Women . Architecture & Design Itineraries Across Europe
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Best Entertainment in Turin"
"Best Entertainment in Turin" Created by: Cityseeker 6 Locations Bookmarked Royal Theater of Turin "Tradition & Prestige" The idea of building the Teatro Regio Torino started in 1713 when the Duke of Savoy became the King of Piedmont, but they had to wait until 1738 before any work began. Designed by Filippo Juvarra, it was built by Benedetto Alfieri and opened to the public in 1749. A fire in 1936 and bombings during World War II destroyed the Regio, which was then rebuilt by Dario Crespi with a plan by the architect Carlo Molino and the engineer Marcello Zavelani-Rossi in 1966, and reopened in 1973. There is a large plaque on the ground at the entrance to the theater which has the dates 1740-1973 engraved in Roman numerals. The Baroque style is luxurious and perfectly suited to a theater which offers the most famous operas in the world. +39 011 881 5557 www.teatroregio.torino.it/ [email protected] Piazza Castello 215, Giardino en Reale, Turin Teatro Carignano "The Oldest Theater in Turin" The stage in this theater dates from the end of the eighteenth century, which lends it an enviable prestige, which is further enhanced by its extraordinary central position, dominating the whole of Piazza Carignano, one of the most elegant squares in Turin. It is now home to the Stabile of Turin, founded in 1955, one of the most prestigious public theatres, with a by Marco Plassio wide choice of shows from the best directors with excellent performances by the best Italian actors. +39 011 517 6246 www.teatrostabiletorino.it Piazza Carignano 6, Turin Il Circolo dei Lettori "Entertainment, Events and Regional Cuisine" Housed in the beautiful 17th century Palazzo Graneri della Roccia, Il Circolo dei Lettori is a dynamic space for events like book launches, readings, workshops and more. -
UNIVERSITY of CALIFORNIA RIVERSIDE Guarino
UNIVERSITY OF CALIFORNIA RIVERSIDE Guarino Guarini: His Architecture and the Sublime A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Carol Ann Goetting June 2012 Thesis Committee: Dr. Kristoffer Neville, Chairperson Dr. Jeanette Kohl Dr. Conrad Rudolph Copyright by Carol Ann Goetting 2012 The Thesis of Carol Ann Goetting is approved: ______________________________________ ______________________________________ ______________________________________ Committee Chairperson University of California, Riverside ACKNOWLEDGMENTS This thesis would not be possible without the financial support of the University of California, Riverside and the Gluck Fellows Program of the Arts which enabled me to conduct primary research in Italy. Words cannot express enough the gratitude I feel towards my advisor Dr. Kristoffer Neville whose enthusiasm, guidance, knowledge and support made this thesis a reality. He encouraged me to think in ways I would have never dared to before. His wisdom has never failed to amaze me. I was first introduced to the work of Guarino Guarini in his undergraduate Baroque Art class, an intriguing puzzle that continues to fascinate me. I am also grateful for the help and encouragement of Drs. Conrad Rudolph and Jeanette Kohl, whose dedication and passion to art history has served as an inspiration and model for me. I am fortune to have such knowledgeable and generous scholars share with me their immense knowledge. Additionally, I would like to thank several other faculty members in UCR’s History of Art department: Dr. Jason Weems for giving me an in-depth understanding of the sublime which started me down this path, Dr. -
YOU CAN DO Welcome to the Vibrant Palazzo Madama Overlooking Heart of the City That Has in Turin Piazza Castello
TURIN CITY GUIDE ® JULY 2021 WWW.WHEREITALIA.COM/TURIN ALL YOU CAN DO Welcome to the vibrant Palazzo Madama overlooking heart of the city that has IN Turin Piazza Castello. marked Italian history SIGHTSEEING | MUSEUMS | SHOPPING | DINING | ENTERTAINMENT | MAPS DISCOVER DISCOVER MORE Turin July 2021 Dear friends and readers, the tourism sector is Where tips in great difficulties all over the world. We must therefore thank 26 SHOPPING you who are reading us At Tonatto you can find now because you are In love home fragrances and nonetheless the hope of recovery as the world perfumes, or create BRENTATORE your scent. CORSO VERCELLI slowly overcomes the CORSO ALESSANDRIA pandemic.TANGENZIALE We ItaliansNORD TORINO VI A PAG ANE LLI Parrocchia Santa Gianna have experienced all CORSO GIUSEPPE GARIBALDI 32 DINING CORSO GIULIO CESARE V I A L A N Z O S T R A D A D I D R U E N D O manner of crises and we ‘Le Vitel Étonné’ S T R A D A D I Dwith R U E N D O have always overcome STRADA DI DRUENDO VIA VERONESE restaurant serves 500 m them by trying not VIA V I A R E I S S R O M O L I BERGERA VENAR Piedmontese dishes, V IA A NDREA SANSOV IA to lose that smile of V I A R E I S S R O M O L I IN O VIA TRAVES CORSO GAETANO SCIREA Juventus Museum VIA VERONESE re-imagined to suit REBAUDENGO ELLA welcome that we once C V ST IA RADA DE Allianz Stadium GIOV LLA CONTI VI NESSA VIA REISS ROMOLI A AL contemporary tastes. -
Pannelli Del Percorso Di Visita Rinnovato
PIANO INTERRATO Sala 2 Pannello prima esedra I SAVOIA: UNA STORIA MILLENARIA La visita della Reggia di Venaria si apre lungo il suggestivo Piano Seminterrato e qui si sviluppa in tre atti: la storia dei Savoia nel corso di dieci secoli (“La Dinastia”), l’evoluzione dei dominii da Contea a Regno (“L’espansione dello Stato”) e l’architettura come espressione di potere e sfoggio di grandezza (“L’architettura”). LA DINASTIA Opere artistiche, testimonianze storiche e allestimenti multimediali contribuiscono in queste sale alla rievocazione di una vicenda millenaria: quella dei Savoia, della loro abilità diplomatica, della loro tradizione militare, della loro attenta politica sociale e di riforme. Grazie a queste molteplici capacità i Savoia, partendo da un territorio periferico, riuscirono a inserirsi nel gioco dei grandi stati europei. Conti nel Medioevo, duchi dal ‘400 e re dal ‘700: i Savoia sono una delle dinastie più longeve della storia. Quasi un millennio, infatti, trascorre da Umberto I Biancamano, intorno all’anno Mille, a Umberto II, ultimo re d’Italia nel 1946. I Savoia si consideravano tedeschi e come tali si rappresentarono a partire dal ‘400 quali discendenti dei Wettin, casa sassone che aveva espresso diversi imperatori del Sacro Romano Impero e che ancora oggi siede sui troni di Belgio e Gran Bretagna. I Savoia erano gli unici vicari in Italia del Sacro Romano Impero, con il diritto di creare nobili e, dal 1451, quello di nominare i vescovi e gli abati dei loro Stati. Due anni dopo i Savoia divennero proprietari della Sindone. Il possesso della reliquia e la beatificazione di ben cinque membri della famiglia vennero interpretati come segni di una dinastia chiamata a governare per “volontà divina”. -
The Versailles Opéra Nancy R
The Versailles Opéra Nancy R. Rivers Before the middle of the eighteenth century innovations opera house design in Western Europe. Yet most architectural in the realm of opera house design in France had been rela- historians today are only vaguely familiar with the innovative tively modest. Voltaire first decried the inadequacy of French components that Gabriel integrated within its interior design. theater design in 1749.1 In his L’Architecture françoise of 1752 Distinguished scholars have laid a historical foundation Jacques-François Blondel also disparagingly compared the that enables one to understand the socio-political context in designs of theaters and opera houses in France to those of which the Versailles Opéra was created.3 There is currently, Italy, calling for striking reforms in theater architecture however, no scholarly publication that adequately conveys the throughout France.2 Several architects responded to his call, significance of Gabriel’s final design for the Opéra, leaving inaugurating significant innovations in French opera house readers with an incomplete understanding of his accomplish- design between the years 1753 and 1790. One of these was ments there. Missing are an explanation of Gabriel’s choice Ange-Jacques Gabriel (1698-1782), who constructed the Opéra for the truncated oval plan and a consideration of the indi- at Versailles (Figure 1). Born into one of the leading architec- vidual elements incorporated into the interior design that had tural dynasties in France, Gabriel was a descendant of the an impact upon the structure as a whole. Gabriel’s inclusion renowned seventeenth-century French classical architect of these elements demonstrates his knowledge of Italian the- François Mansart. -
Programme and Tours Connections Between Teatro Regio Castello Del Valentino Torino Esposizioni and Circolo Eridano
EUROPEAN ARCHITECTURAL HISTORY NETWORK THIRD INTERNATIONAL MEETING PROGRAMME AND TOURS CONNECTIONS BETWEEN TEATRO REGIO CASTELLO DEL VALENTINO TORINO ESPOSIZIONI AND CIRCOLO ERIDANO Bus Stop PO Bus Stop n. Marconi 18 Bus Stop n. Donizetti 18 EUROPEAN ARCHITECTURAL HISTORY NETWORK THIRD INTERNATIONAL MEETING PROGRAMME AND TOURS Welcome to the Third International EAHN Meeting in Turin After the two successful International Meetings in Guimarães (2010) and Brussels (2012), we are now gathering in Turin for our Third International Conference. Turin, “the nicest village in the world” for Montesquieu, “one-company town” for so many 20th-century observers, has many histories that can speak for it. In the last fifteen years, Turin’s cultural offer and its tourist accommodation capacity have widely increased. The city is reorganizing its economic identity also by promoting and being host to an array of cul- tural activities, exhibitions and conventions related to the cultural heritage, considered in its broad range of artistic, architectural, environmental as- sets and resources. World-famous events have reshaped Turin’s public im- age. The Winter Olympic Games (2006), the exhibition of the Holy Shroud (2010), and the celebrations of the 150th anniversary of the Unification of Italy (2011), put much energy into the connection between mega-events and cultural elaboration, through an extensive programme of exhibitions, historic symposia and thematic itineraries. Turin is home to a lively community of historians and has attracted the inter- est of architectural and urban historians during most of the 20th century. The city’s baroque architecture gained the early attention of scholars such as Albert Erich Brinckmann, who in 1931 dedicated to Turin and Pied- mont his book Theatrum novum Pedemontii: Ideen, Entwürfe und Bauten von Guarini, Juvarra, Vittone. -
Celebriamo Leonardo 500 WE CELEBRATE LEONARDO DA VINCI 500 YEARS AFTER HIS DEATH
Celebriamo Leonardo 500 WE CELEBRATE LEONARDO DA VINCI 500 YEARS AFTER HIS DEATH EVENT OFFICIAL INTRODUCTION 2019 - ITALY ORGANIZED BY THE PARTNER: PROMOTED BY: Lomonen Group SE WORLD DIGITAL FOUNDATION (Member of “Discovery Kepler “) (A Scientific Foundation for the International Organisation) HQ. Adress: Corso Principe Oddone nr.18 - 10121 TORINO (ITALY) General Secretary Contacts + 39 334 2177239 Press Office: + 39 333 4509653 - E-mail: [email protected] CELEBRIAMO LEONARDO 500 (WE CELEBRATE LEONARDO DA VINCI 500 YEARS AFTER HIS DEATH) 1519-2019 THE NATIONAL INSTITUTIONAL EVENT FOR 500 YEARS CELEBRATIONS FROM THE ITALIAN GENIUS LEONARDO DA VINCI’S DEATH “Once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been, and there you will always long to return” Leonardo Da Vinci (The Atlantic Code ) _________________________________________________________________________________________ 29 NOVEMBER – 1st DECEMBER 2019 ROYAL CASTLE OF MONCALIERI TURIN - ITALY Castello di Moncalieri (Torino) ( ITALIA) THE EVENT’S LOCATION PROFILE The castle of Moncalieri is a Palace in the town of Moncalieri in the province of Turin (Italian Piedmont region). Along with other Royal residences of the Savoy dynasty in 1997, the year inscribed in the UNESCO world Cultural Heritage site by UNESCO. The first building on this site was a fortress built on a hill approximately 1,100 th year on the orders of Tom Zavoiskogo. The main task of the fortress was controlling the southern approach to Turin. In the mid-17th century Yolanda of Valois, wife of Duke Amadeus IX, turned the building into a charming country residence. By the architect Carlo di Castellamonte, the fortress was expanded considerably, and the interiors redesigned by local artists. -
2013 Imposta a Carico Di Chi Lo Espone - Dpr 639 Del 29-10-72 © Slp Assicurazioni Spa Progetto Ufficio Promozione E Sviluppo Le Residenze Sabaude
CompagniaAssicurazioni di Spese assicurazione Legali Peritali di “Tutelae Rischi Legale”Accessori Sede e Dir Gen: 10121 Torino - C.so Matteotti 3 bis - Tel. 011.548.003 - 011.548.748 - Fax 011.548.760 - sito www.slpspa.it Capitale Sociale 2.508.000 i. v. - Sez. I Albo Imprese ISVAP n° 1.00044 - C.C.I.A.A. TO 528412 - P.IVA 02025890019 CALENDARIO 2013 IMPOSTA A CARICO DI CHI LO ESPONE - DPR 639 DEL 29-10-72 © SLP ASSICURAZIONI SPA PROGETTO UFFICIO PROMOZIONE E SVILUPPO LE RESIDENZE SABAUDE Compagnia di assicurazione di “Tutela Legale” Sede e Dir Gen: 10121 Torino - C.so Matteotti 3 bis - Tel. 011.548.003 - 011.548.748 - Fax 011.548.760 - sito www.slpspa.it Capitale Sociale 2.508.000 i. v. - Sez. I Albo Imprese ISVAP n° 1.00044 - C.C.I.A.A. TO 528412 - P.IVA 02025890019 MONCALIERI (TO) - CASTELLO TORINO - CASTELLO TORINO - CASTELLO DEL VALENTINO TORINO - VILLA DELLA REGINA AGLIE’ (TO) - CASTELLO TORINO - PALAZZO REALE VENARIA REALE (TO) - REGGIA RIVOLI (TO) - CASTELLO RACCONIGI (CN) - CASTELLO REALE TORINO - PALAZZO CARIGNANO TORINO - PALAZZO MADAMA STUPINIGI (TO) - PALAZZINA DI CACCIA Si ringraziano: © SLP Assicurazioni Spa - La riproduzione è consentita solo su autorizzazione scritta della Società. - il Prof. Enzo Papa per l’elaborazione dell’apparato illustrativo Note: Per le immagini tratte da repertori di pubblica consultazione la SLP è disponibile a riconosce- - la Prof.ssa Luigia Montagna per la consulenza storico-geografica re eventuali spettanze. Il calendario, offerto in omaggio, non ha fini di lucro. Imposta a carico di chi lo espone: Dpr 639 del 29-10-72 LE RESIDENZE SABAUDE Quando Emanuele Filiberto venne a Torino nel 1559, dopo la lati torinesi risiedevano a Roma, delegando un Ausiliario alla vittoria sui Francesi nella battaglia di San Quintino (1557), non gestione degli obblighi pastorali e amministrativi della Diocesi. -
Arts Et Savoirs, 11 | 2019 Sensibility, Self-Control, and Friendship in the Writings of the Princess of
Arts et Savoirs 11 | 2019 Entre savoir et fantasme : le corps et ses énigmes Sensibility, Self-Control, and Friendship in the Writings of the Princess of Carignano, Caluso and Alfieri Aria Zan Cabot Electronic version URL: http://journals.openedition.org/aes/1939 DOI: 10.4000/aes.1939 ISSN: 2258-093X Publisher Laboratoire LISAA Electronic reference Aria Zan Cabot, « Sensibility, Self-Control, and Friendship in the Writings of the Princess of Carignano, Caluso and Alfieri », Arts et Savoirs [Online], 11 | 2019, Online since 15 July 2019, connection on 05 September 2019. URL : http://journals.openedition.org/aes/1939 ; DOI : 10.4000/aes.1939 This text was automatically generated on 5 September 2019. Centre de recherche LISAA (Littératures SAvoirs et Arts) Sensibility, Self-Control, and Friendship in the Writings of the Princess of ... 1 Sensibility, Self-Control, and Friendship in the Writings of the Princess of Carignano, Caluso and Alfieri Aria Zan Cabot SENSIBILITÉ. (Morale.) Disposition tendre et délicate de l’âme, qui la rend facile à être émue, à être touchée. La sensibilité d’âme, dit très-bien l’auteur des mœurs, donne une sorte de sagacité sur les choses honnêtes, et va plus loin que la pénétration de l’esprit seul. Les âmes sensibles peuvent, par vivacité, tomber dans des fautes que les hommes à procédés ne commettraient pas ; mais elles l’emportent de beaucoup par la quantité des biens qu’elles produisent. Les âmes sensibles ont plus d’existence que les autres : les biens et les maux se multiplient à leur égard. La réflexion peut faire l’homme de probité ; mais la sensibilité fait l’homme vertueux. -
ARRE Study Days 2012 Lite EN-1
ARRE Study Days 2012 Royal Residences, History and Territory: the experience of Piedmont Reggia di Venaria (16 – 23 June 2012) This year the second edition of the “ARRE Study Days” will be held at the Reggia di Venaria, near Turin - the ancient capital of the State of Savoy - from Saturday, June 16 to Saturday, June 23, 2012. The Summer School is organised by the Department of Culture of Regione Piemonte and the Research Department of the Reggia di Venaria, in collaboration with the Ministry for Cultural Heritage and Activities – Regional Department for Cultural Heritage and Landscape of Piedmont. The theme of this year’s ARRE Summer School is Royal Residences, History and Territory: the experience of Piedmont. Piedmont is a region traditionally characterised by an industrial vocation, that made it one of the drivers of Italy’s development. However, deep changes have occurred over the past twenty years and the Region’s eminently industrial vocation has been replaced by tourist appeal. This process is particularly evident in the Region’s capital, Turin, a city that was regarded for years as Italy’s Detroit for its automotive industry and perceived as a grim factory town. In less than one generation, Turin has managed to restore the glory of its past as an ancient capital of baroque and successfully consolidated its new status as a major tourist destination. According to the data from the National Tourist Bureau during the Christmas Holidays of 2010-11 and 2011-12 tourists chose Turin over such fierce competitors as Venice, Florence and Milan: a scenario that would have been simply unthinkable only a decade ago. -
Guarino Guarini's Invention of the Passion Capitals in the Chapel of the Holy Shroud, Turin Author(S)
Guarino Guarini's Invention of the Passion Capitals in the Chapel of the Holy Shroud, Turin Author(s): John Beldon Scott Source: The Journal of the Society of Architectural Historians, Vol. 54, No. 4 (Dec., 1995), pp. 418-445 Published by: Society of Architectural Historians Stable URL: http://www.jstor.org/stable/991083 Accessed: 30/03/2009 15:00 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=sah. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. Society of Architectural Historians is collaborating with JSTOR to digitize, preserve and extend access to The Journal of the Society of Architectural Historians. -
POLITECNICO DI TORINO Repository ISTITUZIONALE
POLITECNICO DI TORINO Repository ISTITUZIONALE DIGITAL INVASIONS: FROM POINT CLOUDS TO HISTORICAL BUILDING OBJECT MODELING (H-BOM) OF A UNESCO WHL SITE Original DIGITAL INVASIONS: FROM POINT CLOUDS TO HISTORICAL BUILDING OBJECT MODELING (H-BOM) OF A UNESCO WHL SITE / Chiabrando, Filiberto; LO TURCO, Massimiliano; Santagati, Cettina. - In: THE INTERNATIONAL ARCHIVES OF THE PHOTOGRAMMETRY, REMOTE SENSING AND SPATIAL INFORMATION SCIENCES. - ISSN 1682-1777. - ELETTRONICO. - XLII-2:W3(2017), pp. 171-178. Availability: This version is available at: 11583/2673212 since: 2017-05-27T15:41:30Z Publisher: The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences Published DOI:10.5194/isprs-archives-XLII-2-W3-171-2017 Terms of use: openAccess This article is made available under terms and conditions as specified in the corresponding bibliographic description in the repository Publisher copyright (Article begins on next page) 07 December 2018 The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-2/W3, 2017 3D Virtual Reconstruction and Visualization of Complex Architectures, 1–3 March 2017, Nafplio, Greece DIGITAL INVASIONS: FROM POINT CLOUDS TO HISTORICAL BUILDING OBJECT MODELING (H-BOM) OF A UNESCO WHL SITE F. Chiabrando a, M. Lo Turco a, C. Santagatib* a Dept of Architecture and Design, Politecnico di Torino, viale Mattioli n.39 10125, Torino, Italy - (filiberto.chiabrando, massimiliano.loturco)@polito.it b Dept. of Civil Engineering and Architecture, Università di Catania, Via Santa Sofia n. 64 95123, Catania, Italy- [email protected] Commission II KEY WORDS: Laser scanning, H-BIM, digital cultural heritage, SfM, Level of Accuracy ABSTRACT: The paper here presented shows the outcomes of a research/didactic activity carried out within a workshop titled “Digital Invasions.