Hancocks Half Hour: Complete Series One & Two Pdf, Epub, Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Hancocks Half Hour: Complete Series One & Two Pdf, Epub, Ebook HANCOCKS HALF HOUR: COMPLETE SERIES ONE & TWO PDF, EPUB, EBOOK Ray Galton | 1 pages | 18 Sep 2014 | BBC Audio, A Division Of Random House | 9781471368004 | English | London, United Kingdom Hancocks Half Hour: Complete Series One & Two PDF Book Help Learn to edit Community portal Recent changes Upload file. He ruined him as well. Bill wants Sid to train her up to Derby winning standards. SID You must be off your chump. A pause. Harry arrives, wearing his new riding gear. Edit Cast Series cast summary: Tony Hancock I hope… WHA??! Steeplechase jockeys always weigh more. The final television series, renamed simply Hancock , starred Hancock alone. Not much time to rewrite at this stage, presumably. Previous Entry Sonic the Hedgehog 15 — Review. There are no comments yet - be the first to add your thoughts. All episodes still exist, for many years the TS version of "The New Secretary" was the only version known to exist until an off-air audio recording of the original version was found in See all 2 brand new listings. Despite all this, Harry has entered Sabrina for the Britannia Steeplechase. Laura Crowhurt and Tom Capper portray Hattie Jacques and Bill Kerr respectively, and they manage to capture the essence of both actors, without being completely slavish, giving an opportunity for their very own personalities to shine through. Like this: Like Loading Trivia It has been reported how Tony Hancock was prone to an attack of nerves before filming an episode. Robin Sebastian appeared in all the parts originally taken by Kenneth Williams. Hidden categories: Use British English from July Use dmy dates from March All articles with unsourced statements Articles with unsourced statements from October Articles with unsourced statements from April Articles needing additional references from October All articles needing additional references. I love it when Galton and Simpson do this. Sid James is there to bring him back to earth. DwarfCast commentary on Dark Star due, perhaps. Rate This. These episodes are remakes for overseas sales, rewritten to remove any topical or UK-specific references. Hancocks Half Hour: Complete Series One & Two Writer Do the kind thing, take her away and put her out to graze. Buy It Now. Sabrina Clip-Clop-Bonks off. The Independent would like to keep you informed about offers, events and updates by email, please tick the box if you would like to be contacted Read our full mailing list consent terms here. Harry arrives, wearing his new riding gear. Very very very funny. BILL I bought a horse. With Hancock , we start with our eponymous hero perusing the morning papers and reading the stocks section… and very quickly deciding to try and leap out of the window:. Quotes Tony Hancock : I wish I was a chestnut tree, nourished by the sun, with leaves and twigs and branches, and conkers by the ton. And it's shut. As the video above testifies, James Hurn is a dead vocal ringer for Hancock et al — and, with the help of the show's original writers, Ray Galton and Alan Simpson, he's performing two classic episodes live in London next month: A Sunday Afternoon at Home, and The 13th of the Series, in which Hancock gets all triskaidekaphobic. Really nice article, lovely to read new things about Better Than Life after almost three decades. Although the show transferred to across to television in , it started life on the radio in , and ran through until , lasting for a total of six series. Add to basket. Three hundred yards behind the field. Recreating our lost television heritage is a tightrope walk between tribute and caricature. It was a lot of fun writing this one. Having previously done The Goon Show and Round The Horne as live theatre shows, this follows the same basic concept — taking audiences back in time to experience the recording of episodes of a radio show, done in the style of the s or s, with all the performers dressed to suit the appropriate period, and the set — such as it is — dressed appropriately, with vintage BBC logos, etc. Episode List. Of course, it was a bomb! I would be up for covering Dark Star if I could stay awake for the duration. Stock photo. Add episode. Sabrina keeps stamping on the floor with her wooden leg, meaning the driver thinks someone wants to get off. You must be logged in to post a comment. I was only six. So its nice to see an article like this, as red dwarf hear in my house sits on a shelf next to hancock, porridge DVDS etc. The series was well received by Radio 4 audiences and a second run was aired in , with more scheduled to follow later in Notify me of new comments via email. Edit page. Stone me. Returning to Australia in , he had a key role in film Gallipoli. Clear your history. Believed missing for many years, a complete version of the six- part story, originally broadcast in , was found last year at a TV station in Nigeria. I owned half the world till he came along, half the world. On tapping said leg it turns out to be wood. As soon he gets over the first fence, tip a bagful of marbles all over the track. The best things to do in London. Hancocks Half Hour: Complete Series One & Two Reviews Metacritic Reviews. Create a commenting name to join the debate Submit. Tony Hancock was a fan of Jack Benny, whose sitcom had the star surrounded by disrespectful acolytes, but while the American comedian lived in fairly comfortable circumstances, Railway Cuttings was a large and crumbling Victorian villa populated by the crooked, the inept and unemployable. Learn how your comment data is processed. With Hancock , we start with our eponymous hero perusing the morning papers and reading the stocks section… and very quickly deciding to try and leap out of the window: HANCOCK: Let me go. These five LPs were also released on audio cassette at the same time. BILL What a wonderful idea. SID Blimey, what a pair. Fill in your details below or click an icon to log in:. Despite all this, Harry has entered Sabrina for the Britannia Steeplechase. One slight problem there. An extremely good call. I only bothered with Dark Star myself this year and I felt a bit of a fool for having ignored it for so long in connection with one of my favourite things. Title: Hancock's Half Hour — Published 10 October To find out more, including how to control cookies, see here: Cookie Policy. The comedy gradually shifted to observation, with a less strong emphasis on a narrative. Two no longer extant episodes 5 and 15 feature the only Hancock guest appearances by Spike Milligan and Peter Sellers , respectively. Everything is almost normal but not quite, simply because of the gaping Hancock shaped void at the centre of proceedings. These are my cricket flannels. The Half Hours were also frequently pre-occupied with time itself, with Hancock attempting to fill the void by joining a poetry society, becoming involved with local politics, planning a carnival — anything to stave off the boredom of his existence. Episode List. Admittedly, with Red Dwarf , the real bad news ups the stakes somewhat, which is an interesting decision in itself, and perhaps not one you would entirely expect when comparing the two shows:. SID Do me a favour fellows, be reasonable. New other. Lister reasoning with Pree to get her to shut down put me in mind of Doolittle persuading the bomb not to explode. Harry arrives, wearing his new riding gear. Well, go on. The market has collapsed. External Sites. Simple missunderstanding premise but so well escalated the pacing is a perfect half hour on concept. Did you have them made specially? Continuity in the idiom was yet to develop, and details changed to suit each episode. Enormous crashing noise off-stage. Episodes 1, 2, 3, 4, 7, 10 and 12 more than half the series, including all four of Harry Secombe's guest appearances no longer exist. The distinctive tuba-based theme tune was composed by Angela Morley , then known by her original name, Wally Stott. In addition, the measured pacing of the episodes was unusual in an era of fast- talking radio comedians, such as Ted Ray , who typically used a machine-gun style of delivery to fill every single second of airtime. Please be respectful when making a comment and adhere to our Community Guidelines. Cancel Delete comment. Now, one voiceover artist is performing entire episodes of Hancock's Half Hour as a one-man show — he even does the opening trombone theme. Quotes Tony Hancock : I wish I was a chestnut tree, nourished by the sun, with leaves and twigs and branches, and conkers by the ton. Sign In. Complete with present. Hancocks Half Hour: Complete Series One & Two Read Online The door to the cupboard opens, and the taxman comes out carrying a big hammer. Continuity in the idiom was yet to develop, and details changed to suit each episode. I was only six. Hancock turns detective to find a complete copy of Lady Don't Fall Backwards. It was based on scripts from Hancock's Half Hour. Have you gone raving mad? Add your thoughts here Be the first to write a review. You must be a registered user to use the IMDb rating plugin. Learn how your comment data is processed. Reluctantly, Sid agrees to give her a trial. My grandma tried to explain, you know. People often talk — on the DVD documentaries, for example — about how the show has such clever science, but I never really agreed.
Recommended publications
  • Imperial Desire and Masculine Crisis in Early Francoist Film Representations of the Loss of the Philippines and Cuba
    IMPERIAL DESIRE AND MASCULINE CRISIS IN EARLY FRANCOIST FILM REPRESENTATIONS OF THE LOSS OF THE PHILIPPINES AND CUBA Jo Labanyi New York University It is well known that one of the prime motives triggering the Nationalist uprising against the Second Republic in 1936 was military resentment at the loss of empire, perceived by the military as the fault of inept politicians to whose orders they were subordinate. As is also well known, the 1941 film scripted by General Franco, Raza , starts in 1898 with the return of its naval-captain patriarch, Churruca, from service in the Philippines, only to be despatched immediately to Cuba, dying in battle against the US fleet. Churruca complains that the Spanish government’s ‘neglect’ of the Philippines is aggravating insurrection. The Spanish naval commander in Cuba, as he sends his captains into battle against the US fleet, tells them they are going to certain defeat but have to obey government orders. In Raza , this discourse on empire is intimately bound up with a discourse on patriarchy; past military defeats are compensated, not just by the Nationalist victory parade of April 1939 which ends the film, but by the docility with which, throughout the movie, women accept their role of “service” to men. The obverse of this is that male heroism depends on women continuing to play this instrumental role: a dependence on women that is the source of male unease. The two films discussed in this article -Los últimos de Filipinas and Bambú , both made in 1945 and set against the independence struggle in the Philippines and Cuba respectively- oscillate between stress on male bonding, which excludes women, and the dramatization of women’s power over men.
    [Show full text]
  • Hancock's Last Half Hour Interval Act 2: the Blood Donor Encore
    It is always with great delight I am able to direct great British Comedy. Act 1 Alone in his Sydney apartment with plentiful stocks of Vodka, the lad from East Cheam casts a bleary eye over his wrecked career and marriages before swallowing the last handful of pills. This black comedy will bring back memories of the lovable Lad and his last day. Act 2 Tony Hancock's last BBC series in 1961 contains some of his most remembered work and "The Blood Donor" is often said to be the best. There are many among you who are donors, so the little subtleties will have you laughing. David who plays Tony took his role seriously he donated blood but also flu shot same day, what could go wrong!!? What followed was Hancock to a t. CTG is proud to present the lad from East Cheam. I trust you enjoy this production and the actors who have worked so Act 1: Hancock’s last Half Hour hard….”oh Sod it! Just watch the show!” Interval William Act 2: The Blood Donor Encore Act 1 Next Production Tony Hancock ……………...David Bell Act 2 Tony Hancock ……………David Bell Nurse/Receptionist………………Petra Donnison Man Waiting room/Doctor MacTaggart. Richard Edwards Nurse/Doctor…………………. Alizah Pomery Woman Waiting room………Julia Carroll Man, Recovery room………. Alan Brown David became associated with theatre the age of 14. Alan has been Involved in Theatre since 1976. First After 100 plays and a career as a professional production “The Real Inspector Hound". Four engineer, David has become years part time course at Kelvin Grove in 1984 - accustomed to meaty theatrical roles that include: ADPA at QUT Many years with ILT.
    [Show full text]
  • January 2012 at BFI Southbank
    PRESS RELEASE November 2011 11/77 January 2012 at BFI Southbank Dickens on Screen, Woody Allen & the first London Comedy Film Festival Major Seasons: x Dickens on Screen Charles Dickens (1812-1870) is undoubtedly the greatest-ever English novelist, and as a key contribution to the worldwide celebrations of his 200th birthday – co-ordinated by Film London and The Charles Dickens Museum in partnership with the BFI – BFI Southbank will launch this comprehensive three-month survey of his works adapted for film and television x Wise Cracks: The Comedies of Woody Allen Woody Allen has also made his fair share of serious films, but since this month sees BFI Southbank celebrate the highlights of his peerless career as a writer-director of comedy films; with the inclusion of both Zelig (1983) and the Oscar-winning Hannah and Her Sisters (1986) on Extended Run 30 December - 19 January x Extended Run: L’Atalante (Dir, Jean Vigo, 1934) 20 January – 29 February Funny, heart-rending, erotic, suspenseful, exhilaratingly inventive... Jean Vigo’s only full- length feature satisfies on so many levels, it’s no surprise it’s widely regarded as one of the greatest films ever made Featured Events Highlights from our events calendar include: x LoCo presents: The London Comedy Film Festival 26 – 29 January LoCo joins forces with BFI Southbank to present the first London Comedy Film Festival, with features previews, classics, masterclasses and special guests in celebration of the genre x Plus previews of some of the best titles from the BFI London Film Festival:
    [Show full text]
  • 1 BBC Four Biopics
    BBC Four biopics: Lessons in Trashy Respectability The broadcast of Burton and Taylor in July 2013 marked the end of a decade- long cycle of feature-length biographical dramas transmitted on BBC Four, the niche arts and culture digital channel of the public service broadcaster. The subjects treated in these biopics were various: political figures, famous cooks, authors of popular literature, comedians and singers. The dramas focused largely on the unhappy or complex personal lives of well-loved figures of British popular culture. From the lens of the 21st century, these dramas offered an opportunity for audiences to reflect on the culture and society of the 20th century, changing television’s famous function of ‘witness’ to one of ‘having witnessed’ and/or ‘remembering’ (Ellis, 2000). The programmes function as nostalgia pieces, revisiting personalities familiar to the anticipated older audience of BBC Four, working in concert with much of the archive and factual content on the digital broadcaster’s schedules. However, by revealing apparent ‘truths’ that reconfigure the public images of the figures they narrate, these programmes also undermine nostalgic impulses, presenting conflicting interpretations of the recent past. They might equally be seen as impudent incursions onto the memory of the public figures, unnecessarily exposing the real-life subjects to censure, ridicule or ex post facto critical judgement. Made thriftily on small budgets, the films were modest and spare in visual style but were generally well received critically, usually thanks to writerly screenplays and strong central performances. The dramas became an irregular but important staple of the BBC Four schedule, furnishing the channel with some of their highest ratings in a history chequered by low audience numbers.
    [Show full text]
  • HATTIE JACQUES Born Josephine Edwina Jacques on February 7" 1922 She Went on to Become a Nationally Recognised Figure in the British Cinema of the 1950S and 60S
    Hattie Jacaues Born 127 High St 1922 Chapter Twelve HATTIE JACQUES Born Josephine Edwina Jacques on February 7" 1922 she went on to become a nationally recognised figure in the British cinema of the 1950s and 60s. Her father, Robin Jacques was in the army and stationed at Shorncliffe Camp at the time of her birth. The Register of Electors shows the Jacques family residing at a house called Channel View in Sunnyside Road. (The register shows the name spelled as JAQUES, without the C. Whether Hattie changed the spelling or whether it was an error on the part of those who printed the register I don’t know) Hattie, as she was known, made her entrance into the world in the pleasant seaside village of Sandgate, mid way between Folkestone to the east and Hythe to the west. Initially Hattie trained as a hairdresser but as with many people of her generation the war caused her life to take a different course. Mandatory work saw Hattie first undertaking nursing duties and then working in North London as a welder Even in her twenties she was of a generous size and maybe as defence she honed her sense of humour after finding she had a talent for making people laugh. She first became involved in show business through her brother who had a job as the lift operator at the premises of the Little Theatre located then on the top floor of 43 Kings Street in Covent Garden. At end of the war the Little Theatre found itself in new premises under the railway arches below Charing Cross Station.
    [Show full text]
  • Brass Bands of the World a Historical Directory
    Brass Bands of the World a historical directory Kurow Haka Brass Band, New Zealand, 1901 Gavin Holman January 2019 Introduction Contents Introduction ........................................................................................................................ 6 Angola................................................................................................................................ 12 Australia – Australian Capital Territory ......................................................................... 13 Australia – New South Wales .......................................................................................... 14 Australia – Northern Territory ....................................................................................... 42 Australia – Queensland ................................................................................................... 43 Australia – South Australia ............................................................................................. 58 Australia – Tasmania ....................................................................................................... 68 Australia – Victoria .......................................................................................................... 73 Australia – Western Australia ....................................................................................... 101 Australia – other ............................................................................................................. 105 Austria ............................................................................................................................
    [Show full text]
  • Appendix 1 Periodicals of Interest to the Television Teacher
    Appendix 1 Periodicals of Interest to the Television Teacher Broadcast The broadcasting industry's weekly magazine. Up-to-the-minute news, information, rumour and gossip with useful longer critical articles. An invaluable source for the teacher wishing to keep abreast or even ahead of current developments in broadcasting. (lllA Wardour Street, London Wl) Independent Broadcasting Quarterly journal of the Independent Broadcasting Authority. Occasionally carries articles of interest both on programmes and educational developments. (Free from the IBA, 70 Brompton Road, London SW3) Journal of the Centre for Advanced TV Studies Contains abstracts and reviews of recent books on television. (48 Theobalds Road, London, WCl 8NW) Journal ofEducational Television Journal of the Educational Television Association. Mainly devoted to educational technology but an increasing number of articles discuss the place of television within the curriculum. (80 Micklegate, York) The Listener Published weekly by the BBC. Contains transcripts of programmes and background articles on broadcasting. Media, Culture and Society A new journal published by the Polytechnic of Central London (309 Regent Street, London Wl) Media Reporter Quarterly journal, mainly devoted to journalism, but also carrying articles on media education. (Brennan Publications, 148 Birchover Way, Allestree, Derby) Media Studies Association Newsletter Contains conference reports, articles, news and reviews relating to media education. (Forster Building, Sunderland Polytechnic, Sunderland) Screen Quarterly. Mainly devoted to film, but there are occasionally critical articles on television. Screen Education Quarterly. Aimed specifically at media teachers and the most useful journal currently available for television teachers. Both Screen and Screen Education are published by the Society for Education in Film and Television.
    [Show full text]
  • Westminsterresearch the Artist Biopic
    WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies.
    [Show full text]
  • Harold Pinter's Transmedial Histories
    Introduction: Harold Pinter’s transmedial histories Article Published Version Creative Commons: Attribution 4.0 (CC-BY) Open Access Bignell, J. and Davies, W. (2020) Introduction: Harold Pinter’s transmedial histories. Historical Journal of Film, Radio & Television, 40. pp. 481-498. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778314 Available at http://centaur.reading.ac.uk/89961/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/01439685.2020.1778314 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Historical Journal of Film, Radio and Television ISSN: 0143-9685 (Print) 1465-3451 (Online) Journal homepage: https://www.tandfonline.com/loi/chjf20 Introduction: Harold Pinter’s Transmedial Histories Jonathan Bignell & William Davies To cite this article: Jonathan Bignell & William Davies (2020): Introduction: Harold Pinter’s Transmedial Histories, Historical Journal of Film, Radio and Television To link to this article: https://doi.org/10.1080/01439685.2020.1778314 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 18 Jun 2020. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=chjf20 Historical Journal of Film, Radio and Television, 2020 https://doi.org/10.1080/01439685.2020.1778314 INTRODUCTION: HAROLD PINTER’S TRANSMEDIAL HISTORIES Jonathan Bignell and William Davies This article introduces the special issue by exploring the transmediality of Harold Pinter's work.
    [Show full text]
  • HANCOCK's HALF HOUR COLLECTIBLES Notes To
    HANCOCK’S HALF HOUR COLLECTIBLES Notes to accompany Volume 2 All photographs copyright (C) BBC The Tony Hancock Appreciation Society is delighted to have given its support to the production of this new and unique series concerning the lost or rare work of, and related to, Tony Hancock, one of our greatest comedians. Tony Hancock,1951 The Tony Hancock Appreciation Society (THAS) Since its inception in 1976, the THAS and its many allies have been at the forefront of efforts to find, preserve and promote the works of Tony Hancock. As detailed in the previous volume of this series, this toil has, over the decades, yielded innumerable discoveries of work by Hancock that was previously believed to have been lost. The result is that the THAS now has the most extensive archive of Hancock’s stage, radio, television, and film work in the world. In addition, we have myriad recorded items related to his career, such as interviews and documentaries featuring Hancock, his colleagues and friends. Each offers valuable insights into his life and work. It is this extensive collection, combined principally with that of Ted Kendall, the noted sound engineer and media researcher, and the contents of the BBC Sound Archives, that have enabled the publication of Hancock’s Half Hour Collectibles. It is natural for modern audiences to question why broadcast material is missing from the period in which Hancock was ascendant from the late 40s until 1968. As many readers may know, this issue has, in fact, affected the legacy of numerous performers, programmes and broadcasts; and this phenomenon is by no means limited to the BBC, the United Kingdom, or indeed, the period during which Hancock was active.
    [Show full text]
  • The Nation's Matron: Hattie Jacques and British Post-War Popular Culture
    The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class.
    [Show full text]
  • Buchan School Magazine 1971 Index
    THE BUCHAN SCHOOL MAGAZINE 1971 No. 18 (Series begun 195S) CANNELl'S CAFE 40 Duke Street - Douglas Our comprehensive Menu offers Good Food and Service at reasonable prices Large selection of Quality confectionery including Fresh Cream Cakes, Superb Sponges, Meringues & Chocolate Eclairs Outside Catering is another Cannell's Service THE BUCHAN SCHOOL MAGAZINE 1971 INDEX Page Visitor, Patrons and Governors 3 Staff 5 School Officers 7 Editorial 7 Old Students News 9 Principal's Report 11 Honours List, 1970-71 19 Term Events 34 Salvete 36 Swimming, 1970-71 37 Hockey, 1971-72 39 Tennis, 1971 39 Sailing Club 40 Water Ski Club 41 Royal Manx Agricultural Show, 1971 42 I.O.M, Beekeepers' Competitions, 1971 42 Manx Music Festival, 1971 42 "Danger Point" 43 My Holiday In Europe 44 The Keellls of Patrick Parish ... 45 Making a Fi!m 50 My Home in South East Arabia 51 Keellls In my Parish 52 General Knowledge Paper, 1970 59 General Knowledge Paper, 1971 64 School List 74 Tfcitor THE LORD BISHOP OF SODOR & MAN, RIGHT REVEREND ERIC GORDON, M.A. MRS. AYLWIN COTTON, C.B.E., M.B., B.S., F.S.A. LADY COWLEY LADY DUNDAS MRS. B. MAGRATH LADY QUALTROUGH LADY SUGDEN Rev. F. M. CUBBON, Hon. C.F., D.C. J. S. KERMODE, ESQ., J.P. AIR MARSHAL SIR PATERSON FRASER. K.B.E., C.B., A.F.C., B.A., F.R.Ae.s. (Chairman) A. H. SIMCOCKS, ESQ., M.H.K. (Vice-Chairman) MRS. T. E. BROWNSDON MRS. A. J. DAVIDSON MRS. G. W. REES-JONES MISS R.
    [Show full text]