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R Evistadecolecci 01·REVISTA DE COLECCIÓN AGOSTO 2011 Léon Baskt. (Rusia, 1866 – Francia 1924) Túnica de vestuario para El Dios Azul, (Le Dieu Bleu) c.1912. Producción 1909 – 1929. Adquirido por la National Gallery of Australia, Canberra en 1987. The National Gallery of Australia. Alexandre Benois (Rusia 1870 - Francia 1960) Tutú de vestuario para Aurora (Le Mariage d’Aurore) c.1922 Producción 1909 - 1929 Adquirido por la National Gallery of Australia, Canberra en 1973 The National Gallery of Australia, Canberra. © Alexandre Benois / ADAGP. Licenciado por Viscopy Passion. Danced by 2 3 D D ANZABALLET ANZABALLET HHB1105_CS3_39L_230x300_Ballett_Leidenschaft.indd 1 01.06.2011 16:46:18 Uhr Danza Ballet Revista de Colección STAFF EDITORIAL Director: Rubén Worcel [email protected] Editora: Carolina de Pedro Pascual 004 019 096 072 072 [email protected] Secretaria de dirección: Luisa Abellan Barbé [email protected] SUMARIO Nº 1 COLABORADORES Danza Ballet Revista de Colección Nueva York: Célida Villalón París: Isis Wirth CARTA DE LA EDITORA 004 Carta de la editora. Por Carolina de Pedro Pascual Berlín: Juan Carlos Tellechea PORTADA 006 Nuestros trajes de portada. Danza Ballet & The National Gallery of Australia. Japón: Yukihiko Yoshida 010 Los Ángeles de Apolo. Una historia del ballet. Por Célida Villalón Barcelona: Isabel Felguera Arias Madrid: Arantxa Aguirre 018 Ballets Russes: The Art of Costume. The National Gallery of Australia. Valencia: Gemma Gil Tellols DANCE FILM 022 Pina by Wim Wenders. INTERVIEW 026 Manuel Legris director del Ballet Estatal de la Opera de Viena. Por Isis Wirth Publicidad: [email protected] Colaboradora en Madrid: Natacha Bolaños 032 El expresionismo y la prehistoria de la danza moderna. Por Juan Carlos Tellechea Directora ejecutiva de Spazio Ballet [email protected] YSL 038 Yves Saint Laurent. Haute Couture en escena . Por Carolina de Pedro Pascual Fotografía: Material cedido o adquirido especialmente para la publicación. 042 Invitation to the Ballet: Ninette de Valois and the story of The Royal Ballet. Diseño y maquetación: Macgrafic The Royal Opera House and The Lowry, Salford. Arte: Paco Castilla Sáez - www.macgrafic.com 050 El Festival Wagner de Bayreuth y el Gran Teatre del Liceu. Teatre Liceu de Barcelona. Corrección: Mercedes Tabuyo Hemos de agradecer la ayuda que nos han prestado desde el principio y con total dedicación: 054 El Ballet de la Ópera de París durante la Revolución francesa. Por Isis Wirth Maïwenn Rebours (HEYMANN, RENOULT ASSOCIEES, Paris), 058 Nuestro Béjart. Por Aranxta Aguirre Imprenta: ########### Laurie A. Olivieri, David Edghill y Dominique Nagy (National Gallery of Australia is an Australian Government Agency, Australia) Distribución Quioscos y librerías: SGEL ÓPERA 066 y Kitty Greenleaf (Royal Opera House, Londres). Première “I Capuleti e i Montecchi”. Bavarian State Opera. 072 Los Ballets Suecos -Les Ballets Suédois-. PRIMERA PARTE. Por Isabel Felguera Aria Suscripción: [email protected] También nos dieron muestra de una gran amabilidad y ofrecieron generosa cooperación: ASIA 078 Modernity in Japanese Dance. The Dawn of Western dance. By Yukihiko Yoshida Fondation Pierre Bergé - Yves Saint Laurent (París) Danza Ballet Revista de Colección 084 Aleksander I. Pushkin. Por Gemma Gil Tellols Fundada en 2011 Christiane Zimmermann (Musée Rath, Genève) Barcelona – España 098 Set in Style: La Joyería de Van Cleef & Arpels. The Cooper-Hewitt, National Design Museum. Moderna Museet (Suecia) BALLET PRÉCIEUX Nº1 - Julio/Agosto 2011 Victoria & Albert Museum (London) 104 Colagge con Sonia Delaunay-Terk. Por Carolina de Pedro Pascual ISSN en trámite Béjart Ballet Lausanne (Lausanne, Suisse) 112 Exposición: L’art du costume à la Comédie-Française. Bayerische Staatsoper (Munich) Le Centre National du Costume de scène de Moulins. www.danzaballet.com Laurie A. Olivieri. (Cooper-Hewitt, National Design Museum, New York) 128 Algunas frases celebres. Prohibida su cita, reproducción, edición o transmisión total o parcial por RECOPILACIÓN cualquier medio y en cualquier soporte sin la autorización escrita de Danza Stadtgeschichtliches Museum Leipzig (Leipzig) 138 Costume for a Sylph in Fokine’s ballet Les Sylphides. Ballet Revista de Colección aún citando la procedencia. El contenido de FIN Centre National du Costume de Scène et de la Scénographie, Danza Ballet & Victoria and Albert Museum. Danza Ballet Revista de Colección esta bajo Copyright. Moulins (France) Danza Ballet Revista de Colección respeta la opinión de sus colaboradores y los textos son responsabilidad de quienes los firman. Wim Wenders Büro. Road Movies Filmproduktion/Berlin (Berlin) CARTA DE LA EDITORA Resulta increíble que en una época tan difícil nuestra mas adorada y admirada compañía en como esta hayamos cumplido el sueño de lanzar donde todas las artes han ocupado un lugar des- una revista en papel. tacado. Cinco años han pasado desde que Danza Ballet Durante veinte años los Ballets Russes de vio la luz como web, y actualmente está posicio- Diaghilev deslumbraron al mundo con nuevos nada como un verdadero referente serio, actual estándares estéticos y excepcionales produccio- y profesional del universo de la danza y el ballet. nes artísticas donde los talentos más relevantes Otros pocos años han pasado desde que deseaba de una era fueron los protagonistas absolutos en convertir Danza Ballet en una revista y hoy el crear la compañía de ballet mas importante de sueño se hace realidad con esta línea editorial tan todos los tiempos. especial. Leonid Massine, Anna Pavlova, Giorgio Di Contará con entrevistas exclusivas a personali- Chirico, Léon Bakst, Tamara Karsavina, Natalia Gontcharova, Serge Lifar, Igor Stravinsky, Olga Spessitseva, Nicholas Roerich, Vaslav Nijinsky, Danza Ballet Revista de Colección, Ida Rubinstein y tantos otros (la crème de la será una publicación, que contará crème de la época) contribuyeron a crear la ambiciosa empresa de Serge Diaghilev que no principalmente con material inédito. solo cambió el arte del ballet sino que marco el comienzo de una nueva era y ese hito marcó el nacimiento del ballet moderno, del cual sin duda dades del mundo de la danza, la moda, la música, alguna, Diágilev es el fundador. el arte; tendrá notas de opinión, historia, análisis, Pocos han hecho evolucionar el arte como él. y material sin fecha de caducidad, que converti- Un importante innovador de todas los aspectos rá cada ejemplar en algo valioso para guardar y artísticos, que hizo una enorme contribución al atesorar. siglo XX y cuya influencia ha llegado a nuestros En la web Danza Ballet podrá encontrar las habi- días. tuales primicias diarias y los sucesos del momento, Por todos ellos nuestra tapa y nuestros próximos y en la versión impresa, material no perecedero. trabajos. Soy alguien que apuesta por el talento, la seriedad, la alta calidad y, sobre todo, por la En cuanto a mis colaboradores, con el número exclusividad; cualidades todas que se refleja- 1 de Danza Ballet Revista de Colección solo rán en estas páginas y se convertirán en esencia puedo estar llena de agradecimiento hacia todos absoluta de esta nueva revista de colección. ellos, que nunca jamás han dudado a la hora de brindar lo mejor de sí mismos. Pocas personas Tengo la suerte de haber encontrado estas cua- tienen la suerte de contar con amigos tan mara- lidades en mis colaboradores amigos. Todos villosos como los que poseo. ellos personas inteligentes, generosas con su conocimiento y experiencia, llenas de ideas in- Siempre guiándome por el mejor de los caminos, teresantes, estimulantes y, por encima de todo, a mi lado Célida Villalón, quien con toda la sa- aprecian el trabajo serio y la amistad. biduría que se adquiere con la experiencia, me entrega lo mejor de sí. La generosidad y el respeto son valores esen- ciales en nuestro modo cotidiano de trabajar, y Gracias también a Isis Wirth, una especial amiga nuestro método es bien simple, y tal vez por eso, de este tiempo, viajera y lectora incansable, sumamente eficaz. La cooperación, el respeto valiente protagonista y generosa en historias, y y la generosidad son nuestros valores primor- a Juan Carlos Tellechea, a quien su profunda y diales. Siempre hemos compartido un mismo amplia visión profesional le permite dar siempre horizonte: el del trabajo serio, el del amor y la las mejores y más acertadas opiniones. veneración del ballet como pasión que nos une Por último, un párrafo aparte para mi esposo. Mi y enriquece. agradecimiento a este hombre extraordinario y Entiendo por generosidad actuar en favor de noble como un caballero medieval. otros desinteresadamente y con alegría. El Gracias a todos los que habéis arriesgado respeto hacia los demás es otra de las cualida- conmigo. Gracias a mi maravilloso equipo que ha des básicas en este grupo de amigos que hoy hecho posible este proyecto y los que vendrán. Roger Desormiere, Serge Diaghilev, Serge Lifar, Boris inicia este proyecto. No solo respeto a la persona Kochno, Alexandra Danilova, Lubov Tchernicheva and misma, sino también a sus opiniones, a sus sen- Felia Doubrovska arriving at Liverpool, photo Liver- Gracias por haber cumplido conmigo este sueño pool Press. Photograph. Liverpool, UK, 1928. timientos y a su privacidad. Todos ellos poseen grandes valores. compartido. © Victoria and Albert Museum, London. Estrenamos número en Danza Ballet Revista de Colección con los Ballets Russes de Diaghilev, Carolina de Pedro Pascual Nuestros trajes de portada El Dios Azul The Blue God Leyenda hindú en un acto Hindu legend in one act Productor: Ballets
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