Appendix 1 Periodicals of Interest to the Television Teacher
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The History of Women in Jazz in Britain
The history of jazz in Britain has been scrutinised in notable publications including Parsonage (2005) The Evolution of Jazz in Britain, 1880-1935 , McKay (2005) Circular Breathing: The Cultural Politics of Jazz in Britain , Simons (2006) Black British Swing and Moore (forthcoming 2007) Inside British Jazz . This body of literature provides a useful basis for specific consideration of the role of women in British jazz. This area is almost completely unresearched but notable exceptions to this trend include Jen Wilson’s work (in her dissertation entitled Syncopated Ladies: British Jazzwomen 1880-1995 and their Influence on Popular Culture ) and George McKay’s chapter ‘From “Male Music” to Feminist Improvising’ in Circular Breathing . Therefore, this chapter will provide a necessarily selective overview of British women in jazz, and offer some limited exploration of the critical issues raised. It is hoped that this will provide a stimulus for more detailed research in the future. Any consideration of this topic must necessarily foreground Ivy Benson 1, who played a fundamental role in encouraging and inspiring female jazz musicians in Britain through her various ‘all-girl’ bands. Benson was born in Yorkshire in 1913 and learned the piano from the age of five. She was something of a child prodigy, performing on Children’s Hour for the British Broadcasting Corporation (BBC) at the age of nine. She also appeared under the name of ‘Baby Benson’ at Working Men’s Clubs (private social clubs founded in the nineteenth century in industrial areas of Great Britain, particularly in the North, with the aim of providing recreation and education for working class men and their families). -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
Harold Pinter's Transmedial Histories
Introduction: Harold Pinter’s transmedial histories Article Published Version Creative Commons: Attribution 4.0 (CC-BY) Open Access Bignell, J. and Davies, W. (2020) Introduction: Harold Pinter’s transmedial histories. Historical Journal of Film, Radio & Television, 40. pp. 481-498. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778314 Available at http://centaur.reading.ac.uk/89961/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/01439685.2020.1778314 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Historical Journal of Film, Radio and Television ISSN: 0143-9685 (Print) 1465-3451 (Online) Journal homepage: https://www.tandfonline.com/loi/chjf20 Introduction: Harold Pinter’s Transmedial Histories Jonathan Bignell & William Davies To cite this article: Jonathan Bignell & William Davies (2020): Introduction: Harold Pinter’s Transmedial Histories, Historical Journal of Film, Radio and Television To link to this article: https://doi.org/10.1080/01439685.2020.1778314 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 18 Jun 2020. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=chjf20 Historical Journal of Film, Radio and Television, 2020 https://doi.org/10.1080/01439685.2020.1778314 INTRODUCTION: HAROLD PINTER’S TRANSMEDIAL HISTORIES Jonathan Bignell and William Davies This article introduces the special issue by exploring the transmediality of Harold Pinter's work. -
HANCOCK's HALF HOUR COLLECTIBLES Notes To
HANCOCK’S HALF HOUR COLLECTIBLES Notes to accompany Volume 2 All photographs copyright (C) BBC The Tony Hancock Appreciation Society is delighted to have given its support to the production of this new and unique series concerning the lost or rare work of, and related to, Tony Hancock, one of our greatest comedians. Tony Hancock,1951 The Tony Hancock Appreciation Society (THAS) Since its inception in 1976, the THAS and its many allies have been at the forefront of efforts to find, preserve and promote the works of Tony Hancock. As detailed in the previous volume of this series, this toil has, over the decades, yielded innumerable discoveries of work by Hancock that was previously believed to have been lost. The result is that the THAS now has the most extensive archive of Hancock’s stage, radio, television, and film work in the world. In addition, we have myriad recorded items related to his career, such as interviews and documentaries featuring Hancock, his colleagues and friends. Each offers valuable insights into his life and work. It is this extensive collection, combined principally with that of Ted Kendall, the noted sound engineer and media researcher, and the contents of the BBC Sound Archives, that have enabled the publication of Hancock’s Half Hour Collectibles. It is natural for modern audiences to question why broadcast material is missing from the period in which Hancock was ascendant from the late 40s until 1968. As many readers may know, this issue has, in fact, affected the legacy of numerous performers, programmes and broadcasts; and this phenomenon is by no means limited to the BBC, the United Kingdom, or indeed, the period during which Hancock was active. -
The Masters of Sitcom from Hancock to Steptoe Christopher Stevens, Ray Galton and Alan Simpson (Edited by Compiled by Christopher Stevens)
M I C H A E L O ' M A R A B O O K S T I T L E I N F O R M A T I O N M I C H A E L O ' M A R A The Masters of Sitcom From Hancock to Steptoe Christopher Stevens, Ray Galton and Alan Simpson (Edited By Compiled by Christopher Stevens) Description Ray Galton and Alan Simpson are two of the most influential and celebrated television scriptwriters of our time. Praised for inventing the sitcom, their own seminal creations are still standing the test of time with modern audiences - Hancock's Half Hour and Steptoe and Son are two of the most successful sitcoms ever made. This book is a charming tribute to their career in comedy, written in collaboration with Galton and Simpson themselves and with exclusive access to their personal archive of scripts. Readers will Publication date Thursday, September 01, 2011 discover the fascinating story of their progress from variety shows to television, and how they came to create characters and programmes that have captured the nation's heart for Price £20.00 generations. Their insightful comments on their own writing, along with their first-class ISBN-13 9781843176336 understanding of the television writers' craft, make this anthology unique, informative and incredibly entertaining. Binding Hardback Format 231mm x 153mm Sales Points Extent 352 pages Word Count A unique anthology celebrating the nation's favourite scriptwriters - Ray Galton and Alan Simpson Territorial Rights World Collects together the funniest sketches from their sixty-year career, as well as never- before-published extracts from their private archive of 600 scripts Includes anecdotes from the writers themselves, interviews with the actors who worked on the shows, along with commentary from comedy writers working today Reviews 'Comedy without Galton and Simpson would be like literature without Dickens.' - Harry Enfield 'An excellent guide to two of Britain's sitcom pioneers. -
Professor Robert Beveridge FRSA, University of Sassari
Culture, Tourism, Europe and External Relations Committee Scotland’s Screen Sector Written submission from Professor Robert Beveridge FRSA, University of Sassari 1. Introduction While it is important that the Scottish Parliament continues to investigate and monitor the state of the creative and screen industries in Scotland, the time has surely come for action rather than continued deliberation(s) The time has surely come when we need to stop having endless working parties and spending money on consultants trying to work out what to do. Remember the ‘Yes Minister’ Law of Inverse Relevance ‘ ‘The less you intend to do about something, the more you have to keep talking about it ‘ ‘Yes Minister’ Episode 1: Open Government Therefore, please note that we already know what to do. That is: 1.1 - Appoint the right people with the vision leadership and energy to succeed. 1.2 - Provide a positive legislative/strategic/policy framework for support. 1.3 - Provide better budgets and funding for investment and/or leverage for the same. (You already have access to the data on existing funding for projects and programmes of all kinds. If the Scottish Government wishes to help to improve performance in the screen sector, there will need to be a step change in investment. There is widespread agreement that more is needed.) 1.4 Give them space to get on with it. That is what happened with the National Theatre of Scotland. This is what happened with MG Alba. Both signal success stories. Do likewise with the Screen Industries in Scotland 2. Context Some ten years ago the Scottish Government established the Scottish Broadcasting Commission. -
2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin Was a Furniture Designer Best Known for His Injection Nali
Radio 4 Extra Listings for 27 March – 2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin was a furniture designer best known for his injection Nali ...... Nina Conti moulded polypropylene stacking chair, of which over 20 million Libby ...... Sarah Kendall SAT 00:00 Dream Story by Arthur Schnitzler (m000tg86) have been manufactured. Joan ...... Sarah Thom Episode 5 The Days shared a vision of good, affordable design for all. Mrs Singh ...... Nina Wadia Having infiltrated a secret masked ball where the female Together they established themselves as Britain's most Cilla ...... Gbemisola Ikumelo revellers are naked, Fridolin is discovered and must face his celebrated post-war designer couple, often been compared to Zoanna ...... Gbemisola Ikumelo hosts. US contemporaries, Charles Eames and Ray Eames. Roland ...... Colin Hoult Read by Paul Rhys. But despite their growing fame in the 1950s and 60s they Producer: Alexandra Smith Published in 1926, Arthur Schnitzler’s ‘Dream Story’ was remained uncomfortable with the public attention they received. A BBC Studios production for BBC Radio 4 first broadcast in alternately titled ‘Rhapsody’ and, in the original German, They shared a passion for nature and spent more and more time November 2016. ‘Traumnovelle’. outdoors. Lucienne drew much of her inspiration from plants SAT 05:30 Stand-Up Specials (m000tcl3) Credited as the novella that inspired Stanley Kubrick's last film. and flowers and Robin was a talented and obsessive mountain Jacob Hawley: Class Act Translated by JMQ Davies. climber. Stevenage soft lad Jacob Hawley left his hometown behind a Producer: Eugene Murphy Wayne reflects on the many layers to Robin and Lucienne and, decade ago and has ascended Britain's social class system, Made for BBC7 and first broadcast in September 2003. -
The Inventory of the John Antrobus Collection #728
The Inventory of the John Antrobus Collection #728 Howard Gotlieb Archival Research Center I ANTROBUS, JOHN September, 1977 Outline of Inventory I. MANUSCRIPTS A. Television Scri:Ets B. Radio Scripts c. Film Scri:Et D. Novel E. Stage Plays F. Prose G. Poems and Song Lyrics H. Spike Milligan File I. Prayers and Affirmations J. Play E.!, Maggie Antrobus II. TAPE RECORDINGS III. PRINTED MATERIALS A. Playbills and Reviews B. Book Reviews c. Miscellani IV. PHOTOGRAPHS V. ART WORK VI. CONTRACTS VI'I. CORRESPONDENCE A. Sir Bernard Miles B. General I ANTROBUS, JOHN / Page 2. Box 1 I. MANUSCRIPTS A. Television Scripts 1. "Abolish House of Commons," Carbon typescript, 5 p. (//1) 2. "Absent Without Leave," - An idea for "Z Cars." (112) a. Typescript with ho1o. correction, 1 p. b. Typescript, 2 p., with 3 carbon copies. 3. "Across the Sea to Ireland." a. Typescript with holo. corr., p. 1-40, with carbon of p. 37-40. (113) b. Typescript with hole. corr., p. 4- 48. (#4)· c. Typescript with holo. corr., p. 22-27, with carbon copies (#5) d. Typescript with holo. corr., p. 25-26; with carbon copies (#6) e. Production notes by Joan Littlewood. Typescript with bolo. notations, 6 p. (#7) 4. "Adam Faith Show." Carbon typescript. 8 p. (2 copies) (//8) 5. "Advertising Religion." Carbon typescript, 5 p. (//9) 6. "An Apple A Day." a. As stage play: carbon typescript with bolo. corr. and holograph, 23 p. on 22 leaves. (#10) b. As stage play: typescript mimeo., 27 p. (#11) c. As TV play: typescript mimeo. -
2015 WORLD CINEMA Duke of York’S the Brighton Film Festival 13-29 Nov 2015 OPENING NIGHT Fri 13 Nov / 8:30Pm
The Brighton Film Festival ADVENTURES IN 13-29 NOV 2015 WORLD CINEMA www.cine-city.co.uk Duke OF YORK’S The Brighton Film Festival 13-29 Nov 2015 OPENING NIGHT FRI 13 NOV / 8:30PM DIR: TODD Haynes. ADVENTURES IN WITH: Cate BLanchett, ROOney MARA, KYLE CHANDLER. WORLD CINEMA UK / USA 2015. 118 MINS. A stirring and stunningly realised adaptation of Patricia Highsmith’s TH novel The Price of Salt, set in Welcome TO THE 13 EDITION OF CINECITY 1950s’ New York. Therese (Rooney Mara) is an aspiring photographer, working in a Manhattan department CINECITY presents the very best store where she first encounters (15) in world cinema with a global mix of Appropriately for our 13th edition, a strong coming-of- Ben Wheatley’s High Rise – both based on acclaimed Carol (Cate Blanchett), an alluring age theme runs right through this year’s selection with novels and with long and complicated paths to the older woman whose marriage is premieres and previews, treasures many titles featuring a young protagonist at their heart, screen - we have produced an updated version of ‘Not breaking down. There is an Carol from the archive, artists’ cinema, navigating their way in the world. Showing at this Cinema’, our programme of unrealised immediate connection between a showcase of films made in this British Cinema, which will be available at venues them but as their connection city and a programme of talks and Highlighted by the screenings of throughout the festival. deepens, a spiralling emotional The Forbidden Room, Hitchcock / intensity has seismic and far-reaching education events. -
View the Awards Programme
#wggbawards THE WRITERS’ GUILD AWARDS PROGRAMME THE ROYAL COLLEGE OF PHYSICIANS 11 St Andrews Place, Regent’s Park, London NW1 4LE MONDAY 15 JANUARY 2018 The Writers’ Guild of Great Britain is a trade union registered at 134 Tooley Street, London SE1 2TU @TheWritersGuild www.writersguild.org.uk PRESIDENT’S WELCOME THE WRITERS’ GUILD AWARDS Welcome to the Writers’ Guild Awards 2018. Photo: Robert Taylor Photography Isn’t it great to be in a roomful of achievement to be on the shortlist, let alone your peers? To a man and woman, to win. Congratulations to you and thanks to professional liars. And in a post-truth all our juries who have laboured mightily to world, is it any surprise that we are pick the best of the best. in a golden age of writing? The more Making this evening possible is a group of life outside is disappointing, the more spectacular organisations and companies who beautiful and necessary the cabaret work with writers year round but have given becomes. This year we have games that us their support tonight to honour you, the model mental illness, radio plays that give writers. Huge thanks to our lead sponsor LEAD SPONSOR voice to the voiceless, television shows ALCS, to major sponsors ITV, BBC Drama and that examine painfully buried secrets BBC Worldwide, to Company Pictures, Silver and offer surprising new visions of the Reel, Nick Hern Books and Lionsgate. If you past. We have a revived Best First Novel meet a sponsor tonight please praise them, Award and an entirely new category, Best love them – in a non-threatening, appropriate Online Comedy, a welcome recognition manner – appreciate them as best you can. -
Hancocks Half Hour: Complete Series One & Two Pdf, Epub, Ebook
HANCOCKS HALF HOUR: COMPLETE SERIES ONE & TWO PDF, EPUB, EBOOK Ray Galton | 1 pages | 18 Sep 2014 | BBC Audio, A Division Of Random House | 9781471368004 | English | London, United Kingdom Hancocks Half Hour: Complete Series One & Two PDF Book Help Learn to edit Community portal Recent changes Upload file. He ruined him as well. Bill wants Sid to train her up to Derby winning standards. SID You must be off your chump. A pause. Harry arrives, wearing his new riding gear. Edit Cast Series cast summary: Tony Hancock I hope… WHA??! Steeplechase jockeys always weigh more. The final television series, renamed simply Hancock , starred Hancock alone. Not much time to rewrite at this stage, presumably. Previous Entry Sonic the Hedgehog 15 — Review. There are no comments yet - be the first to add your thoughts. All episodes still exist, for many years the TS version of "The New Secretary" was the only version known to exist until an off-air audio recording of the original version was found in See all 2 brand new listings. Despite all this, Harry has entered Sabrina for the Britannia Steeplechase. Laura Crowhurt and Tom Capper portray Hattie Jacques and Bill Kerr respectively, and they manage to capture the essence of both actors, without being completely slavish, giving an opportunity for their very own personalities to shine through. Like this: Like Loading Trivia It has been reported how Tony Hancock was prone to an attack of nerves before filming an episode. Robin Sebastian appeared in all the parts originally taken by Kenneth Williams. Hidden categories: Use British English from July Use dmy dates from March All articles with unsourced statements Articles with unsourced statements from October Articles with unsourced statements from April Articles needing additional references from October All articles needing additional references. -
Stand-Up Comedy Mark 3 | University of Kent
09/27/21 Stand-Up Comedy Mark 3 | University of Kent Stand-Up Comedy Mark 3 View Online [1] Abbott, Bud and Costello, Lou 1977. Abbott & Costello: legends of radio. Radio Spirits. [2] Ajaye, Franklyn 2002. Comic insights: the art of stand-up comedy. Silman-James Press. [3] Allen, Tony 2002. Attitude : wanna make something of it?: the secret of stand-up comedy. Gothic Image. [4] Allen, Woody and Tyrell, Steve 1999. Standup comic. Rhino Entertainment Company. [5] Amnesty International 2002. The secret policeman’s ball: a unique collection of live comedy and music for Amnesty International. Amnesty International. [6] Bailey, Bill 2001. Bewilderness. Universal Pictures. [7] 1/25 09/27/21 Stand-Up Comedy Mark 3 | University of Kent Bailey, Bill 2004. Bill Bailey: ‘Part troll’. Universal. [8] Band, Barry 1999. Blackpool’s comedy greats: Bk. 2: The local careers of Dave Morris, Hylda Baker and Jimmy Clitheroe. B.Band. [9] Banks, Morwenna and Swift, Amanda 1987. The joke’s on us: women in comedy from music hall to the present day. Pandora. [10] Barker and C The ‘Image’ in Show Business. Theatre quarterly. 8. [11] Berger, Phil 2000. The last laugh: the world of stand-up comics. Cooper Square Press. [12] Bergson, Henri 1911. Laughter: an essay on the meaning of the comic. Macmillan. [13] Bogad, L. M. 2005. Electoral guerrilla theatre: radical ridicule and social movements. Routledge. [14] Bradbury, David and McGrath, Joe 1998. Now that’s funny!: conversations with comedy writers. Methuen. [15] 2/25 09/27/21 Stand-Up Comedy Mark 3 | University of Kent Brand, Jo Brand new.