DOCSLIB.ORG

Music Weekly Page 3 a D I D

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Music Weekly Page 3 a D I D Music 10 Weekly CENTS Volume 7, No. 23 Week Ending August 5th. 1961 Ambrose Releases ''MARIPOSA - '67'' On Fontana Another year, another Mariposa Folk Festival, and "Mariposa '61" is shaping up to be the best yet. With Toronto: Well known TV and stage personality, disappointment following disappointment and rowdies cooling down to rain soaked "in" crowds, the Mariposa Tommy Ambrose wou Id appear to be launched people have managed to hang on and are again pres enting the top folk and interesting allied acts to the new breed on a successful recording career with the re­ of "music sympathizers" - the "hippies". The three day, Innis Lake affair, will provide an assortment of great lease of his Fontana single "They Don't Give Medals" and "Casino Royale" . talent and the whys and whsefors of the blues, folk, folk rock, bluegrass and old time music, through the Producer, and now manager of Ambrose , many well hosted workshops that will be part of the daytime activities. Phil Ramone , first met Tommy when he was in Toronto on a jingle producing junket aboot a year and a half ago. He liked the Ambrose sound and both kept in touch with one an other , hoping that the right break would come along. Being as Ramone produces for many of the gre ats including Lena Horne, Quincy Jones and Harry Belafonte as well as movie sound ­ tracks, it was just a matter of ti"1e for the STAPLE SINGERS BUFFY SAINTE MARIE THE CROWD How's th is for a li ne-up? Bu ffy Sai nte­ Bonn ie Dobson and Louis Killen. as a specia I ethnic concert hosted by Klaas Mari e, The Staple Singers , Ritchie Havens, These are the artists who have been Van Graft. Tom Rush , Buddy Guy Blues Band, Leonard signed to appear at "Mariposa '67" which The Festival, this year, is expected ohen, rowd, The Kensington Market, will be held Au gust llth., through the 13th., to draw many important observers from music !\\an MacRae, Oavid Rae, The Pennywhisllers, at their Innis Lake location, just eas t of ce ntres all over th e worl d wh ich could lead to Reverand Gary Davis, Penny Lang, Lilly Caledon East , Ontario, approximate~ 35 miles the Mariposa Fo lk Festival being established Brothers and Tex Hooven , Louise Forestier ,. northwest of Toronto. as one of the le-aomg annual event in the Jon i Mitchell , Arthur " Big Boy" Crudup, Mary The three day affair wi 11 include major music industry of the world. Jane and Winston , Owen McBride , Gordon concerts each evening by the above artists, Tickets have now gone on sale and Lowe , The Shelburne Fiddlers , The Di !dine representing the U.K., U.S. and Canada. Day ­ advance sales indicate a highly successful Family , Murray McLaughlin, Alanis Obomsawin , time activities include workshops, seminars , "MARI POSA '67" . right material to happen that would suit the O.D. Bodkins & Company -Patent Pending , a love-in , picnicking and swimming as well Ambrose sound. The Bacharach-David com ­ position "They Don 't Give Medals" , which AMBROSE continued on page 3 The Jon & Lee Sparton PROPHET RELEASES ON Group Announces by LARRY LEBLANC CALEDON LABEL The Initial release of "Bring It Down Expansion Toronto: Orville Prophet, one of the giants in turned out to be such an important item in Front" by Toronto's Jon -Lee Group was the Canadian country music, is currently appear­ the Decca catalogue that it was included in result of a struggle for one of Canada's finest Plans ing at the Horseshoe Tavern, where he is ex­ an album titled "Foreign Love Affair" which bands, to release a recording. per iencing some of the best crowds in his received the nod from the U.S. trade papers For three years, under the bi I ling of Toronto : Joe Parise lli , national sales manager show-biz career. Much of the credit must go and added to his popular ity across the nation. Jon and Lee and The Checkmates they were Spartan Records of Canada , announces that to the timely release of his debut single on the direct dominating force behind Toronto's their London plant facilities have undergooe Caledon "Human Nature" and "You're Not R&B market. But no record. a major expansion program which inc ludes the My Sweetheart Anymore" wh ich is part of the They wanted to be sure of their first purchase of new presses and the ac qui ri ng of hot new Stone Empire . Country radio person­ record. The unit saw some of the mistakes more warehouse space to accomodate larger alities from coast to coast have found ex ­ made in debut discs by other Canadian groups. inventory for faster service. cellent listener reaction to both sides which While performing in New York , in could create a national breakout for Prophet. clubs I ike the Cheetah , the Scene and the Orval Prophet has come a long way Telephone Booth, in the past year, Jon and from that day at the Strawberry Festival in Lee became accepted by many of the American Edwards, Ontario, where, at the age of 14, musicians congregating in that city. he made his de but as an entertainer. The em­ They played with Junior Walker and cee of the CFRA Show "Fiddlers Fling", the All Stars at Shea's Stadium and he called where Orval made his radio debut, was Frank them one of the best units that he had ever . Jones, now one of the most successfu I pro­ played with. ducers on the North American continent and The Canadian public had an interest­ a very important part of Columbia's Nashvi I le ing look at the six when they appeared on scene. CBC-TV's "Compass" . The half hour pro­ From Festival to radio and then on to gram showed the group during a routine week, the recording end of the business . It was one offstage and performing. success after another. His first disc under Their "homebase" the Avenue Road the Decca banner , "I'm Going Back To Bi rm­ Club was also the local meeting spot for most ingham" turned out to be a big one for Orval musicians. Jam sessions were held quite and is now considered a collectors item . This Somehow, Orval Prophet , this kindly often with members of Toronto's top groups also led to his appearance on WSM's "Grand down to earth Country Gentleman, who intro­ taking part. Murray Campbell , manager of the Ole Opry" as well as radio and TV appear­ duced the world to the "Nashvi I le Sound", club has been a close friend and advisor to ances across the country . has managed to remain an important part of the Jon -Lee Group for some time. Under It was in 1957 that Decca began using the Canadian country scene , although he does Murray's guidance they realized their goals the now famous "Nashville Sound" and Orval , maintain a home in Miami , Florida, as well and potential. using the moniker of johnny Six, which was as his Ottawa home. He still makes frequent Members of the Group are: drummer Sparton sales tor Canada for the first dreamed up by Decca's A&R eh ief Paul Cohen, television and radio appearances and is con­ Jeff Cutler; organist Mike Fonfara; bassist quarter are reported up 60% while sales in was one of the first to record with this dis­ sidered one of the top club draws in the Peter Hodgson and lead guitarist Larry Ontario are up a whopping 87%. tinctive sound . The disc "Mademoiselle" business. JON & LEE continued on page '3 SPARTON continued on page 7 room, and Joey Post• couldn't have picked a July 31st. , through August 5th. Centre. This gave the press a closer look at better group. They are one of the most re­ upstairs at the Red Gas I The Ken· the Airplane and their promoters. Needless to freshing collection of today's sounds in the slngton Market were play ing to a very large say, The Flllmore's Biii Graham , manager of business. Their showstopper, of course , was crowds. Looks like Bernie Finkelstein, their the San Francisco group, and· promoter John " Canada" currently No. 63 on the RPM 100 . manager, has another winner. Morris were very pleased with the events of Arc execs Phll Anderson, Biii Giiiiiand and The Jefferson Airplane really took off the day. O'Keefe's Jack Karr advised me that. Tom Burny were present along with promotion last Sunday at NPS . The big love-in was a advance ticket sales are excellent. man Richard Dinsmore. Cathy McKlnnon and smashing success . No , I didn't push that nice John Donable , the rock jock from newly acquired Arc artist Douc Crosely were policeman into the fountain. If the JA caused CKLB and their mid-morning man Barry Sarazin , dropped by the office for a chat and both are looking forward to their appearances at the Oshawa Fair with the mobile unit. CHNO Sudbury's personality, John Loweth was doing the Vi II age scene last Received a letter from Hank Snow and week and popped in for a visit and told me TV viewers will be in for a treat this Fall. about a wi Id group known as The Inferno Five. That's all I can tell you now. Hank will be The Group has been booked solidly throughout appearing in Shelbourne, Ont., Aug 19 and the north country and there's a chance that 20 and in Hamilton Aug 26. Try not to miss ·that they may be playing the Toronto area in him.
Load more

Recommended publications
  • On the Road with Janis Joplin Online
    6Wgt8 (Download) On the Road with Janis Joplin Online [6Wgt8.ebook] On the Road with Janis Joplin Pdf Free John Byrne Cooke *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #893672 in Books John Byrne Cooke 2015-11-03 2015-11-03Original language:EnglishPDF # 1 8.25 x .93 x 5.43l, 1.00 #File Name: 0425274128448 pagesOn the Road with Janis Joplin | File size: 33.Mb John Byrne Cooke : On the Road with Janis Joplin before purchasing it in order to gage whether or not it would be worth my time, and all praised On the Road with Janis Joplin: 1 of 1 people found the following review helpful. A Must Read!!By marieatwellI have read all but maybe 2 books on the late Janis Joplin..by far this is one of the Best I have read..it showed the "music" side of Janis,along with the "personal" side..great book..Highly Recommended,when you finish this book you feel like you've lost a band mate..and a friend..she could have accomplished so much in the studio,such as producing her own records etc..This book is excellent..0 of 0 people found the following review helpful. Thank-you John for a very enjoyable book.By Mic DAs a teen in 1969 and growing up listening to Janis and all the bands of the 60's and 70's, this book was very enjoyable to read.If you ever wondered what it might be like to be a road manager for Janis Joplin, John Byrne Cooke answers it all.Those were extra special days for all of us and John's descriptions of his experiences, helps to bring back our memories.Thank-you John for a very enjoyable book.0 of 0 people found the following review helpful.
    [Show full text]
  • Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
    Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library David Getz An Oral History Interview Conducted by Debra Schwartz in 2020 © 2020 by the Mill Valley Public Library TITLE: Oral History of David Getz INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 60 pages INTERVIEW DATE: January 9, 2020 In this oral history, musician and artist David Getz discusses his life and musical career. Born in New York City in 1940, David grew up in a Jewish family in Brooklyn. David recounts how an interest in Native American cultures originally brought him to the drums and tells the story of how he acquired his first drum kit at the age of 15. David explains that as an adolescent he aspired to be an artist and consequently attended Cooper Union after graduating from high school. David recounts his decision to leave New York in 1960 and drive out to California, where he immediately enrolled at the San Francisco Art Institute and soon after started playing music with fellow artists. David explains how he became the drummer for Big Brother and the Holding Company in 1966 and reminisces about the legendary Monterey Pop Festival they performed at the following year. He shares numerous stories about Janis Joplin and speaks movingly about his grief upon hearing the news of her death. David discusses the various bands he played in after the dissolution of Big Brother and the Holding Company, as well as the many places he performed over the years in Marin County. He concludes his oral history with a discussion of his family: his daughters Alarza and Liz, both of whom are singer- songwriters, and his wife Joan Payne, an actress and singer.
    [Show full text]
  • Warner/Reprise Loss Leaders Booklet
    THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases.
    [Show full text]
  • Festival 30000 LP SERIES 1961-1989
    AUSTRALIAN RECORD LABELS FESTIVAL 30,000 LP SERIES 1961-1989 COMPILED BY MICHAEL DE LOOPER AUGUST 2020 Festival 30,000 LP series FESTIVAL LP LABEL ABBREVIATIONS, 1961 TO 1973 AML, SAML, SML, SAM A&M SINL INFINITY SODL A&M - ODE SITFL INTERFUSION SASL A&M - SUSSEX SIVL INVICTUS SARL AMARET SIL ISLAND ML, SML AMPAR, ABC PARAMOUNT, KL KOMMOTION GRAND AWARD LL LEEDON SAT, SATAL ATA SLHL LEE HAZLEWOOD INTERNATIONAL AL, SAL ATLANTIC LYL, SLYL, SLY LIBERTY SAVL AVCO EMBASSY DL LINDA LEE SBNL BANNER SML, SMML METROMEDIA BCL, SBCL BARCLAY PL, SPL MONUMENT BBC BBC MRL MUSHROOM SBTL BLUE THUMB SPGL PAGE ONE BL BRUNSWICK PML, SPML PARAMOUNT CBYL, SCBYL CARNABY SPFL PENNY FARTHING SCHL CHART PJL, SPJL PROJECT 3 SCYL CHRYSALIS RGL REG GRUNDY MCL CLARION RL REX NDL, SNDL, SNC COMMAND JL, SJL SCEPTER SCUL COMMONWEALTH UNITED SKL STAX CML, CML, CMC CONCERT-DISC SBL STEADY CL, SCL CORAL NL, SNL SUN DDL, SDDL DAFFODIL QL, SQL SUNSHINE SDJL DJM EL, SEL SPIN ZL, SZL DOT TRL, STRL TOP RANK DML, SDML DU MONDE TAL, STAL TRANSATLANTIC SDRL DURIUM TL, STL 20TH CENTURY-FOX EL EMBER UAL, SUAL, SUL UNITED ARTISTS EC, SEC, EL, SEL EVEREST SVHL VIOLETS HOLIDAY SFYL FANTASY VL VOCALION DL, SDL FESTIVAL SVL VOGUE FC FESTIVAL APL VOX FL, SFL FESTIVAL WA WALLIS GNPL, SGNPL GNP CRESCENDO APC, WC, SWC WESTMINSTER HVL, SHVL HISPAVOX SWWL WHITE WHALE SHWL HOT WAX IRL, SIRL IMPERIAL IL IMPULSE 2 Festival 30,000 LP series FL 30,001 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 1 TRAPP FAMILY SINGERS FL 30,002 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 2 TRAPP FAMILY SINGERS SFL 930,003 BRAZAN BRASS HENRY JEROME ORCHESTRA SEC 930,004 THE LITTLE TRAIN OF THE CAIPIRA LONDON SYMPHONY ORCHESTRA SFL 930,005 CONCERTO FLAMENCO VINCENTE GOMEZ SFL 930,006 IRISH SING-ALONG BILL SHEPHERD SINGERS FL 30,007 FACE TO FACE, RECORD 1 INTERVIEWS BY PETE MARTIN FL 30,008 FACE TO FACE, RECORD 2 INTERVIEWS BY PETE MARTIN SCL 930,009 LIBERACE AT THE PALLADIUM LIBERACE RL 30,010 RENDEZVOUS WITH NOELINE BATLEY AUS NOELEEN BATLEY 6.61 30,011 30,012 RL 30,013 MORIAH COLLEGE JUNIOR CHOIR AUS ARR.
    [Show full text]
  • Shakin' All Over: Canadian Pop Music in the 1960S
    Shakin’ All Over: Canadian Pop Music in the 1960s. Written by Nicholas Jennings and directed by Gary McGroarty.1 video disc (90 min.): col., some b&w. Kelowna, BC: Filmwest Associates [http://indigo.filmwest.com], [2007?]. $195.00 Originally aired on CBC in January 2006, this film traces Canadian popular music, at least the kind rooted in rhythm and blues, rockabilly and folk, from the early sixties to the establishment of the Canadian Content rules for radio and television in 1971. The film consists of clips from close to sixty songs, dozens of interviews, and archival footage going all the way back to Ian and Sylvia Tyson discussing that epiphanous moment when they heard Dylan perform “Blowin’ in the Wind” in Greenwich Village to Crowbar playing “Oh What a Feeling” in the early 1970s at the “dawn of Cancon.” The Tysons realized they could also write their own tunes rather than exclusively performing traditional material. Hearing and seeing the duo perform their “Four Strong Winds” in a clip from about 1964, one realizes, though, just how proper the Canadians sounded in comparison to Dylan, with his scruffy and idiosyncratic whine. They may have taken their cue from him, but their musical manners were clearly of a different nature, suggesting a direction rooted more in the traditions of the British Isles than American folk. Ironically, when the Yorkville and Yonge Street music scenes begin to develop and there was talk of a Toronto sound in 1966, it was the music of Ronnie Hawkins, a transplanted American with a southern drawl who, at least according to the film, personified that sound.
    [Show full text]
  • Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
    Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world.
    [Show full text]
  • R.I.P. B.B. King 1925-2015
    June 2015 www.torontobluessociety.com Published by the TORONTO BLUES SOCIETY since 1985 [email protected] Vol 31, No 6 PHOTO COURTESY SHOWTIME MUSIC ARCHIVES (TORONTO) SHOWTIME MUSIC COURTESY PHOTO R.I.P. B.B. King 1925-2015 CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 BB Remembered John’s Blues Picks Talent Search Finals Loose Blues News Selena Evangeline Event Listings 2 MapleBlues June 2015 www.torontobluessociety.com MARK YOUR CALENDAR PHOTO COURTESY SHOWTIME MUSIC ARCHIVES (TORONTO) SHOWTIME MUSIC COURTESY PHOTO Dave "Daddy Cool" Booth will be making his first DJ appearance in many years at the TBS 30th bash at the Palais Royale on July 16 spinning some of his favourite blues tracks for the dinner crowd and Jack de Keyzer will be playing Sundown Solo Sets for both early ticket and concert ticket holders. Saturday, June 20 (afternoon), Dan Aykroyd Wine Tasting, Summerhill LCBO (10 Scrivener Square, just outside the Summerhill subway) Performance by David Owen Barbara Klunder has provided the new imagery for the 29th Women's Blues Revue to be held November 28 at Saturday, June 20 Massey Hall and Charter Member tickets go on sale Tuesday, June 9th at 10am! (preferred seating and 20% off). 2-5pm TBS Talent To retrieve the required promo code, please contact the TBS office. If you're not a member yet, join now to take Search Finals, Distillery advantage of these substantial savings. District (part of the TD Toronto Jazz Festival) Michael Sloski and musical director Lance Saturday, November 28, Massey Hall, th Johanna Pavia & Anderson. Sundown Solo sets by Jack Women's Blues Revue.
    [Show full text]
  • 1. Glamticipations Rock Faces the 1970S
    1. glamticipations Rock Faces the 1970s The pause of 1970 was a strange moment. It was marked by the absence of creative movement in rock’s central core. It was equally due to the dangerous political climate that shattered the youth movement’s unity and thus drove rock away from its natural base. The breakup of bands, the deaths, the personal crises, the restless movement of performers, the record companies’ insistent attempts to pull out solo acts from ensemble bands so that they could be turned into superstars, all these led to a reconsideration of what constituted the stable unit for rock. —Philip Ennis (360) Sociologist Philip Ennis describes the year 1970 as a “pause point” in the development of rock music, which had enjoyed a decade of steady ascendance up to that time (344). But the social, political, and cultural disappointments of 1969 and 1970, including the Rolling Stones’ disastrous concert at Altamont; the shootings of student protesters at Kent State University; the dissolution of the Beatles as a group; the deaths of Jimi Hendrix, Janis Joplin, and Brian Jones of the Rolling Stones; the upheaval surrounding the 1968 Democratic National Convention and the resulting trial of the Chicago Seven all marked the point at which rock music could no longer serve as the soundtrack of the Vietnam era hippie counter- culture. After 1970, rock would have to proceed on different eco- nomic, political, social, and cultural bases. Ennis examines these issues in the American context, but the same disappointment and disaffection with the counterculture was spreading in the United Kingdom.
    [Show full text]
  • MAKING the SCENE: Yorkville and Hip Toronto, 1960-1970 by Stuart
    MAKING THE SCENE: Yorkville and Hip Toronto, 1960-1970 by Stuart Robert Henderson A thesis submitted to the Department of History in conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada October, 2007 Copyright © Stuart Robert Henderson, 2007 Abstract For a short period during the 1960s Toronto’s Yorkville district was found at the centre of Canada’s youthful bohemian scene. Students, artists, hippies, greasers, bikers, and “weekenders” congregated in and around the district, enjoying the live music and theatre in its many coffee houses, its low-rent housing in overcrowded Victorian walk- ups, and its perceived saturation with anti-establishmentarian energy. For a period of roughly ten years, Yorkville served as a crossroads for Torontonian (and even English Canadian) youth, as a venue for experimentation with alternative lifestyles and beliefs, and an apparent refuge from the dominant culture and the stifling expectations it had placed upon them. Indeed, by 1964 every young Torontonian (and many young Canadians) likely knew that social rebellion and Yorkville went together as fingers interlaced. Making the Scene unpacks the complicated history of this fraught community, examining the various meanings represented by this alternative scene in an anxious 1960s. Throughout, this dissertation emphasizes the relationship between power, authenticity and identity on the figurative stage for identity performance that was Yorkville. ii Acknowledgements Making the Scene is successful by large measure as a result of the collaborative efforts of my supervisors Karen Dubinsky and Ian McKay, whose respective guidance and collective wisdom has saved me from myself on more than one occasion.
    [Show full text]
  • Twelvehomesheld
    i WAverly i -3.9207 - ft ■ VOL. XXXIV— No. 1754 HILLSIDE, N .J, THURSDAY, JULY 17, 1958 PRICE 10 CENTS Youth Group And PAL Merge Berting Quits School Board For Post Singe, Will Vacate John v. tim in g, Hwvina .ins; TwelveHomesHeld third year as a member o f the ■Board o f Education, resigned last- Wednesday night offacllva immediately to succeed Henry Singe as supervisor of buildings and grounds. , Berting will be’ assIsfahtTu7 pervlsor from September December' 31, when Singe will retire alter 31 years of servicer Twelve houses on. Irvington. -Betitog^difc=tiieii^bemme=au:p£fc: avenue huilt.ha.ck in 19J52 and jAlgflgJ,mni January 1 to June 30, 1953 were constructed in vio­ 1959. His pay will be at the rate Hillside Airman Is lation of deed restrictions, of $71800 annually. The board set was disclosed at a meeting of a salary range for the job at $6,* the Township Committee Tues­ -000k to $8,500 with yearly iricre- day night. ment-s o f $300. Killed In Germany —St ir o f the-ff The violation came . to light voted for the appointment, with; when JoscpF Hlnkes, o f 857. irv- Arnold H. McCISW not voting. Berting refrained from voting and one. member, I. Lute-Share, was absent. It w a s. announced that Berting did not participate in conferences at which his applt-1 .button was considered. Berting is ! potoj a metallurgist.with Metals Dis- zer, Hinkes requested unship' I M'si Committee fo r relief, but the . The resignation was accepted | 0f j^iss Doris puzzled, committeemen turned with President Joseph Ram laud- • .
    [Show full text]
  • RCA Camden Label Discography the RCA Camden Label Was Started in 1953 As a Budget Label
    RCA Discography Part 57 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Camden Label Discography The RCA Camden label was started in 1953 as a budget label. It was named after Camden New Jersey which was the manufacturing and distribution center of RCA Victor records. Much of the material released by Camden were reissues of albums released by RCA Victor, usually with a few less songs. Initially the label was used for classical releases but soon started releasing popular, country and comedy albums. Albums released by Camden included ones released by RCA of Canada using the same numbering system. These RCA of Canada albums were only distributed in Canada and were not listed in the Schwann catalogs. CAL 100 – Tchaikovsky: Nutcracker Suite/Saint-Saens: Carnival of the Animals – Warwick Symphony Orchestra [195?] CAL 101 – Prokofieff: Peter and the Wolf/Richard Strauss: Till Eulenspiegel’s Merry Pranks – Boston Symphony Orchestra [195?] CAL 102 – Beethoven: Symphony No. 3 in E-Flat (Eroica) – London Philharmonic Orchestra [195?] CAL 103 – Symphonies No. 5 Op. 67, C Minor (Beethoven) – Stattford Symphony Orchestra (London Philharmanic Orchestra) [1960] CAL 104 – Dvorak: Symphony No. 5 in E-Minor (New World) – Philadelphia Orchestra [195?] CAL 105 – Concert Classics – Warwick Symphony Orchestra [195?] Sibelius: Finlandia/Boccherini: Minuet/Haydn: 18th Century Dance/Bach: Fugue in G minor/Wagner: Lohengrin Act 1 Prelude; Magic Fire Music/Handel: Pastoral Symphony CAL 106 – Schubert: Symphony No. 8 Unfinished/Symphony No. 5 – Serge Koussevitzky, Boston Symphony Orchestra [195?] CAL 107 – Franck: Symphony in D Minor – San Francisco Symphony [195?] CAL 108 - Sibelius Symphony No.
    [Show full text]
  • SHE WINS 100 Lps This Week We Announce the Winner $20.0001
    The two part article is reproduced hereby permission of the Showcase section of the Toronto Telegram. These articles originally appeared in the July 29th edition of Showcase whichis the entertainment supplement of the Telegram. By DAVID COBB POP Research by Terry Prout POWER Photos by Terry Hancey Pop Power! Listen, kid. .. this group of yours, Mack Truck And The Exhaust Fumes. Okay. We can do good things. But the right way. You need a record on the CHUM Chart, right? No record, you might as well forget it... We're looking at the inbred Pop music establishment in Toronto. On thesetwo pages, an operational primer; a breakdown of the satraps of the establishment. Pop Power? You better believe it, kid .. And he is now managing two groups. The Amen and Fledgling is the word usually used to de. the Kensington Market. ,ribe Canada's pop music industry. Fledgling. and Finklestein helped form the Market eight weeks inbred, and imitative, and dull. ago with guitarist Keith McKie. In this time the band Canada's industry, is largely Toronto's. for To- has rushed through a record (Mr. Johns, and al- ronto is where it's at pop musically in the English ready commands good fees. language. He sees his job this way: "I feel very responsible Montreal, as In everything else Is another scene for the people I work with - after all. a guy's career altogether. Montreal is where The Charts will show is short in this business. Pretty soon a band's at the 95 percent Canadian records in the Top 40 selection: end of its rope, which is happening all over the place French Canadian.
    [Show full text]