DOCSLIB.ORG

Premieres on the Cover People

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Premieres on the Cover People PDL_REGISTRATION_210x297_2017_Mise en page 1 01.06.17 10:52 Page1 Premieres 18 Bertaud, Valastro, Bouché, BE PART OF Paul FRANÇOIS FARGUE weighs up four new THIS UNIQUE ballets by four Paris Opera dancers EXPERIENCE! 22 The Boy in the Striped Pyjamas MIKE DIXON considers Daniel de Andrade's take on John Boyne's wartime novel 34 Swan Lake DEBORAH WEISS on Krzysztof Pastor's new production that marries a slice of history with Reece Clarke. Photo: Emma Kauldhar the traditional story P RIX 38 Ballet of Difference On the Cover ALISON KENT appraises Richard Siegal's new 56 venture and catches other highlights at Dance INTERNATIONAL BALLET COMPETITION 2017 in Munich 10 Ashton JAN. 28 TH – FEB. 4TH, 2018 AMANDA JENNINGS reviews The Royal DE Ballet's last programme in London this Whipped Cream 42 season AMANDA JENNINGS savours the New York premiere of ABT's sweet confection People L A U S ANNE 58 Dangerous Liaisons ROBERT PENMAN reviews Cathy Marston's 16 Zenaida's Farewell new ballet in Copenhagen MIKE DIXON catches the live relay from the Royal Opera House 66 Odessa/The Decalogue TRINA MANNINO considers world premieres 28 Reece Clarke by Alexei Ratmansky and Justin Peck EMMA KAULDHAR meets up with The Royal Ballet’s Scottish first artist dancing 70 Preljocaj & Pite principal roles MIKE DIXON appraises Scottish Ballet's bill at Sadler's Wells 49 Bethany Kingsley-Garner GERARD DAVIS catches up with the Consort and Dream in Oakland 84 Scottish Ballet principal dancer CARLA ESCODA catches a world premiere and Graham Lustig’s take on the Bard’s play 69 Obituary Sergei Vikharev remembered 6 ENTRE NOUS Passing on the Flame: 83 AUDITIONS AND JOBS 78 Luca Masala 101 WHAT’S ON AMANDA JENNINGS meets the REGISTRATION DEADLINE contents 106 PEOPLE PAGE director of Academie de Danse Princesse Grace in Monaco Front cover: The Royal Ballet - Zenaida Yanowsky and Roberto Bolle in Ashton's Marguerite and Armand. Photo: Emma Kauldhar by courtesy of the ROH → Dance Europe - July 2017 3 DANCE EUROPE Founded in 1995 ISSN: 1359-9798 P.O. Box 12661, London E5 9TZ,UK Tel: +44 (0)20 8985 7767 www.danceeurope.net Twitter: LeChat@DanceEuropeDanz www.facebook.com/DanceEurope Editor/Photographer Emma Kauldhar [email protected] mobile/text: +44 (0)7983 608544 Advertising Manager Naresh Kauldhar [email protected] Tel: +44 (0)20 7682 1733 mobile/text: +44 (0)7981 945320 skype: nareshdanceeurope Senior Critic & Events Editor Deborah Weiss 5826 [email protected] 10 Editorial Consultant Clare Taylor 20 Administrator Katie Harrington Paris Opera - Pablo Legasa in Sébastien Bertaud's Renaissance. Photo: Emma Kauldhar [email protected] Dance Critics and Writers Pandora Beaumont, Anna Bellini, Ellie Carr, Gerard Davis, Mike Dixon, François Fargue, Features Cinderella Carlos Forcada, Jesús R. Gamo, Maina Gielgud, 86 Amanda Jennings, Altin Kaftira, Alison Kent, Ali CARLA ESCODA on debuts at San Mahbouba, Trina Mannino, Bruce Michelson, 57 Let's Go To... Francisco Ballet Yuki Nagano, Diarmaid O’Meara, Catherine Olga Picasso - exhibition at the Musée Pawlick, Robert Penman, Wendy Perron, Susan Pond, Lydia Radetsky, Oli Speers, Jessica Teague, national Picasso Paris Philip Tunstall, Lucy Van Cleef, Mary Vincent, Media Deborah Weiss, Viki Westall. 60 A Love Supreme/Gala BRUCE MICHELSON picks highlights at SPANISH - Danza Europa y Américas 99 Moving with the Times www.danzaeuropayamericas.com this year's FabbricaEuropa in Florence MIKE DIXON reviews Valerie Preston www.facebook.com/DanzaEuropayAmericas Dunlop's new book FRENCH - Dance Europe en Français 74 Emerging Dancers www.facebook.com/DanceEuropeenFrancais PHILIP TUNSTALL applauds ENB's Reviews JAPANESE - Dance Europe in Japanese emerging talent www.danceeurope.net/japanese CLOUD GATE DANCE THEATRE www.facebook.com/DanceEuropeinJapanese 94 OF TAIWAN Japanese Translator Yuki Nagano 90 So How Was That First Year? DEBORAH WEISS asks four young dancers Rice Dance Europe was founded in November 1995. It is about their first year working in a published 11 times a year in London and distributed STEFANIE BATTEN BLAND’S worldwide by: UK - Comag Specialist Division, London; professional company COMPANY SBB Austria - Morawa & Co. Ltd; Australia/New Zealand - Gordon & Gotch; Canada - LMPI; Croatia - ANGCRO; Bienvenue 欢迎WelcomeBienvenido كب الهأ Germany - We Saarbach GmbH; Iceland - Innkaupasam band Boksala; South Africa - Magscene (Pty); Sweden - Svenska Interpress AB; Poland - Ingland Co. Ltd; Croatia, Performances Slovenial - Levant Dist; Portugal - International News; SARDOVILLE Trieste - EST; Finland - Rautakirja Oy; Poland - Ingland A Matter of Impression Co. Ltd; Sweden - Sevenska Interpress; U.S.A. - SEMAJ 46 Dream in Munich INC/IPD/; Spain - SGEL; Belgium - AMP; Hungary ALISON KENT reviews John Neumeier's NEDERLANDS DANS THEATER 2 - Libropress 2000; Taiwan - Multi-Arts Enterprise; Singapore - Borders/STP; Japan - Yohan ; Malaysia - production at the Bayerisches Staatsballett The Grey/Midnight Raga/Sara/ STP; Italy - Intercontinental (FE) and in France by the SHBOOM! publisher +44 20 8985 7767. 52 A Cinderella Story BALLETT AUGSBURG Individual subscriptions, single and back issues, library and institution subscriptions and English and Spanish LUCY VAN CLEEF savours Neumeier's Carmen/Boléro digital versions available online at www.danceeurope.net. take on the Grimm Brothers' version of Freelance contributions are welcomed especially from THE UCSB DANCE COMPANY writers who have worked as professional dancers. New the fairy tale Radical Bodies writers should, in the first instance, submit a short review or article accompanied by a CV. Photos sent by email or dropbox need to be 300 dpi and should be 54 Hope EVE MUTSO/ALYCE FINWALL/ clearly captioned in Photoshop File Info. GERARD DAVIS weighs up an inspirational LEVYDANCE Unknown/Almost Human/Pull Me Closer The content of Dance Europe is copyrighted and may not bill in Gent be freely reproduced in any medium whatsoever, includ- ing on the internet. The scanning and posting of articles published in Dance Europe online is strictly forbidden and 62 Balanchine, Kylián and Japanese constitutes a breach of copyright. © Dance Europe 2017 Forsythe DEBORAH WEISS rates the diversity of 105 さようならゼナイダ the Semperoper Ballett in Dresden Dance Europe - July 2017 5 5.
Load more

Recommended publications
  • UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
    UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat.
    [Show full text]
  • Transitions Dance Company
    PRESS RELEASE Send date Transitions Dance Company: Triple Bill Trinity Laban’s leading student training company showcases dancers in three brand new works from established choreographers Choreographed by Dog Kennel Hill Project, Theo Clinkard and Ederson Rodrigues Xavier UK Tour 19 February – 27 May “Performances by this enterprising company are always an eye-opener.” (Guardian Guide) Transitions Dance Company’s triple bill showcases the next generation of contemporary dance performers from Trinity Laban with twelve MA students performing three brand new pieces from choreographers Dog Kennel Hill Project, Theo Clinkard and Ederson Rodrigues Xavier. Since it was founded in 1982 by original Martha Graham Dance Company member Bonnie Bird, this pioneering company has aimed to bridge the gap between training and a professional performance career for graduate dancers. Transitions Dance Company aims to allow company members to gain practical experience of life in a touring dance company whilst simultaneously completing their MA Dance Performance. Past alumni of the company include distinguished artists such as Sir Matthew Bourne (New Adventures), Luca Silvestrini (Luca Silvestrini’s Protein), and Emma Gladstone (Artistic Director and Chief Executive of Dance Umbrella). Fieldwork from performance and research collective Dog Kennel Hill Project explores how, as a newly formed company, the dancers locate themselves now and in relation to their past. Through a deconstructed series of arrivals and departures and a language of stumbles, false starts, surges and going round in circles, Fieldwork asks “when do we truly arrive anywhere?” my dance, your touch draws upon research that outlines how physical touch affects our behavioural, cultural, emotional and biological development.
    [Show full text]
  • The Ajkun Ballet Theatre Artists
    THE AJKUN BALLET THEATRE ARTISTS LUIGI MARTELLETTA - Ballet Master Mr. Martelletta is the Artistic Director of the National Ballet Company of Rome, a leadership he shares with Raffaele Paganini, where he first met Dr. Chiara Ajkun in the capacity of guest ballet mistress and choreographer in residence. Luigi’s leadership is extended to the role of producer for Almatanz, a production and presenting company that tours ballet and modern dance performances throughout Europe, with main distribution in the major theaters of Italy, Germany, France, Spain and Russia since 1992, e.g. Spoleto Festival dei due mondi, Versiliana Festival, Terme di Caracalla. Almatanz has often engaged the Artists of the Ajkun Ballet Theatre, to include Dr. Chiara Ajkun, for his performing tours. As a choreographer, Luigi has created original ballets for the Teatro dell’ Opera di Roma, Opera House del Cairo, Macedonia National Balletto, among others. Luigi Martelletta’s performing career was entirerly dedicated to the company of the Teatro dell’Opera di Roma where, as principal dancer, he shared the stage with dancers of the likes of Roberto Bolle, Alessandra Ferri, Ethan Stiefel, Rudolf Nureyev, Carla Fracci, Vladimir Vassiliev, Ekaterina Maximova, Fernando Bujones, Maja Plisseskaja, Eva Edmokimova. Luigi performed repertory ballets and creations by Rolan Petit, Leonide Massine, and Ben Stevenson and was formally educated at the Ballet School of the Teatro dell’Opera di Roma. The Ajkun Ballet Theatre Company, The Ajkun Ballet Theatre Organization and its authorized Agents exclusively represent all AjkunBT Artists, worldwide. Their name, photos, videos and likeness are copyrighted and require written consent from The Ajkun Ballet Theatre’s Press and Communication Division for any use.
    [Show full text]
  • History Timeline from 13.7 Billion Years Ago to August 2013. 1 of 588 Pages This PDF History Timeline Has Been Extracted
    History Timeline from 13.7 Billion Years ago to August 2013. 1 of 588 pages This PDF History Timeline has been extracted from the History World web site's time line. The PDF is a very simplified version of the History World timeline. The PDF is stripped of all the links found on that timeline. If an entry attracts your interest and you want further detail, click on the link at the foot of each of the PDF pages and query the subject or the PDF entry on the web site, or simply do an internet search. When I saw the History World timeline I wanted a copy of it for myself and my family in a form that we could access off-line, on demand, on the device of our choice. This PDF is the result. What attracted me particularly about the History World timeline is that each event, which might be earth shattering in itself with a wealth of detail sufficient to write volumes on, and indeed many such events have had volumes written on them, is presented as a sort of pared down news head-line. Basic unadorned fact. Also, the History World timeline is multi-faceted. Most historic works focus on their own area of interest and ignore seemingly unrelated events, but this timeline offers glimpses of cross-sections of history for any given time, embracing art, politics, war, nations, religions, cultures and science, just to mention a few elements covered. The view is fascinating. Then there is always the question of what should be included and what excluded.
    [Show full text]
  • MAYERLING Tweet Your Thoughts About Tonight’S Performance Before It Starts, During the Intervals Or Afterwards with #Rohmayerling BALLET in THREE ACTS
    THE ROYAL BALLET DIRECTOR KEVIN O’HARE CBE OM CH DBE Approximate timings FOUNDER DAME NINETTE DE VALOIS FOUNDER CHOREOGRAPHER Live cinema relay begins at 7.15pm; ballet begins at 7.30pm SIR FREDERICK ASHTON OM CH CBE FOUNDER MUSIC DIRECTOR CONSTANT LAMBERT Act I 41 minutes PRIMA BALLERINA ASSOLUTA Interval DAME MARGOT FONTEYN DBE Act II 53 minutes Interval Act III 37 minutes The performance will end at approximately 10.30pm MAYERLING Tweet your thoughts about tonight’s performance before it starts, during the intervals or afterwards with #ROHmayerling BALLET IN THREE ACTS POINTE SHOES APPEAL CHOREOGRAPHY KENNETH MACMILLAN MUSIC FRANZ LISZT Each year The Royal Ballet dances through more than 6,000 pairs ARRANGED AND ORCHESTRATED BY JOHN LANCHBERY of pointe shoes. A gift of £5 to the Pointe Shoes Appeal could buy DESIGNER enough ribbon for five pairs. Donate online. NICHOLAS GEORGIADIS SCENARIO GILLIAN FREEMAN roh.org.uk/pointe LIGHTING DESIGNER JOHN B. READ STAGING CHRISTOPHER SAUNDERS, GRANT COYLE, KARL BURNETT BALLET MASTERS GARY AVIS, RICARDO CERVERA 2018/19 LIVE CINEMA SEASON INCLUDES: BALLET MISTRESS SAMANTHA RAINE ASSISTANT BALLET MISTRESS SIAN MURPHY DIE WALKÜRE SUNDAY 28 OCTOBER 2018 PRINCIPAL COACHING ALEXANDER AGADZHANOV, LEANNE BENJAMIN, LA BAYADÈRE TUESDAY 13 NOVEMBER 2018 ANTONY DOWSON, ZENAIDA YANOWSKY THE NUTCRACKER MONDAY 3 DECEMBER 2018 BENESH CHOREOLOGISTS KARL BURNETT, GRANT COYLE THE QUEEN OF SPADES TUESDAY 22 JANUARY 2019 LA TRAVIATA WEDNESDAY 30 JANUARY 2019 CONDUCTOR KOEN KESSELS DON QUIXOTE TUESDAY 19 FEBRUARY 2019
    [Show full text]
  • Final January 2019 Newsletter 1-2-19
    January 2019 Talking Pointes Jane Sheridan, Editor 508.367.4949 [email protected] From the Desk of the President Showcase Luncheon Richard March 941.343.7117 “Our Dancers—The Boys From [email protected] Brazil” Monday, February 11, 2019, Bird I’m excited for you to read about our winter party – Key Yacht Club, 11:30 AM Carnival at Mardi Gras – elsewhere in this newsletter. It will be at the Hyatt Boathouse on Carnival at Mardi Gras February 25th. This is a chance to have fun with other Monday, February 25, 2019, The Boathouse at the Hyatt Regency, Friends and dancers from the Company. It is also an 5:30 PM - 7:30 PM opportunity to help us raise funds for the Ballet. We need help in preparing a number of themed “Spring Fling” baskets that will be auctioned at the event. In the past, Sunday, March 31, 2019, The we’ve had French, Italian, wine, and chocolate Sarasota Garden Club, 4:00 PM – baskets, among others. Those who prepare baskets are 6:30 PM asked to spend no more than $50 in preparing them. However, you can add an unlimited number of gift Showcase Luncheon certificates or donations that will increase the appeal. Margaret Barbieri, Assistant Director, The Sarasota Ballet, If you would like to pitch in to support this effort, "Giselle: Setting An Iconic Work” please contact Phyllis Myers for information at Monday, April 15, 2019, Michael’s [email protected]. And, please come to On East, 11:30 AM the party. I am certain you will have fun! Were you able to see the performance of our dancers Pointe of Fact from the Studio Company and the Margaret Barbieri November was a record-setting Conservatory at the Opera House? Together with the month for the Friends of The Key Chorale, they took part in a program called Sarasota Ballet.
    [Show full text]
  • MAYERLING Twittate Le Vostre Impressioni Sullo Spettacolo Di Stasera Prima Dell’Inizio, Durante Gli Intervalli O Alla Fine Con #Rohmayerling BALLETTO in TRE ATTI
    THE ROYAL BALLET DIRECTOR KEVIN O’HARE CBE OM CH DBE Orari previsti FOUNDER DAME NINETTE DE VALOIS FOUNDER CHOREOGRAPHER La diretta al cinema ha inizio alle 20:15, il balletto comincia alle 20:30 SIR FREDERICK ASHTON OM CH CBE FOUNDER MUSIC DIRECTOR CONSTANT LAMBERT Atto I 41 minuti PRIMA BALLERINA ASSOLUTA Intervallo DAME MARGOT FONTEYN DBE Atto II 53 minuti Intervallo Atto III 37 minuti Lo spettacolo terminerà intorno alle 23:30 MAYERLING Twittate le vostre impressioni sullo spettacolo di stasera prima dell’inizio, durante gli intervalli o alla fine con #ROHmayerling BALLETTO IN TRE ATTI COREOGRAFIA KENNETH MACMILLAN APPELLO SCARPETTE DA PUNTA MUSICA FRANZ LISZT Ogni anno il Royal Ballet utilizza oltre 6.000 paia di scarpette da punta. ARRANGIATA E ORCHESTRATA DA JOHN LANCHBERY Donando 5 sterline al Pointe Shoes Appeal (appello scarpette da punta) si possono acquistare i nastri per cinque paia. Donate online. SCENE E COSTUMI NICHOLAS GEORGIADIS roh.org.uk/pointe CANOVACCIO GILLIAN FREEMAN LUCI JOHN B. READ ALLESTIMENTO CHRISTOPHER SAUNDERS, GRANT COYLE, KARL BURNETT MAESTRI DI BALLETTO GARY AVIS, RICARDO CERVERA STAGIONE IN DIRETTA AL CINEMA 2018-19: MAESTRA DI BALLETTO SAMANTHA RAINE ASSISTENTE MAESTRA DI BALLETTO SIAN MURPHY LA VALCHIRIA DOMENICA 28 OTTOBRE 2018 COACHING PRIMI BALLERINI ALEXANDER AGADZHANOV, LEANNE BENJAMIN, LA BAYADÈRE MARTEDÌ 13 NOVEMBRE 2018 ANTONY DOWSON, ZENAIDA YANOWSKY LO SCHIACCIANOCI LUNEDÌ 3 DICEMBRE 2018 NOTAZIONE BENESH KARL BURNETT, GRANT COYLE LA DAMA DI PICCHE MARTEDÌ 22 GENNAIO 2019 LA TRAVIATA MERCOLEDÌ
    [Show full text]
  • World Premiere of Angels' Atlas by Crystal Pite
    World Premiere of Angels’ Atlas by Crystal Pite Presented with Chroma & Marguerite and Armand Principal Dancer Greta Hodgkinson’s Farewell Performances Casting Announced February 26, 2020… Karen Kain, Artistic Director of The National Ballet of Canada, today announced the casting for Angels’ Atlas by Crystal Pite which makes its world premiere on a programme with Chroma by Wayne McGregor and Marguerite and Armand by Frederick Ashton. The programme is onstage February 29 – March 7, 2020 at the Four Seasons Centre for the Performing Arts. #AngelsAtlasNBC #ChromaNBC #MargueriteandArmandNBC The opening night cast of Angels’ Atlas features Principal Dancers Heather Ogden and Harrison James, First Soloist Jordana Daumec, Hannah Fischer and Donald Thom, Second Soloists Spencer Hack and Siphesihle November and Corps de Ballet member Hannah Galway. Principal Dancer Greta Hodgkinson retires from the stage after a career that has spanned over a period of 30 years. She will dance the role of Marguerite opposite Principal Dancer Guillaume Côté in Marguerite and Armand on opening night. The company will honour Ms. Hodgkinson at her final performance on Saturday, March 7 at 7:30 pm. Principal Dancers Sonia Rodriguez, Francesco Gabriele Frola and Harrison James will dance the title roles in subsequent performances. Chroma will feature an ensemble cast including Principal Dancers Skylar Campbell, Svetlana Lunkina, Heather Ogden and Brendan Saye, First Soloists Tina Pereira and Tanya Howard, Second Soloists Christopher Gerty, Siphesihle November and Brent
    [Show full text]
  • The Mariinsky Ballet & Orchestra
    Thursday, October 1, 2015, 8pm Friday, October 2, 2015, 8pm Saturday, October 3, 2015, 2pm & 8pm Sunday, October 4, 2015, 3pm Zellerbach Hall The Mariinsky Ballet & Orchestra Gavriel Heine, Conductor The Company Diana Vishneva, Nadezhda Batoeva, Anastasia Matvienko, Sofia Gumerova, Ekaterina Chebykina, Kristina Shapran, Elena Bazhenova Vladimir Shklyarov, Konstantin Zverev, Yury Smekalov, Filipp Stepin, Islom Baimuradov, Andrey Yakovlev, Soslan Kulaev, Dmitry Pukhachov Alexandra Somova, Ekaterina Ivannikova, Tamara Gimadieva, Sofia Ivanova-Soblikova, Irina Prokofieva, Anastasia Zaklinskaya, Yuliana Chereshkevich, Lubov Kozharskaya, Yulia Kobzar, Viktoria Brileva, Alisa Krasovskaya, Marina Teterina, Darina Zarubskaya, Olga Gromova, Margarita Frolova, Anna Tolmacheva, Anastasiya Sogrina, Yana Yaschenko, Maria Lebedeva, Alisa Petrenko, Elizaveta Antonova, Alisa Boyarko, Daria Ustyuzhanina, Alexandra Dementieva, Olga Belik, Anastasia Petushkova, Anastasia Mikheikina, Olga Minina, Ksenia Tagunova, Yana Tikhonova, Elena Androsova, Svetlana Ivanova, Ksenia Dubrovina, Ksenia Ostreikovskaya, Diana Smirnova, Renata Shakirova, Alisa Rusina, Ekaterina Krasyuk, Svetlana Russkikh, Irina Tolchilschikova Alexey Popov, Maxim Petrov, Roman Belyakov, Vasily Tkachenko, Andrey Soloviev, Konstantin Ivkin, Alexander Beloborodov, Viktor Litvinenko, Andrey Arseniev, Alexey Atamanov, Nail Enikeev, Vitaly Amelishko, Nikita Lyaschenko, Daniil Lopatin, Yaroslav Baibordin, Evgeny Konovalov, Dmitry Sharapov, Vadim Belyaev, Oleg Demchenko, Alexey Kuzmin, Anatoly Marchenko,
    [Show full text]
  • A Talented Boy Called Roberto
    ITALY A talented boy called Roberto Alessandro Gandolfi Vercelli Dance Academy, pupils listen during a lesson. Vercelli is a small town in Italy with a ballet academy that discovered the international star Roberto Bolle The most talented ballet dancers often come from the provinces. And, in the case of Italy, schools (there are more than 20,000) are genuine incubators for talent. They introduce children to music and rhythm, teaching them classical techniques and nudging the best – at the ages of 11 and 12 – towards the most prestigious academies. This is precisely what happened to Roberto Bolle, who went on to become the primo ballerino, or first dancer, at Milan’s La Scala in 1996, at the age of 20. Since then he has had leading roles with the Royal Ballet in London and has been the Principal Dancer with the American Ballet Theatre in New York, in addition to performing with the Bolshoi Theatre in Moscow and numerous other companies around the world. He is an international star and a UNICEF goodwill ambassador. And yet the seeds of this glorious career were sown in a small provincial town in Northern Italy in the 1980s when Roberto was still a child. The name of the town is Vercelli and it was here that a young Spanish ballerina, Pilar Sampietro, moved after falling in love with an Italian. She set up a ballet academy where her pupils included Roberto. Sadly, Pilar is no longer with us, having passed away in 2015, but the Vercelli Dance Academy lives on and it continues to produce talented youngsters.
    [Show full text]
  • An Evening with Natalia Osipova Valse Triste, Qutb & Ave Maria
    Friday 24 April Sadler’s Wells Digital Stage An Evening with Natalia Osipova Valse Triste, Qutb & Ave Maria Natalia Osipova is a major star in the dance world. She started formal ballet training at age 8, joining the Bolshoi Ballet at age 18 and dancing many of the art form’s biggest roles. After leaving the Bolshoi in 2011, she joined American Ballet Theatre as a guest dancer and later the Mikhailovsky Ballet. She joined The Royal Ballet as a principal in 2013 after her guest appearance in Swan Lake. This showcase comprises of three of Natalia’s most captivating appearances on the Sadler’s Wells stage. Featuring Valse Triste, specially created for Natalia and American Ballet Theatre principal David Hallberg by Alexei Ratmansky, and the beautifully emotive Ave Maria by Japanese choreographer Yuka Oishi set to the music of Schubert, both of which premiered in 2018 at Sadler’s Wells’ as part of Pure Dance. The programme will also feature Qutb, a uniquely complex and intimate work by Sadler’s Wells Associate Artist Sidi Larbi Cherkaoui, which premiered in 2016 as part of Natalia’s first commission alongside works by Arthur Pita and fellow Associate Artist Russell Maliphant. VALSE TRISTE, PURE DANCE 2018 Natalia Osipova Russian dancer Natalia Osipova is a Principal of The Royal Ballet. She joined the Company as a Principal in autumn 2013, after appearing as a Guest Artist the previous Season as Odette/Odile (Swan Lake) with Carlos Acosta. Her roles with the Company include Giselle, Kitri (Don Quixote), Sugar Plum Fairy (The Nutcracker), Princess Aurora (The Sleeping Beauty), Lise (La Fille mal gardée), Titania (The Dream), Marguerite (Marguerite and Armand), Juliet, Tatiana (Onegin), Manon, Sylvia, Mary Vetsera (Mayerling), Natalia Petrovna (A Month in the Country), Anastasia, Gamzatti and Nikiya (La Bayadère) and roles in Rhapsody, Serenade, Raymonda Act III, DGV: Danse à grande vitesse and Tchaikovsky Pas de deux.
    [Show full text]
  • Gp 3.Qxt 7/14/17 2:07 PM Page 1 Page 4
    07-26 Taming Shrew v9.qxp_Gp 3.qxt 7/14/17 2:07 PM Page 1 Page 4 Lincoln Center Festival lead support is provided by American Express July 26–30 David H. Koch Theater Bolshoi Ballet Ballet Director Makhar Vaziev The Taming of the Shrew Ballet in two acts Choreography Jean-Christophe Maillot Music Dmitri Shostakovich Set Design Ernest Pignon-Ernest Costume Design Augustin Maillot Lighting and Video Projection Design Dominique Drillot New York City Ballet Orchestra Conductor Igor Dronov Approximate running time: 1 hours and 55 minutes, with one intermission This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Made possible in part by The Harkness Foundation for Dance. Endowment support for the Lincoln Center Festival 2017 presentation of The Taming of the Shrew is provided by Blavatnik Family Foundation Fund for Dance. Public support for Festival 2017 is provided by the New York City Department of Cultural Affairs and New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. The Bolshoi Theatre gratefully acknowledges the support of its General Sponsor, Credit Suisse. 07-26 Taming Shrew.qxp_Gp 3.qxt 7/18/17 12:10 PM Page 2 LINCOLN CENTER FESTIVAL 2017 THE TAMING OF THE SHREW Wednesday, July 26, 2017, at 7:30 p.m. The Taming of the Shrew Katharina: Ekaterina Krysanova Petruchio: Vladislav Lantratov Bianca: Olga Smirnova Lucentio: Semyon Chudin Hortensio: Igor Tsvirko Gremio: Vyacheslav Lopatin The Widow: Yulia Grebenshchikova Baptista: Artemy Belyakov The Housekeeper: Yanina Parienko Grumio: Georgy Gusev MAIDSERVANTS Ana Turazashvili, Daria Bochkova, Anastasia Gubanova, Victoria Litvinova, Angelina Karpova, Daria Khokhlova SERVANTS Alexei Matrakhov, Dmitry Dorokhov, Batyr Annadurdyev, Dmitri Zhuk, Maxim Surov, Anton Savichev There will be one intermission.
    [Show full text]