APEX TV Market 2015 Newsletter
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TPTV Schedule March 8Th to March 14Th
th th TPTV Schedule March 8 to March 14 Date Time Programme Synopsis Mon 08 00:15 The Face Of Fu 1965. Thriller. Directed by Don Sharp. Starring Christopher Lee, Nigel Green and Howard Mar 21 Manchu Marion-Crawford. New murders alert Officer Nayland Smith to the possibility that Fu Manchu may not be dead. Mon 08 02:05 Dark City 1950. Thriller. Directed by William Dieterle. Stars: Charlton Heston, Dean Jagger, Lizabeth Scott, Mar 21 Viveca Lindfors. When a man kills himself after a poker game, his brother looks for revenge. (SUBTITLES AVAILABLE) Mon 08 04:00 Lytton's Diary Rabid Dingo: Shock Horror. 1985. Stars: Peter Bowles, Anna Nygh, Sylvester Williams. Lytton Mar 21 tries to dig up dirt on an Australian tycoon interested in buying the Daily Post. (S1, E01) Mon 08 05:00 The Westerner Going Home. 1962. Western Series created by Sam Peckinpah and starring Brian Keith. One of Mar 21 the most sophisticated westerns for its time or any other. (S1, E11) Mon 08 05:30 Tate The Gunfighters. 1960. Western. Stars David McLean. Tate takes on a train car full of fast guns Mar 21 when a simmering rancher vs. homesteader dispute escalates. (S1, E11) Mon 08 06:00 No Kidding 1960. Comedy. Directed by Gerald Thomas. Stars Leslie Phillips, Geraldine Mcewan, Julia Mar 21 Lockwood, Noel Purcell & Irene Handl. A couple inherit an estate and turn it into a summer camp for children. Mon 08 07:45 Guilt Is My 1950. Drama. Directed by Roy Kellino. Stars Patrick Holt, Elizabeth Sellars and Peter Reynolds. -
C/O Berlin Foundation
C/O BERLIN FOUNDATION C/O Berlin is a charitable foundation that presents a cultural program with an international standing. The exhibition space for photography and visual media shows works by renowned artists, promotes emerging talents and accompanies children, teenagers and adults on their journeys of discovery through our visual culture. Foundation Through the civic commitment and entrepreneurial spirit of the three founders— photographer Stephan Erfurt, designer Marc Naroska, and architect Ingo Pott—a private initiative has developed into a unique institution that receives widespread public acclaim. As a non-profit foundation, C/O Berlin operates independently of commercial interests and is financed through admission fees, book sales, sponsorship, project funding as well as by donations and contributions of the C/O Berlin Friends e.V. Since 2020/21 financial year, C/O Berlin has received funding from the Senate Department of Culture and Europe and the Berlin Senate Department for Economics, Energy and Public Enterprises. Exhibitions Each year C/O Berlin shows as many as twelve solo and group exhibitions of internationally renowned photographers such as Annie Leibovitz, Martin Parr, Nan Goldin, Anton Corbijn, Peter Lindbergh or Irving Penn. As a place of encounter, C/O Berlin organizes Artist Talks, Panel Discussions, Film Screenings, and guided tours, thus offering visitors a direct exchange about the exhibition program and current debates in the visual media. The exhibitions are curated and put together in cooperation with renowned museums, collections and institutions worldwide. C/O Berlin Talent Award Supporting and accompanying emerging talents on their artistic path is an integral part of the C/O Berlin Foundation’s mission and self-image. -
HELMUT NEWTON Stiftung UND MK2 Films HELMUT NEWTON – the Bad and the Beautiful” ”
CHARLOTTE ISABELLA GRACE ANNA CLAUDIA RAMPLING ROSSELLINI JONES WINTOUR SCHIFFER HELMUT THE BAD AND THE BEAUTIFUL NEWTON DIE IKONE DER MODE- FOTOGRAFIE WIRD 100 HELMUT THE BAD AND THE BEAUTIFUL NDA e L g NUND e L ORK: g w , ART S g PRIN NEWTON ce S LI 1987, © A PRÄSENTIERTEINE INKO PRODUKTIONMIT UND INZUSAMMENARBEITMITDER UND cARLO FILMWELT VERLEIHAGENTUR LUPA FILM PRODUKTION - ZDF/ 3SAT MONARDA ARTS HELMUT NEWTON STIFTUNG MK2 FILMS HELMUT NEWTON – THE BAD AND THE BEAUTIFUL” e ONT ” , M MIT ISABELLA ROSSELLINI CHARLOTTE RAMPLING GRACE JONES MARIANNE FAITHFULL CLAUDIA SCHIFFER ANNA WINTOUR HANNA SCHYGULLA UND JUNE NEWTON TON New TONGESTALTUNG&MISCHUNG ORIGINALTON MONTAGE BILDGESTALTUNG HERSTELLUNGSLEITUNG MARKUS KROHN MARCO ZACHALSKY ELIE AUFSEESSER TOM WEICHENHAIN PIERRE NATIVEL SVEN JAKOB-ENGELMANN MARCUS WINTERBAUER CHRISTINE RAU LMUT , He S REDAKTION JULE BRODA ELISABETH RUPP KO-PRODUZENT TORSTEN BÖNHOFF PRODUZENT FELIX VON BOEHM DREHBUCH & REGIE GERO VON BOEHM g © 2020 LUPA FILM / MONARDA ARTS / ZDF PRIN 1 ce S LI : A OTO F www.helmutnewton-derfilm.de /FilmweltVerleihagentur präsentiert HELMUT THE BAD AND THE BEAUTIFUL NEWTON Regie & Drehbuch GERO VON BOEHM Mit HELMUT und JUNE NEWTON, NADJA AUERMANN, MARIANNE FAITHFULL, SYLVIA GOBBEL, GRACE JONES, CHARLOTTE RAMPLING, ISABELLA ROSSELLINI, CLAUDIA SCHIFFER, HANNA SCHYGULLA, CARLA SOZZANI, ARJA TÖYRYLÄ, ANNA WINTOUR u.a. AB 9. JULI 2020 IM KINO Im Verleih und Vertrieb von Filmwelt Verleihagentur GmbH HELMUT THE BAD AND THE BEAUTIFUL NEWTON VERLEIH & VERTRIEB Filmwelt Verleihagentur GmbH Karl-Theodor-Str. 68 | 80803 München Tel. 089 – 27 77 52 17 Fax 089 – 27 77 52 11 www.filmweltverleih.de [email protected] PRESSEBETREUUNG MEDIA OFFICE Kantstraße 54 | 10627 Berlin Tel. -
Peter Lindbergh Azzedine Alaïa
PRESS RELEASE AZZEDINE PETER ALAÏA LINDBERGH under the direction of Benjamin Lindbergh and Olivier Saillard With the support of Peter Lindbergh Foundation Exhibition from Sunday, February 28th to Sunday, September 19th, 2021 Opening dates and times are subject to the Government guidelines. Open every day from 11 am to 7 pm Tickets : 7€ - Concession : 2€ Métro : Hôtel de Ville Press contact : [email protected] [email protected] Fondation Azzedine Alaïa 18, rue de la Verrerie, 75004 Paris Tel. +33 ( 0 )1 87 44 87 75 [email protected] [email protected] For its first exhibition of 2021, the Foundation is proud to celebrate two great talents who made history in photography and in fashion. The works of Peter Lindbergh and those of Azzedine Alaïa have been brought together and dialogue with one another in a community of spirit that has never weakened. Like the artistic confluences that united Richard Avedon and Christian Dior or Yves Saint Laurent and Helmut Newton, Peter Lindbergh and Azzedine Alaïa found a common territory where each of their expressions seeks to reflect the other’s. Without saying a word, the photographer and the couturier were united by their love of black, a love that they would cultivate alike, be it in silver print or in solid color garments. Lindbergh ceaselessly turns to black and white to signify his search for authenticity in the faces he brings to light. Alaïa draws on the monochrome of timeless clothes, veritable sculptures for the body. Each of them finds therein this impression of poetic realism that magnifies the subject before satisfying their own creative ambitions Despite their geographically opposed origins, Lindbergh and Alaïa pursued similar horizons. -
French Animation History Ebook
FRENCH ANIMATION HISTORY PDF, EPUB, EBOOK Richard Neupert | 224 pages | 03 Mar 2014 | John Wiley & Sons Inc | 9781118798768 | English | New York, United States French Animation History PDF Book Messmer directed and animated more than Felix cartoons in the years through This article needs additional citations for verification. The Betty Boop cartoons were stripped of sexual innuendo and her skimpy dresses, and she became more family-friendly. A French-language version was released in Mittens the railway cat blissfully wanders around a model train set. Mat marked it as to-read Sep 05, Just a moment while we sign you in to your Goodreads account. In , Max Fleischer invented the rotoscope patented in to streamline the frame-by-frame copying process - it was a device used to overlay drawings on live-action film. First Animated Feature: The little-known but pioneering, oldest-surviving feature-length animated film that can be verified with puppet, paper cut-out silhouette animation techniques and color tinting was released by German film-maker and avante-garde artist Lotte Reiniger, The Adventures of Prince Achmed aka Die Abenteuer des Prinzen Achmed , Germ. Books 10 Acclaimed French-Canadian Writers. Rating details. Dave and Max Fleischer, in an agreement with Paramount and DC Comics, also produced a series of seventeen expensive Superman cartoons in the early s. Box Office Mojo. The songs in the series ranged from contemporary tunes to old-time favorites. He goes with his fox terrier Milou to the waterfront to look for a story, and finds an old merchant ship named the Karaboudjan. The Fleischers launched a new series from to called Talkartoons that featured their smart-talking, singing dog-like character named Bimbo. -
Chapter 3 Heroines in a Time of War: Nelvana of the Northern Lights And
Chapter 3 Heroines in a Time of War: Nelvana of the Northern Lights and Wonder Woman as Symbols of the United States and Canada Scores of superheroes emerged in comic books just in time to defend the United States and Canada from the evil machinations of super-villains, Hitler, Mussolini, and other World War II era enemies. By 1941, War Nurse Pat Parker, Miss America, Pat Patriot, and Miss Victory were but a few of the patriotic female characters who had appeared in comics to fight villains and promote the war effort. These characters had all but disappeared by 1946, a testament to their limited wartime relevance. Though Nelvana of the Northern Lights (hereafter “Nelvana”) and Wonder Woman first appeared alongside the others in 1941, they have proven to be more enduring superheroes than their crime-fighting colleagues. In particular, Nelvana was one of five comic book characters depicted in the 1995 Canada Post Comic Book Stamp Collection, and Wonder Woman was one of ten DC Comics superheroes featured in the 2006 United States Postal Service (USPS) Commemorative Stamp Series. The uniquely enduring iconic statuses of Nelvana and Wonder Woman result from their adventures and character development in the context of World War II and the political, social, and cultural climates in their respective English-speaking areas of North America. Through a comparative analysis of Wonder Woman and Nelvana, two of their 1942 adventures, and their subsequent deployment through government-issued postage stamps, I will demonstrate how the two characters embody and reinforce what Michael Billig terms “banal nationalism” in their respective national contexts. -
West 192 Lodging Owners Suing Sheriff's Office for Not Removing
Community Lifestyles Sports For the latest Lifestyles Editor activities, events Pole vaulting Peter Covino reviews champ leads and classes see ... Tom Cruise’s All-County boys “Oblivion” on track team Page B-4 Blu-ray... Page B-1 Page A-9 Serving Kissimmee, St. Cloud, Poinciana, Harmony, Narcoossee, BVL 117TH YEAR • SATURDAY EDITION • 50 CENTS JULY 27, 2013 County West 192 lodging owners suing Sheriff’s County presents tentative budget Office for not removing problem guests Osceola County By Tiffanie Reynolds began its annual pro- Staff Writer cess of approving a bal- anced budget this week. Hotel and motel owners on West The budget for fiscal U.S. Highway 192 said they are fight- 2013-14 will be final- ing to clean up their businesses, but ized in September, the they claim they are getting little help final month of the fiscal from Osceola County Sheriff’s Office year. deputies. The U.S. 192 Hotel/Motel Asso- See page A-2 ciation and 10 other hotel and motel owners filed a lawsuit July 19 against the Osceola County Sheriff’s Office for failing to remove disruptive guests or those who won’t pay. Many use their Police room as a permanent home. The Osceola County Sheriff’s Office was waiting to receive the lawsuit that Attempted attorney Marc Jones, representing the robbery suspect hotel and motel owners, said should arrive soon. still sought The forced removal of a guest is the last step for hotel owners under Florida The Kissimmee law. Owners can remove a guest who Police Department con- is dealing or possessing illegal drugs on tinues to look for a sus- property, is intoxicated, profane, lewd pect who attempted to and disturbs other guests, is involved rob a West U.S. -
TPTV Schedule March 1St to March 7Th
st th TPTV Schedule March 1 to March 7 Date Time Programme Synopsis Mon 01 00:05 King David 1985. Drama. Directed by Bruce Beresford. Stars Richard Gere, Alice Krige, Denis Quilley & Mar 21 Edward Woodward. Epic historical drama about the life of the second King of the Kingdom of Israel, David. (AVAILABLE SUBTITLES) Mon 01 02:15 The Immortal Orson 2019. Documentary. Director: Chris Wade. Stars: Dorian Bond, Norman Eshley & Henry Jaglom. Mar 21 Welles A documentary exploring the life and career of the esteemed Orson Welles. Mon 01 03:30 The Hideout 1956. Drama. Director: Peter Graham Scott. Cast: Dermot Walsh, Rona Anderson & Sam Kydd. Mar 21 An insurance investigator receives a suitcase full of cash. His search leads him to the sister of a smuggler. Mon 01 04:45 The Girl From Willow 1975. Drama. Director: Gay Ashby. A man offers a young woman a lift, only to discover later Mar 21 Green that she went missing two years ago. Part of the Women Amateur Filmmakers Collection. Mon 01 05:00 The Westerner Line Camp. 1962. Western Series created by Sam Peckinpah and starring Brian Keith. One of Mar 21 the most sophisticated westerns for its time or any other. (S1, E10) Mon 01 05:30 Tate The Reckoning. 1960. Western. Stars David McLean. The adventures of a one-armed gun Mar 21 fighter who lost his arm in the Civil War. (S1, E10) Mon 01 06:00 Blind Corner 1965. Drama. Director: Lance Comfort. Stars William Sylvester, Barbara Shelley & Elizabeth Mar 21 Shepherd. The wife of a blind composer plots to murder her husband after he learns of her affair. -
Rio Content Market 2015 Newsletter
Rio Content Market 2015 Newsletter > 5 ANCIENT HISTORY > 6 GREAT MYTHS (THE) AUTHOR Tales of love, sex, power, betrayal, heinous crimes, unbearable François BUSNEL DIRECTOR separations, atrocious revenge, and metamorphoses - the poetic François BUSNEL force of the myths has crossed the centuries. COPRODUCERS ARTE FRANCE, ROSEBUD PRODUCTIONS "The Great Myths" documentary series sets out to recount these ancient stories using FORMAT animations created especially for the occasion, and illustrations chosen from the entire 20 x 26 ', 2015 history of art. This dynamic blend, a bridge between modernity and history, ancient AVAILABLE RIGHTS TV - DVD - VOD - Non-theatrical rights - narrative and contemporary dramatic art, is a new way to discover or re-discover this part Internet of our universal heritage. VERSIONS English - German - French TERRITORY(IES) PREVISIONAL DELIVERY: NOVEMBER 2015 Worldwide. Episodes : THESEUS - ORPHEUS - PERSEUS - MEDEA - APOLLO - PROMETHEUS - OEDIPUS - DIONYSUS - HADES - ANTIGONE - ZEUS - ATHENA - ICARUS - CHIRON - HERA - APHRODITE - HERCULES - HERMES - BELLEROPHON - EROS. CONTEMPORARY HISTORY > 7 ACTION T4: A DOCTOR UNDER NAZISM DIRECTOR This documentary recounts his story and through the man's story, Catherine BERNSTEIN COPRODUCER that of the so-called "Action T4", which consisted of eliminating ZADIG PRODUCTIONS physical and mental disabilities and those people considered by the FORMAT Nazi regime to be useless or "asocial". 1 x 52 ', 2014 AVAILABLE RIGHTS Doctor Julius Hallervorden, a major name in the science of brain pathology, first benefited TV - DVD - VOD - Non-theatrical rights - from, then contributed to the systematic assassination ordered by Hitler of German Internet mentally ill persons, by recovering the brains of 690 victims. He nevertheless pursued a VERSIONS English - French brilliant post-war career, in all impunity, and died covered in honours. -
Dogma Et Rituel De La Haute Magie
Eliphas Levi Dogma et Rituel de la Haute Magie Translated by A. E. Waite www.holybooks.com Dogme et Rituel de la Haute Magie Part II: The Ritual of Transcendental Magic By Eliphas Levi (Alphonse Louis Constant) Translated by A. E. Waite. Originally published by Rider & Company, England, 1896. Transcribed and converted to Adobe Acrobat format by Benjamin Rowe, January, 2002. Typeset in Bauer Bodoni, Goudy Text, and Waters Titling. www.holybooks.com Part II: The Ritual of Transcendental Magic www.holybooks.com The Sabbatic Goat www.holybooks.com INTRODUCTION KNOWEST thou that old queen of the world who is on the march always and wea- ries never? Every uncurbed passion, every selfish pleasure, every licentious energy of humanity, and all its tyrannous weakness, go before the sordid mistress of our tearful valley, and, scythe in hand, these indefatigable labourers reap their eternal harvest. That queen is old as time, but her skeleton is concealed in the wreckage of women's beauty, which she abstracts from their youth and love. Her skull is adorned with lifeless tresses that are not her own. Spoliator of crowned heads, she is embellished with the plunder of queens, from the star-begemmed hair of Berenice to that-white, but not with age-which the executioner sheared from the brow of Marie Antoinette. Her livid and frozen body is clothed in faded garments and tattered winding-sheets. Her bony hands, covered with rings, hold diadems and chains, scepters and crossbones, jewels and ashes. When she goes by, doors open of themselves; she passes through walls; she penetrates to the cabinets of kings; she surprises the extortioners of the poor in their most secret orgies; she sits down at their board, pours out their wine, grins at their songs with her gumless teeth, takes the place of the lecherous courtesan hidden behind their curtains. -
Download Article (PDF)
Advances in Social Science, Education and Humanities Research, volume 469 Proceedings of the 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020) Civilization and City Images in the Films of Georges Méliès Ekaterina Salnikova1,* 1The Media Art Department, the State Institute for Art Studies, Moscow, Russia *Corresponding author. Email: [email protected] ABSTRACT The very first images of civilization and city in Georges Méliès fiction films are described in the article. His vision of "islands" of a civilization in the middle of a stony landscape and active aircraft traffic were adopted by science-fiction cinema later. In his travel films, the director creates the image of civilization not so much with the help of the spatial environment, but with references to the world of science, entertainment and spectacular urban culture. Méliès became the author of the first images of city roofs, the Middle Age city screen myth, and the confrontation of traditional city and modern technical civilization. Keywords: silent cinema, Georges Méliès, An Adventurous Automobile Trip, the Legend of Rip van Winkle, Christmas Dream, city, civilization, distraction, locations In this case, however, an image of a city is even I. INTRODUCTION more directly related to cinema, since it exists on the Studies on city images in art are an important screen in most cases as an abstract city space or even component of a modern interdisciplinary science. At the "an illusion of a city". As a rule, it is created from a State Institute for Art Studies, this issue was developed number of fragments of an urban environment, whether as part of the study on popular culture and mass media, it be nature or scenery. -
The Portrayal of the Historical Muslim Female on Screen
THE PORTRAYAL OF THE HISTORICAL MUSLIM FEMALE ON SCREEN A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2017 SABINA SHAH SCHOOL OF ARTS, LANGUAGES AND CULTURES LIST OF CONTENTS List of Photographs................................................................................................................ 5 List of Diagrams...................................................................................................................... 7 List of Abbreviations.............................................................................................................. 8 Glossary................................................................................................................................... 9 Abstract.................................................................................................................................... 12 Declaration.............................................................................................................................. 13 Copyright Statement.............................................................................................................. 14 Acknowledgements................................................................................................................ 15 Dedication............................................................................................................................... 16 1. INTRODUCTION........................................................................................................