devices for supplementing instruction, therehas been a sparsity of instruction about the elements of filmor how to understand the medium. An innovativeprogram designed to meet this need was introduced at St. Gregory's College.The course dealt with the history and thegrammar of the medium, the film in relation to other art forms, and the film as an artistic estheticexperience. Methods of instruction included lectures, screening of films, discussions ingroups and as an entire class, and reading and summarizing film reviews. The class met three hoursa week for 16 weeks. Projects were the preparation of portfolios containing critic and student filmreviews or the preparation of a 5- to 10-minute filmgrammar and technique. At the conclusion of the course, the 42 students were asked to evaluate the objectives, filmselections, and course content.Allstudents agreed thatthe proposed objectives had been accomplished. With fewexceptions, the students agreed that the films screened adequately represented the academicarea under study. As a result of the evaluation it was decided that (1) the attemptto offer a comparative study of the filmin relation to other art forms should be eliminated, (2)the order in which the materialwas presented should be altered, and (3)more concentration should be given to the era of the 1930's.
  • Sans Titre-2

    Sans Titre-2

    A l’Espace Audiovisuel: Les Palmes d’Or du festival de Cannes Année Titre Réalisateur Pays Cote 2010 Oncle Boonmee Weerasethakul Apichatpong Thaïlande 3344DVD 2009 Le ruban blanc Haneke Michael Autriche 2720DVD 2008 Entre les murs Cantet Laurent France 1727DVD 2007 4 mois, 3 semaines, 2 jours Mungiu Cristian Roumanie 1403DVD 2006 Le vent se lève Loach Ken Royaume-Uni 1161DVD Jean-Pierre et 2005 L'enfant Dardenne Luc Belgique 1284DVD 2004 Fahrenheit 9 / 11 Moore Michael Etats-Unis 2692DVD 2003 Elephant Van Sant Gus Etats-Unis 496DVD 2002 Le pianiste Polanski Roman Pologne 649DVD 2001 La chambre du fils Moretti Nanni Italie 1892DVD 2000 Dancer in the dark Trier Lars von Danemark 269DVD Jean-Pierre et 1999 Rosetta Dardenne Luc Belgique 57DVD 1998 L'éternité et un jour Angelopoulos Theo Grèce 1503DVD Le goût de la cerise Kiarostami Abbas Iran 1929AVV 1997 L'anguille Imamura Shohei Japon 1921AVV 1996 Secrets et mensonges Leigh Mike Royaume-Uni 1028DVD 1995 Underground Kusturica Emir Yougoslavie 1994 Pulp fiction Tarantino Quentin Etats-Unis 1203DVD Nouvelle- 1993 La leçon de piano Campîon Jane Zélande 1032DVD Adieu ma concubine Kaige Chen Chine 1086DVD 1992 Les meilleures intentions August Bille Danemark 1991 Barton Fink Coen Ethan et Joel Etats-Unis 1505DVD 1990 Sailor et Lula Lynch David Etats-Unis 1218DVD 1989 Sexe, mensonge et vidéo Soderbergh Steven Etats-Unis 1068AVV 1988 Pelle le conquérant August Bille Danemark 288DVD 1987 Sous le soleil de Satan Pialat Maurice France 11DVD 1986 Mission Joffé Roland Royaume-Uni 1985 Papa est en voyage
  • Elijah Siegler, Coen. Framing Religion in Amoral Order Baylor University Press, 2016

    Elijah Siegler, Coen. Framing Religion in Amoral Order Baylor University Press, 2016

    Christian Wessely Elijah Siegler, Coen. Framing Religion in Amoral Order Baylor University Press, 2016 I would hardly seem the most likely candidate to review a book on the Coen brothers. I have not seen all of their films, and the ones I saw … well, either I did not understand them or they are really as shallow as I thought them to be. With one exception: I did enjoy O Brother, Where Art Thou? (2000). And I like A Serious Man (2009). So, two exceptions. And, of course, True Grit (2010) – so, all in all three exceptions1 … come to think of it, there are more that have stuck in my mind in a positive way, obfuscated by Barton Fink (1991) or Burn After Reading (2008). Therefore, I was curious wheth- er Elijah Siegler’s edited collection would change my view on the Coens. Having goog- led for existing reviews of the book that might inspire me, I discovered that none are to be found online, apart from the usual flattery in four lines on the website of Baylor University Press, mostly phrases about the unrivalled quality of Siegler’s book. Turns out I have do all the work by myself. Given that I am not familiar with some of the films used to exemplify some of this book’s theses, I will be brief on some chapters and give more space to those that deal with the films I know. FORMAL ASPECTS Baylor University Press is well established in the fields of philosophy, religion, theol- ogy, and sociology. So far, they have scarcely published in the media field, although personally I found two of their books (Sacred Space, by Douglas E.