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On the Road with Janis Joplin Online
6Wgt8 (Download) On the Road with Janis Joplin Online [6Wgt8.ebook] On the Road with Janis Joplin Pdf Free John Byrne Cooke *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #893672 in Books John Byrne Cooke 2015-11-03 2015-11-03Original language:EnglishPDF # 1 8.25 x .93 x 5.43l, 1.00 #File Name: 0425274128448 pagesOn the Road with Janis Joplin | File size: 33.Mb John Byrne Cooke : On the Road with Janis Joplin before purchasing it in order to gage whether or not it would be worth my time, and all praised On the Road with Janis Joplin: 1 of 1 people found the following review helpful. A Must Read!!By marieatwellI have read all but maybe 2 books on the late Janis Joplin..by far this is one of the Best I have read..it showed the "music" side of Janis,along with the "personal" side..great book..Highly Recommended,when you finish this book you feel like you've lost a band mate..and a friend..she could have accomplished so much in the studio,such as producing her own records etc..This book is excellent..0 of 0 people found the following review helpful. Thank-you John for a very enjoyable book.By Mic DAs a teen in 1969 and growing up listening to Janis and all the bands of the 60's and 70's, this book was very enjoyable to read.If you ever wondered what it might be like to be a road manager for Janis Joplin, John Byrne Cooke answers it all.Those were extra special days for all of us and John's descriptions of his experiences, helps to bring back our memories.Thank-you John for a very enjoyable book.0 of 0 people found the following review helpful. -
Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library David Getz An Oral History Interview Conducted by Debra Schwartz in 2020 © 2020 by the Mill Valley Public Library TITLE: Oral History of David Getz INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 60 pages INTERVIEW DATE: January 9, 2020 In this oral history, musician and artist David Getz discusses his life and musical career. Born in New York City in 1940, David grew up in a Jewish family in Brooklyn. David recounts how an interest in Native American cultures originally brought him to the drums and tells the story of how he acquired his first drum kit at the age of 15. David explains that as an adolescent he aspired to be an artist and consequently attended Cooper Union after graduating from high school. David recounts his decision to leave New York in 1960 and drive out to California, where he immediately enrolled at the San Francisco Art Institute and soon after started playing music with fellow artists. David explains how he became the drummer for Big Brother and the Holding Company in 1966 and reminisces about the legendary Monterey Pop Festival they performed at the following year. He shares numerous stories about Janis Joplin and speaks movingly about his grief upon hearing the news of her death. David discusses the various bands he played in after the dissolution of Big Brother and the Holding Company, as well as the many places he performed over the years in Marin County. He concludes his oral history with a discussion of his family: his daughters Alarza and Liz, both of whom are singer- songwriters, and his wife Joan Payne, an actress and singer. -
Warner/Reprise Loss Leaders Booklet
THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases. -
Archivio Nisseno N. 3
Associazione “Officina del libro Luciano Scarabelli” - Caltanissetta ARCHIVIO NISSENO Rassegna di storia, lettere, arte e società Anno II - N. 3 Luglio-Dicembre 2008 Paruzzo Printer editore - Caltanissetta 1 ARCHIVIO NISSENO Rassegna semestrale di storia, lettere, arte e società dell’Associazione “Officina del libro Luciano Scarabelli” di Caltanissetta Anno II - N. 3 Luglio-Dicembre 2008 2 Torniamo a parlare dei Fasci dei Lavoratori. La drammatica vicenda dei Fasci dei Lavoratori in Sicilia rappresenta la fase conclusiva di un lungo processo di crisi che si manifestò nel distorto svi- luppo dell’economia siciliana dell’Ottocento e nelle forme che assunse la politica a livello delle amministrazioni locali ma anche a livello nazionale. Se si guarda bene alle cause di questa crisi, molte di esse vanno individua- te nel mancato “governo” dei processi che determinarono una aberrante ridi- stribuzione della grande proprietà fondiaria. L’idea che fu alla base dell’ever- sione delle terre feudali (1812) e delle ricorrenti confische delle terre eccle- siastiche, cioè che si potesse creare una piccola proprietà contadina attraver- so la quotizzazione delle proprietà divenute demaniali, fallì miseramente a causa dell’ingordigia dei proprietari terrieri che aggirarono in tanti modi la legge, grazie anche alla connivenza del potere politico. Si andò così determinando, specialmente dal 1860 in poi, una situazione paradossale: la ridistribuzione delle terre, che era una delle grandi aspirazio- ni dei contadini siciliani alimentata anche dalle promesse di Garibaldi, non solo non si realizzò nei modi sperati, ma divenne un grande inganno che determinò un progressivo impoverimento del mondo contadino e braccianti- le, fino a giungere alle condizioni di estremo degrado e di miseria dei primi anni ‘90. -
Post/Teca 10.2010
Post/teca materiali digitali a cura di sergio failla 10.2010 ZeroBook 2011 Post/teca materiali digitali Di post in post, tutta la vita è un post? Tra il dire e il fare c'è di mezzo un post? Meglio un post oggi che niente domani? E un post è davvero un apostrofo rosa tra le parole “hai rotto er cazzo”? Questi e altri quesiti potrebbero sorgere leggendo questa antologia di brani tratti dal web, a esclusivo uso e consumo personale e dunque senza nessunissima finalità se non quella di perder tempo nel web. (Perché il web, Internet e il computer è solo questo: un ennesimo modo per tutti noi di impiegare/ perdere/ investire/ godere/ sperperare tempo della nostra vita). In massima parte sono brevi post, ogni tanto qualche articolo. Nel complesso dovrebbero servire da documentazione, zibaldone, archivio digitale. Per cosa? Beh, questo proprio non sta a me dirlo. Buona parte del materiale qui raccolto è stato ribloggato anche su girodivite.tumblr.com grazie al sistema di re-blog che è possibile con il sistema di Tumblr. Altro materiale qui presente è invece preso da altri siti web e pubblicazioni online e riflette gli interessi e le curiosità (anche solo passeggeri e superficiali) del curatore. Questo archivio esce diviso in mensilità. Per ogni “numero” si conta di far uscire la versione solo di testi e quella fatta di testi e di immagini. Quanto ai copyright, beh questa antologia non persegue finalità commerciali, si è sempre cercato di preservare la “fonte” o quantomeno la mediazione (“via”) di ogni singolo brano. Qualcuno da qualche parte ha detto: importa certo da dove proviene una cosa, ma più importante è fino a dove tu porti quella cosa. -
Shakin' All Over: Canadian Pop Music in the 1960S
Shakin’ All Over: Canadian Pop Music in the 1960s. Written by Nicholas Jennings and directed by Gary McGroarty.1 video disc (90 min.): col., some b&w. Kelowna, BC: Filmwest Associates [http://indigo.filmwest.com], [2007?]. $195.00 Originally aired on CBC in January 2006, this film traces Canadian popular music, at least the kind rooted in rhythm and blues, rockabilly and folk, from the early sixties to the establishment of the Canadian Content rules for radio and television in 1971. The film consists of clips from close to sixty songs, dozens of interviews, and archival footage going all the way back to Ian and Sylvia Tyson discussing that epiphanous moment when they heard Dylan perform “Blowin’ in the Wind” in Greenwich Village to Crowbar playing “Oh What a Feeling” in the early 1970s at the “dawn of Cancon.” The Tysons realized they could also write their own tunes rather than exclusively performing traditional material. Hearing and seeing the duo perform their “Four Strong Winds” in a clip from about 1964, one realizes, though, just how proper the Canadians sounded in comparison to Dylan, with his scruffy and idiosyncratic whine. They may have taken their cue from him, but their musical manners were clearly of a different nature, suggesting a direction rooted more in the traditions of the British Isles than American folk. Ironically, when the Yorkville and Yonge Street music scenes begin to develop and there was talk of a Toronto sound in 1966, it was the music of Ronnie Hawkins, a transplanted American with a southern drawl who, at least according to the film, personified that sound. -
The London School of Economics and Political Science
The London School of Economics and Political Science The State as a Standard of Civilisation: Assembling the Modern State in Lebanon and Syria, 1800-1944 Andrew Delatolla A thesis submitted to the Department of International Relations of the London School of Economics for the degree of Doctor of Philosophy, London, October 2017 1 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledge is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe on the rights of any third party. I declare that my thesis consists of 101,793 words. 2 Acknowledgements This PhD has been much more than an academic learning experience, it has been a life experience and period of self-discovery. None of it would have been possible without the help and support from an amazing network of family, colleagues, and friends. First and foremost, a big thank you to the most caring, attentive, and conscientious supervisor one could hope for, Dr. Katerina Dalacoura. Her help, guidance, and critiques from the first draft chapter to the final drafts of the thesis have always been a source of clarity when there was too much clouding my thoughts. -
Secondo Rapporto
Studi e Ricerche in Scienze Criminologiche, Giuridiche, e Sociali View metadata, citation and similar papers at core.ac.uk econdo apporto brought to you by CORE 2 S R provided by Archivio della ricerca - Università degli studi di Napoli Federico II 2 Questo Secondo Rapporto su “Criminalità e sicurezza a Napoli” si è posto l’obiet- tivo, questa volta, di indagare le ragioni della persistenza di alcuni fenomeni crimi- nali che caratterizzano la città di Napoli rispetto ad altre metropoli del Paese. Nelle prime due sezioni gli interrogativi affrontati riguardano alcuni temi quali la persi- stenza dell’agire deviante grave di minori e criminale di adulti, la formazione di ag- RIMINALITÀ E ICUREZZA gregazioni violente giovanili, la ferocia dei clan camorristici e l’adeguatezza delle politiche di deterrenza, nonostante in Italia il 41-bis e le diverse sperimentazioni in C S tema di controllo e sicurezza del territorio attive in diverse città, tra cui Napoli. La terza sezione, invece, è dedicata all’analisi del fenomeno dell’usura alla luce di una C riflessione civilistica, penalistica e vittimologica. Il filo che unisce le parti è l’interpre- RIMINALITÀ E A APOLI tazione della dinamica e dei fattori connessi a crimini che sono trasversali ai diversi N strati sociali l’esito dei quali è la produzione di una trappola della criminalità che Gennaro Di Giacomo deprime le opportunità legali e favorisce la convinzione in molti che le carriere cri- a cura di minali siano più convenienti. Giacomo Di Gennaro e Riccardo Marselli Oltre ai curatori del volume Giacomo Di Gennaro e Riccardo Marselli, hanno con- tribuito: Aldo Corvino, Maria Di Pascale, Giuseppina Donnarumma, Debora Amelia Elce, Filomena Gaudino, Fausto Lamparelli, Elia Lombardo, Elisabetta Morazio, S - ICUREZZA A Andrea Procaccini, Francesco Rattà, Luigi Rinella, Rodolfo Ruperti, Riccardo Marselli Riccardo Sgobbo, Michele Maria Spina, Pasquale Troncone. -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world. -
Dogma Et Rituel De La Haute Magie
Eliphas Levi Dogma et Rituel de la Haute Magie Translated by A. E. Waite www.holybooks.com Dogme et Rituel de la Haute Magie Part II: The Ritual of Transcendental Magic By Eliphas Levi (Alphonse Louis Constant) Translated by A. E. Waite. Originally published by Rider & Company, England, 1896. Transcribed and converted to Adobe Acrobat format by Benjamin Rowe, January, 2002. Typeset in Bauer Bodoni, Goudy Text, and Waters Titling. www.holybooks.com Part II: The Ritual of Transcendental Magic www.holybooks.com The Sabbatic Goat www.holybooks.com INTRODUCTION KNOWEST thou that old queen of the world who is on the march always and wea- ries never? Every uncurbed passion, every selfish pleasure, every licentious energy of humanity, and all its tyrannous weakness, go before the sordid mistress of our tearful valley, and, scythe in hand, these indefatigable labourers reap their eternal harvest. That queen is old as time, but her skeleton is concealed in the wreckage of women's beauty, which she abstracts from their youth and love. Her skull is adorned with lifeless tresses that are not her own. Spoliator of crowned heads, she is embellished with the plunder of queens, from the star-begemmed hair of Berenice to that-white, but not with age-which the executioner sheared from the brow of Marie Antoinette. Her livid and frozen body is clothed in faded garments and tattered winding-sheets. Her bony hands, covered with rings, hold diadems and chains, scepters and crossbones, jewels and ashes. When she goes by, doors open of themselves; she passes through walls; she penetrates to the cabinets of kings; she surprises the extortioners of the poor in their most secret orgies; she sits down at their board, pours out their wine, grins at their songs with her gumless teeth, takes the place of the lecherous courtesan hidden behind their curtains. -
The Portrayal of the Historical Muslim Female on Screen
THE PORTRAYAL OF THE HISTORICAL MUSLIM FEMALE ON SCREEN A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2017 SABINA SHAH SCHOOL OF ARTS, LANGUAGES AND CULTURES LIST OF CONTENTS List of Photographs................................................................................................................ 5 List of Diagrams...................................................................................................................... 7 List of Abbreviations.............................................................................................................. 8 Glossary................................................................................................................................... 9 Abstract.................................................................................................................................... 12 Declaration.............................................................................................................................. 13 Copyright Statement.............................................................................................................. 14 Acknowledgements................................................................................................................ 15 Dedication............................................................................................................................... 16 1. INTRODUCTION........................................................................................................ -
Miscellanea 2018
Miscellanea 2018 edited by Quest Editorial Staff Issue n. 14, December 2018 QUEST. Issues in Contemporary Jewish History. Journal of Fondazione CDEC QUEST N. 14 Editors Guri Schwarz (Università degli Studi di Genova, Editor in chief), Elissa Bemporad (Queens College of the City University of New York), Laura Brazzo (Fondazione CDEC),Tullia Catalan (Università degli Studi di Trieste), Cristiana Facchini (Alma Mater Studiorum, Università di Bologna), Gadi Luzzatto Voghera (Fondazione CDEC), Dario Miccoli (Università Ca’ Foscari, Venezia), Michele Sarfatti (Fondazione CDEC), Marcella Simoni (Università Ca’ Foscari, Venezia), Ulrich Wyrwa (Universität Potsdam). Editorial Assistants Matteo Perissinotto – Managing Editor (Univerza v Ljubljani) Sara Airoldi – Editorial Assistant (The Van Leer Jerusalem Institute) Book Review Editor Miriam Benfatto (Alma Mater Studiorum, Università di Bologna) English Language Editor Elen Rochlin Editorial Advisory Board Ruth Ben Ghiat (New York University), Paolo Luca Bernardini (Università dell’Insubria), Dominique Bourel (Université de la Sorbonne, Paris), Michael Brenner (Ludwig-Maximilians-Universität München), Enzo Campelli (Università La Sapienza di Roma), Francesco Cassata (Università degli Studi di Genova), Marco Cuzzi (Università degli Studi di Milano), Roberto Della Rocca (Dipartimento Educazione Cultura e Cultura- Unione delle Comunità Ebraiche Italiane), Lois Dubin (Smith College, Northampton), Jacques Ehrenfreund (Université de Lausanne), Katherine E. Fleming (New York University), Anna Foa (Università