The Works of Robert Louis Stevenson Edinburgh Edition
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Foot-Prints of Travel
Foot-prints of Travel by Maturin Murray Ballou BIBLIOGRAPHIC RECORD Author Ballou, Maturin Murray, 1820-1895 Title Foot-prints of Travel or, Journeyings in Many Lands Language English LoC Class G: Geography, Anthropology, Recreation Subject Ballou, Maturin Murray, 1820-1895 -- Travel Subject Voyages around the world EText-No. 27874 Release Date 2009-01-23 Copyright Status Not copyrighted in the United States. Base Directory /2/7/8/7/27874/ The Project Gutenberg EBook of Foot-prints of Travel, by Maturin M. Ballou This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Foot-prints of Travel or, Journeyings in Many Lands Author: Maturin M. Ballou Release Date: January 23, 2009 [EBook #27874] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK FOOT-PRINTS OF TRAVEL *** Produced by Julia Miller, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) FOOT-PRINTS OF TRAVEL; OR, JOURNEYINGS IN MANY LANDS, BY MATURIN M. BALLOU. _Armado._ How hast thou purchased this experience? _Moth._ By my journey of observation.--SHAKESPEARE. BOSTON, U.S.A.: PUBLISHED BY GINN & COMPANY. 1889. Entered according to Act of Congress, in the year 1888, by GINN & COMPANY, in the Office of the Librarian of Congress at Washington. -
GEORGES MELIES COLLECTION (1896-1913) January 2013
GEORGES MELIES COLLECTION (1896-1913) January 2013 > 3 GEORGES MELIES: WIZARD OF CINEMA (1896-1913) AUTHOR The entire collection of Méliès' films - from the well known to the Georges MELIES DIRECTOR rediscovered Méliès' films enchant people of all ages. As well as being Georges MELIES a pioneer, he remains the uncontested master of fantasy and dream COPRODUCER worlds, and was the first and most incredible wizard of cinema. LOBSTER FILMS FORMAT For the first time, viewers can now appreciate the importance of his work - that of 25 x 26 ', 2011 a magician and artist whose imagination knew no bounds. The exceptionally talented AVAILABLE RIGHTS TV - DVD - VOD - Non-theatrical rights - Méliès produced and directed all his films. He also wrote the "sweet talk", designed Internet the sets, costumes and accessories, and was also the main actor. Following 25 years VERSIONS of research, and a worldwide search for copies, this collection constitues a genuine English - French TERRITORY(IES) reference. The latest technology has been used on these newly restored films, many of Worldwide. which are available for the first time. The spirit of the era is rendered by 13 musicians. LIST OF EPISODES 01 - AFTER THE BAL - CINDERELLA 02 - THE MONSTER - THE PALACE OF THE 03 - SOAP BUBBLES - THE ASTRONOMER’S ARABIAN NIGHTS DREAM - A TRIP TO THE MOON - A 04 - THE WONDERFUL LIVING FAN - THE NIGHTMARE - THE MERMAID ENCHANTED SEDAN CHAIR - JOAN OF ARC 05 - THE MELOMANIAC - FRENCH COPS - A MIRACLE UNDER THE INQUISITION - THE LEARNING ENGLISH - BETWEEN CALAIS KING AND -
Downloaded and Watched on Ever-Changing Screen Sizes, from Television to Mobile Phones
Kent Academic Repository Full text document (pdf) Citation for published version Kamm, Frances Alice (2015) 'A Mirror Image of Ourself'? The Technological Uncanny and the Representation of the Body in Early and Digital Cinema. Doctor of Philosophy (PhD) thesis, University of Kent. DOI Link to record in KAR http://kar.kent.ac.uk/59386/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html 'A Mirror Image of Ourself'? The Technological Uncanny and the Representation of the Body in Early and Digital Cinema Frances Alice Kamm Submitted in fulfilment of the degree of Doctor of Philosophy Film Studies School of Arts University of Kent September 2015 Word Count: 97,366 ACKNOWLEDGEMENTS There are several people I would like to thank for their help in completing this project. First, a huge thank you goes to my supervisors Dr Tamar Jeffers McDonald and Dr Cecilia Sayad for all their help, support and encouragement with this work. -
Virginibus Puerisque"
"VIRGINIBUS PUERISQUE" Contents Virginibus Puerisque Crabbed Age and Youth An Apology For Idlers Ordered South Aes Triplex El Dorado The English Admirals Some Portraits by Raeburn Child's Play Walking Tours Pan's Pipes A Plea For Gas Lamps CHAPTER I - "VIRGINIBUS PUERISQUE" WITH the single exception of Falstaff, all Shakespeare's characters are what we call marrying men. Mercutio, as he was own cousin to Benedick and Biron, would have come to the same end in the long run. Even Iago had a wife, and, what is far stranger, he was jealous. People like Jacques and the Fool in LEAR, although we can hardly imagine they would ever marry, kept single out of a cynical humour or for a broken heart, and not, as we do nowadays, from a spirit of incredulity and preference for the single state. For that matter, if you turn to George Sand's French version of AS YOU LIKE IT (and I think I can promise you will like it but little), you will find Jacques marries Celia just as Orlando marries Rosalind. At least there seems to have been much less hesitation over marriage in Shakespeare's days; and what hesitation there was was of a laughing sort, and not much more serious, one way or the other, than that of Panurge. In modern comedies the heroes are mostly of Benedick's way of thinking, but twice as much in earnest, and not one quarter so confident. And I take this diffidence as a proof of how sincere their terror is. They know they are only human after all; they know what gins and pitfalls lie about their feet; and how the shadow of matrimony waits, resolute and awful, at the cross-roads. -
Livretmelies BD.Pdf
HOMMAGE À GEORGES MÉLIÈS de Norman McLaren Pour nous, il est aujourd’hui impossible de La fantaisie de Méliès était toute voir les films de Méliès tels qu’ils ont été per- particulière, faite de charme, de bonhomie çus lors de leur sortie. La production ciné- et empreinte d’un humour irrésistible. matographique n’en était qu’à ses débuts. Il a créé un monde merveilleux, rempli En France, Lumière utilisait le film pour de jeux poétiques et d’une imagination enregistrer les faits et gestes quotidiens. débordante. Le Premier Magicien du Cinema (1896 1913) Au Danemark, Elfelt prenait des photo- ~ Il est difficile de dire si son influence en graphies de groupes des familles royales tant que premier poète et magicien de européennes. En Allemagne, on a utilisé la l’écran est plus importante que son rôle caméra avec énormément d’imagination HOMMAGE À GEORGES MÉLIÈS de premier inventeur de pour l’enregistrement d’une techniques créatives pour le de Norman McLaren sortie en vélo. Un opérateur cinéma. de Lumière a réalisé des prises de vues en Chine et Il a découvert et utilisé NOTES SUR LE TRAVAIL DE GEORGES MÉLIÈS au Tibet. Aux USA, un réal- de façon imaginative la isateur a tenté d’enregistrer plupart des effets ciné- par John Frazer sur le terrain l’invasion matographiques de base. militaire américaine à Même si je suis loin d’avoir Cuba. vu la totalité des films existants de Méliès, je pense Avant-propos Presque partout, ce nouveau qu’il est le premier à avoir média a été utilisé à des John Grierson disait avec malice que les exportations du Canada fait des doubles puis mul- fins documentaires. -
Kung Short Films Kung Short Films Dvds 6068 !W.A.R
NUM Title Sub-Title 5796 !Kung Short Films Kung Short Films DVDs 6068 !W.A.R. !Women Art Revolution DVDs 6968 "Charley Says" DVDs 2469 "De Niro vs. La Motta" Shot-by-Shot Comparison Raging Bull, disc 2 DVDs 7258 "It" DVDs 2469 "La Motta Defends Title" Newsreel Footage Raging Bull, disc 2 DVDs 1196 "Now is the Time For All Good..." Cartoongate!: Irreverent Cartoon Anthology About Presidents Past VHS 7370 "Teddy" Bears, The Edison: The Invention of the Movies, DVD Two DVDs 2550 "Teddy" Bears, The Edison: The Invention of the Movies, DVD Two DVDs 2469 "The Bronx Bull" Making-of Documentary Raging Bull, disc 2 DVDs 6503 #Regeneration Regeneration DVDs 609 $4 A Day? No Way! VHS 7109 $99,000 Answer, The Honeymooners, The, Classic 39" Episodes, disc 03 DVDs 2951 (buz'be bur'kle) n. A Study in Style DVDs 4665 (Nostalgia) Avant Garde, 1947-1986; Program 2; American film treasures IV DVDs 3840 ... And The Pursuit of Happiness DVDs 7349 ...I Told You So DVDs 7226 ...No Lies DVDs 3311 [Pi] DVDs 1061 ®™ark: Bringing It To You! VHS 3238 10 Days That Unexpectedly Changed America, Disc 01 DVDs 3239 10 Days That Unexpectedly Changed America, Disc 02 DVDs 3240 10 Days That Unexpectedly Changed America, Disc 03 DVDs 4908 100 Terrible Hours Dick Van Dyke Show, The; Season Four, Disc 05 DVDs 8046 100 Year-Old Man Who Climbed Out the Window and Disappeared, The DVDs 4032 100% American Treasures III, Program 4, Americans in the Making; Social issues in AmericanDVDs film, 1900-1934 3592 100,000 Airplanes West Wing, 03.