DOCSLIB.ORG

The Portrayal of the Historical Muslim Female on Screen

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Portrayal of the Historical Muslim Female on Screen THE PORTRAYAL OF THE HISTORICAL MUSLIM FEMALE ON SCREEN A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2017 SABINA SHAH SCHOOL OF ARTS, LANGUAGES AND CULTURES LIST OF CONTENTS List of Photographs................................................................................................................ 5 List of Diagrams...................................................................................................................... 7 List of Abbreviations.............................................................................................................. 8 Glossary................................................................................................................................... 9 Abstract.................................................................................................................................... 12 Declaration.............................................................................................................................. 13 Copyright Statement.............................................................................................................. 14 Acknowledgements................................................................................................................ 15 Dedication............................................................................................................................... 16 1. INTRODUCTION......................................................................................................... 17 1.1 Aim..................................................................................................................................... 17 1.2 Origins............................................................................................................................... 19 1.3 Perspective........................................................................................................................ 20 1.4 Framework........................................................................................................................ 24 1.5 Impact................................................................................................................................ 30 1.6 Chapter Outline................................................................................................................ 41 2. THE IMAGE OF THE MUSLIM FEMALE ON SCREEN IN BRITAIN 45 2.1 Socio-Political Representations...................................................................................... 45 2.2 1950-1979.......................................................................................................................... 46 2.3 1980-2000.......................................................................................................................... 48 2.4 2001-2017.......................................................................................................................... 53 2.5 Veiling................................................................................................................................ 70 2 3. THE HISTORICAL MUSLIM FEMALE ON SCREEN.................................. 77 3.1 Case Study 1 – Lotte Reiniger and Early Cinema....................................................... 77 3.2 Early Cinema and the Oriental Female on Screen........................................................ 88 3.3 Historical Female Figures from the Orient as Femme Fatale..................................... 91 3.4 Orientalism and its Effect on the Medieval Muslim Female on Screen..................... 96 3.5 Case Study 2 – Disney’s Aladdin and Globalisation.................................................. 103 3.6 Case Study 3 – Michel Ocelot and Multiculturalism in Animation.......................... 113 3.7 Historical Revival and the Rise of the Muslim Female Superhero........................... 125 4. HISTORICAL RECOVERY....................................................................................... 136 4.1 Locating a Subject............................................................................................................. 136 4.2 Puppetry............................................................................................................................. 138 4.3 Aesthetic Recovery put in Motion.................................................................................. 142 4.4 Sound................................................................................................................................. 146 4.5 North Indian Classical Music.......................................................................................... 153 4.6 Intertitles............................................................................................................................ 162 4.7 Map..................................................................................................................................... 166 4.8 Historical Recovery and the Mise-en-Scène.................................................................. 168 4.9 Violence............................................................................................................................. 177 5. SULTAN RAZIA AS THE MEDIEVAL MUSLIM FEMALE ON SCREEN................................................................................................................................ 183 5.1 Sultan Razia in the Public Domain................................................................................. 183 5.2 Religious Interpretations and the Practice..................................................................... 203 CONCLUSION................................................................................................................... 209 3 BIBLIOGRAPHY...................................................................................................... 215 AUDIO-VISUAL MEDIA........................................................................................ 244 Films.............................................................................................................................. 244 Documentary................................................................................................................. 252 Television...................................................................................................................... 253 FILM CREDITS........................................................................................................ 257 APPENDICES............................................................................................................ 258 APPENDIX A. SULTAN RAZIA - EPISODE GUIDE............................................. 258 Word Count: 59,094 4 LIST OF PHOTOGRAPHS Image 1 Still frame taken from Yas (2008)........................................................................ 36 Image 2 Still image taken from the series Untitled (2009)............................................... 37 Image 3 Frame taken from the MPhil animated sample Sultan Razia (2011)................. 37 Image 4 Making the puppets’ heads for Sultan Razia (2017).......................................... 39 Image 5 Dressing the puppet for Sultan Razia (2017)..................................................... 39 Image 6 Still frame before post-production for Sultan Razia (2017)............................ 40 Image 7 The shadow-screen incorporated into the set for Sultan Razia (2017).......... 143 Image 8 Completed frame taken from Sultan Razia (2017)............................................ 144 Image 9 Replicating the horse’s movements for Sultan Razia (2017)........................... 144 Image 10 Still test frame of the palace gates for Sultan Razia (2017)............................ 150 Image 11 Silence and the passing of Sultan Altamash in Sultan Razia (2017).............. 150 Image 12 Tablas made for the practice but replaced with the pakhavaj (2017)............ 157 Image 13 Pakhavaj player in Sultan Razia (2017)............................................................... 157 Image 14 Still test frame of Kathak dancer and musicians for Sultan Razia (2017)..... 158 Image 15 Title frame for Sultan Razia (2017).................................................................... 160 Image 16 Frame of Sultan Ruknuddin riding an elephant in Sultan Razia (2017)....... 161 Image 17 Frame taken from the animated map sequence in Sultan Razia (2017)....... 166 Image 18 The Prime Minister in Sultan Razia (2017)....................................................... 169 Image 19 Shah Turkan observes purdah in Sultan Razia (2017)...................................... 170 Image 20 Sultan Altamash in Sultan Razia (2017)............................................................ 171 Image 21 Armoured costume design evident in Sultan Razia (2017)............................ 173 Image 22 Test frame for the fabric shop in Sultan Razia (2017)................................... 174 Image 23 Sultan Ruknuddin’s chambers in Sultan Razia (2017).................................... 175 Image 24 Sultan Altamash’s chambers in Sultan Razia (2017)....................................... 175 5 Image 25 Razia prays at the mosque in Sultan Razia (2017)........................................... 176 Image 26 Image of the Mongol horde in Sultan Razia (2017)........................................ 179 Image 27 Frame of the eyeballs rolling on the floor in Sultan Razia (2017)...............
Load more

Recommended publications
  • The Stranglers - Peaches (The Very Best Of)
    The Stranglers - Peaches (The Very Best Of) 24-09-2020 15:00 CEST The Stranglers - Peaches (The Very Best Of) blir tilgjengelig på vinyl For første gang på vinyl skal The Stranglers «Peaches (The Very Best Of)» gjøres tilgjengelig som dobbelt-LP-sett. Dette vil være den eneste «Best Of»- samlingen av The Stranglers som vil være tilgjengelig på vinyl. Stranglers «Peaches (The Very Best Of)» er tilgjengelig for forhåndsbestilling nå. The Stranglers ble dannet tidlig i 1974, og ble oppdaget via punkrock-scenen. Bandet etablerte sitt omdømme og store fanskare gjennom deres aggressive og kompromissløse stil. Bandets sound utviklet seg derimot gjennom hele karrieren, og ble aldri kategorisert til en spesifikk sjanger. Som et resultat av dette, er deres verk svært variert og enormt verdsatt. Hittil har bandet oppnådd 23 britiske Top 40 singler og 17 britiske Top 40 album. The Stranglers er et av de lengst overlevende og mest kjente bandene som har sitt utspring fra den britiske punk-scenen. «Peaches (The Very Best Of)» er en samling av deres mest berømte låter fra de første to tiårene av deres berømte karriere, inkludert ikoniske spor som «Peaches», «Golden Brown», «No More Heroes» og «Hanging Around». Side A 1. Peaches 2. Golden Brown 3. Walk On By 4. No More Heroes 5. Skin Deep Side B 1. Hanging Around 2. All Day And All Of The Night 3. Straighten Out 4. Nice ‘N’ Sleazy 5. Strange Little Girl 6. Who Wants The World Side C 1. Something Better Change 2. Always The Sun (Sunny Side Up Mix) 3. European Female 4.
    [Show full text]
  • In-Focus Report on the Main Five Broadcasters
    Diversity and equal opportunities in television In-focus report on the main five broadcasters Publication Date: 27 September 2018 Contents Section 1. Introduction 1 2. How diverse is the BBC Public Television Service? 3 3. How diverse is Channel 4? 15 4. How diverse is ITV? 27 5. How diverse is Sky? 39 6. How diverse is Viacom? 51 7. Social Mobility – Recommendations from the Bridge Group 60 Annex A1. Guidance from the Bridge Group 62 Diversity and equal opportunities in television: In-focus report on the main five broadcasters 1. Introduction 1.1 This In-focus report provides more in-depth analysis across each of the main five broadcasters1 and should be read in conjunction with the main report. 1.2 Each section gives an overview of the six protected characteristics for which we collected data, showing profiles for all UK employees across each broadcaster. The top row (purple) shows profiles for gender, racial group and disability, for which data provision was mandatory. The bottom row (blue) shows profiles for age, sexual orientation and religion or belief, for which provision was voluntary. 1.3 Though broadcasters were not required to provide the information requested on a voluntary basis, we consider these to be equally important characteristics that should be monitored to effectively assess how well equal opportunities are being promoted across the industry. We made it clear in our information request that, to provide context and transparency, we would be publishing information on who did and didn’t provide the data requested. 1.4
    [Show full text]
  • Air Power and National Security[INITIAL].P65
    AIR POWER AND NATIONAL SECURITY Indian Air Force: Evolution, Growth and Future AIR POWER AND NATIONAL SECURITY Indian Air Force: Evolution, Growth and Future Air Commodore Ramesh V. Phadke (Retd.) INSTITUTE FOR DEFENCE STUDIES & ANALYSES NEW DELHI PENTAGON PRESS Air Power and National Security: Indian Air Force: Evolution, Growth and Future Air Commodore Ramesh V. Phadke (Retd.) First Published in 2015 Copyright © Institute for Defence Studies and Analyses, New Delhi ISBN 978-81-8274-840-8 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without first obtaining written permission of the copyright owner. Disclaimer: The views expressed in this book are those of the author and do not necessarily reflect those of the Institute for Defence Studies and Analyses, or the Government of India. Published by PENTAGON PRESS 206, Peacock Lane, Shahpur Jat, New Delhi-110049 Phones: 011-64706243, 26491568 Telefax: 011-26490600 email: [email protected] website: www.pentagonpress.in Branch Flat No.213, Athena-2, Clover Acropolis, Viman Nagar, Pune-411014 Email: [email protected] In association with Institute for Defence Studies and Analyses No. 1, Development Enclave, New Delhi-110010 Phone: +91-11-26717983 Website: www.idsa.in Printed at Avantika Printers Private Limited. This book is dedicated to the memory of my parents, Shri V.V. Phadke and Shrimati Vimal Phadke, My in-laws, Brig. G.S. Sidhu, AVSM and Mrs. Pritam Sidhu, Late Flg. Offr. Harita Deol, my niece, who died in an Avro accident on December 24, 1996, Late Flt.
    [Show full text]
  • Educating Young People on Islamophobia
    Resource for Educators Resource FAITH IN US Educating young people on Islamophobia Faith in Us: Educating Young People about Islamophobia Introduction This resource has been designed for both primary and secondary teachers for use in the classroom to work with young people and educate about Islamophobia. The resource provides background information outlining the reality and impact of Islamophobia on both young people and wider society; starting points to help educators to ensure that they are creating the right environment for the work to take place; and activities for educators to run with young people. The activities have been developed in partnership with young people and tested in classrooms throughout the UK. The resource also provides guidance as to the steps that schools can take to help young people report incidences of Islamophobia and respond appropriately to both perpetrators and targets, in order to create settings where all young people feel safe and able to achieve. The aims of this resource are to: • Outline the moral and statutory duties on schools to engage in work on Islamophobia • Share good practice approaches and activities to educate young people about Islamophobia • Support schools to respond effectively to incidents of Islamophobia • Provide links to further sources of information and support This resource is not intended to provide a comprehensive overview of the religion of Islam. There are many good resources and organisations which provide this in line with the RE curriculum. We have provided links to some of these at the end of the resource. This resource was produced in partnership with young people in Tower Hamlets as part of EqualiTeach’s Agents for Change: Islamophobia programme which ran from October 2017- May 2018 and was funded by the Home Office Hate Crime Communities Project Fund.
    [Show full text]
  • Mughal Warfare
    1111 2 3 4 5111 Mughal Warfare 6 7 8 9 1011 1 2 3111 Mughal Warfare offers a much-needed new survey of the military history 4 of Mughal India during the age of imperial splendour from 1500 to 1700. 5 Jos Gommans looks at warfare as an integrated aspect of pre-colonial Indian 6 society. 7 Based on a vast range of primary sources from Europe and India, this 8 thorough study explores the wider geo-political, cultural and institutional 9 context of the Mughal military. Gommans also details practical and tech- 20111 nological aspects of combat, such as gunpowder technologies and the 1 animals used in battle. His comparative analysis throws new light on much- 2 contested theories of gunpowder empires and the spread of the military 3 revolution. 4 As the first original analysis of Mughal warfare for almost a century, this 5 will make essential reading for military specialists, students of military history 6 and general Asian history. 7 8 Jos Gommans teaches Indian history at the Kern Institute of Leiden 9 University in the Netherlands. His previous publications include The Rise 30111 of the Indo-Afghan Empire, 1710–1780 (1995) as well as numerous articles 1 on the medieval and early modern history of South Asia. 2 3 4 5 6 7 8 9 40111 1 2 3 44111 1111 Warfare and History 2 General Editor 3 Jeremy Black 4 Professor of History, University of Exeter 5 6 Air Power in the Age of Total War The Soviet Military Experience 7 John Buckley Roger R.
    [Show full text]
  • Jews Control U.S.A., Therefore the World – Is That a Good Thing?
    Jews Control U.S.A., Therefore the World – Is That a Good Thing? By Chairman of the U.S. based Romanian National Vanguard©2007 www.ronatvan.com v. 1.6 1 INDEX 1. Are Jews satanic? 1.1 What The Talmud Rules About Christians 1.2 Foes Destroyed During the Purim Feast 1.3 The Shocking "Kol Nidre" Oath 1.4 The Bar Mitzvah - A Pledge to The Jewish Race 1.5 Jewish Genocide over Armenian People 1.6 The Satanic Bible 1.7 Other Examples 2. Are Jews the “Chosen People” or the real “Israel”? 2.1 Who are the “Chosen People”? 2.2 God & Jesus quotes about race mixing and globalization 3. Are they “eternally persecuted people”? 3.1 Crypto-Judaism 4. Is Judeo-Christianity a healthy “alliance”? 4.1 The “Jesus was a Jew” Hoax 4.2 The "Judeo - Christian" Hoax 4.3 Judaism's Secret Book - The Talmud 5. Are Christian sects Jewish creations? Are they affecting Christianity? 5.1 Biblical Quotes about the sects , the Jews and about the results of them working together. 6. “Anti-Semitism” shield & weapon is making Jews, Gods! 7. Is the “Holocaust” a dirty Jewish LIE? 7.1 The Famous 66 Questions & Answers about the Holocaust 8. Jews control “Anti-Hate”, “Human Rights” & Degraded organizations??? 8.1 Just a small part of the full list: CULTURAL/ETHNIC 8.2 "HATE", GENOCIDE, ETC. 8.3 POLITICS 8.4 WOMEN/FAMILY/SEX/GENDER ISSUES 8.5 LAW, RIGHTS GROUPS 8.6 UNIONS, OCCUPATION ORGANIZATIONS, ACADEMIA, ETC. 2 8.7 IMMIGRATION 9. Money Collecting, Israel Aids, Kosher Tax and other Money Related Methods 9.1 Forced payment 9.2 Israel “Aids” 9.3 Kosher Taxes 9.4 Other ways for Jews to make money 10.
    [Show full text]
  • Al-Andalus' Lessons for Contemporary European
    IMMIGRATION, JUSTICE AND SOCIETY AL-ANDALUS’ LESSONS FOR CONTEMPORARY EUROPEAN MODELS OF INTEGRATION MYRIAM FRANÇOIS • BETHSABÉE SOURIS www.europeanreform.org @europeanreform Established by Margaret Thatcher, New Direction is Europe’s leading free market political foundation & publisher with offices in Brussels, London, Rome & Warsaw. New Direction is registered in Belgium as a not-for-profit organisation and is partly funded by the European Parliament. REGISTERED OFFICE: Rue du Trône, 4, 1000 Brussels, Belgium. EXECUTIVE DIRECTOR: Naweed Khan. www.europeanreform.org @europeanreform The European Parliament and New Direction assume no responsibility for the opinions expressed in this publication. Sole liability rests with the author. AUTHORS TABLE OF CONTENTS 1 INTRODUCTION 6 2 AL-ANDALUS’ MODEL OF INTEGRATION 8 2.1 THE IBERIAN HISTORY FROM THE MUSLIM CONQUEST TO THE RECONQUISTA 10 2.1.1 Visigoth Spain 11 2.1.2 The Muslim advance in Arabia and Northern Africa 11 2.1.3 The conquest of Spain 12 2.1.4 The unstable first years of the Umayyad dynasty 14 2.1.5 The golden ages of the Caliphate of Cordoba 14 2.1.6 The fall of the Caliphate of Cordoba 16 2.1.7 The end of Al-Andalus and the Reconquista 16 2.2 2.2 THE SOCIAL MODEL OF INTEGRATION OF AL-ANDALUS 18 2.2.1 The social and religious landscape 19 2.2.2 Controversy over the meaning of ‘convivencia’ 19 2.2.3 Protection of religious’ communities boundaries 21 2.2.4 Towards an increased integration and acculturation: The Arabization of the non-Muslim communities 22 2.2.5 The cultural impact of the convivencia 25 Myriam François Bethsabée Souris 2.2.6 Limits of coexistence 26 Dr Myiam Francois is a journalist and academic with a Bethsabée Souris is a PhD candidate in Political Science at 3 TODAY’S EUROPEAN MODELS OF MUSLIM INTEGRATION 28 focus on France and the Middle East.
    [Show full text]
  • Current Awareness Bulletin
    Happy New Year 2020!!!! No.11-12 November-December 2019 Current Awareness Bulletin Centre for Women’s Development Studies (An autonomous research institute supported by the Indian Council of Social Science Research) 25, Bhai Vir Singh Marg (Gole Market), New Delhi-110001, India. Ph.: 011-9555231324; 9555231354.1 Fax: 91-23346044 E-mail: [email protected] | URL: http://www.cwds.ac.in/library/ CONTENTS Section 1: Journals/ Periodicals/ Newsletters Articles Abortion .......................................................................... 001 Ageing ............................................................................ 002 Child Abuse .................................................................... 003 Child Marriage ................................................................ 004 Children .......................................................................... 005-013 Children’s Rights ............................................................ 014-015 Demography ................................................................... 016-018 Disabilities ...................................................................... 019 Education ........................................................................ 020 Employment .................................................................... 021 Feminism ........................................................................ 022 Girl Child ........................................................................ 023-025 Human Development .....................................................
    [Show full text]
  • Monstrous Aunties: the Rabelaisian Older Asian Woman in British Cinema and Television Comedy
    Monstrous Aunties: The Rabelaisian older Asian woman in British cinema and television comedy Estella Tincknell, University of the West of England Introduction Representations of older women of South Asian heritage in British cinema and television are limited in number and frequently confined to non-prestigious genres such as soap opera. Too often, such depictions do little more than reiterate familiar stereotypes of the subordinate ‘Asian wife’ or stage the discursive tensions around female submission and male tyranny supposedly characteristic of subcontinent identities. Such marginalisation is compounded in the relative neglect of screen representations of Asian identities generally, and of female and older Asian experiences specifically, within the fields of Film and Media analysis. These representations have only recently begun to be explored in more nuanced ways that acknowledge the complexity of colonial and post-colonial discoursesi. The decoupling of the relationship between Asian and Indian, Pakistani and Bangladeshi heritage, together with the foregrounding of religious rather than national-colonial identities, has further rendered the topic more complex. Yet there is an exception to this tendency. In the 1990s, British comedy films and TV shows began to carve out a space in which transgressive representations of aging Asian women appeared. From the subversively mischievous Pushpa (Zohra Segal) in Gurinder Chadha’s debut feature, Bhaji on the Beach (1993), to the bickering ‘competitive mothers’ of the ground-breaking sketch show, Goodness, Gracious Me (BBC 1998 – 2001, 2015), together 1 with the sexually-fixated grandmother, Ummi (Meera Syal), in The Kumars at Number 42 (BBC, 2001-6; Sky, 2014), a range of comic older female figures have overturned conventional discourses.
    [Show full text]
  • MCPS TV Fpvs
    MCPS Broadcast Blanket Distribution - TV FPV Rates paid October 2012 Non Peak Non Peak P(ence) P(ence) Peak FPV Non Peak Programmes Programme Rate (per Rate (per (per FPV (per (covered by s (covered Source/Sho Manufactur Link weighted weighted weighted weighted blanket by blanket Licensee Channel Name rt Code udc er Number code second) second) minute) minute) licence) licence) BBC BBC 1 BBCTVD Z0003 5258 jyd 69.334 34.667 41.6004 20.8002 Y Y BBC BBC 2 BBC2 Z0004 316168 jye 20.908 10.454 12.5448 6.2724 Y Y BBC BBC ALBA BBCALB Z0008 232662 jyi 5.432 2.716 3.2592 1.6296 Y Y BBC BBC HD BBCHD Z0010 232654 jyk 6.095 3.047 3.657 1.8282 Y Y BBC BBC News BBC NE Z0007 127284 jyh 8.725 4.362 5.235 2.6172 Y Y BBC BBC Parliament BBCPAR Z0009 316176 jyj 2.934 1.467 1.7604 0.8802 Y Y BBC BBC Side Agreement for S4C BBCS4C Z0222 316184 jdc 0 4.188 0 2.5128 Y Y BBC BBC3 BBC3 Z0001 126187 jyb 16.128 8.064 9.6768 4.8384 Y Y BBC BBC4 BBC4 Z0002 158776 jyc 7.946 3.973 4.7676 2.3838 Y Y BBC CBBC CBBC Z0005 165235 jyf 11.218 5.609 6.7308 3.3654 Y Y BBC Cbeebies CBEEBI Z0006 285496 jyg 11.837 5.918 7.1022 3.5508 Y Y BBC WorldwideBBC Entertainment Africa BBCENA Z0296 286601 jex 1.291 0.645 0.7746 0.387 N Y BBC WorldwideBBC Entertainment Nordic BBCENN Z0300 286619 jf2 0.543 0.271 0.3258 0.1626 N Y BBC WorldwideBBC Entertainment Poland BBCEPO Z0292 286627 jet 2.244 1.122 1.3464 0.6732 N Y BBC WorldwideBBC HD Pan Europe/Nordic BBCHNO Z0303 286635 jf5 4.484 2.242 2.6904 1.3452 N Y BBC WorldwideBBC Knowledge Africa BBCKAF Z0297 286643 jey 0.672 0.336 0.4032 0.2016 N
    [Show full text]
  • Broadcast@ ■ Melvyn Bragg on TV Street, London WC2H 9HQ ■ Jane Hudson Btinternet.Com the Author and Parliamentarian ■ Rtsdevonandcornwall@Rts
    October 2017 A world of opportunity CAMBRIDGE CONVENTION 2017 MASTERCLASSES 14 November From the CEO The RTS Cambridge Convention not only kicked off the Society’s busy RTS STUDENT autumn events schedule, it generated headlines in abundance and helped to PROGRAMME set the media agenda. Huge thanks to the convention’s brilliant co-chairs, Sky’s Andrew MASTERCLASSES Griffith and Gary Davey, and to all the speakers and session producers. We enjoyed an extraordinary line-up of world-class entertainment execu- tives. James Murdoch’s appearance on the Thursday morning was a particular 15 November high point, as he outlined the corporate RTS STUDENT philosophy of 21st Century Fox. CRAFT SKILLS MASTERCLASSES Contents Kenton Allen’s TV diary Kenton Allen chills in Malibu and trades gossip at the RTS 5 Cambridge Convention RTS Cambridge Convention 2017 Reports by Matthew Bell, Maggie Brown, Steve Clarke and Tara Conlan One: A world of opportunity Steve Clarke listens as senior industry figures identify 7 British TV’s strengths and challenges Two: Zig when the others zag CEO Nancy Dubuc explains how A+E Networks has 10 prospered by taking risks and diversifying. Matthew Bell watches the showreel Three: Show me the money Maggie Brown hears how Andy Harries and Andy Wilman 12 made TV history by signing lucrative deals with Netflix and Amazon Four: Five fundamentals guiding the BBC Chairman Sir David Clementi lays out his vision for the 14 BBC – and defends its journalists from harassment Five: News we can trust? Steve Clarke watches news executives decide how to 17 handle emerging details of a terrorist attack as online reports of the event multiply Both at: Editor Production, design Writer IET, 2 Savoy Place, London WC2R 0BL Steve Clarke and advertising Matthew Bell [email protected] Gordon Jamieson [email protected] [email protected] Booking: www.rts.org.uk Journal of The Royal Television Society October 2017 l Volume 54/9 It was wonderful, too, to have the domestic news story unfolds.
    [Show full text]
  • Complete Channel List October 2015 Page 1
    Complete Channel Channel No. List Channel Name Language 1 Info Channel HD English 2 Etisalat Promotions English 3 On Demand Trailers English 4 eLife How-To HD English 8 Mosaic 1 Arabic 9 Mosaic 2 Arabic 10 General Entertainment Starts Here 11 Abu Dhabi TV HD Arabic 12 Al Emarat TV HD Arabic 13 Abu Dhabi Drama HD Arabic 15 Baynounah TV HD Arabic 22 Dubai Al Oula HD Arabic 23 SAMA Dubai HD Arabic 24 Noor Dubai HD Arabic 25 Dubai Zaman Arabic 26 Dubai Drama Arabic 33 Sharjah TV Arabic 34 Sharqiya from Kalba Arabic 38 Ajman TV Arabic 39 RAK TV Arabic 40 Fujairah TV Arabic 42 Al Dafrah TV Arabic 43 Al Dar TV Arabic 51 Al Waha TV Arabic 52 Hawas TV Arabic 53 Tawazon Arabic 60 Saudi 1 Arabic 61 Saudi 2 Arabic 63 Qatar TV HD Arabic 64 Al Rayyan HD Arabic 67 Oman TV Arabic 68 Bahrain TV Arabic 69 Kuwait TV Arabic 70 Kuwait Plus Arabic 73 Al Rai TV Arabic 74 Funoon Arabic 76 Al Soumariya Arabic 77 Al Sharqiya Arabic eLife TV : Complete Channel List October 2015 Page 1 Complete Channel 79 LBC Sat List Arabic 80 OTV Arabic 81 LDC Arabic 82 Future TV Arabic 83 Tele Liban Arabic 84 MTV Lebanon Arabic 85 NBN Arabic 86 Al Jadeed Arabic 89 Jordan TV Arabic 91 Palestine Arabic 92 Syria TV Arabic 94 Al Masriya Arabic 95 Al Kahera Wal Nass Arabic 96 Al Kahera Wal Nass +2 Arabic 97 ON TV Arabic 98 ON TV Live Arabic 101 CBC Arabic 102 CBC Extra Arabic 103 CBC Drama Arabic 104 Al Hayat Arabic 105 Al Hayat 2 Arabic 106 Al Hayat Musalsalat Arabic 108 Al Nahar TV Arabic 109 Al Nahar TV +2 Arabic 110 Al Nahar Drama Arabic 112 Sada Al Balad Arabic 113 Sada Al Balad
    [Show full text]