Programa De Mano
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Copyright Marilyn J. La Vine © 2007 New York –
Copyright Marilyn J. La Vine © 2007 New York - Tous droits réservés - # Symbol denotes creation of role Commencing with the year 1963, only the first performance of each new work to his repertoire is listed. London March 2,1970 THE ROPES OF TIME # The Traveler The Royal Ballet; Royal Opera House With: Monica Mason, Diana Vere C: van Dantzig M: Boerman London July 24,1970 'Tribute to Sir Frederick Ashton' Farewell Gala. The Royal LES RENDEZ-VOUS Ballet,- Royal Opera House Variation and Adagio of Lovers With: Merle Park Double debut evening. C: Ashton M: Auber London July 24,1970 APPARITIONS Ballroom Scene The Royal Ballet; Royal Opera House The Poet Danced at this Ashton Farewell Gala only. With: Margot Fonteyn C: Ashton M: Liszt London October 19, 1970 DANCES AT A GATHERING Lead Man in Brown The Royal Ballet; Royal Opera House With: Anthony Dowell, Antoinette Sibley C: Robbins M: Chopin Marseille October 30, 1970 SLEEPING BEAUTY Prince Desire Ballet de L'Opera de Morseille; Opera Municipal de Marseille With: Margot Fonteyn C: Hightower after Petipa M: Tchaikovsky Berlin Berlin Ballet of the Germon Opera; Deutsche Opera House November 21, 1970 Copyright Marilyn J. La Vine © 2007 New York – www.nureyev.org Copyright Marilyn J. La Vine © 2007 New York - Tous droits réservés - # Symbol denotes creation of role SWAN LAKE Prince Siegfried With: Marcia Haydee C: MacMillan M: Tchaikovsky Brussels March 11, 1971 SONGS OF A WAYFARER (Leider Eines Fahrenden Gesellen) # Ballet of the 20#, Century; Forest National Arena The Wanderer With: Paolo Bortoluzzi C: Bejart M: Mahler Double debut evening. -
Balett Och Dans, Allmänt Och Blandat Nr Författare Titel Förl.Ort Årtal Innehåll Och Kommentarer (K)
1 (129) H yllplan I:1-5 och II:1-3: Balett och dans, allmänt och blandat nr Författare Titel Förl.ort Årtal Innehåll och Kommentarer (K) 1. A Hug! Köpenha 1983 Artiklar om bl. a. balett (H. Engdahl), danskultur, karneval o. mn skrattets kultur (Bakhtin). Rikligt illustrerad. Inget register. Dansk tidskrift, nr 8 (augusti) 1983 2. A Le ballet au XIXe siècle Paris 1921 Artiklar av bl. a. Levinson (Gautier och romantiken) och Prunières (Salvatore Viganò) samt teckningar + dikt av Degas. Rikligt illustrerad. Inget register. Specialnummer av franska tidskr. La Revue musicale, dec. 1921. Främre omslagsbladet löst. 3. A Les ballets américains de Paris u. å. 48 sidor utsökta fotografier. Korta inledande texter av Pierre Ruth Page, Bentley Stone, Emmanuel, Georges Amberg, John Martin och Louis José Limón. Photographies Bromfeld. Om den moderna amerikanska dansens invasion de Serge Lido av Paris 1950. 4. A Nordisk kultur: Idræt og Köpenha 1933 Artiklar om dansen i Sverige (Klein), Danmark, Färöarna och leg; Dans mn m. Norge (Grüner Nielsen) och Island (Blöndal). Noter och m. litteratur; Sak-, ort- och personregister. Illustrerad. Nr XXIV i samlingsverket Nordisk kultur. 5. A Phaidon Book of the Ballet Oxford 1981 34 sidors inledande artikel av Mario Pasi. Katalog över 500 baletter 1581-1979 med signerade artiklar. Väl illustrerad. Register över baletter och koreografer. Översättning från italienskt original. 6. A TOK - Tanke och känsla Lund 1985 Artiklar om bl. a. Svenska balettskolan (Svalberg), Kroppsspråk (Hennum) och i sht "Högre studier i dans 1600- 1850" av Margo Ruark (källförteckning). Illustrerad. Årgång 10 av TOK - Tidskrift för en ny humanism. -
Boris Kochno Diaghilev Et Les Ballets Russes
DIAGHILEV ET LES BALLETS RUSSES BORIS KOCHNO DIAGHILEV ET LES BALLETS RUSSES FAYARD Cet ouvrage a été publié dans son édition originale par Harpers and ROkl, N ek' York- Les passages des lettres de Diaghilev à Stravinski sont extraits de Memoirs and Commentaries et reproduits avec l'autorisation d'Alfred A. Knopf Inc. t / p 6 0 by Robert Craft and Igor Stravinsk). La maquette française de ce livre a été effectuée d'après la maquette américaine de Bea Feitler, et les photographies des documents, de la collection de Boris Kochno, sont dues à Niki Ekstrom. Tous droits de reproduction réservés pour tous pays. C 1970 ry Boris Kochno. C Librairie Arthème Fayard, 1973. Dessin de Picasso, pour le programme des Ballets Russes, en 1923. Dédicace de Diaghilev à Boris Kochno sur le programme de la saison des Ballets Russes à Paris en 1923. Pour mon cher Borinka, ce début d'une œuvre qui, grâce à sa sollicitude et son travail, laissera enfin une trace sûre de mes longs efforts. Serge Diaghilev ier décembre IY23 Paris SOMMAIRE DES BALLETS RUSSES LES PARORIGINES ALEXANDRE BENOIS 2 NOTE DE L'AUTEUR 22 LE PAVILLON D'ARMIDE 24 SCÈNES ET DANSES POLOVTSIENNES DE L'OPÉRA LE PRINCE IGOR 26 LE FESTIN 29 LES SYLPHIDES 32 CLÉOPATRE 32 LE CARNAVAL 38 SCHÉHÉRAZADE 42 GISELLE 48 L'OISEAU DE FEU LES ORIENTALES j6 LE SPECTRE DE LA ROSE Óo NARCISSE Ó3 S AD KO 64 PETROUCHKA 66 LE LAC DES CYGNES 73 LE DIEU BLEU 74 THAMAR 79 L'APRÈS-MIDI D'UN FAUNE 80 DAPHNIS ET CHLOE 83 JEUX 84 LE SACRE DU PRINTEMPS 87 SALOMÉ pi LES PAPILLONS 92 LA LÉGENDE DE JOSEPH gf LE COQ D'OR 99 -
Eva Evdokimova (Western Germany), Atilio Labis
i THE CUBAN BALLET: ITS RATIONALE, AESTHETICS AND ARTISTIC IDENTITY AS FORMULATED BY ALICIA ALONSO A Dissertation Submitted to the Temple University Graduate Board in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY by Lester Tomé January, 2011 Examining Committee Members: Joellen Meglin, Advisory Chair, Dance Karen Bond, Dance Michael Klein, Music Theory Heather Levi, External Member, Anthropology ii © Copyright 2011 by Lester Tomé All Rights Reserved iii ABSTRACT In the 1940s, Alicia Alonso became the first Latin American dancer to achieve international prominence in the field of ballet, until then dominated by Europeans. Promoted by Alonso, ballet took firm roots in Cuba in the following decades, particularly after the Cuban Revolution (1959). This dissertation integrates the methods of historical research, postcolonial critique and discourse analysis to explore the performative and discursive strategies through which Alonso defined her artistic identity and the collective identity of the Cuban ballet. The present study also examines the historical context of the development of ballet in Cuba, Alonso’s rationale for the practice of ballet on the Island, and the relationship between the Cuban ballet and the European ballet. Alonso defended the legitimacy of Cuban dancers to practice ballet and, in specific, perform European classics such as Giselle and Swan Lake. She opposed the notion that ballet was the exclusive patrimony of Europeans. She also insisted that the cultivation of this dance form on the Island was not an act of cultural colonialism. In her view, the development of ballet in Cuba consisted, instead, of an exploration of a distinctive Cuban voice within this dance form, a reformulation of a European legacy from a postcolonial perspective. -
Dorathi Bock Pierre Dance Collection, 1929-1996
http://oac.cdlib.org/findaid/ark:/13030/c8pc33q9 No online items Finding Aid for the Dorathi Bock Pierre dance collection, 1929-1996 Processed by Megan Hahn Fraser and Jesse Erickson, March 2012, with assistance from Lindsay Chaney, May 2013; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ ©2013 The Regents of the University of California. All rights reserved. Finding Aid for the Dorathi Bock 1937 1 Pierre dance collection, 1929-1996 Descriptive Summary Title: Dorathi Bock Pierre dance collection Date (inclusive): 1929-1996 Collection number: 1937 Creator: Pierre, Dorathi Bock. Extent: 27 linear ft.(67 boxes) Abstract: Collection of photographs, performance programs, publicity information, and clippings related to dance, gathered by Dorathi Bock Pierre, a dance writer and publicist. Language: Finding aid is written in English. Language of the Material: Materials are in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
Ballet's Magic Kingdom
Ballet’s Magic Kingdom Ballet’s Magic Kingdom Selected Writings on Dance in Russia, 1911–1925 Akim Volynsky Translated, Edited, and with an Introduction and Notes by StanleyQ J. Rabinowitz Yale University Press New Haven and London Frontispiece: Yury Annenkov, Akim Volynsky, 1921 (From Yury Annenkov, Portrety [Petrograd: Petropolis, 1922], 41). Disclaimer: Some images in the printed version of this book are not available for inclusion in the eBook. Published with assistance from the foundation established in memory of William McKean Brown. Copyright ∫ 2008 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Portions of this book originally appeared in slightly altered form as ‘‘Against the Grain: Akim Volynskii and the Russian Ballet,’’ Dance Research 14, no. 1 (Summer 1996): 3–41, and ‘‘The House That Petipa Built: Visions and Villains of Akim Volynskii,’’ Dance Research 16, no. 1 (Summer 1998): 26–66, and are reprinted by permission of the journal, the Society for Dance Research, and Edinburgh University Press. Set in Adobe Garamond type by Keystone Typesetting, Inc. Printed in the United States of America by Sheridan Books, Ann Arbor, Michigan. Library of Congress Cataloging-in-Publication Data Volynskii, A. L., 1863–1926. [Selections. English 2008] Ballet’s magic kingdom : selected writings on dance in Russia, 1911–1925 / Akim Volynsky ; translated, edited, and with an introduction and notes by Stanley J. -
Don Quijote EL SOÑADOR DE LA MANCHA EL SOÑADOR DE LA MAXIMILIANO GUERRA MAXIMILIANO DEL TEATRO COLÓN ESTABLE BALLET DIRECTOR DIRECTOR
2016 BALLET Don Quijote EL SOÑADOR DE LA MANCHA BALLET ESTABLE DEL TEATRO COLÓN MAXIMILIANO GUERRA DIRECTOR PUBLICIDAD ROLEX JEFE DE GOBIERNO Horacio Rodríguez Larreta VICEJEFE DE GOBIERNO Diego Santilli JEFE DE GABINETE Felipe Miguel MINISTRO DE CULTURA Darío Lopérfido DIRECTORA GENERAL DIRECTOR ARTÍSTICO María Victoria Alcaraz Darío Lopérfido TEATRO COLÓN El Colón Descubrí todo lo que pasa dentro y alrededor del Colón desde adentro en el Canal de la Ciudad y en La Once Diez DIRECTORA GENERAL DIRECTOR ARTÍSTICO María Victoria Alcaraz Darío Lopérfido DIRECTORA EJECUTIVA DIRECTOR GENERAL GERENTE GENERAL María Videla Rivero DE PRODUCCIÓN ARTÍSTICA Cristian Mealla Guillermo Scarabino DIRECTORES VOCALES JEFE DE GABINETE Carlos Lorenzetti DIRECTORA GENERAL ESCENOTÉCNICA Juan García Aramburu Eugenia Schvartzman María Cremonte Hugo Gervini DIRECTORA GENERAL TÉCNICA, ADMINISTRATIVA Y LEGAL Carolina Clavero ESPECIALES DEL TEATRO COLÓN ABONO 1110 DIRECTORA DE ESTUDIOS MUSICALES DIRECTOR DEL CENTRO DE DIRECTOR GENERAL DE PLANEAMIENTO Conducción: Victoria Casaurang Conducción: Martín Leopoldo Díaz Eduviges Picone EXPERIMENTACIÓN Bruno Faccone SÁBADOS 20h LUNES A JUEVES 20h Miguel Galperin Telecentro canal 71 / Cablevisión canal 2 / Cablevisión Digital canal 702 DIRECTOR DEL BALLET ESTABLE DIRECTORA DE RELACIONES Maximiliano Guerra DIRECTOR DEL PROGRAMA INTERNACIONALES COLÓN CONTEMPORÁNEO Zulema Scarabino Martín Bauer DIRECTOR DE LA ORQUESTA DISPOSICIONES GENERALES FILARMÓNICA DE BUENOS AIRES DIRECTOR TÉCNICO OPERATIVO DIRECTOR DEL INSTITUTO • El Teatro Colón se reserva el derecho de cambiar las fechas de las funciones, programas o elencos por razones de fuerza mayor, en cuyo caso informará oportunamente sobre la Enrique Arturo Diemecke Juan Manuel López Castro SUPERIOR DE ARTE reprogramación realizada. Las entradas no tienen cambio ni devolución. • Se solicita al público apagar por favor los teléfonos celulares o cualquier equipo con alarma o radiollamada antes del comienzo de la función. -
Alexei Ratmansky on ABT’S Harlequinade
Spring-Summer 2019 Ballet Review From the Sp/Su 2019 issue of Ballet Review Alexei Ratmansky on ABT’s Harlequinade Cover photo by Paul Kolnik, NYCB: Joseph Gordon in Dances at a Gathering. © 2019 Dance Research Foundation, Inc. Ballet Review 47.1-2 Spring-Summer 2019 Editor and Designer: Marvin Hoshino Managing Editor: Roberta Hellman Senior Editor: Don Daniels Associate Editors: Joel Lobenthal Larry Kaplan Ballet Review is a nonprofit Alice Helpern journal pub lished by the Dance 168 Webmaster: Research Foundation, Inc. It David S. Weiss is supported in part by funds from the National Endowment Copy Editor: Naomi Mindlin for the Arts, the New York State Council on the Arts, The Fan Photographers: Fox and Leslie R. Samuels Tom Brazil Foundation, and individuals. Costas Contributions to the Dance Associates: Research Foundation, Inc., Peter Anastos 100 Hudson St. – Apt. 6B, Robert Greskovic New York, NY 10013, are 76 George Jackson tax-deduc tible. Elizabeth Kendall Board ofDirectors: Paul Parish Hubert Goldschmidt, Roberta Nancy Reynolds Hellman, Marvin Hoshino, James Sutton Nancy Lassalle, Dawn Lille, Edward Willinger Michael Popkin, Theodore C. Sarah C. Woodcock Rogers, Barbara E. Schlain, David Weiss. * For the latest information on subscriptions, see our website: balletreview.com. Current 95 double issue: $35. Editorial correspondence, books for review, subscriptions, and changes of address to Ballet Review, 100 Hudson St. – Apt. 6B, New York, NY 10013. Manuscripts must be accom- panied by a self-addressed, stamped returnenvelope. E-mail: [email protected]. * 207 ©2019 Dance Research Foun- dation, Inc. All rights reserved. Printed in China. issn: 0522- 0653. Periodical postage paid at New York, NY, and additional mailing offices. -
Copyright Marilyn J. La Vine © 2007 New York - Tous Droits Réservés - # Symbol Denotes Creation of Role
Copyright Marilyn J. La Vine © 2007 New York - Tous droits réservés - # Symbol denotes creation of role Commencing with the year 1963, only the first performance of each new work to his repertoire is listed. Berlin February 26, 1980 FIVE TANGOS Berlin Ballet of the German Opera; Deutsche Opera House With: Dianne Bell C: Van Manen M: Piazzolla Berlin March 2, 1980 THE IDIOT Prince Myshkin Berlin Ballet of the German Opera; With: Valery Panov; Deutsche Opera House Eva Evdokimova, Galina Panov C: Panov M: Shostakovich Vienna March 17, 1980 FOUR LAST SONGS Angel of Death With: Ursula Szameit, Georg Ditl, Suzanne Fichtenbaum, Ludwig Karl, Gisela Cech, Vienna State Opera House; Staatsoper Michael Birkmeyer, Suzanne Kimbauer, Ludwig M. Musil Gundula Janowitz (Singer) C: van Dantzig M: R. Strauss New York April 22, 1980 ECUATORIAL Celebrant of the Sun Martha Graham Dance Company Metropolitan Opera House With: Yuriko Kimura C: Graham M: Varese New York April 26,1980 Martha Graham Dance Company, CLYTEMNESTRA Metropolitan Opera House Aegisthus With: Yuriko Kimura Copyright Marilyn J. La Vine © 2007 New York – www.nureyev.org Copyright Marilyn J. La Vine © 2007 New York - Tous droits réservés - # Symbol denotes creation of role C: Graham M: El-Dabh London July 2,1980 RUBIES from JEWELS Zurich Opera Ballet; London Coliseum With: Elise Flagg C: Balanchine M: Stravinsky Vienna October 24,1980 SONGS WITHOUT WORDS (Liede Ohne Worte) With: Lilly Scheuerrnann, Suzanne Kimbauer, Vienna State Opera House; Staatsoper Lisl Maar, Elizabeth Schuller, Michael Birkmeyer, Georg Ditl, Ludwig Karl C: Van Manen M: Mendelssohn New York November 6, 1980 LA SYLPHIDE James Boston Ballet ; Uris Theatre With: Ghislaine Thesmar C: Thesmar Lacotte after Taglioni M: Schneitzhoeffer Rome March 15, 1981 MARCO SPADA # Marco Spada Rome Opera Ballet; Rome Opera House With: Ghislaine Thesmar C: Lacotte M: Auber New York April 14,1981 FROM SEA TO SHINING SEA With: Mikhail Baryshnikov; Paul Taylor Dance Company Gala; City Center Gwen Verdon C: Taylor M: McDowell Copyright Marilyn J. -
Kathryn Morgan Maria Riccetto Craig Hall Adrian Danchig-Waring Cory Stearns
AtheneumDanceFestCovers10:AtheneumDanceFestivalCovers10 7/15/10 4:36 PM Page 1 NANTUCKET ATHENEUM DANCE FESTI VAL July 26 –31, 2 01 0 Friday, July 30th, 6:30 P.M. Saturday, July 31st, 6:30 P.M. Nantucket High School Mary P. Walker Auditorium 1 AtheneumDanceFestCovers10:AtheneumDanceFestivalCovers10 7/15/10 4:36 PM Page 2 DANCE FESTIVAL COMMITTEE 2010 Marion Martin Jane Tyler Marcia P. Welch Dance Festival Co-Chairs Mary Randolph Ballinger Cosby George A. Steven Perelman Susie Belcher Tim George Samantha Sandler Roxanne Casscells Nan Geschke Denise Saul Barbara G. Cohen Molly Harding Maria Spears Patti Deuster Kathryn Kay Pam Thomas Barbara J. Fife John W. Loose Mary Wolff Alan Forster Mary Ann Peglar NANTUCKET ATHENEUM BOARD OF TRUSTEES Alice F. Emerson Stephen C. Anderson Chair Vice-Chair Judith Tindal Opatrny Alan Forster Secretary Treasurer Margaret Gaffney Benedict Timothy M. George Donald M. Stewart Susan Boardman Elizabeth Grubbs Bernard L. Swain William J. Charlton Kathryn Kay Jane Tyler Tharon Dunn Jeanne Casey Miller Marcia P. Welch Douglass N. Ellis A. Steven Perelman Jay M. Wilson Barbara J. Fife Anne Phaneuf Ronald Winters William G. Spears Chairman Emeritus Trustees Emeriti John W. Loose Nan Geschke Martha Groetzinger Executive Director President Emeritus Nancy A. Newhouse Molly C. Anderson Robert F. Mooney Honorary Trustees Mr. and Mrs. Robert Diamond Jr. Lucile W. Hays Mr. and Mrs. Richard Menschel Richard M. Scaife Margaret B. Scaife 2 AtheneumDanceFestCovers10:AtheneumDanceFestivalCovers10 7/15/10 4:36 PM Page 3 NANTUCKET ATHENEUM DANCE FESTI VAL 201 0 Featuring stars of American Ballet Theatre and The New York City Ballet Benjamin Millepied Artistic Director Gillian Murphy Teresa Reichlen Jennie Somogyi Wendy Whelan Tyler Angle Gonzalo Garcia David Hallberg Benjamin Millepied Jonathan Stafford Kathryn Morgan Maria Riccetto Craig Hall Adrian Danchig-Waring Cory Stearns Amanda Hankes Blaine Hoven Pianist: Cameron Grant Cellist: Ann Kim Nantucket High School Auditorium Friday, July 30, 2010 at 6:30 p.m.