Peter Lindbergh Biography
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C/O Berlin Foundation
C/O BERLIN FOUNDATION C/O Berlin is a charitable foundation that presents a cultural program with an international standing. The exhibition space for photography and visual media shows works by renowned artists, promotes emerging talents and accompanies children, teenagers and adults on their journeys of discovery through our visual culture. Foundation Through the civic commitment and entrepreneurial spirit of the three founders— photographer Stephan Erfurt, designer Marc Naroska, and architect Ingo Pott—a private initiative has developed into a unique institution that receives widespread public acclaim. As a non-profit foundation, C/O Berlin operates independently of commercial interests and is financed through admission fees, book sales, sponsorship, project funding as well as by donations and contributions of the C/O Berlin Friends e.V. Since 2020/21 financial year, C/O Berlin has received funding from the Senate Department of Culture and Europe and the Berlin Senate Department for Economics, Energy and Public Enterprises. Exhibitions Each year C/O Berlin shows as many as twelve solo and group exhibitions of internationally renowned photographers such as Annie Leibovitz, Martin Parr, Nan Goldin, Anton Corbijn, Peter Lindbergh or Irving Penn. As a place of encounter, C/O Berlin organizes Artist Talks, Panel Discussions, Film Screenings, and guided tours, thus offering visitors a direct exchange about the exhibition program and current debates in the visual media. The exhibitions are curated and put together in cooperation with renowned museums, collections and institutions worldwide. C/O Berlin Talent Award Supporting and accompanying emerging talents on their artistic path is an integral part of the C/O Berlin Foundation’s mission and self-image. -
HELMUT NEWTON Stiftung UND MK2 Films HELMUT NEWTON – the Bad and the Beautiful” ”
CHARLOTTE ISABELLA GRACE ANNA CLAUDIA RAMPLING ROSSELLINI JONES WINTOUR SCHIFFER HELMUT THE BAD AND THE BEAUTIFUL NEWTON DIE IKONE DER MODE- FOTOGRAFIE WIRD 100 HELMUT THE BAD AND THE BEAUTIFUL NDA e L g NUND e L ORK: g w , ART S g PRIN NEWTON ce S LI 1987, © A PRÄSENTIERTEINE INKO PRODUKTIONMIT UND INZUSAMMENARBEITMITDER UND cARLO FILMWELT VERLEIHAGENTUR LUPA FILM PRODUKTION - ZDF/ 3SAT MONARDA ARTS HELMUT NEWTON STIFTUNG MK2 FILMS HELMUT NEWTON – THE BAD AND THE BEAUTIFUL” e ONT ” , M MIT ISABELLA ROSSELLINI CHARLOTTE RAMPLING GRACE JONES MARIANNE FAITHFULL CLAUDIA SCHIFFER ANNA WINTOUR HANNA SCHYGULLA UND JUNE NEWTON TON New TONGESTALTUNG&MISCHUNG ORIGINALTON MONTAGE BILDGESTALTUNG HERSTELLUNGSLEITUNG MARKUS KROHN MARCO ZACHALSKY ELIE AUFSEESSER TOM WEICHENHAIN PIERRE NATIVEL SVEN JAKOB-ENGELMANN MARCUS WINTERBAUER CHRISTINE RAU LMUT , He S REDAKTION JULE BRODA ELISABETH RUPP KO-PRODUZENT TORSTEN BÖNHOFF PRODUZENT FELIX VON BOEHM DREHBUCH & REGIE GERO VON BOEHM g © 2020 LUPA FILM / MONARDA ARTS / ZDF PRIN 1 ce S LI : A OTO F www.helmutnewton-derfilm.de /FilmweltVerleihagentur präsentiert HELMUT THE BAD AND THE BEAUTIFUL NEWTON Regie & Drehbuch GERO VON BOEHM Mit HELMUT und JUNE NEWTON, NADJA AUERMANN, MARIANNE FAITHFULL, SYLVIA GOBBEL, GRACE JONES, CHARLOTTE RAMPLING, ISABELLA ROSSELLINI, CLAUDIA SCHIFFER, HANNA SCHYGULLA, CARLA SOZZANI, ARJA TÖYRYLÄ, ANNA WINTOUR u.a. AB 9. JULI 2020 IM KINO Im Verleih und Vertrieb von Filmwelt Verleihagentur GmbH HELMUT THE BAD AND THE BEAUTIFUL NEWTON VERLEIH & VERTRIEB Filmwelt Verleihagentur GmbH Karl-Theodor-Str. 68 | 80803 München Tel. 089 – 27 77 52 17 Fax 089 – 27 77 52 11 www.filmweltverleih.de [email protected] PRESSEBETREUUNG MEDIA OFFICE Kantstraße 54 | 10627 Berlin Tel. -
Peter Lindbergh Azzedine Alaïa
PRESS RELEASE AZZEDINE PETER ALAÏA LINDBERGH under the direction of Benjamin Lindbergh and Olivier Saillard With the support of Peter Lindbergh Foundation Exhibition from Sunday, February 28th to Sunday, September 19th, 2021 Opening dates and times are subject to the Government guidelines. Open every day from 11 am to 7 pm Tickets : 7€ - Concession : 2€ Métro : Hôtel de Ville Press contact : [email protected] [email protected] Fondation Azzedine Alaïa 18, rue de la Verrerie, 75004 Paris Tel. +33 ( 0 )1 87 44 87 75 [email protected] [email protected] For its first exhibition of 2021, the Foundation is proud to celebrate two great talents who made history in photography and in fashion. The works of Peter Lindbergh and those of Azzedine Alaïa have been brought together and dialogue with one another in a community of spirit that has never weakened. Like the artistic confluences that united Richard Avedon and Christian Dior or Yves Saint Laurent and Helmut Newton, Peter Lindbergh and Azzedine Alaïa found a common territory where each of their expressions seeks to reflect the other’s. Without saying a word, the photographer and the couturier were united by their love of black, a love that they would cultivate alike, be it in silver print or in solid color garments. Lindbergh ceaselessly turns to black and white to signify his search for authenticity in the faces he brings to light. Alaïa draws on the monochrome of timeless clothes, veritable sculptures for the body. Each of them finds therein this impression of poetic realism that magnifies the subject before satisfying their own creative ambitions Despite their geographically opposed origins, Lindbergh and Alaïa pursued similar horizons. -
The Million Dollar Hotel
Wettbewerb/IFB 2000 THE MILLION DOLLAR HOTEL THE MILLION DOLLAR HOTEL THE MILLION DOLLAR HOTEL Regie: Wim Wenders Deutschland/USA 1999 Darsteller Tom Tom Jeremy Davies Länge 122 Min. Eloise Milla Jovovich Format 35 mm, Skinner Mel Gibson Cinemascope Dixie Peter Stormare Farbe Geronimo Jimmy Smits Jessica Gloria Stuart Stabliste Best Donal Logue Buch Nicholas Klein,nach Shorty Bud Cort einer Idee von Bono Vivien Amanda Plummer und Nicholas Klein Stanley Goldkiss Harris Yulin Kamera Phedon Papamichael Stix Conrad Roberts Schnitt Tatiana S.Riegel Hector Tom Bower Schnittassistenz Lin Coleman Joc Richard Edson Ton Lee Orloff Jean Swift Charlayne Woodard Mischung Jeffrey Perkins Izzy Goldkiss Tim Roth Sound Supervisor Elmo Weber Terence Scopcy Julian Sands Musik Bono Brian Eno U2 Production Design Robbie Freed Ausstattung Bella Serrell Milla Jovovich, Mel Gibson Tiffany Payne Kostüm Nancy Steiner Haar Styling DJ Plumb THE MILLION DOLLAR HOTEL Maske Debbie Zoller Los Angeles im Frühjahr 2001. Im Schatten der Bürotürme der multinatio- Spezialeffekte Thomas Tannen- nalen Konzerne liegt das Million Dollar Hotel, Zufluchtsort für schräge berger Gestalten und Außenseiter, die am American Dream nicht teilhaben. Einer Aufnahmeltg. Jeremy Alter Regieassistenz Christine Larson von ihnen ist der liebeskranke und leicht verhuschte Tom Tom,der sein Herz Produzenten Deepak Nayar an das Straßenmädchen Eloise verloren hat. Doch ehe er ihr überhaupt Bono seine Zuneigung offenbaren kann, wird dem Million Dollar Hotel unge- Nicholas Klein wöhnliche Aufmerksamkeit zuteil: Einer seiner Bewohner, der Junkie und Wim Wenders Künstler Izzy,ist unter ungeklärten Umständen vom Hoteldach gefallen.War Bruce Davey Executive Producer Ulrich Felsberg es ein Unfall, Selbstmord, oder wurde er hinuntergestoßen? Normalerweise Co-Produktion Kintop Pictures, würde sich in Downtown LA keine Menschenseele um so ein Schicksal Los Angeles kümmern, doch Izzys Tod wird binnen kürzester Zeit zur Nachrichtensensa- tion. -
PETER LINDBERGH: the Unknown a Breathtaking Story in Photographs and an Innovative New Chapter in Fashion Photography
SCHIRMER/MOSEL VERLAG WIDENMAYERSTRASSE 16 • D-80538 MÜNCHEN TELEFON 089/21 26 70- 0 • TELEFAX 089/33 86 95 e - mail: press@schirmer- mosel.com Munich, March 2011 PRESS RELEASE PETER LINDBERGH: The Unknown A breathtaking story in photographs and an innovative new chapter in fashion photography Internationally-known German fashion photographer Peter Lindbergh was born in 1944 and grew up in Duisburg. During the eighties, he revolutionized his métier with his iconic images of Linda Evangelista, Naomi Campbell, Cindy Crawford, Tatjana Patitz, Nadja Auermann and other supermodels. His photographs sought to capture the personality, character, and identity of the models — and not just the glitter and glamour. In doing so, Lindbergh laid the foundation for the “supermodel” phenomenon that swept the globe. Peter Lindbergh: Peter Lindbergh’s new project, The Unknown, represents yet another innovative The Unknown The Chinese Episode chapter in the field of fashion photography. His exhibition at the Ullens Center for With an Interview by Jérôme Sans Contemporary Art in Beijing (1 April through 22 May 2011) consists of huge murals 200 pages, 89 plates that are reproduced in our new photo book Peter Lindbergh: The Unknown. The Chinese ISBN 978-3-8296-0544-1 English edition with German Episode (200 pages, 89 plates). Lindbergh’s extraordinary images are displayed within supplement an unusual framework and from a novel perspective for fashion photography: The € 49.80; (A) 51.20; sFr 70.90 Unknown is a photographic “serial novel” of fashion shootings set against the backdrop of a fictitious landing of beings from outer space. Peter Lindbergh commenced this visual tour de force in 1990, and he has pursued it with cineastic intensity to the present day. -
KILLING BONO a Nick Hamm Film
KILLING BONO A Nick Hamm Film Production Notes Due for Release in UK: 1st April 2011 Running Time: 114 mins Killing Bono | Production Notes Press Quotes: Short Synopsis: KILLING BONO is a rock n’ roll comedy about two Irish brothers struggling to forge their path through the 1980’s music scene… whilst the meteoric rise to fame of their old school pals U2 only serves to cast them deeper into the shadows. Long Synopsis: Neil McCormick (Ben Barnes) always knew he’d be famous. A young Irish songwriter and budding genius, nothing less than a life of rock n’ roll stardom will do. But there’s only room for one singer in school band The Hype and his friend Paul’s already bagged the job. So Neil forms his own band with his brother Ivan (Robert Sheehan), determined to leave The Hype in his wake. There’s only one problem: The Hype have changed their name. To ‘U2’. And Paul (Martin McCann) has turned into ‘Bono’. Naturally there’s only one option for Neil: become bigger than U2. The brothers head to London in their quest for fame, but they are blighted by the injustices of the music industry, and their every action is dwarfed by the soaring success of their old school rivals. Then, just as they land some success of their own, Ivan discovers the shocking truth behind Neil’s rivalry with U2, and it threatens to destroy everything. As his rock n’ roll dream crashes and burns, Neil feels like his failure is directly linked to Bono’s success. -
ALBERTO GIACOMETTI – PETER LINDBERGH SAISIR L’INVISIBLE 22 January 2019 - 24 March 2019
PRESS PACK ALBERTO GIACOMETTI – PETER LINDBERGH SAISIR L’INVISIBLE 22 January 2019 - 24 March 2019 Curator: Serena Bucalo-Mussely Peter Lindbergh Karen Elson, Los Angeles, 1997. © Peter Lindbergh (Courtesy Peter Lindbergh, Paris) Alberto Giacometti, Crouching Woman, 1959-1960. © Succession Alberto Giacometti (Fondation Giacometti, Paris + ADAGP, Paris) 2019 Institut Giacometti - 5 Rue Victor Schoelcher - 75014 Paris Press officer : Anne-Marie Pereira - [email protected] tél. : 33 (0)1 44 54 52 44 / 33 (0) 6 48 38 10 96 Fondation Giacometti - Offices : 3 bis, Cour de Rohan 75006 Paris Institut Giacometti - Exhibitions : 5, rue Victor Schœlcher 75014 Paris PRESS PACK SUMMARY - Presentation of the exhibition - Alberto Giacometti (1901-1966) - Peter Lindbergh - Exhibition catalogue - Interview with Peter Lindbergh by Catherine Grenier Extract from the catalogue - When the immaterial becomes visible by Serena Bucalo-Mussely Extract from the catalogue - The Institut Giacometti - Programm for 2019 - Team - Patrons - Press images PRESS PACK ALBERTO GIACOMETTI – PETER LINDBERGH SEIZING THE INVISIBLE 22 January 2019 - 24 March 2019 The Institut Giacometti presents the unreleased photographs of Alberto Giacometti’s works taken by Peter Lindbergh, one of the most important photographers of his generation. A selection of Giacometti’s plasters, bronzes and drawings selected by Lindbergh are presented alongside his photographs. This face to face gives us the opportunity to show the very intimate dialogue that took place between the photographer and the sculptor’s works, while revealing countless similarities in their ways to apprehend the representation of reality. The exhibition, curated by Serena Bucalo-Mussely, offers to the public more than sixty works by both artists. -
Fashion Germany
FASHION GERMANY MARTINA RINK FASHION GERMANY PRESTEL/ MUNICH . LONDON . NEW YORK Introduction · Martina Rink 8 Tomas Maier 12 Marko Matysik 14 Yasmin Heinz 18 Felix Lammers 20 Torsten Neeland 22 Angelica Blechschmidt 24 Susanne Tide-Frater 26 Jasmin Khezri 28 Josef Voelk and Emmanuel de Bayser 30 Olaf Hajek 32 Dirk Schönberger 34 Vanessa von Bismarck 35 Julia von Boehm 36 Kai Margrander 40 Jina Khayyer 42 Mumi Haiati 43 Kristian Schuller 44 Donald Schneider 48 Deycke Heidorn 52 Anna Bauer 54 Alex Wiederin 56 Silke Werzinger 60 Leyla Piedayesh 62 Jen Gilpin 64 Magomed Dovjenko 68 Julia Freitag 69 Schohaja 70 Rike Döpp 74 Thomas BenTz AND Oliver Lühr 75 Christoph Amend 76 Mirko Borsche 78 Boris Bidjan Saberi 82 Damir Doma 82 CONTENTS Michael Sontag 83 Vladimir Karaleev 83 Raoul Keil 84 Saskia Diez 86 René Storck 87 Armin Morbach 88 Toni Garrn 92 Heidi Klum/Thomas Hayo 93 Annette and Daniela Felder 94 Alexandra von Rehlingen and Andrea Schoeller 96 Stefan Eckert 97 Susanne Oberbeck 98 Constantin Bjerke 100 Sascha Breuer 102 Philipp Plein 104 Andreas Ortner 106 Bettina Harst 108 Wolfgang Joop 110 Kera Till 112 Papis Loveday 113 Claudia Skoda 114 Alexandra Fischer-Roehler and Johanna Kühl 116 Esma Annemon Dil 118 Didi Ilse 119 Sandra Bauknecht 120 Alexx and Anton 122 Marcus Kurz 126 Burak Uyan 128 Corinna Springer 130 Kai Kühne 131 Marie Schuller 132 Vincent Peters 134 Andrea Karg 136 Louisa von Minckwitz 138 André Borchers 139 Petra van Bremen 140 Johnny Talbot and Adrian Runhof 142 Marco Stein 143 Johannes Huebl 144 Annelie Augustin and Odély Teboul 146 Petra Bohne 148 Nini Gollong 149 Tatjana Patitz 150 Natalie Acatrini 151 Gladys Perint Palmer 152 Klaus Stockhausen 153 Dawid Tomaszewski 154 Dorothee Schumacher 156 Feride Uslu 158 Bernhard Willhelm 160 Tillmann Lauterbach 162 Karl Anton Koenigs 164 Diane Kruger 166 Sascha Lilic 167 Esther Haase 168 Veruschka 169 F. -
Campari Orange Passion
CAMPARI CALENDAR 2012 PRESS KIT GERMAN Index 01_Press release …..……………………………………………………………………………………………………………………………page 1 02_BTS Diary………………………………………………………………………………………………………………………………………page 6 03_What is it about 2012?...……………………………………………………………………………………………………….…….page 31 04_Milla Jovovich Biography….……………………………………………………………………………………………………….…page 32 05_Dimitri Daniloff Biography………………..…………………………………………………………………………………………page 36 06_Bob Kunze-Concewitz Biography…………………………………………………………………………………………………page 38 PRESSEINFORMATION „It’s the end of the world, baby!“ DER CAMPARI KALENDER 2012 TROTZT DER ENDZEITSTIMMUNG MIT EINEM TOAST AUF DAS LEBEN Mailand, Italien – 27. Oktober 2011. Heute wurde in Mailand die 13. Ausgabe des Campari Kalenders für 2012 präsentiert. Schon der Titel überrascht: Mit „ It’s the end of the world, baby!“ interpretiert der Kalender eine uralte Vorhersage der Mayas, nach der unsere Welt in ihrer jetzigen Form am 21. Dezember 2012 aufhören wird zu existieren. Danach sagt die Prophezeiung eine Zeit des Umbruchs voraus. Ein düsteres Szenario, das Campari auf besondere Weise im Kalender beantwortet: Energiegeladen und kompromisslos, weit weg vom Mainstream. Denn statt einer düsteren Aussicht auf unbekannte Geschehnisse präsentiert Campari einen Toast auf das Leben. Dem Betrachter zeigen sich positive Perspektiven fesselnder Endzeittheorien in Form von starken, inspirierenden Bilderwelten. Im Zentrum der erstaunenden Szenerie steht Hollywood-Schauspielerin und Supermodel Milla Jovovich. Der Kalender nimmt den Betrachter mit auf eine -
«Così Bono Mi Incastrò» D’Un Manuale Per L’Apprendi- Del Pubblico
17SPE02A1703 FLOWPAGE ZALLCALL 12 22:19:34 03/16/99 Venerdì 17 marzo 2000 20 GLI SPETTACOLI l’Unità sione, forse ora sarei già ricovera- to a Villa Arzilla..») e di cui è usci- ta una raccolta di successi I miei Doppio Ionesco Salpa il «vascello» di Renato Zero numeri oltre a una biografia (per Rizzoli), è attualmente in hit pa- rade con un album di duetti can- Lo show da martedì su Raiuno. Poi Ligabue, Teocoli e Proietti tati con Mina. «Veramente, l’ave- vo convocata come autrice. Ma per uno Scaccia per questo viaggio musicale, fia- ria ha accolto la stampa come un tate dell’one man show andrà in ho capito che in amicizia bisogna ADRIANA TERZO besco e sentimentale costruito so- dj, facendo arrivare in platea le onda, in diretta. rispettare le scelte altrui e non es- prattutto sulle sue canzoni e inter- musiche del più disobbediente e «Quando irruppi in tv - ha rac- sere invadenti. Ma se un giorno «La cantatrice calva» e «Lezione» ROMA Tutti pazzi per Renato Ze- pretazioni ma dove troveranno ribelle fra i nostri musicisti: Viva contato l’artista romano che si Mina riapparirà in tv, sarò con ro. A cominciare da due insospet- anche nutrito spazio ricordi, in- la Rai, sigla di un Fantastico impose a colpi di travestimenti e voi ad applaudirla». mento dell’inglese, qualche ru- tabili «sorcini» doc come Roberto contri, ospiti, momenti più intimi dell’83, e il Carrozzone. Poi, ha trovate sceniche - non fui accet- Un varietà-evento: nello spetta- AGGEO SAVIOLI ga oggi la mostra; se non altro Zaccaria ed Agostino Saccà, rispet- e raccolti. -
The Phenomenological Aesthetics of the French Action Film
Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema. -
Cinematic Fashionability and Images Politics
Journalism and Mass Communication, Mar.-Apr. 2021, Vol. 11, No. 2, 73-80 doi: 10.17265/2160-6579/2021.02.002 D DAVID PUBLISHING Cinematic Fashionability and Images Politics Chan Ka Lok Sobel Hong Kong Baptist University, Hong Kong SAR, China The marriage of cinema and fashion? When, where and how their interaction and origin is begun? There should be no glamor and red carpet when The Lumière brothers short films like Workers leaving the Lumière factory, The Gardener, Baby’s Breakfast on the birth of cinema in 1895. However, we notice that artificially costumes are tailor-made for A Trip to the Moon in Georges Méliès and D. W. Griffith’s Intolerance. Suddenly, it adds the aesthetical and modernist elements into the blood of cinema beside the raw-realism of how the daily life of the common people is represented on the silver screen. Some kinds of bourgeois ideology and middle class value is enhanced. It is so unbelievable that some ordinary actress like Mary Pickford transforming into a movie star after beautifully dressing up. Not only the audience feel the power of movie magic but also the fashion magic. This paper explores the different perspective of movie and fashion in terms of fashion and film costumes, movie stars icon, fashion trends influenced by movies, and how fashion designers changes the look of cinema as well, etc. Keywords: ideology, movie images, stardom, fashionability Introduction Cinema is somehow like a showcase of fashion. General audiences are fans of movie stars not just because of their personal charisma, but because of the fashion they wear.