GEORGES MELIES COLLECTION (1896-1913) January 2013
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Hugo Study Notes
Hugo Directed by: Martin Scorsese Certificate: U Country: USA Running time: 126 mins Year: 2011 Suitable for: primary literacy; history (of cinema); art and design; modern foreign languages (French) www.filmeducation.org 1 ©Film Education 2012. Film Education is not responsible for the content of external sites SYNOPSIS Based on a graphic novel by Brian Selznick, Hugo tells the story of a wily and resourceful orphan boy who lives with his drunken uncle in a 1930s Paris train station. When his uncle goes missing one day, he learns how to wind the huge station clocks in his place and carries on living secretly in the station’s walls. He steals small mechanical parts from a shop owner in the station in his quest to unlock an automaton (a mechanical man) left to him by his father. When the shop owner, George Méliès, catches him stealing, their lives become intertwined in a way that will transform them and all those around them. www.hugomovie.com www.theinventionofhugocabret.com TeacHerS’ NOTeS These study notes provide teachers with ideas and activity sheets for use prior to and after seeing the film Hugo. They include: ■ background information about the film ■ a cross-curricular mind-map ■ classroom activity ideas – before and after seeing the film ■ image-analysis worksheets (for use to develop literacy skills) These activity ideas can be adapted to suit the timescale available – teachers could use aspects for a day’s focus on the film, or they could extend the focus and deliver the activities over one or two weeks. www.filmeducation.org 2 ©Film Education 2012. -
Fantasy Commentator EDITOR and PUBLISHER: CONTRIBUTING EDITORS: A
Fantasy Commentator EDITOR and PUBLISHER: CONTRIBUTING EDITORS: A. Langley Searles Lee Becker, T. G. Cockcroft, 7 East 235th St. Sam Moskowitz, Lincoln Bronx, N. Y. 10470 Van Rose, George T. Wetzel Vol. IV, No. 4 -- oOo--- Winter 1982 Articles Needle in a Haystack Joseph Wrzos 195 Voyagers Through Infinity - II Sam Moskowitz 207 Lucky Me Stephen Fabian 218 Edward Lucas White - III George T. Wetzel 229 'Plus Ultra' - III A. Langley Searles 240 Nicholls: Comments and Errata T. G. Cockcroft and 246 Graham Stone Verse It's the Same Everywhere! Lee Becker 205 (illustrated by Melissa Snowind) Ten Sonnets Stanton A. Coblentz 214 Standing in the Shadows B. Leilah Wendell 228 Alien Lee Becker 239 Driftwood B. Leilah Wendell 252 Regular Features Book Reviews: Dahl's "My Uncle Oswald” Joseph Wrzos 221 Joshi's "H. P. L. : 4 Decades of Criticism" Lincoln Van Rose 223 Wetzel's "Lovecraft Collectors Library" A. Langley Searles 227 Moskowitz's "S F in Old San Francisco" A. Langley Searles 242 Nicholls' "Science Fiction Encyclopedia" Edward Wood 245 Hoban's "Riddley Walker" A. Langley Searles 250 A Few Thorns Lincoln Van Rose 200 Tips on Tales staff 253 Open House Our Readers 255 Indexes to volume IV 266 This is the thirty-second number of Fantasy Commentator^ a non-profit periodical of limited circulation devoted to articles, book reviews and verse in the area of sci ence - fiction and fantasy, published annually. Subscription rate: $3 a copy, three issues for $8. All opinions expressed herein are the contributors' own, and do not necessarily reflect those of the editor or the staff. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
Comedies Produced by Hal Roach, It Presents Their Funniest and Most Famous Comedies 640-02-0040, 16Mm
,r, ~ Winter 1973-4 ., WEEP 'v,i •._~~ H .,,1$>-~on The Eastin-Phelan Corporation Davenport, Iowa 52808 orld's largest ,election of ·· t ings to snow" l i tc,;Bl ackhawk's Guarantee BERTH MARKS THE PRINCE OF PEP (1929) (1925) We want you to be satisfied with (abridged!_ what you buy from Blackhawk starring STAN LAUREL and OLIVER HARDY starring RICHARD TALMADGE if, after receiving an item you Stan and Ollie are a "big time" vaudeville team enroute from one theatre to another are disappointed in any way, re ,n the upper berth of an open section Pullman. While the space is confined, the laughs with Brindley Shaw, Nola Luxford, Joe Harrjngton are not, and this one has some great moments. turn it to us transportation pre A fashionable physician, Dr. James Leland caught his secretary stealing drugs and in paid. in ,ts original condition, SOUND VERSIONS the ensuing struggle, lost his memory from a blow on the head. Shortly after, a mys• and within ten days after you 830-02-1100, Standard 8mm., magnetic sound, 375-feet, 14-ozs . $24.98 terious figure known only as The Black X stepped forth to fight the war on crime ar.d receive it, and we 'll allow you drug peddlers. 880--02-1100, Super 8, magnetic sound, 400-feet, 14-ozs ....... $26.98 It's all here-the fabulous Richard Talmadge in one of his amaz,ng adventure feats. full credit on some other pur 640-02-1100, 16mm., optical sound, 750-feet, 3-lbs . ....... .. $44.98 A professional abridgement from a 5-reel feature of 1925, Blackhawk's version of The chase. -
Film and Modernity (Paris Version) | University of Kent
09/25/21 Film and Modernity (Paris version) | University of Kent Film and Modernity (Paris version) View Online This module investigates the relationship between film, modernity and modernism through the analysis of the works and career of Jean-Luc Godard, whose oeuvre can be largely defined by a desire to challenge the traditional boundaries between film and reality, fiction and documen-tary, autobiography and history, and film theory and film practice. In addition to being a pro-tagonist in the launching of a film movement preoccupied with the “here and now” of French society, Godard has engaged with a number of trends in film criticism and film theory. The analysis of his works will therefore allow for an examination of a number of questions that have defined the study of film, from auteurism to a more interdisciplinary approach to the cin-ema, from Bazin to Eisenstein, from filmmaking as sociology to filmmaking as self-investigation. [1] Abel, R. 2000. Discourse, narrative, and the subject of capital: Marcel L’Herbier’s L’Argent. French film: texts and contexts. Routledge. 37–50. [2] Abel, R. 1984. The Alternate Cinema Network, Paris qui dort. French cinema: the first wave, 1915-1929. Princeton U.P. 241–275 and 377–80. [3] Abel, Richard 1996. Booming the Film Business: The Historical Specificity of Early French Cinema. Silent film. Athlone. 109–124. [4] Abel, Richard 1988. Photogénie and Company. French film theory and criticism: a 1/14 09/25/21 Film and Modernity (Paris version) | University of Kent history/anthology, 1907-1939. Princeton U.P. 95–124. -
Georges Méliès: Impossible Voyager
Georges Méliès: Impossible Voyager Special Effects Epics, 1902 – 1912 Thursday, May 15, 2008 Northwest Film Forum, Seattle, WA Co-presented by The Sprocket Society and the Northwest Film Forum Curated and program notes prepared by Spencer Sundell. Special music presentations by Climax Golden Twins and Scott Colburn. Poster design by Brian Alter. Projection: Matthew Cunningham. Mr. Sundell’s valet: Mike Whybark. Narration for The Impossible Voyage translated by David Shepard. Used with permission. (Minor edits were made for this performance.) It can be heard with a fully restored version of the film on the Georges Méliès: First Wizard of Cinema (1896-1913) DVD box set (Flicker Alley, 2008). This evening’s program is dedicated to John and Carolyn Rader. The Sprocket Society …seeks to cultivate the love of the mechanical cinema, its arts and sciences, and to encourage film preservation by bringing film and its history to the public through screenings, educational activities, and our own archival efforts. www.sprocketsociety.org [email protected] The Northwest Film Forum Executive Director: Michael Seirwrath Managing Director: Susie Purves Programming Director: Adam Sekuler Associate Program Director: Peter Lucas Technical Director: Nora Weideman Assistant Technical Director: Matthew Cunningham Communications Director: Ryan Davis www.nwfilmforum.org nwfilmforum.wordpress.com THE STAR FILMS STUDIO, MONTREUIL, FRANCE The exterior of the glass-house studio Méliès built in his garden at Montreuil, France — the first movie The interior of the same studio. Méliès can be seen studio of its kind in the world. The short extension working at left (with the long stick). As you can with the sloping roof visible at far right is where the see, the studio was actually quite small. -
Dogma Et Rituel De La Haute Magie
Eliphas Levi Dogma et Rituel de la Haute Magie Translated by A. E. Waite www.holybooks.com Dogme et Rituel de la Haute Magie Part II: The Ritual of Transcendental Magic By Eliphas Levi (Alphonse Louis Constant) Translated by A. E. Waite. Originally published by Rider & Company, England, 1896. Transcribed and converted to Adobe Acrobat format by Benjamin Rowe, January, 2002. Typeset in Bauer Bodoni, Goudy Text, and Waters Titling. www.holybooks.com Part II: The Ritual of Transcendental Magic www.holybooks.com The Sabbatic Goat www.holybooks.com INTRODUCTION KNOWEST thou that old queen of the world who is on the march always and wea- ries never? Every uncurbed passion, every selfish pleasure, every licentious energy of humanity, and all its tyrannous weakness, go before the sordid mistress of our tearful valley, and, scythe in hand, these indefatigable labourers reap their eternal harvest. That queen is old as time, but her skeleton is concealed in the wreckage of women's beauty, which she abstracts from their youth and love. Her skull is adorned with lifeless tresses that are not her own. Spoliator of crowned heads, she is embellished with the plunder of queens, from the star-begemmed hair of Berenice to that-white, but not with age-which the executioner sheared from the brow of Marie Antoinette. Her livid and frozen body is clothed in faded garments and tattered winding-sheets. Her bony hands, covered with rings, hold diadems and chains, scepters and crossbones, jewels and ashes. When she goes by, doors open of themselves; she passes through walls; she penetrates to the cabinets of kings; she surprises the extortioners of the poor in their most secret orgies; she sits down at their board, pours out their wine, grins at their songs with her gumless teeth, takes the place of the lecherous courtesan hidden behind their curtains. -
Download Article (PDF)
Advances in Social Science, Education and Humanities Research, volume 469 Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020) Civilization and City Images in the Films of Georges Méliès Ekaterina Salnikova1,* 1The Media Art Department, the State Institute for Art Studies, Moscow, Russia *Corresponding author. Email: [email protected] ABSTRACT The very first images of civilization and city in Georges Méliès fiction films are described in the article. His vision of "islands" of a civilization in the middle of a stony landscape and active aircraft traffic were adopted by science-fiction cinema later. In his travel films, the director creates the image of civilization not so much with the help of the spatial environment, but with references to the world of science, entertainment and spectacular urban culture. Méliès became the author of the first images of city roofs, the Middle Age city screen myth, and the confrontation of traditional city and modern technical civilization. Keywords: silent cinema, Georges Méliès, An Adventurous Automobile Trip, the Legend of Rip van Winkle, Christmas Dream, city, civilization, distraction, locations In this case, however, an image of a city is even I. INTRODUCTION more directly related to cinema, since it exists on the Studies on city images in art are an important screen in most cases as an abstract city space or even component of a modern interdisciplinary science. At the "an illusion of a city". As a rule, it is created from a State Institute for Art Studies, this issue was developed number of fragments of an urban environment, whether as part of the study on popular culture and mass media, it be nature or scenery. -
The Portrayal of the Historical Muslim Female on Screen
THE PORTRAYAL OF THE HISTORICAL MUSLIM FEMALE ON SCREEN A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2017 SABINA SHAH SCHOOL OF ARTS, LANGUAGES AND CULTURES LIST OF CONTENTS List of Photographs................................................................................................................ 5 List of Diagrams...................................................................................................................... 7 List of Abbreviations.............................................................................................................. 8 Glossary................................................................................................................................... 9 Abstract.................................................................................................................................... 12 Declaration.............................................................................................................................. 13 Copyright Statement.............................................................................................................. 14 Acknowledgements................................................................................................................ 15 Dedication............................................................................................................................... 16 1. INTRODUCTION........................................................................................................ -
Georges Méliès's Trip to the Moon
Introduction MATTHEW SOLOMON GEORGES MÉLIÈS... is the originator of the class of cinemato- graph films which . has given new life to the trade at a time when it was dying out. He conceived the idea of portraying comical, magi- cal and mystical views, and his creations have been imitated without success ever since.... The “Trip to the Moon,” as well as... “The Astronomer’s Dream”. are the personal creations of Mr. Georges Méliès, who himself conceived the ideas, painted the backgrounds, devised the accessories and acted on the stage. —Complete Catalogue of Genuine and Original “Star” Films, 1905 If it is as a master of trick-films and fantastic spectacles that Méliès is best remembered, by no means all his pictures were of that type. —Iris Barry, Curator, Museum of Modern Art Film Library, 1939 A Trip to the Moon (1902) is certainly Georges Méliès’s best-known film, and of the tens of thousands of individual films made during cinema’s first decade, it is perhaps the most recognizable. The image of a cratered moon-face with a spaceship lodged in its eye is one of the most iconic images in all of film history and, more than a century after its initial release, the film’s story of a journey to the moon and back continues to amuse many around the world. Long recognized as a pioneering story film with an important impact on American cinema, A Trip to the Moon has also been claimed as a foundational entry in the history of several 1 © 2011 State University of New York Press, Albany 2 Matthew Solomon long-standing film genres, including science fiction, fantasy, and even the road movie.1 The film has been quoted and imitated in audiovisual works ranging from Around the World in Eighty Days (1956), to the music video for the Smashing Pumpkins’ song “Tonight, Tonight” (1996), and alluded to in literature as different as Louis-Ferdinand Céline’s nihilistic interwar novel Death on the Installment Plan (1936) and Brian Selznick’s illustrated children’s book The Invention of Hugo Cabret (2007). -
Foot-Prints of Travel
Foot-prints of Travel by Maturin Murray Ballou BIBLIOGRAPHIC RECORD Author Ballou, Maturin Murray, 1820-1895 Title Foot-prints of Travel or, Journeyings in Many Lands Language English LoC Class G: Geography, Anthropology, Recreation Subject Ballou, Maturin Murray, 1820-1895 -- Travel Subject Voyages around the world EText-No. 27874 Release Date 2009-01-23 Copyright Status Not copyrighted in the United States. Base Directory /2/7/8/7/27874/ The Project Gutenberg EBook of Foot-prints of Travel, by Maturin M. Ballou This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Foot-prints of Travel or, Journeyings in Many Lands Author: Maturin M. Ballou Release Date: January 23, 2009 [EBook #27874] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK FOOT-PRINTS OF TRAVEL *** Produced by Julia Miller, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) FOOT-PRINTS OF TRAVEL; OR, JOURNEYINGS IN MANY LANDS, BY MATURIN M. BALLOU. _Armado._ How hast thou purchased this experience? _Moth._ By my journey of observation.--SHAKESPEARE. BOSTON, U.S.A.: PUBLISHED BY GINN & COMPANY. 1889. Entered according to Act of Congress, in the year 1888, by GINN & COMPANY, in the Office of the Librarian of Congress at Washington. -
Staging Shakespeare
Flávia Rodrigues Monteiro Staging Shakespeare: (Dis)solutions in Intermedial Processes Belo Horizonte Faculdade de Letras Universidade Federal de Minas Gerais 2019 Staging Shakespeare: (Dis)solutions in Intermedial Processes By Flávia Rodrigues Monteiro Submitted to the Programa de Pós-graduação em Letras: Estudos Literários in partial fulfillment of the requirements for the Degree of Doctor in Literatures in English. Dissertation Advisor: Prof. Thaïs Flores Nogueira Diniz, PhD. Belo Horizonte Faculdade de Letras Universidade Federal de Minas Gerais 2019 Ficha catalográfica elaborada pelos Bibliotecários da Biblioteca FALE/UFMG Monteiro, Flávia Rodrigues. S527.Ym-s Staging Shakespeare [manuscrito] : (Dis)solutions in intermedial processes / Flávia Rodrigues Monteiro. – 2019. 293 f., enc. Orientadora: Thaïs Flores Nogueira Diniz. Área de concentração: Literaturas de Língua Inglesa. Linha de pesquisa: Literatura, Outras Artes e Mídias. Tese (doutorado) – Universidade Federal de Minas Gerais, Faculdade de Letras. Bibliografia: f. 266-281. 1. Shakespeare, William, 1564-1616. – Muito barulho por nada – Crítica e interpretação – Teses. 2. Shakespeare, William, 1564- 1616. – Coriolano – Crítica e interpretação – Teses. 3. Shakespeare, William, 1564-1616 – Adaptações para o cinema – Teses. 4. Literatura inglesa – Adaptações para o cinema – Teses. 5. Intermidialidade – Teses. 6. Arte e literatura – Teses. 7. Entropia – Teses. I. Diniz, Thaïs Flores Nogueira. II. Universidade Federal de Minas Gerais. Faculdade de Letras. III. Título. CDD: 822.33