EUROPEAN ARCHITECTURAL HISTORY NETWORK THIRD INTERNATIONAL MEETING PROGRAMME AND TOURS CONNECTIONS BETWEEN AND CIRCOLO ERIDANO

Bus Stop PO

Bus Stop n. Marconi 18

Bus Stop n. Donizetti 18

EUROPEAN ARCHITECTURAL HISTORY NETWORK THIRD INTERNATIONAL MEETING PROGRAMME AND TOURS Welcome to the Third International EAHN Meeting in

After the two successful International Meetings in Guimarães (2010) and Brussels (2012), we are now gathering in Turin for our Third International Conference. Turin, “the nicest village in the world” for Montesquieu, “one-company town” for so many 20th-century observers, has many histories that can speak for it. In the last fifteen years, Turin’s cultural offer and its tourist accommodation capacity have widely increased. The city is reorganizing its economic identity also by promoting and being host to an array of cul- tural activities, exhibitions and conventions related to the cultural heritage, considered in its broad range of artistic, architectural, environmental as- sets and resources. World-famous events have reshaped Turin’s public im- age. The Winter Olympic Games (2006), the exhibition of the Holy Shroud (2010), and the celebrations of the 150th anniversary of the Unification of (2011), put much energy into the connection between mega-events and cultural elaboration, through an extensive programme of exhibitions, historic symposia and thematic itineraries. Turin is home to a lively community of historians and has attracted the inter- est of architectural and urban historians during most of the 20th century. The city’s baroque architecture gained the early attention of scholars such as Albert Erich Brinckmann, who in 1931 dedicated to Turin and Pied- mont his book Theatrum novum Pedemontii: Ideen, Entwürfe und Bauten von Guarini, Juvarra, Vittone. Studies on the capital city of prolif- Cover Image erated between the 1950s and the 1960s, thanks to the work of such Eu- Mauro Melis ropean and North American scholars, as Henry Millon, Rudolf Wittkower, and Richard Pommer. These efforts were paralleled by the research work Layout carried out in Turin by architectural and art historians such as Nino Car- Elisa Bussi boneri, Mario Passanti, Andreina Griseri, and others. The attention for the architecture of Turin often went hand in hand with an interest for its urban Printed by structure: Turin was singled out by several scholars as an especially rel- SIREA - Torino evant example of European capital city characterized by a uniform, carefully

3 organized built landscape. The listing of the circuit of the Royal Residences speakers and 50 respondents. In order to ensure that sessions appealing as a World Heritage Site in 1997, has recognized the importance of this to the same kind of audience were not scheduled in the same slot, we organization well beyond the boundaries of the city walls. loosely organized them in 6 tracks: “Early Modern”, “Representation and In more recent years, the attention to the baroque architecture of Turin Communication”, “Questions of Methodology”, “Theoretical and Critical Is- was complemented by an interest for its modern buildings. The architec- sues”, “20th Century”, and “Circulation of Architectural Cultures and Prac- ture of 19th-century Turin came to be considered as a significant example tices”. These will then be presented in consecutive rather than parallel se- of the civic potential of national historicism and the work of Alessandro quences so as to give participants the possibility to attend an entire track. Antonelli (including his 167-metres tall ) was analyzed and discussed as one of the most interesting European attempts to pursue a Coherently with the two past editions, EAHN 2014 confirms and strength- deep rationalization of traditional building techniques. ens the wide international resonance of the EAHN biannual Meetings and Turin has often been seen as one of the birthplaces of architectural mod- again promises to be a global forum of discussion, attracting scholars who ernism in Italy, thanks to the favourable context provided by its industrial- are eager to share the results of their work in an event that brings them ization. The Fiat Lingotto factory, mostly built between 1916 and 1926, all together. We have participants from 37 countries including USA, by far became an icon of European concrete architecture. The presence in the the most represented country, with 52 participants affiliated to American city of such architects and critics as Giuseppe Pagano and Edoardo Persico universities, followed by Italy (35), UK (17), and at a distance, Australia, helped opening the debates on architecture and the city to the influence of , Portugal, , Ireland, Poland, Israel, , , European modernism. , The Netherlands, Sweden, , Brazil, Chile, Greece, Serbia, After WWII, the city rose to national prominence as one of the leading cen- Canada, Estonia, Norway, , , Russia, , Turkey, Aus- tres of Italian architectural culture, where architects like Roberto Gabetti tria, China, Cyprus, Czech Republic, Hungary, Malta, Singapore. and Aimaro Isola and urban planners like Giovanni Astengo led the path towards a revision of modernist architectural paradigms. For its Third EAHN International Meeting, EAHN has relied upon the or- ganisational efforts of the Architecture and Design Department of the Preparations for the Turin Meeting started two years ago. The call for ses- Politecnico di Torino. The Polytechnic’s history is interwoven with the evo- sions and roundtables launched in the summer 2012 far exceeded the Com- lution of Turin as an industrial city. Officially, it was founded in 1906, but its mittees’ expectations: we received 100 proposals of which 27 were selected. origins go back to the Scuola di Applicazione per gli Ingegneri, established These made up the call for papers that yielded more than 500 abstracts. in Turin in 1859, and the Museo Industriale Italiano, founded in 1862 un- Thanks to this exceptional response, 3 open sessions were activated. der the aegis of the Ministry of Agriculture, Trade and Industry. Today, the In addition to this, and in order to encourage an exchange between the Politecnico has 31,000 students enrolled in more than 100 courses, of main research topics addressed by the international scholarly community which 22 are Bachelor Degrees; 30 Masters of Science; 10 second-level and the studies conducted by younger and emerging scholars within the specialization courses, and 14 PhD programs. Italian PhD programs, the local Executive Committee, in accordance with the Advisory Committee of the Meeting, chose to promote two roundtables The main venue of the Turin conference is provided by the 17th-century exclusively devoted to the presentation of studies recently carried on in rooms of the Castello del Valentino, the present seat of the Architecture PhD programs affiliated to Italian Universities. The aim of this initiative Department of the Turin Polytechnic and part of the site “Residences of was to overcome the difficulties that often obstacle the dissemination of the Royal ” inscribed in the UNESCO World Heritage List in some of the most promising outputs of Italian doctoral programs by pro- 1997. viding them with a truly international arena of discussion. This further call Due to the limited capacity of the Salone d’Onore, the Castle’s most spa- resulted in 37 proposals of which 15 were selected. cious hall, and in order to accommodate the larger audiences of plenary sessions and lecture keynotes, the organizing committee had to search for The EAHN Third International Meeting consists of 157 papers and discus- alternative locations. What was initially a necessity finally turned into the sion positions arranged in 27 sessions and 5 roundtables, involving 176 opportunity of providing the conference with two additional architecturally

4 5 remarkable settings: Carlo Mollino’s Teatro Regio and Pier Luigi Nervi’s In accordance with the network’s spirit of enhancing communication, fo- Salone B of Torino Esposizioni. menting the exchange of the research outputs and expanding its scholarly community well beyond the limits of the European framework, EAHN 2014 In order to introduce the richness and variety of Turin’s cultural heritage is honoured to host the many researchers who have been willing to parte- to the conference convenors, a vast array of study tours are also of- cipate in the Third International Meeting. fered. From the architectures of Guarini to Mollino’s own residence and the buildings of “Italia 61”, from the baroque quarters to the remnants of the Enjoy the conference and enjoy Turin! remarkable industrial plants of Fiat, Michelin and Savigliano, in-depth visits to major buildings and sites have been organized. Museum and archival Michela Rosso collections will be also made available to small groups. Themes, such as Conference General Chair EAHN 2014 history of construction, will be explored by focussing on some insider-views, rarely accessible even to the most adverted tourist: Antonelli’s complex masonry structure of the Mole Antonelliana, for example. Day-tours have been arranged, to discover and the patronage of Adriano Olivetti, and towards some of the highlights of the baroque country.

Financially this event was also made possible through the contribution of local institutions, namely Compagnia di San Paolo, Fondazione CRT and Camera di Commercio di Torino. In particular, thanks to the precious sup- port of the Compagnia di San Paolo in conjunction with the Urban Center of Turin, the organizing committee was able to award 15 grants covering registration costs and extra expenses to emerging and younger scholars lacking an established academic or institutional position who take part in the conference either as speakers or chairs.

Along with sessions, keynotes, tours, a bookshop, a conference dinner and a closing reception, a series of additional side events are also planned. These include three workshops organised by members of the EAHN spe- cial interest groups, a lecture featuring some of the issues at stake at the 2014 Biennale, book launches, a photographic exhibition’s special opening, a journal presentation, a Meeting for the preparation of the EAHN themed conference in Belgrade (2015), and two EAHN business meetings.

Eahn 2014 is deeply grateful to the institutions that have offered their financial or institutional support. A special debt is due to the members of the local Executive Committee, to the many colleagues and friends who will lead the 21 Conference and post-Conference tours, and to the volunteer students from the Degree, Master and PhD courses. A last and special thanks goes to the EAHN 2014 Advisory Committee to whom we all owe the scientific quality of this event.

6 7 Notes Contents

Organizers 11 Practical Information 15 Locations 17 Meeting Schedule 21 Keynotes 25 Sessions 29 Side Events 47 Tours 53 Conference Bookshop 67 Index of Authors 77

8 Organizers organizers EAHN

The need for a network in the field of architectural history has long been felt among European scholars and those working on European architecture. The idea of creating the network emerged from discussions held at the 2004 and 2005 meetings of the Society of Architectural Historians, as well as the 2005 INHA/SAH International Conference in Paris. In the late 2005 the European Architectural History Network was estab- lished as a temporary association under French law, with the goal of prepar- ing the foundation of a permanent organization. An organizing committee with broad International and professional repre- sentation coordinates EAHN’s current activities as well as the development of by-laws and other details for the future permanent organization. Today, EAHN supports research and education by providing a public forum for the dissemination of knowledge about the histories of architecture. Based in Europe, it serves architectural historians and scholars in allied fields without restriction on their areas of study. The network seeks to over- come limitations imposed by National boundaries and institutional conven- tions through pursuit of the following aims: - Increasing the visibility of the discipline among scholars and the public; - Promoting scholarly excellence and innovation; - Fostering inclusive, transnational, interdisciplinary, and multicultural ap- proaches to the history of the built environment; - Encouraging communication among the disciplines that study space; - Facilitating the open exchange of research results; - Providing a clearinghouse for information related to the discipline.

Conference Chair Michela Rosso Politecnico di Torino

11 EAHN Board Local Organizing Webmaster Sponsors Committee Alessandro Dentis Until June 2014 Compagnia di San Paolo President: Adrian Forty DAD - Dipartimento di Architettura Fondazione CRT 1st vice president: Mari Hvattum e Design Proceedings Camera di Commercio Industria e 2nd vice president: Michela Rosso DIST - Dipartimento Interateneo www.eahn2014.polito.it Artigianato e Agricoltura di Torino Secretary: Merlijn Hurx di Scienze, Progetto e Politiche www.eahn.org Treasurer: Ruth Hanisch del Territorio With the additional support of Silvia Beltramo Città di Torino Since June 2014 Mauro Bonetti Ordine degli Architetti, Pianificatori, organizers President: Alona Nitzan-Shiftan Gaia Caramellino Paesaggisti e Conservatori della organizers 1st vice president: Hilde Heynen Elena Dellapiana Provincia di Torino 2nd vice president: Kathleen James Filippo De Pieri Turismo Torino e provincia Chakraborty Caterina Franchini Urban Center metropolitano Torino Secretary: Merlijn Hurx Andrea Longhi Treasurer: Ruth Hanisch Edoardo Piccoli Michela Rosso

Scientific Committee Secretariat Cânâ Bilsel, Mersin Üniversitesi The colors of Turin are blue and yellow. Mimarlık Fakültesi, Turkey Studio Associato Comunicarch

Maristella Casciato, Centre Politecnico di Torino (DAD The plan of Turin is composed of a Roman grid of squares. The basis is the square. Canadien d’Architecture, Montréal, Dipartimento di Architettura Canada e Design) Architecture builds spaces and volumes. The internal space is solid. Sonja Dümpelmann, Harvard Graduate School of Design, Usa Adrian Forty, The Bartlett School Web and graphic design Built space is a volume, a cube. The perspective of a cube has two faces. squared. of Architecture, London, UK The Logo of the Congress, designed Hilde Heynen, KU Leuven, Belgium by Mauro Melis, was chosen from a The square is the beginning and the end. Turin is a mesh of constructed spaces, cubic volumes: buildings. Merlijn Hurx, Universiteit Utrecht, competition for students of the de- The Netherlands gree course in Industrial Design at The buildings of Turin are not all the same. Each historical period has its own characteristic type. Mari Hvattum, Arkitektur-og the Turin Polytechnic (Industrial De- designhøgskolen (AHO), Oslo, sign Students Award, Politecnico di The the types of Turin can be summarized in the arch, for example the portico. Norway Torino, 2012).

Valérie Nègre, École Nationale The Architecture of a city is a stratification of historical periods. Supérieure d’Architecture Paris La Villette, France Graphic supervisors The architecture of Turin is a stratification of different periods, different arches, different buildings. Michela Rosso, Politecnico di Elena Dellapiana Torino, Italy Paolo Tamborrini

12 13 Notes Practical Information information

Registration Breaks The Meeting staff is available to an- Beverages are available courtesy of swer your questions on Meeting and the Meeting at the Cafeteria of the Tours’ registrations at the Registra- Castello del Valentino upon presenta- practical tion Desk (Castello del Valentino, pi- tion of the vouchers received with the ano nobile, central loggia) during the Meeting badge at the Registration following hours: Desk. The Cafeteria opens in the fol- lowing hours: Thursday 13.00-19.00 Friday 8.00-19.00 Friday 8.00-19.00 Saturday 8.00-17.00 Saturday 8.00-17.00

Membership Information Transportation To learn more about the new EAHN The different venues of the Meeting membership benefits and how to can be easily reached on foot. become a member, meet the EAHN Between Teatro Regio and Castello staff at the Registration Desk. del Valentino you can use public trans- port (bus n. 18). Tickets are sold at newsstands. Name Badges If you plan to use taxis, the approxi- EAHN Third International Meeting mate fare is 10 euros. The following uses color-coded badges to identify taxis are recommended: Radio Taxi attendees. Colour badges are as fol- 0115730; Pronto Taxi 0115737. lows:

Scientific Committee Red ribbon Insurance Speaker/Chair Green ribbon The Registration does not cover in- Visitor Blue ribbon surance. Staff Orange ribbon Please arrange your own travel and

14 15 personal indemnity insurance. The Session Attendance Locations organizers will not be liable for acci- Tracking Form dents, theft and property damage, or The Session Attendance Tracking for delays and/or modification of the Form as evidence of participation program due to unforeseen circum- can be asked at the Registration stances. Desk. information Photographs/Videos Social media EAHN will take photographs and vid- We will be tweeting live from the eos during the Third Meeting and conference – please follow us on reproduce them in the EAHN news @EAHN_org. Share your own ob- Thursday, June 19, morning sqm area finds place the Foyer del materials whether in print, electron- servations, opinions or pictures by Toro, built inside what remains of the ic, or other media, including EAHN using our hashtag #EAHN2014 Teatro Regio: original theatre designed by Benedet- practical website. By participating in the Third – we will respond or retweet as ap- Foyer del Toro to Alfieri and named after the exqui- International EAHN Meeting you propriate. You can also connect with Piazza Castello 215 site marble mosaic of its pavement grant EAHN the right to use your other attendees on our Facebook picturing the stylized figure of a ram-

name, photograph and biography for and LinkedIn pages. Completed in 1973 on a project de- pant bull, the City’s emblem. Charac- locations such purposes. fined between 1965 and 1966, Tu- terised by a sophisticated interplay Please note: photographing, audio rin’s theatre owes part of its of windows and mirrors further en- recording and videotaping a pre- Internet Access charm to the foyer, the area outside hanced by the red upholstery and the sentation or speaker is prohibited Free WiFi will be available for all the the auditorium that can be roamed by elegantly designed chandeliers, this without the presenter’s prior written attendees of the Meeting the public before and after the recit- space with no partitions allows some consent. als and during intervals. Accessed by spectacular views towards Piazza twelve glass double doors separated Castello and the modern theatre. At by granite partitions, and visually re- the same level, two elliptic marble lated by a sequence of elliptic open- counters located on a passageway ings, the foyer is distributed on three closed by crystal walls link the mod- levels connecting the new building ern building with the pre-existing the- with the pre-existing mid-18th century atre offering further glimpses of the structure. In this extensive 4,000 adjoining Archivio di Stato. mattina

tommaso ©

16 17 Thursday through Saturday, June 19-21 the engravings of the Theatrum Sa- of power of the Regent: Caccia, as a of the 19th century. This structure, baudiae as part of a more ambitious Royal privilege and peacetime activ- partially damaged during the war, Castello del Valentino: and larger project. The piano nobile ity (1640s); Feste e Fasti, probably was altered between 1948 and ground floor and piano twin apartments (for the Queen Re- as a memorial of the role of the re- 1950: the central pavilion was re- nobile gent and the Prince respectively) cently deceased (1663) Regent and placed by a hall designed by Carlo Viale Pier Andrea Mattioli 39 with their halls accessed by a great Duchess; Zodiaco, where the pass- Biscaretti di Ruffia and meant to central stairway and decorated with ing of time - the planets, the sea- serve as a showcase for Turin’s au- Immersed in the 19th century ro- rich stuccoes and allegorical fres- sons - becomes a metaphor for dy- tomobile industry. Inaugurated on mantic Park of Valentino, along the coes recording some of the most nastic continuity (original decoration 15 September 1948 and publicized left bank of the River Po, the Poly- salient dates of Piedmont’s history, from the 1630s, with 19th-century as “the most beautiful building ever technic’s Architecture Department still preserve the traces of the origi- modifications). built in Italy”, the Salone B attracted is housed in a building constructed, nal 17th-century splendour. After the attention of the specialized in- transformed and enlarged in several 1824 the castle served as barracks ternational press as early as 1949, phases since the second half of the for the Army Corps of Engineers and Friday and Saturday, June 20-21 when it appeared on the cover of La 16th century. The pre-existing hunt- in 1861 became the seat of the Re- Technique des Travaux. With its two ing lodge was acquired by Emanuele gia Scuola di Applicazione per gli Torino Esposizioni: side galleries closed at one end by a Filiberto in 1564. Later on, his son Ingegneri, later the Polytechnic of Salone B semicircular apse and its roof struc-

locations Carlo Emanuele I bequeathed it to Turin. Viale Matteo Maria Boiardo 24 ture designed by the Italian engineer locations the daughter of Henry IV and wife The three rooms at the piano nobile Pier Luigi Nervi, the Hall B displays of Amedeo I, hosting some of the EAHN sessions An open competition for the design one of Nervi’s first applications of (the Madama Reale), who used it and bookshop - the Feste e Fasti, of a new hall destined to host fash- the principles of structural prefab- as her favourite residence and lived Caccia, and Zodiaco - are part of ion events was launched as early rication, combining in a single large- there at length with her court. Un- the 17th-century (1640s - 1660s) as 1936. The winning design pro- scale vaulted structure, a highly der Christine the castle underwent ducal apartments, decorated by the posal by Ettore Sottsass Sr. was personal use of ferro-concrete with a series of notable extension works Bianchi, Recchi and Casella work- completed in 1938 and consisted the extensive use of corrugated pre- to designs by Carlo di shops following the architectural of four wings arranged around a cast units. and his son Amedeo. Based on the design by . rectangular central garden located French pavilion system and visually The stucco and fresco decoration on the south-western edge of the related to the surrounding hills and of each room refers to themes and Valentino Park, the former site of to the and its vine- virtues associated with the educa- a sequence of Great International yards, the Valentino is featured in tion of the Prince and the exercise Exhibitions since the last decades

18 19 Notes Meeting Schedule

Thursday, June 19 Teatro Regio / Foyer del Toro 9.00-12.00 Registration Opening Address of EAHN President Adrian Forty and Conference 10.30-11.00

General Chair Michela Rosso schedule

Keynote Lecture Alina Payne, Renaissance Architecture and Its 11.00-12.00 Frontiers 12.00-13.00 Welcome Reception (registered participants only) 13.00-15.00 Lunch Tours

Castello del Valentino meeting 15.45-18.30 6 Parallel Sessions/Roundtables S1 Producing Non-Simultaneity: Construction Sites as Places of Room 6 Progressiveness and Continuity (Track “Questions of Methodology”) S2 Afterlife of Byzantine Architecture in the Nineteenth and Room 7 Twentieth Century (Track “Circulation of Architectural Knowledge and Practices”) S3 Histories of Environmental Consciousness Room 9 (Track “Theoretical and Critical Issues”) S4 In-Between Avant-Garde Discourse and Daily Building Practices: Room 10 The Development of the Shopping Centre in Post-War Europe (Track “20th Century”) Stanza S5 Fortified Palaces in Early Modern Europe, 1400–1700 della Caccia (Track “Early Modern”) Stanza S6 Public Opinion, Censorship and Architecture in the Eighteenth dello Zodiaco Century (Track “Representation and Communication”)

20 21 Friday, June 20 Castello del Valentino Castello del Valentino Stanza PhdRT2 Architectural History in Italian Doctoral Programs: 08.00-10.00 Registration dello Zodiaco Histories of Buildings, Architects and Practices 08,30-11.15 7 Parallel Sessions/Roundtables Circolo Eridano 20.00 Conference Dinner (prior booking compulsory) S7 The Historiography of the Present Room 6 (Track “Questions of Methodology”) S8 Building by the Book? Theory as Practice in Renaissance Room 7 Architecture Saturday, June 21 (Track “Circulation of Architectural Knowledge and Practices”) S9 Architecture and Conflict, c.300–c.1600 Castello del Valentino Room 8 (Track “Theoretical and Critical Issues”) 08.00-10.00 Registration S10 Ideological Equality: Women Architects in Socialist Europe 08.30-11.15 6 Parallel Sessions / Roundtables Room 9 (Track “20th Century”) S16 “Bread & Butter And Architecture”: Accommodating Room 6 Stanza rt1 Piedmontese Baroque Architecture Studies Fifty Years On, The Everyday (Track “Questions of Methodology”) della Caccia Round Table (Track “Early Modern”) S17 Lost (and found) in Translation: the Many Faces of Brutalism Room 7 S11 The Published Building in Word and Image (Track “Circulation of Architectural Knowledge and Practices”)

schedule Room 10 schedule

(Track “Representation and Communication”) S18 Socialist Postmodernism Architecture and Society under Late Room 9 Stanza PhdRT1 Architectural History in Italian Doctoral Programs: Socialism (Track “Theoretical and Critical Issues”) dello Zodiaco Issues of Theory and Criticism RT2 The Third Life of Cities: Rediscovering the Post-industrial City Room 10 Torino Esposizioni / Salone B Centres, Round Table (Track “20th Century”) Welcome Address by the Rector of the Politecnico and the Stanza S19 Architects, Craftsmen and Interior Ornament, 1400–1800 11.45-12.00 meeting Director of the Architecture Department della Caccia (Track “Early Modern”) meeting Keynote Lecture Fulvio Irace, Flat Surface, Light Window: S20 Architecture, Art, and Design in Italian Modernism: 12.00-12.45 Stanza Thoughts upon Postwar Architecture in Strategies of Synthesis 1925-1960 dello Zodiaco Castello del Valentino (Track “Representation and Communication”) 13.00-15.30 Lunch/ Lunch Tours (registered participants only) 12.00-14.00 Lunch / Lunch Tours (registered participants only) 15.45-18.30 7 Parallel Sessions/ Roundtables 14.00-16.45 6 Parallel Sessions / Roundtables S12 On Foot: Architecture and Movement S21 The Architecture of State Bureaucracy: Reassessing the Built Room 6 (Track “Questions of Methodology”) Room 6 Production of (colonial) Governments S13 European Architecture and the Tropics (Track “Questions of Methodology”) Room 7 (Track “Circulation of Architectural Knowledge and Practices”) S22 Southern Crossings: Iberia and Latin America in Architectural S14 How It All Began: Primitivism and the Legitimacy of Room 7 Translation (Track “Circulation of Architectural Knowledge and Room 8 Architecture in the Eighteenth and Nineteenth Centuries Practices”) S23 Histories and Theories of Anarchist Urbanism (Track “Theoretical and Critical Issues”) Room 9 S15 Missing Histories: Artistic Dislocations of Architecture in (Track “Theoretical and Critical Issues”) Room 9 Socialist Regimes (Track “20th Century”) Stanza OS3 Strategies and Politics of Architecture and Urbanism after th OS1 On the Way to Early Modern: Issues of Memory, Identity and della Caccia WWII, Open Session (Track “20 Century”) Room 10 Practice, Open Session (Track “Early Modern”) S24 The Medium is the Message: the Role of Exhibitions and Stanza OS2 Layers of Meanings: Architectural Narratives and Imageries, Room 10 Periodicals in Critically Shaping Postmodern Architecture della Caccia Open Session (Track “Representation and Communication”) (Track “Representation and Communication”)

22 23 Saturday, June 21 Keynotes Castello del Valentino RT3 Revolutionizing Familiar Terrain: The Cutting Edge of Research Stanza in Classical Architecture and Town-planning, Round Table dello Zodiaco (Track “Questions of Methodology”) Stanza dello Zodiaco Torino Esposizioni / Salone B Conference Résumés by Merljin Hurx (“Early Modern”), Nancy Stieber (“Representation and Communication”), Davide 17.00-17.45 Deriu (“Questions of Methodology”), Hilde Heynen (“Theoretical and Critical Issues”), Elvan Altan Ergut (“20th Century”), Ruth Hanisch (“Circulation of Architectural Cultures and Practices”) Keynote Lecture Hartmut Frank, On the National Character of 17.45-18.45 Thursday June 19, 11.00 -12.00, ter the war’s bombing, seem to sug- European Architecture Teatro Regio / Foyer del toro gest that a building’s façade can be 18.45-19.00 Concluding Remarks and thanks by General Chair considered as the privileged terrain Announcing 2016 EAHN 4th International Meeting 19.00-19.05 of a research aimed at giving voice Kathleen James-Chakraborty Renaissance Architecture and Its Frontiers to a set of emotions. 19.05-19.15 Closing Address by EAHN new President, Alona Nitzan Shiftan A lina PaYNE, Harvard University, USA Immediately after the war, a whole 19.15 Closing Reception (registered participants only) generation of Milanese architects will further strengthen this idea: for them façades are flat screens onto Sunday, June 22 which it is possible to project the schedule Post-Conference Tours portrait of a new bourgeoisie as an Friday June 20, 12.00-12.45, idealized class. The first one to make notes Torino Esposizioni / Salone B this point is Gio Ponti, for whom the y Monday, June 23 so called facciata leggera embod- Post-Conference Tours Flat Surface, Light ies the progress of a civilization: in ke Window: Thoughts upon Ponti’s work the building’s envelope Postwar Architecture in is treated as a surface where the Milan moral program of “being modern” Fulvio Irace, Politecnico di Milano, gains the strength of a manifesto Italy and gives shape to the middle class- es’ aspirations to build a “new world” “Buildings’ façades do not only based on precision and technical ef- speak of their birthdates, but also ficiency, a landscape of shimmering tell something about the moods, lights, where the objects seems to the customs and the most secret fly freely over the ground. thoughts of their time”. Besides Ponti, highly diverse per- These words taken from Alberto Sa- sonalities as Asnago & Vender, Luigi vinio’s Listen to Your Heart, City, the Caccia Dominioni, Ignazio Gardella, book he dedicated to Milan following Vico Magistretti, Angelo Mangiar- his visit to the Lombard city just af- otti, and Bruno Morassutti, will elab-

24 25 orate on the same theme thereby Ruskin’s and Viollet-le-Duc’s English- art became an inseparable couple. yse the built environment and archi- turning it into the leitmotiv of their ness and Frenchness respectively, The criteria to judge architectural tecture are emancipating from the respective works. By rejecting all in relation to their appreciation of quality belonged to their realm and burden of the national paradigms sorts of volumetric effects in favour Gothic Architecture. far less to inherent categories like and helping us to reinterpret Euro- of pure flatness, they manage to It is a striking fact that a prominent beauty, form, space, construction, pean architecture as a common give shape to successions of plans advocate of the International style durability or utility. heritage as well as a common task where the windows’ profiles as well like Pevsner paid so much atten- Only recently new methods to anal- for the future. as the buildings’ fixtures are like a tion to the question of the national weave of lines on a page, the words character in the arts. The particular of a language of aluminum, glass, historical situation during the war, ceramics and wood. and later during the formation of the European Community may be an ex- planation. However, the thinking in Saturday June 21, 17.45-18.45, national categories did not come up Torino Esposizioni / Salone B at this moment. We have to go back to the time around the French Revo- On the National Character lution to see the idea of the national of European Architecture state rising all over Europe. In Ger- Hartmut Frank, HafenCity many, Goethe’s booklet On German Universität Hamburg, Germany Architecture, published anonymously in 1773 played an important role in In the mid 1950s Nikolaus Pevsner this process. Despite the territorial publishes his successful book The repartition in the high Middle Ages, notes , an ac- the often changing boundaries of Eu- notes y Englishness of English Art y count based on his lecture at the rope, and the mixture of populations ke Birkbeck College of London dur- over the centuries, the early 19th ke ing the war and influenced - as he century was entangled in a fierce dis- explains - by the work of Dagobert pute about the German, French or Frey, On the English Character in English origins of Gothic architecture. the Visual Arts published 1942 in For more than 150 years European Vienna. Furthermore he mentions architecture became a thoroughly his dissertation on Saxon Baroque national affair. The striving for a re- Architecture of the late 1920s, spective national architecture was but does not refer to his German accompanied by intensive historical teacher Wilhelm Pinder, who during research, aimed on one hand at the 1930s had written a renowned establishing an effective reference account of German art dealing with catalogue of national monumental the racial character and the evolu- and vernacular architecture, and on tion of German form. In another lec- the other, at fostering the new dis- ture of 1969 Pevsner again returns ciplines of art and architectural his- to the national paradigm discussing tory. National character and national

26 27 Notes Sessions

Thursday, June 19, Castello del Valentino

15.45-18.30 Room 6 Producing Non-Simultaneity: Construction Sites as Places of Progressiveness and Continuity Track “Questions of Methodology” Session Chairs Eike-Christian Heine, Universität Stuttgart, Germany Christoph Rauhut, ETH Zürich, Switzerland 16.00-16.25 S1.1 Mixing Time: Ancient-Modern Intersections Along the Western Anatolian Railways Elvan Cobb, Cornell University, USA 16.15-16.50 S1.2 Steel as Medium. Constructing WGC, a Tallish Building in Postwar Sweden Frida Rosenberg, Kungliga Tekniska Högskolan (KTH), Sweden SESSION 1 16.50-17.15 S1.3 Between Technological Effectiveness and Artisanal Inventiveness: Concreting Torres Blancas (1964-1969) Marisol Vidal, TU Graz, 17.15-17.40 S1.4 The Global Construction Site and the Labor of Complex Geometry Roy Kozlovsky, Azrieli School of Architecture, Tel Aviv University, Israel

15.45-18.30 Room 7 Afterlife of Byzantine Architecture in the Nineteenth and Twentieth Century sessions Track “Circulation of Architectural Knowledge and Practices” Session Chair Aleksandar Ignjatovic, Univerzitet u Beogradu, Serbia 16.00-16.25 S2.1 A Modern Catholic Tradition: Neo-Romanesque and Byzantine Church Architecture for the Roman Catholic Church in Mid-Twentieth-century Britain Robert Proctor, Glasgow School of Art, UK 16.25-16.50 S2.2 One Last Chance to Find the Right Style: the Byzantine Revival Synagogue in America Michael B. Rabens, Oklahoma State University, USA SESSION 2 16.50-17.15 S2.3 France-Byzantium: the Authority of the Sacré-Cœur Jessica Basciano, Columbia University, USA 17.15-17.40 S2.4 Revisiting Byzantium: Architectural Explorations of Byzantine Revival in Early Twentieth-century Greek Nation-Building Kalliopi Amygdalou, The Bartlett School of Architecture, UK

28 29 Thursday, June 19, Castello del Valentino Thursday, June 19, Castello del Valentino

15.45-18.30 Room 9 15.45-18.30 Stanza della Caccia Histories of Environmental Consciousness Fortified Palaces in Early Modern Europe Track “Theoretical and Critical Issues” Track “Early Modern” Session Chair Panayiota Pyla, University of Cyprus Session Chairs Pieter Martens, KU Leuven, Belgium 16.00-16.25 S3.1 Concrete Conduits in Gandhi’s Ashram. Tangled Konrad Ottenheym, Universiteit Utrecht, Netherlands Environmental Aesthetics in Post-Independence Indian Nuno Senos, Universidade Nova de Lisboa, Portugal Modernism 16.00-16.25 S5.1 Fortified Palaces in Early Modern Sicily: Models, Image Ateya Khorakiwala, Harvard University, USA Strategy, Functions 16.25-16.50 S3.2 “We Want to Change Ourselves to Make Things Emanuela Garofalo, Università degli Studi di , Italy Different” Fulvia Scaduto, Università degli Studi di Palermo, Italy Caroline Maniaque Benton, École Nationale Supérieure 16.25-16.50 S5.2 The “Castrum Sanctae Crucis” in Cremona: d’Architecture Paris-Malaquais, France from a Fortified Castle to a Courtly Residence 16.50-17.15 S3.3 Zoo Landscapes and the Construction of Nature Jessica Gritti, Università Ca’ Foscari di Venezia, Italy Christina Katharina May, Ruhr-Universität Bochum, Germany Valeria Fortunato, La Sapienza-Università di Roma Italy 17.15-17.40 S3.4 Experiments on Thermal Comfort and Modern 16.50-17.15 S5.3 From Old to New: the Transformation of the Castle Architecture: the Contributions of André Missenard SESSION 3 SESSION 5 of Porto de Mós and Le Corbusier Luís Gil, Universidade Nova de Lisboa, Portugal Ignacio Requena Ruiz, École Nationale Supérieure d’Architecture 17.15-17.40 S5.4 Symphony in Brick: Moscow Kremlin at the Time Nantes, France of Ivan III Daniel Siret, École Nationale Supérieure d’Architecture Nantes, Elena Kashina, University of York, UK France 17.40-18.05 S5.5 Seventeenth-century Fortified Villas in the County of 17.40-18.05 S3.5 The United Nations Headquarters and the Global Gorizia with Residences Modelled on the Type of a Venetian Environment Palace Alexandra Quantrill, Columbia University, USA Helena Seražin, Umetnostnozgodovinski inštitut Franceta Steleta

15.45-18.30 Room 10 15.45-18.30 Stanza dello Zodiaco In-Between Avant-Garde Discourse and Daily Building Public Opinion, Censorship and Architecture in the Practices: The Development of the Shopping Centre Eighteenth Century in Post-War Europe Track “Representation and Communication” Track “20th Century” Session Chairs Carlo Mambriani, Università di Parma, Italy Session Chairs Tom Avermaete, TU Delft, Netherlands Susanna Pasquali, Università di , Italy sessions sessions Janina Gosseye, University of Queensland, Australia 16.00-16.25 S6.1 Distinguished Sociability or a Mockery of the 16.00-16.25 S4.1 Shopping à l’américaine in the French New Towns Enlightenment: the Building of Felix Meritis Kenny Cupers, University of Illinois at Urbana-Champaign, USA Freek Schmidt, Vrije Universiteit Amsterdam, Netherlands 16.25-16.50 S4.2 From Million Program to Mall: Consumerism in the 16.25-16.50 S6.2 “Fair Manly Candid Criticism”: Architecture and Libel

Swedish Town Centre, 1968-’84 SESSION 6 in Eighteenth-century Britain Jennifer Mack, Uppsala Universitet, Sweden Timothy Hyde, Harvard University, USA 16.50-17.15 S4.3 Reinventing the Department Store in Rotterdam: 16.50-17.15 S6.3 Audible Disagreement: the Politics of Acoustics in Late Breuer’s Bijenkorf, 1953-’57 SESSION 4 Eighteenth-century Europe Evangelia Tsilika, Independent scholar, Greece Joseph Clarke, Yale University, USA 17.15-17.40 S4.4 Chilean Snail Buildings: Architecture, Typology, Shopping and the City Mario Marchant, Universidad de Chile 17.40-18.05 S4.5 Building European Taste in Broader Communities: David Jones in Australia Silvia Micheli, University of Queensland, Australia

30 31 Friday, June 20, Castello del Valentino Friday, June 20, Castello del Valentino

8.30-11.15 Room 6 8.30-11.15 Room 8 The Historiography of the Present Architecture and Conflict, c. 300–c. 1600 Track “Questions of Methodology” Track “Theoretical and Critical Issues” Session Chair Andrew Leach, Griffith University, Australia Session Chair Lex Bosman, Universiteit van Amsterdam Herengracht, Netherlands 8.45-9.10 S7.1 Claiming the End of Postmodernism in Architecture 8.45-9.10 S9.1 The Chrysotriklinos Within the Great Palace of Valéry Didelon, École Nationale Supérieure d’Architecture Constantinople as Site of Contestation Between Byzantium Paris-Malaquais, France and Sasanian Iran 9.10-9.35 S7.2 Architectural Discourse and the Rise of Cultural Studies Nigel Westbrook, University of Western Australia Antony Moulis, University of Queensland, Australia 9.10-9.35 S9.2 Building Identity and Community in the Post-Crusade 9.35-10.00 S7.3 After Nature: an Architectural History of Environmental Morea: the Architecture of Interaction in the Thirteenth- Culture century Peloponnesos Daniel Barber, University of Pennsylvania, USA Heather E. Grossman, University of Illinois at Chicago, USA

10.00-10.25 S7.4 Looking Back and Looking Now: Thoughts on History’s SESSION 7 9.35-10.00 S9.3 Sienese Fortifications in the Age of the Guelph Commune SESSION 9 Construction Max Grossman, University of Texas at El Paso, USA Inbal Ben-Asher Gitler, Sapir Academic College - Ben Gurion 10.00-10.25 S9.4 “Faciendo sette et sedicion”: Architecture and Conflict University of the Negev, Israel in Sixteenth-century Naomi Meiri-Dann, Tel Aviv University, Israel Wouter Wagemakers, Universiteit van Amsterdam, Netherlands 10.25-10.50 S7.5 Radical Histories and Future Realities - NOW 10.25-10.50 S9.5 Political Power through Architectural Wonder Lara Schrijver, Universiteit Antwerpen, Belgium Susanna Pisciella, Istituto Universitario di Architettura di Venezia, Italy 8.30-11.15 Room 7 Building by the Book? Theory as Practice in Renaissance 8.30-11.15 Room 9 Architecture Ideological Equality: Women Architects in Socialist Europe Track “Circulation of Architectural Knowledge and Practices” Track “20th Century” Session Chairs Sara Galletti, Duke University, USA Session Chairs Mary Pepchinski, Hochschule für Technik und Wirtschaft Francesco Benelli, Columbia University, USA Dresden, Germany 8.45-9.10 S8.1 “Restauramenti e restitutioni di case”: Book VII on Mariann Simon, Budapesti Müszaki és Gazdaságtudományi Architecture by Serlio and the Dissemination of the Classical Egyetem, Hungary Order 8.45-9.10 S10.1 Emancipation and Professional Obstinacy: GDR Women Alessandro Ippoliti, Università di Ferrara, Italy Architects Veronica Balboni, Università di Ferrara, Italy Harald Engler, Leibniz Institut für Regionalentwicklung und sessions sessions 9.10-9.35 S8.2 “Libri tre nei quali si scuopre in quanti modi si può Strukturplanung, Germany edificare vn Monast.o sÿ la Chiesa”: Architectural Treatise of 9.10-9.35 S10.2 Women in Hungarian Industrial Architecture Capuchin Friar Antonio da Pordenone Péter Haba, Moholy-Nagy Müvészeti Egyetem, Hungary Tanja Martelanc, Umetnostnozgodovinski inštitut Franceta Steleta, 9.35-10.00 S10.3 Women Architects in the People’s Republic of Poland Slovenia SESSION 10

SESSION 8 Piotr Marcinak, Politechnika Pozna´nska, Poland 9.35-10.00 S8.3 Foundations of Renaissance Architecture and Treatises 10.00-10.25 S10.4 Emancipated but Still Accompanied: Slovak Women in Quinten Massys’ St-Anna Altarpiece Architects Jochen Ketels, Independent scholar, Belgium Henrieta Moravˇcíková, Slovenská akadémia vied, Slovakia Maximiliaan Martens, Universiteit Gent, Belgium 10.25-10.50 S10.5 Female Students of Josef Plečnik Between Tradition 10.00-10.25 S8.4 An Invented Order: Francesco di Giorgio’s Architectural and Modernism Treatise and Quattrocento Practice Tina Potoˇcnik, Raziskovalni inštitut za vizualno kulturo od 19. Angeliki Pollali, DEREE, The American College of Greece stoletja do sodobnosti, Slovenia 10.25-10.50 S8.5 “Donami tempo che ti do vita”: Francesco Laparelli, Envisioning the New “City of the Order”, Valletta Conrad Thake, L-Università ta’ Malta

32 33 Friday, June 20, Castello del Valentino Friday, June 20, Castello del Valentino

8.30-11.15 Stanza della Caccia 8.30-11.15 Stanza dello Zodiaco Piedmontese Baroque Architecture Studies Fifty Years On Architectural History in Italian Doctoral Programs: Track “Early Modern” Issues of Theory and Criticism Roundtable Chair Susan Klaiber, independent scholar, Switzerland Roundtable Chairs Maristella Casciato, Centre Canadien d’Architecture, Canada 8.45-9.00 RT1.1 Architectural Exchanges Between and Turin Mary McLeod, Columbia University, USA Before Guarini 08.45:9.00 PhdRT1.1 Meyer and Paulsson on Monumentality: 1 Marisa Tabarrini, La Sapienza Università di Roma, Italy The Beginning of a Debate, 1911-1940 9.00-9.15 RT1.2 Guarino Guarini: the First “Baroque” Architect Giacomo Leone Beccaria, Politecnico di Torino, Italy Marion Riggs, Independent scholar, Italy 9.00-9.15 PhdRT1.2 A Relational Issue: Towards an International 9.15-9.30 RT1.3 The Multifaceted Uses of Guarini’s Architettura Civile Debate on Habitat in 1968 Giovanni Comoglio, Politecnico di Torino, Italy Martijn van Bee, Vrije Universiteit Amsterdam, Netherlands 9.15-9.30 PhdRT1.3 The Urban Landscape as Cultural Heritage. 9.30-9.45 RT1.4 Idealism and Realism: Augusto Cavallari Murat The Contemporary Debate in France and Italy Elena Gianasso, Politecnico di Torino, Italy Elena Greco, Politecnico di Torino, Italy - Université Rennes 2,

9.45-10.00 RT1.5 A Regional Artistic Identity? Three Exhibitions in roundtable France Comparison 9.30-9.45 PhdRT1.4 “A Home”: Östberg’s search for the total artwork Giuseppe Dardanello, Università degli Studi di Torino, Italy Chiara Monterumisi, Università degli Studi di Bologna, Italy 10.00-10.15 RT1.6 Wittkower’s “Gothic” Baroque: Piedmontese buildings 9.45-10.00 PhdRT1.5 Order and Proportion: Dom Hans van der Laan PhD ROUNDTABLE 1 PhD ROUNDTABLE as seen around 1960 and the Expressiveness of the Architectonic Space Cornelia Jöchner, Ruhr-Universität Bochum, Germany Tiziana Proietti, La Sapienza-Università di Roma, Italy 10.00-10.15 PhdRT1.6 The Use of the Convenzioni Urbanistiche in 8.30-11.15 Room 10 the Historic Centre of Milan: Negotiation and Planning The Published Building in Word and Image Instruments after WWII Track “Representation and Communication” Nicole De Togni, Politecnico di Torino, Italy Session Chairs Anne Hultzsch, Bartlett School of Architecture, UK Catalina Mejia Moreno, Newcastle University, UK 15.45-18.30 Room 6 8.45-9.10 S11.1 Catalogues and Cablegrams On Foot: Architecture and Movement Mari Lending, Arkitektur- og designhøgskolen i Oslo, Norway Track “Questions of Methodology” 9.10-9.35 S11.2 Illustrated Picturesquely and Architecturally in Session Chairs Christie Anderson, University of Toronto, Canada Photography’ - William Stillman and the Acropolis in Word David Karmon, College of the Holy Cross Worcester, USA and Image 16.00-16.25 S12.1 Porticoes and Privation: Walking to Meet the Virgin sessions sessions Dervla MacManus, University College Dublin, Ireland Paul Davies, University of Reading, UK Hugh Campbell, University College Dublin, Ireland 16.25-16.50 S12.2 Defining the Boundaries of London: Perambulation 9.35-10.00 S11.3 Lost for Words: How the Architectural Image Became and the City in the Long Eighteenth Century a Public Spectacle on Its Own Elizabeth McKellar, Open University, UK Patrick Leitner, École Nationale Supérieure d’Architecture 16.50-17.15 S12.3 Walking Through the Pain: Healing and Ambulation SESSION 12 SESSION 11 Paris-La Villette, France at Pergamon Asklepieion 10.00-10.25 S11.4 In Wort und Bild: Sigfried Giedion, Walter Gropius and Ece Okay, University of California Los Angeles, USA the Fagus-Werk 17.15-17.40 S12.4 Raymond Unwin Tramping the Taskscape Jasmine Benyamin, University of Wisconsin-Milwaukee, USA Brian Ward, Dublin Institute of Technology, Ireland 10.25-10.50 S11.5 Distance, Juxtapositions and Semantic Collisions of Text and Image in Architectural Periodicals of the 1920s and 1930s Hélène Jannière, Université Rennes 2, France

34 35 Friday, June 20, Castello del Valentino Friday, June 20, Castello del Valentino

15.45-18.30 Room 7 15.45-18.30 Room 9 European Architecture and the Tropics Missing Histories: Artistic Dislocations of Architecture Track “Circulation of Architectural Knowledge and Practices” in Socialist Regimes Session Chair Jiat-Hwee Chang, National University of Singapore Track “20th Century” 16.00-16.25 S13.1 The Afro-Brazilian Portuguese Style in Lagos Session Chairs Srdjan Jovanovic Weiss, Columbia University, USA Ola Uduku, The University of Edinburgh, UK Carmen Popescu, Université Paris-Sorbonne, France 16.25-16.50 S13.2 Tectonics of Paranoia: the Tropical Matshed System 16.00-16.25 S15.1 Scene(s) for New Heritage? Within the First Fabrication of Hong Kong Dubravka Sekuliˇc, ETH Zürich, Switzerland Christopher Cowell, Columbia University, USA 16.25-16.50 S15.2 Radical Space for Radical Time: Intersections 16.50-17.15 S13.3 Architecture of Sun and Soil. European Architecture of Architecture and Performance Art in Estonia, 1986-1994 in Tropical Australia Ingrid Ruudi Eesti, Kunstiakadeemia, Estonia Deborah van der Plaat, University of Queensland, Australia 16.50-17.15 S15.3 Commemoration, Appropriation, and Resistance: SESSION 15 SESSION 13 17.15-17.40 S13.4 Health, Hygiene and Sanitation in Colonial India a Shifting Discourse on Political Architecture in Socialist China Iain Jackson, Liverpool University, UK Yan Geng, University of Connecticut, USA 17.40-18.05 S13.5 Climate, Disaster, Shelter: Architecture, 17.15-17.40 S15.4 “Our House”: the Socialist Block of Flats as Artistic Humanitarianism, and the Problem of the Tropics Subject-Matter Anooradha Iyer Siddiqi, New York University, USA Juliana Maxim, University of San Diego, USA

15.45-18.30 Room 8 15.45-18.30 Room 10 How It All Began: Primitivism and the Legitimacy On the Way to Early Modern: Issues of Memory, Identity of Architecture in the Eighteenth and Nineteenth Centuries and Practice Track “Theoretical and Critical Issues” Track “Early Modern” Session Chairs Maarten Delbeke, Universiteit Gent, Belgium Open Session Chair Valérie Nègre, École Nationale Supérieure d’Architecture Linda Bleijenberg, Universiteit Leiden, Netherlands Paris La Villette, France Sigrid de Jong, Universiteit Leiden, Netherlands 16.00-16.25 OS 1.1 Quadrature and Drawing in Early Modern Architecture Respondent Caroline van Eck, Universiteit Leiden, Netherlands Lydia M. Soo, University of Michigan, USA 16.00-16.25 S14.1 On the Colonial Origins of Architecture: 16.25-16.50 OS 1.2 and Silvio Belli’s Theory of Proportions

Building the “Maison rustique” in Cayenne, French Guiana SESSION 1 Maria Cristina Loi, Politecnico di Milano, Italy Erika Naginski, Harvard University, USA 16.50-17.15 OS 1.3 Moralizing Money Through Space in Early Modernity Eldra D. Walker, Harvard University, USA Lauren Jacobi, Massachusetts Institute of Technology, USA 16.25-16.50 S14.2 Out of the Earth: Prehistoric Origins and Gothic 17.15-17.40 OS 1.4 Staging War in Maghreb: Architecture as a Weapon sessions sessions Ambitions in Primitive Monuments open by the 1500s Jennifer Ferng, The University of Sydney, Australia Jorge Correia, Universidade do Minho - Centro de História de 16.50-17.15 S14.3 Viel de Saint-Maux and the Symbolism of Primitive Além-Mar (CHAM), Portugal Architecture

Cosmin C. Ungureanu, Colegiul Noua Europ˘a Institut de studii SESSION 14 avansate, Universitatea de Arhitectur˘a ˛si Urbanism “Ion Mincu” Romania 17.15-17.40 S14.4 Primitivism’s Return: Theories of Ornament and Their Debt to Eighteenth-century Antiquarianism Ralph Ghoche, Rensselaer Polytechnic Institute, USA 17.40-18.05 S14.5 Cultural Transformations and Their Analysis in Art and Science: Anthropological and Curatorial Concepts Stimulated by the Great Exhibition of 1851 Claudio Leoni, The Bartlett School of Architecture, United Kingdom - ETH Zürich, Switzerland

36 37 Friday, June 20, Castello del Valentino Saturday, June 21, Castello del Valentino

15.45-18.30 Stanza della Caccia 8.30-11.15 Room 6 Layers of Meanings: Architectural Narratives and Imageries, “Bread & Butter and Architecture”: Accommodating Open Session The Everyday Track “Representation and Communication” Track “Questions of Methodology” Open Session Chair Cânâ Bilsel, Mersin Üniversitesi Mimarlık Fakültesi, Turkey Session Chairs Ricardo Agarez, The Bartlett School of Architecture, UK 16.00-16.25 OS2.1 The Plan as eidos: Bramante’s Half-Drawing Nelson Mota, TU Delft, Netherlands and Durand’s marche 8.45-9.10 S16.1 Humdrum Tasks of the Salaried-Man: Edwin Williams, Alejandra Celedon Forster, Architectural Association School an LCC Architect at War of Architecture (AA), UK Nick Beech, Oxford Brookes University, UK 16.25-16.50 OS2.2 “What do Pictures Really Want”? Photography, 9.10-9.35 S16.2 Third Text: Albert Kahn and the Architecture Blight and Renewal in Chicago of Bureaucracy Wesley Aelbrecht, The Bartlett School of Architecture, UK Claire Zimmerman, University of Michigan, USA

16.50-17.15 OS2.3 Content, Form and Class Nature of Architecture OPEN SESSION 2 9.35-10.00 S16.3 Architect, Planner and Bishop: The Shapers of Dublin, in 1950s-China 1940-1960 Ying Wang, KU Leuven, Belgium; Kai Wang, Tongji University, China SESSION 16 Ellen Rowley, Trinity College Dublin, Ireland 15.45-18.30 Stanza dello Zodiaco 10.00-10.25 S16.4 Layers of Invisibility: Portuguese State Furniture Design 1933-74 Architectural History in Italian Doctoral Programs: Histories João Paulo Martins, Universidade de Lisboa, Portugal of Buildings, Architects and Practices Sofia Diniz, Universidade de Lisboa, Portugal Session Chair Mari Hvattum, Arkitektur- og designhøgskolen i Oslo, Norway 10.25-10.50 S16.5 Bureaucratic Avant-Garde: Norm-Making 16.00-16.15 PhdRT2.1 Ahmedabad. Workshop of Modern Architecture: as Architectural Production The National Institute of Design Anna-Maria Meister, Princeton University, USA Elisa Alessandrini, Università degli Studi di Bologna, Italy 16.15-16.30 PhdRT2.2 Transformations of Public Space in Paris. From Infrastructure to forme urbaine 8.30-11.15 Room 7 Daniele Campobenedetto, Politecnico di Torino - École Doctorale Lost (and found) in Translation: the Many Faces of Brutalism Ville Transports et Territoires, Université Paris Est Track “Circulation of Architectural Knowledge and Practices” 16.30-16.45 PhdRT2.3 Architecture that Teaches. Swiss School Buildings Session Chair Réjean Legault, Université du Québec à Montréal, Canada during the 1950s and 1960s 8.45-9.10 S17.1 When Communism Meets Brutalism: Marco Di Nallo, Politecnico di Torino - Accademia di Architettura The AUA’s Critique of Production di Mendrisio Vanessa Grossman, Princeton University, USA 16.45-17.00 PhdRT2.4 Star-Shaped Rib Vaulting in the Church

17 9.10-9.35 S17.2 Gravitas and Optimism: The Paradox of Brutalism sessions of San Domenico, Cagliari in Skopje sessions Federico Maria Giammusso, Università degli Studi di Palermo - Mirjana Lozanovska, Deakin University, Australia Universidad de Zaragoza 9.35-10.00 S17.3 Bringing it All Home: Australia’s Embrace of Brutalism, 17.00-17.15 PhdRT2.5 Layers of Narration: The Architecture of Piero 1955-75 Bottoni in Ferrara Philip Goad, The University of Melbourne, Australia

Matteo Cassani Simonetti, Università degli Studi di Bologna, Italy session

Phd ROUNDTABLE 2 Phd ROUNDTABLE 10.00-10.25 S17.4 African Ethic, Brutalist Aesthetic: Vieira da Costa 17.15-17.30 PhdRT2.6 The Wilhelm Lehmbruck Museum. in Huambo Paradigm of Modern Architecture in Postwar Germany Ana Tostões, Universidade Técnica de Lisboa, Portugal Benedetta Stoppioni, Università degli Studi di Bologna - Karlsruher Margarida Quintã, Instituto Superior Técnico, Portugal - École Institut für Technologie Polytechnique Fédérale de Lausanne, Switzerland 17.30-17.45 PhdRT2.7 “Magnificentia”, Devotion and Civic Piety 10.25-10.50 S17.5 Hard Cases: Bricks and Bruts from North and South in the Renaissance Venetian Republic Ruth Verde Zein, Universidade Presbiteriana Mackenzie, Brazil Emanuela Vai, Politecnico di Torino - University of St Andrews 17.45-18.00 PhdRT2.8 From the South. Ernesto Basile’s Routes and Destinations Eleonora Marrone, Università degli Studi di Palermo, Italy

38 39 Saturday, June 21, Castello del Valentino Saturday, June 21, Castello del Valentino

8.30-11.15 Room 9 8.30-11.15 Stanza della Caccia Socialist Postmodernism Architecture and Society under Architects, Craftsmen and Interior Ornament, 1400–1800 Late Socialism Track “Early Modern” Track “Theoretical and Critical Issues” Session Chairs Christine Casey, Trinity College Dublin, Ireland Session Chair Vladimir Kuli´c, Florida Atlantic University, USA Conor Lucey, University of Pennsylvania - Trinity College Dublin 8.45-9.10 S18.1 A Dialectic of Negation: Modernism and 8.45-9.10 S19.1 Architecture Before the Architects: Building Postmodernism in the USSR St Theodore’s Chapel of St Mark’s Basilica in Venice, Richard Anderson, The University of Edinburgh, UK 1486-1493 9.10-9.35 S18.2 When Tomorrow Was Cancelled: Critique of Modernism Maria , Istituto Universitario di Architettura di Venezia, in the 1970s Italy Daria Bocharnikova, Saint Petersburg State University, Russia 9.10-9.35 S19.2 Decoration in Religious Architecture of the Eighteenth Andres Kurg, Eesti Kunstiakadeemia, Estonia Century in the South Eastern Part of Central Europe 9.35-10.00 S18.3 The Friedrichstadt Palace Dubravka Botica, Sveuˇcilište u Zagrebu, Croatia Florian Urban, Glasgow School of Art, UK 9.35-10.00 S19.3 Architects of the Islamic Work and Phrasing Concepts SESSION 19 SESSION 18 10.00-10.25 S18.4 Neither Style, Nor Subversion: Postmodern in Geometry Architecture in Poland Hooman Koliji, University of Maryland, USA Lidia Klein, Duke University, USA Mohammad Gharipour, Morgan State University, USA Alicja Gzowska, Uniwersytet Warszawski, Poland 10.00-10.25 S19.4 Architects, Craftsmen and Marble Decoration 10.25-10.50 S18.5 Sources of Postmodern Architecture in Late Socialist in Eighteenth Century Piedmont Belgrade Roberto Caterino, Independent scholar, Italy Ljiljana Blagojevi´c, Univerzitet u Beogradu, Serbia Elena Di Majo, Independent scholar, Italy

8.30-11.15 Room 10 8.30-11.15 Stanza dello Zodiaco The Third Life of Cities: Rediscovering the Post-industrial Architecture, Art, and Design in Italian Modernism: City Centre, Round Table Strategies of Synthesis 1925-1960 Track “20th Century” Track “Representation and Communication” Roundtable Chairs Davide Cutolo, Independent scholar, Germany Session Chair Daniel Sherer, Columbia University, USA Sergio Pace, Politecnico di Torino, Italy 8.45-9.10 S20.1 “Fantasia degli Italiani” as Participatory Utopia: 8.45-9.00 RT2.1 When Turin Lost Its Myths Costantino Nivola’s Way to the Synthesis of the Arts Cristina Accornero, Società Italiana per l’Organizzazione 20 Giuliana Altea, Università degli Studi di Sassari, Italy Internazionale (SIOI), Sezione Piemonte-Valle D’Aosta, Italy 9.10-9.35 S20.2 The Enchanted Rooms of Carlo Mollino: Confrontations sessions 9.00-9.15 RT2.2 The Case of Paris with Art in a Company Town (1930-60) sessions Joseph Heathcott, The New School - New York, USA Michela Comba, Politecnico di Torino, Italy 9.15-9.30 RT2.3 Prague: Buildings, Spaces and People in Its 9.35-10.00 S20.3 The Logics of arredamento: Art and Civilization Rediscovered Centre 1928-1936 session Petr Kratochvíl, Akademie vˇed Ceskéˇ Republiky, Czech Republic Ignacio González Galán, Princeton University, USA 9.30-9.45 RT2.4 Turin to Stopping in Milan: Urban 10.00-10.25 S20.4 The “Synthesis of the Arts” as a Critical Tool Transformations Between Heritage and Theme Parks 2 ROUNDTABLE and a Necessity for Modern Architecture Guido Montanari, Politecnico di Torino, Italy Luca Molinari, Seconda Università degli Studi di Napoli, Italy 10.25-10.50 S20.5 Gio Ponti’s Stile 9.45-10.00 RT2.5 Rediscovering. a Port-City: ’s New Waterfront Luca Orlandi, Istanbul Teknik Üniversitesi,Turkey Cecilia Rostagni, Politecnico di Milano, Italy 10.00-10.15 RT2.6 A Return to Growth Ted Sandstra, Independent scholar, Canada

40 41 Saturday, June 21, Castello del Valentino Saturday, June 21, Castello del Valentino

14.00-16.45 Room 6 14.00-16.45 Room 9 The Architecture of State Bureaucracy: Reassessing Histories and Theories of Anarchist Urbanism the Built Production of (colonial) Governments Track “Theoretical and Critical Issues” Track “Questions of Methodology” Session Chair Nader Vossoughian, New York Institute of Technology, USA Session Chairs Johan Lagae, Universiteit Gent, Belgium 14.15-14.40 S23.1 The Legacy of the Anti-urban Ideology in Bruno Taut’s Rika Devos, Service BATir - Université libre de Bruxelles, Belgium Architectural Practice in Ankara (1936-1938) 14.15-14.40 S21.1 SOM, 1939-1946: from “Engineered Dwelling” Giorgio Gasco, Bilkent Üniversitesi,Turkey to the Manhattan Project 14.40-15.05 S23.2 Henri Lefebvre’s “Vers une architecture de la Hyun-Tae Jung, Lehigh University, USA jouissance” (1973): Architectural Imagination after May 1968 14.40-15.05 S21.2 Unmonumental Buildings, Monumental Scale: Łukasz Stanek, University of Manchester, UK Santiago Civic District 15.05-15.30 S23.3 City of Individual Sovereigns: Josiah Warren’s Daniel Opazo, Universidad de Chile Geometric Utopia Irene Cheng, California College of the Arts, USA

15.05-15.30 S21.3 Architecture’s Red Tape: Governmental Building SESSION 23 in Sweden 1964-72 15.30-15.55 S23.4 Architectural Avatars of the Revolutionary City SESSION 21 Erik Sigge, Kungliga Tekniska Högskolan (KTH), Sweden Peter Minosh, Columbia University, USA 15.30-15.55 S21.4 Provisional Permanence. The NATO Headquarters 15.55-16.20 S23.5 “Housing Before Street”: Geddes’ 1925 Plan for Tel in Brussels Aviv and its Anarchist Disruption of the Dichotomy Between Sven Sterken, KU Leuven - LUCA Faculteit Kunsten, Belgium Top-Down Planners-Ideologues and Bottom-Up Urban Citizens 15.55-16.20 S21.5 Para-State “Greyness” and the Frontier Headquarters Yael Allweil, Technion, Israel in Tel-Aviv Martin Hershenzon, University of Pennsylvania, USA 14.00-16.45 Stanza della Caccia Strategies and Politics of Architecture and Urbanism 14.00-16.45 Room 7 after WWII Southern Crossings: Iberia and Latin America Track “20th Century” in Architectural Translation Open Session Chair Adrian Forty, The Bartlett School of Architecture, UK Track “Circulation of Architectural Knowledge and Practices” 3 14.15-14.40 OS3.1 From Visual Planning to Outrage: Townscape Session Chairs Marta Caldeira, Yale University, USA and the Art of Environment Maria González Pendás, Columbia University, USA Mathew Aitchison, University of Queensland, Australia 14.15-14.40 S22.1 Southern Readings. Lúcio Costa on Modern 14.40-15.05 OS3.2 Germany’s “Grey Architecture” and its Forgotten Architecture Protagonists Benedikt Boucsein, ETH Zürich, Switzerland

Carlos Eduardo Comas, Universidade Federal do Rio Grande session sessions sessions do Sul, Brazil 15.05-15.30 OS3.3 Process Above All: Shadrach Woods’ Non-School 14.40-15.05 S22.2 A vant-garde Crossings Between Italy, Argentina of Villefranche and Spain: from Gropius and Argan to Nueva Visión and Arte Federica Doglio, Politecnico di Torino, Italy 15.30-15.55 OS3.4 Sacred buildings in Italy after World War II:

Normativo open Paula Barreiro López, Université de Genève, Switzerland the Case of Turin 15.05-15.30 S22.3 Shells Across Continents Carla Zito, Independent scholar, Italy SESSION 22 Juan Ignacio del Cueto Ruiz-Funes, Universidad Nacional Autónoma 15.55-16.20 OS3.5 Architecture Resisting Political Regime: de México (UNAM) the Case of Novi Zagreb 15.30-15.55 S22.4 Emili Blanch Roig and Modern Architecture: Dubravka Vranic, Independent scholar, Croatia Catalonia and Mexico Gemma Domènech Casadevall, Instituto Catalán de Investigación en Patrimonio Cultural, Spain 15.55-16.20 S22.5 Antonio Bonet’s Return to Spain Ana María León, Massachusetts Institute of Technology, USA

42 43 Saturday, June 21, Castello del Valentino Notes 14.00-16.45 Room 10 The Medium is the Message: the Role of Exhibitions and Periodicals in Critically Shaping Postmodern Architecture Track “Representation and Communication” Session Chairs Véronique Patteeuw, École Nationale Superieure d’Architecture Lille, France Léa-Catherine Szacka, École Nationale Superieure d’Architecture Paris LaVillette - Centre Pompidou, France 14.15-14.40 S24.1 Charles Moore’s Perspecta: Essays and Postmodern Eclecticism Patricia A. Morton, University of California Riverside, USA 14.40-15.05 S24.2 Between Language and Form: Exhibitions by Reima Pietilä, 1961-74 Eeva-Liisa Pelkonen, Yale University, USA

15.05-15.30 S24.3 Bau Magazine and the Architecture of Media SESSION 24 Eva Branscome, The Bartlett School of Architecture, UK 15.30-15.55 S24.4 Entertaining the Masses: IAUS’s Economy of Cultural Production Kim Förster, ETH Zürich, Switzerland 15.55-16.20 S24.5 Image, Medium, Artifact: Heinrich Klotz and Postmodernism Daniela Fabricius, Princeton University, USA

14.00-16.45 Stanza dello Zodiaco Revolutionizing Familiar Terrain: The Cutting Edge of Research in Classical Architecture and Town-planning Track “Questions of Methodology” Roundtable Chairs Daniel Millette, University of British Columbia, Canada Samantha L. Martin-McAuliffe, University College Dublin, Ireland 14.15-14.30 RT3.1 Residency Patterns and Urban Stability: a Theory and Strategy for Republican Rome

Lisa Marie Mignone, Brown University, USA 3 14.30-14.45 RT3.2 The Quadriporticus Project 2013: New sessions Technologies and New Implications Eric Poehler, University of Massachusetts Amherst, USA 14.45-15.00 RT3.3 Reconstructing Rhythm: Digital Modeling and Rendering as Tools for Evaluating the Play of Light and Shadow on the Parthenon Paul Christesen, Dartmouth College, USA Aurora McClain, University of Texas at Austin, USA 15.00-15.15 RT3.4 The Urban Development of Late Hellenistic Delos roundtable Mantha Zarmakoupi, National Hellenic Research Foundation (NHRF), Greece 15.15-15.30 RT3.5 Classical Architecture, Town Planning and Digital Mapping of Cities: Rome AD 320 Lynda Mulvin, University College Dublin, Ireland 15.30-15:45 RT3.6 Digital Modeling in the Sanctuary of the Great Gods on Samothrace Bonna D. Wescoat, Emory University, USA

44 45 Side Events

Along with sessions, keynotes, tours, a bookshop, a conference dinner and a closing reception, a series of additional side events are also planned. These include three workshops organized by members of the EAHN special interest groups, a lecture featuring some of the issues at stake at the 2014 Venice Biennale, a photographic exhibition’s special opening, a journal pre- sentation, a Meeting for the preparation of the EAHN themed conference in Belgrade (2015), and two EAHN business meetings.

Wednesday, June 18

Castello del Valentino architectural image of the late 19th Room 6 and early 20th century. While artists, journalists, and non-professional 09.00-13.00: Urban and Architec- photographers have often focused tural Imaginaries. Explorations in on the city, the urban image has un- Photography, Film and Video, co- dergone far less scrutiny than the ordinated by Miriam Paeslack (Uni- urban text and the city as subject versity of Buffalo, USA) and Anat matter in literature. The goal of this Falbel (Universidade Estadual de interest group is therefore not only Campinas, Brazil). to establish a scholarly platform for events the urban photographic image of the The Interest Group on Urban Pho- nineteenth to the twenty-first cen-

tography, Film, and Video aims at turies, but also to open a dialogue side assessing, contextualising, and between disciplines such as visual theorising urban still and moving studies, film studies, architectural imagery. The group’s second pre- history, urbanism/planning, human conference workshop provides a geography, anthropology. platform for critique and exchange of recent work on the urban and

46 47 Castello del Valentino place in the time lapse between the Castello del Valentino lishing an exchange between schol- Room 8 two images. Stanza della Caccia ars working on all issues related to In the field of architecture major pro- 13.00-16.00: Perspectives on the design, the construction and the 11.30-12.30: Elemental Perma- cesses took place during the same Housing. First Meeting of the transformation of houses and do- nence, or: the Indifference of years, such as Reconstruction in EAHN Interest Group on Hous- mestic spaces. Modern Architecture. An Excerpt countries hit by the war, as well as ing, coordinated by Gaia Caramellino from the 14th Venice Architecture the spread of International Style in (Politecnico di Milano) and Filippo De Biennale, coordinated by Manfredo America. Wright’s Fallingwater, Le Pieri (Politecnico di Torino). Discus- Castello del Valentino di Robilant Corbusier’s Unité d’Habitation and sant: Hartmut Frank (HafenCity Uni- Stanza Feste e Fasti Ronchamp, Johnson’s Glass House, versität Hamburg) Mies van der Rohe’s Farnsworth 16.00-17.30: EAHN Journal House were constructed also in the The Meeting gathers scholars from Meeting same years. By converse, the two ads several parts of the world who are 17:30-19.00: EAHN Board insinuate that the same element of ar- working on the history of housing Meeting chitecture went unchanged in the way and who are interested in the pres- it was presented, perceived, praised. ent and future activities of the EAHN Is this just a triggering case, or is it group on housing. The aim is to pro- Ristorante “Il Barbagusto”, a demanding symptom of how the mote the exchange of experiences via Belfiore 36, Turin meaningfulness and thus the ac- between EAHN members engaged tive role of architecture in face of in housing studies and encourage 18.00-21.00: Preparation of 19 years separate the two adver- modernity has been overestimated methodological discussion between the Themed Conference in Bel- tisements above. The first, of 1936, by a growing community of archi- the participants. grade (2015). Participants: Ljiljana shows, in its lower portion, a line of tects and scholars who were, and The interest group on housing was Blagojevi´c, Hilde Heynen, Mari Hvat- workers in a factory flooded with the are, interested in emphasizing the created on the occasion of the Sec- tum, Susan Klaiber, Carmen Popes- sun thanks to a transparent façade. discipline’s role? Should the two im- ond EAHN International Conference cu, Łukasz Stanek. Consistently, the headline invites to ages warn that complex narratives in Brussels and is aimed at estab- “Let the spring in the firm”. The ad- on architecture always run the risk vertisement was produced by Nazi of hermeneutical redundancy, even Thursday, June 19 organization Schönheit der Arbeit when they are based on philological (“Beauty of Labor”). The second, of search for sources? Shouldn’t the Castello del Valentino es. One of the improved key features 1955, shows youngsters who hap- building, dissected like a body in an Room 7 of the EAHN’s members area are pily participate to a class thanks to anatomy table and re-conducted to the interactive pages of the Inter- events events

the wide view on the idyllic landscape the bare evidence of its fundamental 18.45-19.30: EAHN Special est Groups. These groups address outside allowed by the transparent elements, simply suggest that things Meeting on Interest Groups orga- specific topics of international inter- side façade of their classroom. The ad- are what they are? nized by Merlijn Hurx, (Universiteit est within the broad scope of the side vertisement was produced by Libbey This talk presents one of the intro- Utrecht, The Netherlands) and Anne Network. The pages are intended Owens Ford Glass Company, based in ductions to the “big book” published Hultzsch (The Bartlett School of Ar- to facilitate international collabora- Toledo, Ohio. along with the 14th Venice Architec- chitecture, UK) tion between architectural historians World War II, Holocaust, nuclear ture Biennale, directed by Rem Kool- by providing space for a range of col- bombings on Japan, war in Korea haas and dedicated to Fundamentals In 2013, the EAHN’s website has laborative activities such as discus- and beginning of the Cold War took – the elements of architecture. gone through some major chang- sion of research interests, sharing

48 49 news and organizing events and proj- Galleria Caracol, Saturday, June 21 ects. They also allow all members via Saluzzo 23, Turin to find, and then connect to, other Castello del Valentino drawings and photographs, intend- researchers working in their own 19.30-21.00: Housing the Room 10 ed to show the best of Norwegian fields of interest. During this Meet- 40.000. Explorations in the Mid- modernism. Circulating actively in ing group leaders, the web team dle-Class City: Turin 1945-1980, 11.15-11.55: Book Launch: Mod- the 1920s and 30s, the collection and other participants will discuss curated by Gaia Caramellino, Filippo elling Time. The Permanent Col- later fell into oblivion. In 2013, parts the future aims and ambitions of the De Pieri and Cristina Renzoni. Pho- lection 1925–2014, edited by Mari of the collection was restored and Interest Groups, together with the tographs: Michela Pace. Project: Lending and Mari Hvattum, Torpedo shown again in Oslo. This book tells development of the digital infrastruc- studioata Press, 2014 the remarkable story of a forgotten ture of the Groups Pages. collection and its afterlife, exploring The exhibition explores the residen- In 1925, the Oslo Architects’ As- at the same time the scale model tial architecture built for the middle sociation initiated an ambitious as a mass media of modern archi- Ristorante “Il Barbagusto”, classes in Turin between the mid collection of architectural models, tecture. via Belfiore 36, Turin 1940s and the early 1980s. This urban residential stock played a 19.30-21.00: Architectural The- fundamental role in the processes ory Review: Journal Presenta- of growth and transformation of tion by Jennifer Ferng (The Univer- the city during the second half of sity of Sydney, Australia) the 20th century and had a central part in facilitating the access of the An informal get-together to intro- middle classes to better living condi- duce the journal Architectural The- tions, modernity and comfort. The ory Review (published by Taylor & exhibit shows the result of a collec- Francis) to a wider European audi- tive research conducted over the ence. Our aim is to solicit top-quality last three years on the forms, times essays from early career research- and geographies that characterized ers and senior scholars in the field. the shaping of this residential stock Dr. Jennifer Ferng will be on hand and aims at observing this ordinary to explain the journal’s international landscape through a plurality of dif- outreach and to answer any ques- ferent perspectives adopting a nar- tions about the submission process. rative that is strongly supported by events events

Upcoming special issues will focus the photographic enquire, as well on the themes of colour (19.2) and as by the use of thematic maps and side violence (19.3). This event is open analytical representations. side to all and individuals should be pre- pared to cover the cost of their own beverages.

50 51 Tours

As part of the bi-annual Conference, Eahn offers a vast array of study tours in Turin and its vicinity that are open to conference attendees and the general public. Tours will be led by over 30 guides, recruited among architectural and urban historians, local practising architects and structural engineers, Eahn com- mittees’ members and conference convenors, independent scholars, Faculty members and residents who will be kind enough to open their private homes’ doors to the visiting public. Starting from Carlo Mollino’s Teatro Regio, the venue of the conference’s opening address, it will be possible to choose among a set of 21 tours, 12 of which have been arranged thematically and typologically into 4 threads (“Ar- chival Sources for Architectural & Urban History”; “Legacy of Turin’s Industrial Past”, “The City on Display”, “20th century Landmarks”). Whereas the majority of tours (lasting 2 to 5 hours) are devoted to Turin, embracing a wide spectrum of architectural and urban episodes of this city’s fabric, from its ancient origins to its most recent developments, post-confer- ence longer (lasting 1 to 2 days) tours will head towards the surrounding re- gion, to Olivetti’s Ivrea, the medieval settlements of Val di Susa, and the other Piedmontese centres of Baroque architecture, from to , , Mondovì and the Canavese.

Michela Rosso Conference General Chair EAHN 2014 tours

General view of Turin. Engraved by Frederic Salathé from a drawing by Carlo Bossoli, 1850

52 53 Thursday, June 19 aim of leaving open to the visitor as ing (the renowned “sezione Corte” many options as possible in moving mentioned in countless footnotes) T1 Teatro Regio nected by escalators, flights of stairs through the building, and even adding and its present collections, with doc- Tour leaders: Michela Comba; and walkways, the combination of to its diversity with the planting of a umentary highlights from the 17th to Paolo Napoli the purple carpets, proscenium and faux medieval garden in the castle’s the 20th century, arranged for us in 13.00-14.30 vault with the red seats and walls are moat. While focusing on Juvarra’s a study room by the Archives’ direc- among the most distinctive signs of staircase, in connection with the tion. A short introduction to the near- The current Teatro Regio is located Mollino’s opera theatre. In addition to 18thcentury State apartments, the by Biblioteca Reale is also planned. on the site of a previous royal the- illustrating the history of the design visit will also serve as an introduction atre built between 1738 and 1740 process the visit will concentrate on to the castle’s history. to a design by and the building’s structural conception T4 Via Roma Nuova destroyed by a fire in 1936. An open and on its more recent transforma- Track: “20th-century Landmarks” competition launched that same year tions based on the design by archi- T3 Introduction to the Tour leader: Caterina Franchini; and won by architects Aldo Morbelli tects Roberto Gabetti and Aimaro Archivio di Stato and the Elena Greco and Robaldo Morozzo della Rocca Isola. Biblioteca Reale 13.00-15.00 formally requested that the theatre Track: “Archival Sources would be reconstructed within the for Architectural & Urban History” Two decades sufficed to Mussolini surviving perimeter walls of the origi- T2 Palazzo Madama Tour leader: Edoardo Piccoli to rebuild the country putting into nal mid 18th century building. Nev- Tour leader: Pino Dardanello 13.00-15.00 action his famous slogan “walk and ertheless, due to the beginning of 13.00-14.30 build” that was to change the face of the war this project was not carried The collections of the Archivio di Sta- several Italian historic centres. The out. Moreover, Morbelli’s premature Palazzo Madama’s staircase and to di Torino guarantee the survival of demolition and reconstruction works death along with the necessity to con- State rooms stand, along with the a series of important funds related (1931-1937) that would radically tain costs eventually led the City to suburban Residences of the “Corona to the history of Turin and its archi- transform both the appearance of commission the project to Carlo Mol- di Delizie”, as a demonstration of the tectures. Housed in two historical Turin’s via Roma and the composi- lino and engineer Marcello Zavelani house of Savoy’s ambition to emulate buildings (Juvarra’s 1720s State Ar- tion of its social fabric, well epitomize Rossi, soon to be joined by Carlo in scale and magnificence the other chives, right in front of the Teatro Re- the regime’s ambiguous attitude to- Graffi and Adolfo Zavelani Rossi. The European Courts. Yet, this “palace” is gio, and Giuseppe Talucchi’s 1820s wards architecture and urbanism. design, defined between 1965 and first and foremost a time capsule em- S. Luigi Gonzaga Hospital) deserving The first stretch comprised between 1966 and completed in 1973, suc- bodying different strata of the city’s a visit in themselves, the Archives are the two theatrical urban spaces of ceeded in integrating the pre-existing history, from antiquity to the present rich both in documents related to the piazzas Castello and San Carlo, was construction with the new one by day. It now houses the collections of evolution of the Savoy State from the completed before the foundation of detaching the theatre from its 18th the Museo Civico d’Arte Antica, Tu- Middle Ages to the birth of the Ital- the Fascist empire when the urban century structure and adding two el- rin’s municipal museum of ancient ian nation in 1861, and in other col- scale project was largely conceived evated symmetrical wings. The wind- art, ranging from medieval paintings lections related to architectural and as an instrumentum regni and its ing profiles of the two lateral fronts, to architectural fragments, to an urban history down to the present architectures, paradoxically, did not the star patterns of the bricks on one extensive decorative arts collection. day (maps, family funds and, for the display a stylistic unity, providing, in- of the two side façades, alluding to Set up in 1861 by the City of Turin 20th century, archives of institutions, stead, various re-invented versions similar features of the baroque Palaz- to bring together and house the heri- of architects, of publishers - such as of the Baroque codes of the historic tours tours zo Carignano’s courtyard nearby, the tage of Piedmont, the Museum has Einaudi - , of industrial firms). Our visit fabric nearby. On the rear sides of flamboyant foyer with its floors con- been recently redesigned, with the will concentrate upon Juvarra’s build- the first block, however, the 19-sto-

54 55 rey Torre Littoria, built by the Savi- tion and decoration. Specific atten- residential architecture, most no- in 1908 and two decades after the gliano steelworks on a design by ar- tion will be given to Guarini’s ap- tably the house the architect built death of its architect, it had become chitect Armando Melis and engineer proach, as a Theatine priest, to the for himself at the corner between something else entirely: the world’s Giovanni Bernocco, clearly shows design of a church of his own Order. corso San Maurizio and via Vanchi- tallest masonry building and an un- the authors’ acknowledgement of an A discussion of the choice and prov- glia. The Mole was initially designed likely symbol of municipal pride. The updated modernist vocabulary. Alter- enance of the colored marbles that for the Jewish community as the tour also includes the ascent to the native polemical designs were also are used throughout the lower lev- first synagogue to be built in the city Mole’s cupola (not advised for visi- published by a group of local rational- els is also in program, as well as a (1863), but when it was completed, tors subject to mobility impairment). ist architects in the pages the mod- presentation of the composite struc- ernist magazine La Casabella, then tures (iron ties, carpentry, masonry directed by Giuseppe Pagano and vaults) at clerestory level that allow Friday, June 20 Edoardo Persico. Following these po- for the mise en scène of the fragile lemics, a competition was launched supports (three-dimensional arches, T7: Stupinigi T8 The Architectural for the reconstruction of the second freestanding columns) that frame Tour leaders: Roberto Caterino; Library & The Archive section of the street stretching from the great void created by Guarini at Edoardo Piccoli of Carlo Mollino piazza San Carlo to the 19th century the ground floor. 12.45-15.30 Track: “Archival Sources piazza Carlo Felice. It is here that (Packed lunch provided) for Architectural & Urban History” totalitarianism found some of its Tour leader: Sergio Pace most emblematic expressions: the T6 Antonelli and the Hunting lodge turned into summer 13.30-14.30 distinctive architectural vocabulary 19th century City: the residence for the court, Stupinigi displayed in piazza C.L.N., conceived Mole and the Vanchiglia owes its fame to the “open archi- Since the 1950s, the Architectural by the Roman architect Marcello Pi- Neighbourhood tecture” (Pommer) of its central pa- Library and Archives of the Politecni- acentini, was soon to become a veri- Tour leader: Filippo De Pieri vilion, designed by , co di Torino have represented one of table trademark of the Italian Fascist 13.00-15.00 and to the ingenious, fractal-like plan the most prominent sources in Italy regime. The tour will include a visit extending into the countryside, devel- for the study of architectural and ur- to the panoramic Torre Littoria and An apparently ordinary residential oped by later architects into a maze ban cultures. The Library houses an photo opportunities at a number of neighbourhood and a truly exception- of apartments, secondary buildings, outstanding collection of rare books, other sites. al building mark the two extremes of and rustici. The rustici, an expanded either coming from private libraries Alessandro Antonelli’s challenging version of the Palladian barchesse, - as the case of Carlo Mollino or Gi- designs at the boundaries of the were essential to the vast estate sur- ulia Veronesi – or resulting from the T5 Guarini’s San Lorenzo historic city. The construction of the rounding the Residence - owned by patient acquisition of valuable works: Tour leaders: Roberto Caterino; neighbourhood of Vanchiglia was the Ordine Mauriziano, a chivalric or- among others, the series of volumes Maurizio Gomez; Susan Klaiber promoted in 1844 by a group of pri- der under the control of the House of dedicated to national exhibitions, in- 13.00-15.00 vate developers led by Antonelli him- Savoy. The appartamento di Levante, ternational and universal, set up in self. The scheme was supported by reopened after restoration in 2012, Italy and abroad in the 19th and 20th Emblem of complexity and, for some some ambitious planning proposals and a showcase for the principles of centuries is particularly noticeable. (such as Francesco Milizia), of de- that aimed at no less than overturn- 18th century distribution, will be the The Archives of Architecture contain parture from architectural common ing the prevailing patterns of residen- focus of our visit of the interiors. an extraordinary wealth of paper and sense, the church of San Lorenzo by tial expansion. The operation partly digital documents, especially related tours tours Guarino Guarini will be examined as failed but the area still hosts some to the architectural culture of the a tour-de-force in design, construc- of the finest examples of Antonelli’s contemporary age in Turin and Pied-

56 57 mont. Its internationally well-known directed by engineer Vittorio Bonadè T10: Torino Esposizioni a pre-stressed concrete rhomboidal collection features drawings, photo- Bottino was only submitted to the Track: “The City on Display” latticework, supported by inclined graphs, correspondence and other city in 1938 and approved in 1942. Tour leaders: Mario Alberto struts. Further modifications for the documents having belonged to Carlo In the mid-fifties the need to expand Chiorino have made Mollino. The Archives, however, also the production led to the decision 13.00-14.30 Sottsass’ rationalist design almost include less explored funds, essen- to double the entire facilities: in the illegible. tial to understand the developments district located on the south side of In 1936 Ettore Sottsass Sr. (1882- in architecture in the 19th and 20th corso Settembrini the new Mirafiori 1953) wins the competition for a centuries: thus, quite important are Sud factories were built, and only a new Fashion Hall at the south end T11 The Building Site the documents having belonged to few years later two other impres- of the Valentino Park. Completed in of the New Region’s Franco Berlanda, Marziano Bernar- sive buildings for mechanical pro- 1938, the building is a clear expres- Headquarters di, Franco Bertone, Mario Dezzutti, cessing were added. The complex sion of rationalism. After the war, Tour leaders: Carlo Micono; Francesco Dolza, Roberto Gabetti, also included structures designed the structure undergoes several Andrea Spinaci; Fabio Piovesana Sergio Hutter, Domenico Morelli by the engineer Pier Luigi Nervi: transformations. In 1948 the cen- 13.00-15.00 and Gino Salvestrini. Sets of vintage between 1954 and 1963 his con- tral pavilion is replaced by a hall with photographs from the Savigliano struction company built the Nuovo two sides galleries closed at one end The tour will explore the construc- steelworks as well as two series of Ampliamento Nord, parallel to the by a semicircular apse designed by tion area of the new Regione photographic reproductions of maps runway test vehicles, the buildings of Carlo Biscaretti di Ruffia to be used Piemonte offices and facilities, part of Turin and Piedmont complete the Ampliamento Officine Principali and as a showcase for Turin’s automo- of a master plan aimed at the re- collection. the Trattamento Materiale Greggio, bile industry. The roof structure is development and regeneration of a the forges, the so-called DEA expan- designed by the Italian engineer Pier 317,350 sqm area including the sion and the water tank, located in Luigi Nervi. The hall represents the former site of the aeronautical com- T9 The Mirafiori Fiat the south side of the same factory. first concrete possibility for Nervi pany FIAT Avio and the Rete Ferrovi- Plant and its Residential A considerable effort was also ad- to apply the principles of structural aria Italiana (Italian Rail Network), Neighbourhood dressed by Fiat to the implementa- prefabrication, uniting, in a single comprised between the railway Track: “Legacy of Turin’s Industrial tion of the social services both as large-scale vaulted structure, his tracks, Lingotto, via Nizza and via Past” the direct integration of the indus- highly personal use of ferro-con- Passo Buole. With its 205 metres Tour leaders: Alberto Bologna, trial areas as well as more complex crete with the extensive use of cor- and 42 floors above ground, on a Rita D’Attorre, Cinzia Gavello operations in the housing field and rugated pre-cast units. Inaugurated design by Fuksas Associati further 12.45-15.00 its related services: from 1949, on 15 September 1948 and publi- developed by AI Engineering Group, (Packed lunch provided) in Turin and other towns, 12,000 cized as “the most beautiful build- this tower – so far the tallest in It- apartments were built, with surface ing ever built in Italy”, the Salome aly – will be able to accommodate Already since 1936, the Fiat board areas ranging from 56 to142 sqm. B attracts the attention of the spe- 2,600 employees and over 2,000 had discussed the construction of In 1952, Fiat started the construc- cialized international press as early visitors. an alternative plant to Lingotto. The tion of a much larger district in the as 1949, when it appears on the model was that of the Ford factories vicinity of the Mirafiori plant, how- cover of La technique des travaux. in the US where the advantages of ever only in 1954 the company, in In 1950 Nervi adds a rectangular single-storey buildings had been ex- coincidence with the construction pavilion covered by a ribbed vault tensively tested. Although the site of Mirafiori Sud, decided to start a with precast elements. In 1959 an- tours tours was opened in 1937, the design proper housing plan, parallel to the other Italian engineer Riccardo Mo- drawn up by Fiat Servizio Costruzioni public intervention. randi adds an underground pavilion,

58 59 Saturday, June 21 T14: Lingotto, Carpano reconversion project, drawn by Ren- and Moi zo Piano Building Workshop, was ac- T12 Borgo Medievale T13 Castello del Valentino: Track: “Legacy of Turin’s Industrial complished in 2002 with the inau- Track: “The City on Display” the Noble Apartments Past” guration of the Pinacoteca Giovanni Tour leader: Elena Dellapiana and the charpentes à la Tour leader: Sergio Pace e Marella Agnelli. In most recent 12.45-13.30 française 11.30-13.30 years, on the occasion of the 2006 Tour leaders: Valentina Lombardo, (Packed lunch provided) Winter Olympics, the area surround- Conceived for the Art History sec- Clara Bertolini; Marco Trisciuoglio ing Lingotto has been the object of tion of the Italian General Exhibition 12.45-13.30 Since its inauguration in the 1920s a further metamorphosis. Besides of 1884, the Borgo Medievale is an up to today, Fiat Lingotto has lived the former railway tracks, replaced anthology of its 15th century Pied- As congress venue, and as seat many lives and probably for this by a pedestrian walkway signalled by montese architecture, reconstruct- of the Architecture school of Turin reason it is regarded as the most a big red arch designed by a team ed so as to give shape to a coherent Polytechnic, the Valentino Castle will relevant example of modernist as led by Benedetto Camerana, other whole: a fortified village and a castle be freely roamed by everyone. This well as contemporary architecture changes have taken place in the towering it. The project, promoted guided tour will provide - for a privi- in Turin. As the first factory for the site of the former Mercati Generali by a group of historians, men of leged few! - an in-depth reading of the production of cars to be built ac- (Moi), a masterpiece of rationalist letters, artists and architects for piano nobile late 17th century twin cording to the principles of the sci- architecture of the 1930s trans- whom the study of the medieval re- apartments (for the Queen Regent entific management by a team of formed into the commercial core mains of Piedmont, Liguria and Valle and for the Prince respectively), and engineers guided by Giacomo Mattè of the new Olympic Village. In the d’Aosta was not merely a leisurely an exclusive visit to the roofs. Visi- Trucco, Lingotto was soon to be- meanwhile, along Via Nizza, other occupation: Giuseppe Giacosa, Vit- tors will appreciate how the dynastic come an icon of modernist architec- former industrial plants have been torio Avondo, Riccardo Brayda and ties between the Dukes of Savoy and ture, as testified by its publication in recently occupied by new activities: especially Alfredo D’Andrade, a Bourbon royal family are readable Le Corbusier’s L’Esprit Nouveau. As in particular, a project of Negozio Blu painter and restorer of Portuguese in clear letters in the apartments’ the largest relic of Turin’s industrial Architetti Associati redesigned the origins whose survey of Piedmont’s stucco and fresco decoration, and past, after the end of the manufac- former Carpano vermouth distillery smaller towns provided the scientific in more constructive terms in the turing activities in 1982, Lingotto as the home of the food company basis for this initiative. Compared to timber structures of the roofs. The was turned into a multi-purpose cen- Eataly, bringing new life to the whole previous exhibitions of the same pe- two roofs of the pavilions towards tre of national relevance. The large neighbourhood. riod, this one stands out not only for the city are unique examples, in Italy, its historical precision and system- of 17th century Larch timber-frame atic insistence on a defined place construction, inspired by contempo- Sunday, June 22 and time, but also for the decision rary French examples. The wooden to provide a scenario for the results frame was surveyed, studied with T15 Liberty&Neoliberty maro Isola is linked to the polemics of the research, breaking down the dendrochronology and painstakingly Track: “20th-century Landmarks” that accompanied its publication in barriers between archaeological in- restored in the late 1980s, ensur- Tour leader: Caterina Franchini 1957 in the pages of Casabella-Con- vestigation and re-creation of the ing the conservation of the integrity 9.00-13.00 tinuità then directed by Ernesto N. past. of the original elements: the tour in- Rogers. The debate spread as far cludes a presentation of this resto- The notoriety of the Bottega as to involve the British critic Rey- ration and an assessment of its re- d’Erasmo built in Turin between ner Banham and led to a term being tours tours sults, after twenty years. 1953 and 1956 to a project by coined by Paolo Portoghesi to define architects Roberto Gabetti and Ai- this work: Neoliberty. The tour will

60 61 include visits to buildings of early host a public park according to the photographer, was born in Turin T18 From Spina Centrale 20th century architects such as Pi- City Master Plan of 1956-1959, in 1905, the only child of the en- to Scalo Vanchiglia etro Fenoglio, Raimondo d’Aronco was instead chosen to house an gineer Eugenio. In this city he at- Track: “Legacy of Turin’s Industrial and Pietro Gribodo, representatives extensive programme of new con- tended the Regia Scuola Superiore Past” of the so called Liberty, the distinc- structions and public exhibitions. di Architettura, later to become the Tour leaders: Guido Montanari; tive Italian version of Art Nouveau Besides the two main buildings of Faculty of Architecture of the Turin Subhash Mukerjee that was to provide an alternative “Italia 61”, Pier Luigi and Antonio Polytechnic, where he received his 9.00-16.00 to the well established practices Nervi’s Palazzo del Lavoro and An- degree in 1931. The tour will start and codes of late 19th century his- nibale and Giorgio Rigotti’s Palazzo from the guided visit to the interior It is on “Viale della Spina” (back- toricism. Moreover the tour will a Vela, the plan included the 19 pa- of the architect’s reconstructed pri- bone), resulting from the covering continue to a small group of se- vilions designed to house the exhibi- vate residence overlooking the river of the obsolete railway tracks, that lected buildings of those architects tion of the Italian Regions, an illumi- Po and will then head towards his one can find the most blatant signs active in Turin in the 1950s, such nated fountain, a monorail track, a famous projects built in Turin since of Turin’s recent dramatic changes. as Sergio Jaretti and Elio Luzi, the cable car to the surrounding hills of the 1950s: the Rai Auditorium In fact here is the place where in a Milanese architectural firm of Bbpr Cavoretto and the so called Circara- (1950-1953) designed with Aldo few years’ time a number of vacant and the aforementioned Gabetti & ma built by the Fiat Servizio Costruz- Morbelli and renovated in 2006 on industrial sites have undergone a Isola, who by way of their works had ioni and designed for the projection, a much debated design by Bene- metamorphosis that has left deep raised the problem of abandoning on a circular screen, of a film about detto Camerana; the Chamber of traces in the surrounding urban fab- the modernist legacy by restoring Italy realized according to the most Commerce (1965-1973), winning ric. The history of “Viale della Spina” the continuity with a tradition found- updated technology of Walt Dis- entry of an open design competition coincides with the history of Turin’s ed on exquisite craftsmanship and ney. Soon to be regarded for many that was launched in 1964 whose Master Plan drawn by architects Vit- a sophisticated research into build- years as incongruous objects in the project was signed with Carlo Graffi, torio Gregotti and Augusto Cagnardi ing techniques and materials. The surrounding urban fabric, with the Alberto Galardi and Antonio Migli- (1995). At the time of its concep- tour will include visits to one of the 2006 Winter Olympics the buildings asso; the exterior of the new Teatro tion, following the crisis of the manu- apartments of Bottega d’Erasmo of “Italia 61” have enjoyed a revival Regio commissioned to Mollino and facturing industry, the plan was en- complete with the original 1950s of interest, albeit of a paradoxical Zavelani Rossi by the City Council in trusted with many of the hopes to furniture by Gabetti & Isola. sort. the mid sixties and inaugurated in re-launch Turin and re-discuss its 1973. The tour will end in the interi- world wide established reputation as ors of the Black and White Lutrario a “company town”. The visit will cov- T16 Italia 61 T17 Architectures of Carlo dance hall of 1959, probably one of er the recently reconverted indus- Track: “The City on Display” Mollino Mollino’s most emblematic works, trial areas of the “Spina”, numbered Tour leaders: Giacomo Beccaria; Track: “20th-century Landmarks” where the theme of the sinuous line 1 to 4 from south to north including Giovanni Comoglio Tour leaders: Daniele pervades the entire project, from the 19th century buildings of Officine 9.00-12.30 Campobenedetto; Fulvio Ferrari; the narrow curved corridor of the Grandi Riparazioni and the former Napoleone Ferrari entrance to the circular space of Carceri Nuove, the new railway sta- A committee entrusted to draw a 14.00-18.30 the hall, from the wall’s mosaics to tion of Porta Susa and the tower de- plan to celebrate the first centenary the lighting and wrought iron railings signed by Renzo Piano, the district of the Italian Unity was established The exuberantly versatile and pro- of the galleries. of the former steelworks of Fiat, since the Autumn of 1959. The lific Carlo Mollino, architect and Michelin, Savigliano and Paracchi tours tours area between the river Po and cor- designer, but also rally driver, stunt and the service structure of the En- so Ventimiglia, originally destined to flier, skilled skier and celebrated vironment Park, the new public park

62 63 of the river Dora and the Church of medieval and early modern settle- Ascanio Vitozzi, Carlo and Amedeo literature, the tour also focuses on Santo Volto by Mario Botta. ment on a main trade route, con- di Castellamonte, Guarino Guarini, new discoveries and interpretations The tour will then head towards north- trolled by the castle. The sight which Michelangelo Garove, Filippo Ju- of recent decades based on restora- east, to the vibrant neighbourhood of can be enjoyed from the defensive varra, Bernardo Vittone, Benedetto tions, archival finds, and methodologi- Vanchiglietta, comprised between the structure (now ruined, yet still im- Alfieri, and Francesco Gallo. These cal shifts. Suitable as an introduction river Dora and corso Regina Mar- pressive) invites the visitor towards buildings range from rich church- to the Baroque architecture of the gherita. The area, including the for- the Sacra di San Michele (the Abbey es and palaces for court figures region or for a renewed critical as- mer sites of the Italgas company and of St. Michael) and its millennial his- through spectacular parish or con- sessment, the tour aims to address the now abandoned rail yards, was tory: founded in the Second half of vent churches achieved with modest both casual and specialist interests. the object of an international com- the 10th century, it underwent a long means to representative town halls Re|Visiting Piedmontese Baroque Ar- petition launched by the University sequence of transformations until Al- or charitable hospitals. Character- chitecture pursues themes discussed of Turin that led to the recently inau- fredo De Andrade’s restorations at ized by Pommer as “open architec- in the Eahn 2014 roundtable Pied- gurated Law and Political Sciences the end of the 19th century, and even ture’, the works embody issues of montese Baroque Architecture Stud- campuses based on a design signed beyond. The path along Val di Susa patronage, design, and theory that ies Fifty Years On; attendance at the by Foster and Partners and further religious heritage is completed by the intrigued scholars such as Brinck- roundtable, however, is not required developed by Benedetto Camerana, visit to the church and hospital of the mann, Portoghesi, and Wittkower. for tour participation. Tecnimont, Mellano Associati, Studio Antoniani canons, Sant’Antonio di Featuring key monuments with spe- The first day goes north of Turin to Icis and Giugiaro Design. Ranverso, one of the best examples cial attention to historiographic is- the Canavese district. Visits include of 15th century Gothic architecture in sues such as critical fortune, prob- the royal residence at Venaria Reale Piedmont. lematic attributions, or lacunae in the and other churches by Vittone. T19 A Pathway to the Middle-Ages: the Entrance to the Val di Susa T20/Day 1 Re|Visiting Monday, June 23 Tour leaders: Alessandro Tosini; Piedmontese Baroque Andrea Longhi Architecture T20/Day 2 Re|Visiting T21 Olivetti Builds: 9.00-18.00 Tour leaders: Susan Klaiber, Piedmontese Baroque the Case of Ivrea (Lunch included) Pino Dardanello, Edoardo Piccoli Architecture Track: “20th- century Landmarks” 9.00-18.00 Tour leaders: Susan Klaiber; Tour leaders: Patrizia Bonifazio; Legend, literature and architecture (Lunch included) Pino Dardanello; Edoardo Piccoli Gaia Caramellino; Nicole De Togni; mix together in Val di Susa. The stra- 8.30-17.30 Francesca Giliberto ta francigena, leading to the great This two-day tour draws on the con- (Lunch included) 8.30-17.30 western Sanctuaries of Christendom, ceptual and actual itineraries through (Lunch included) passed through this narrow alpine Piedmont of scholars such as Brinck- The second day of the tour heads valley: this territory was the setting of mann, Wittkower, Pommer, and oth- south of Turin toward Mondovì, the The history of Ivrea is indissolubly re- ’s victory over the Lon- ers. Beginning with the “Crown of sanctuary at Vicoforte and a number lated to the history of its industry, gobard army, as narrated in Alessan- Delights” encircling Turin – the Savoy of exquisite churches by Vittone. the Olivetti, a leading typewriters’ dro Manzoni’s Adelchi. A short trip to suburban residences – the monu- manufacturer since 1908. Through will show the various archi- ments of Piedmontese Baroque the direction and then the Presiden- tectural types (Town Hall, houses of architecture dot the region sur- cy of Adriano Olivetti, this small Pied- tours tours burgars and merchants, churches), rounding the capital with impressive montese town has lived since the which characterized the life of a late achievements by architects such as early 1930s an unparalleled phase

64 65 of development marked on one side In most recent years, characterized Conference Bookshop by the transformation of the produc- by further changes in the company’s tion and on the other by an intense structure, the culture of the factory season of design activities and socio- and its architectures still remain logical surveys involving an impres- the focus of the renovation policies sive number of architects, designers of Ivrea, as exemplified by the re- and planners, as well as intellectuals cent candidature of this town to the and technicians. During the second Unesco World Heritage list. Visits half of the 20th century, through to the main industrial buildings, the the debates inaugurated by Adriano Olivetti facilities, the social services Olivetti’s L’Ordine Politico delle Co- and the residential neighbourhoods munità (1945), the construction will serve as an introduction to the We are pleased to welcome you in our specialized bookshop located in the of Ivrea started to be regarded as most significant moments of the Stanza delle Feste e dei Fasti, at the piano nobile of the Castello del Valentino. the icon and manifesto of the com- construction of the city, as well as to The bookshop is organized by Celid (Cooperativa Libraria Interuniversitaria munitarian policies: Ivrea’s buildings the encounter between the entrepre- Democratica), academic publisher and official bookseller of the Politecnico hosting the Olivetti facilities and neurial culture and the coeval Italian di Torino. Celid has put together a wide selection of the most significant and plants became the testing ground architectural and urban discourse. recently published titles in history of architecture, design and the city available of an unprecedented experiment in Visits to the Associazione Archivio in Italy. In addition to these, publications from the keynote speakers, Hartmut design and urbanism where the ar- Storico Olivetti and the Archivio Na- Frank, Alina Payne and Fulvio Irace, as well as major contributions from Ital- chitectural culture was tightly inter- zionale del Cinema di Impresa, will ian outstanding scholars and a wide selection of titles on Turin and Italian woven with the ideal of a community. complete the tour. architecture and urban history, will be also available at this temporary shop. Beside its conventional offer, Celid has enriched this EAHN bookshop with a selection of Italian and foreign specialized journals and publications, as well as with a number of recent titles by international publishers and national re- search and study centres interested in participating in the Conference and featuring their most recent titles related to the sessions. All these could be purchased through post-orders. Shop Managers will welcome you daily during the conference hours and breaks. Special discounts, pre-sales on forthcoming titles and post-orders are available. You are also invited to check Celid’s website at http://www. celid.it/html/libArch.jsp

Gaia Caramellino Member of the Local Organizing Committee tours

66 67 Architectural Histories The open access journal of the EAHN

CALL FOR PAPERS

Architectural Histories is an international, blind peer-reviewed scholarly journal that creates a space where historically grounded research into all aspects of architecture and the built environment can be made public, consulted, and discussed. The journal is open to historical, historiographic, theoretical, and critical contributions that engage with architecture and the built environment from a historical perspective.

The journal invites submissions for its 2014 open issue. Once accepted, articles are published rapidly and in open access, enhancing the audience and the impact of new research.

Architectural Histories is marking the conference with the launch of the 2014 Special Collection, ‘Objects of Belief: Proportional Systems in the History of Architecture’, as well as the Call for Papers for the Special Collection of 2015. Please visit the journal or contact the editorial team for more details

Accepting submissions now: http://journal.eahn.org Ubiquity Press [email protected] ][u http://www.ubiquitypress.com Independent Academic Publisher BLOOMSBURY www.ashgate.com The Bookseller Academic, Educational & Professional Publisher of the Year 2014 and 2013

Emerging Landscapes Between Production and Representation 21st Century Lighting The Handbook of Design Edited by Davide Deriu, Krystallia Kamvasinou and Eugenie Shinkle, University of Westminster, UK Design - by Alyn Griffiths for Sustainability Drawing on the synergies between the fields of architecture and photography, this collection takes a multidisciplinary Edited by Stuart Walker and approach, combining practice-based research with scholarly essays. It explores and critically reassesses the interface This carefully curated survey pro- Jacques Giard between representation – the imaginary and symbolic shaping of the human environment – and production – the vides a strong critical framework for physical and material changes wrought on the land. At a time of environmental crisis and the ‘end of nature, ’shifting understanding lighting design from The first systematic overview geopolitical boundaries and economic downturn, Emerging Landscapes reflects on the state of landscape and its the perspectives of sustainability, of the subject, including its future, mapping those practices that creatively address the boundaries between possibility, opportunity and action technology, form and structure. development, methods, in imagining and shaping landscape. practices and possible futures. April 2014 | 248 pp | 300 colour illus April 2014 244 pages Hardback 978-1-4094-6705-2 £60.00 July 2013 | 576 pp | 40 bw illus PB 9781472503138 | £24.99 www.ashgate.com/isbn/9781409467052 HB 9780857858528 | £95.00

Symbol, Pattern & Symmetry Building Transatlantic Italy Ineffably Urban: An Anthropology of The Cultural Significance of Architecture Architectural Dialogues Imaging Buffalo Structure - By Michael Hann by Victor Buchli with Postwar America Miriam Paeslack, University at Paolo Scrivano, Buffalo (SUNY), Buffalo, NY, USA Explores the historical and cultural The first overview of how Boston University, USA significance of symbol and pattern anthropologists have studied This volume looks at both the literal city in craft and design, with examples architecture and the rich This book questions how effective the image and urban representation generated from a wide range of historical and thought and data this has circulation of US-originated knowledge was: by photographs, video, historical and cultural contexts. regarding the Italian-American exchange, produced. contemporary narratives, and grass-root identifying what was exported from America initiatives. It investigates the notion of agency November 2013 | 376 pp | 500 bw Sept 2013 | 224 pp | 30 bw illus is as interesting and significant as recognizing of media in the city and, in return, what the and 30 colour illus PB 9781845207830 | £19.99 what was received or rejected. city’s agency is. PB 9781472503121 | £29.99

December2013 254 pages Hardback December 2013 226 pages Hardback 978-1-4724-1483-0 £65.00 978-1-4094-5802-9 £55.00 Interior Design and The Handbook of Interior www.ashgate.com/isbn/9781472414830 www.ashgate.com/isbn/9781409458029 Architecture : Critical and Architecture and Design Primary Sources Edited by Lois Weinthal and Edited by Mark Taylor Graeme Brooker Time Matter(s): Camera Constructs A collection of original essays Invention and Re-Imagination Photography, Architecture A major scholarly resource for examine the shifting role of researchers involved in th study in Built Conservation and the Modern City these two areas, and their Edited by Andrew Higgott, of the interior. importance and meaning in The Unfinished Drawing and University of East London, UK the contemporary world. Building of St. Peter’s, the Vatican and Timothy Wray, Architect, Berlin February 2013 | 4-volume set Federica Goffi, HB 9781847889294 | £550 April 2014 | 248 pp | 300 colour illus Paperback 9781472503138 | £24.99 Carleton University, Canada Camera Constructs reflects critically on the varied interactions of the different practices This book fills in a blind spot in current by which photographers, artists, architects, architectural theory and practice, looking theorists and historians engage with the into a notion of conservation as a form of relationship of the camera to architecture, invention and imagination, offering the the city and the evolution of Modernism. Visit the conference bookshop to pick up our latest Architecture reader a counter-viewpoint to a predominant western understanding that preservation 2012 380 pages Hardback(POD) catalogue, and browse a selection of our recent publications. 978-1-4094-2145-0 £65.00 should be a ‘still shot’ from the past. www.ashgate.com/isbn/9781409421450 Serptember 2013 286 pages Hardback September2014 Paperback Sign up to our newsletter to win £100 worth of books! Just visit our 978-1-4094-4301-8 £65.00 978-1-4724-4538-4 £35.00 www.ashgate.com/isbn/9781409443018 www.ashgate.com/isbn/9781472445384 website: www.bloomsbury.com/joinvisualarts

Visit the conference bookshop to view inspection copies of published titles www.bloomsbury.com ASHGATE www.ashgate.com/architecture Architecture @ Peter Lang

Constructing Memory Triumphs of Change Architectural Narratives Architecture Reconsidered of Holocaust Museums By Russell Walden By Stephanie Shosh Rotem

Bern, . Bern, .  pp.,  coloured ill., ‚ pp., num. coloured  b/w ill. and b/w ill.

hardback € .  hardback € .  ISBN ‚ƒ--- - ISBN ‚ƒ--- -

eBook € .  eBook € .  ISBN ‚ƒ-- - - ISBN ‚ƒ-- - -

The Politics of Social Housing Order of Buildings and Cities in Britain A Paradigm of Open Systems By Jamileh Manoochehri Evolution for Sustainable Design By Yan Gu

Oxford,  . Bern, . X,  pp.,  b/w ill., XII,  pp., num. tables  tables and graphs

paperback € . paperback €  . ISBN ‚ƒ---‚- ISBN ‚ƒ--- -ƒ

eBook € ƒ.ƒ eBook € ‚. ISBN ‚ƒ-- - ƒ- ISBN ‚ƒ-- - -

PETER LANG www.peterlang.com

Bern • Bruxelles • Frankfurt am Main • New York • Oxford • Warszawa • Wien ARCHITECTURE BOOKS Visit our website new and recent books from The MIT Press from Leuven University Press www.lup.be http://mitpress.mit.edu

Bleak Houses Regionalism and Modernity Disappointment and Failure in Architecture Timothy Brittain-Catlin Architecture in Western Europe 1914-1940 Why some architects fail to realise their ideal buildings, how architectural failure L. Meganck, L. Van Santvoort, J. De Maeyer (eds) can be more illuminating than success, and what architecture critics can learn € 59,50, ISBN 978 90 5867 918 5, hardback, 240 p., KADOC-Artes 14 from novelists. £17.95 • 192 pp. (33 b&w illus.) • cloth Making a New World Buildings Must Die Architecture & Communities in Interwar Europe A Perverse View of Architecture Stephen Cairns & Jane M. Jacobs R. Heyninckx, T. Avermaete (eds) Focussing on the deterioration, destruction and death of buildings, this book offers € 49,50, ISBN 978 90 5867 909 3, hardback, 224 p., KADOC-Artes 13 an original contemplation of architecture that draws on theories of waste and value, with examples from the work of Saarinen, Scarpa and others. £22.95 • 304 pp. (50 b&w illus.) • cloth Sources of Regionalism Broadcasting Buildings in the Nineteenth-Century Architecture on the Wireless, 1927-1945 Architecture, Art and Literature Shundana Yusaf L. Van Santvoort, T. Verscha el, J. De Maeyer (eds) How the BBC shaped popular perceptions of architecture and placed them at the € 49,50, ISBN 978 90 5867 649 8, hardback, 200 p., KADOC-Artes 9 heart of debates over participatory democracy. £20.95 • 352 pp. (77 b&w illus.) • cloth COMING SOON Project of Crisis Manfredo Tafuri and Contemporary Architecture On the Very Edge From Flux to Frame Marco Biraghi Modernism and Modernity in Designing Infrastructure and An examination of the influential Italian architectural historian Manfredo Tafuri’s the Arts and Architecture of Shaping Urbanization in historical construction of contemporary architecture. Interwar Serbia (1918-1941) Belgium £15.95 • 192 pp. (14 b&w illus.) • paper J. Bogdanović, L. Filipovitch M. Van Acker Robinson, I. Marjanović (eds) € 49,50, ISBN 978 90 5867 958 1, A Second Modernism € 59,00, ISBN 978 90 5867 993 2, paperback, ca. 470 p. paperback, ca. 370 p. MIT, Architecture, and the ‘Techno-Social’ Moment edited by Arindam Dutta An account of architecture’s postwar ambition to transform itself into a research- oriented and technologically complex discipline of design expertise. Order fulfi lment: NBN Internati onal - www. nbninternati onal.com - orders@nbninternati onal.com £44.95 • 928 pp. (81 colour, 286 b&w illus.) • cloth Sales representati on: UPM - www.universitypressesmarketi ng.co.uk - sales@universitypressesmarketi ng.co.uk Customers in North America: Cornell University Press services – www.cornellpress.cornell.edu – [email protected] Notes Index of Authors

C. Accornero June 21 8.30-11.15 Roundtable 2 Room 10 p. 40 W. Aelbrecht June 20 15.45-18.30 Open Session 2 Stanza p. 38 della Caccia R. Agarez June 21 8.30-11.15 Session 16 Room 6 p. 39 M. Aitchison June 21 14.00-16:45 Open Session 3 Stanza p. 43 della Caccia E. Alessandrini June 20 15.45-18.30 Phd Roundtable Stanza p. 38 2 dello Zodiaco

A Y. Allweil June 21 14.00-16:45 Session 23 Room 9 p. 43 E. Altan Ergut June 21 17.00-17.45 Conference Torino Esposizioni p. 24 Résumé / Salone B G. Altea June 21 8.30-11.15 Session 20 Stanza p. 41 dello Zodiaco K. Amygdalou June 19 15.45-18.30 Session 2 Room 7 p. 29 C. Anderson June 20 15.45-18.30 Session 12 Room 6 p. 35 R. Anderson June 21 8.30-11.15 Session 18 Room 9 p. 40 T. Avermaete June 19 15.45-18.30 Session 4 Room 10 p. 30 V. Balboni June 20 8.30-11.15 Session 8 Room 7 p. 32 D. Barber June 20 8.30-11.15 Session 7 Room 6 p. 32 P. Barreiro López June 21 14.00-16:45 Session 22 Room 7 p. 42 J. Basciano June 19 15.45-18.30 Session 2 Room 7 p. 29 G.L. Beccaria June 20 8.30-11.15 Phd Roundtable Stanza pp. 35 1 dello Zodiaco N. Beech June 21 8.30-11.15 Session 16 Room 6 p. 39 I. Ben-Asher Gitler June 20 8.30-11.15 Session 7 Room 6 p. 32 F. Benelli June 20 8.30-11.15 Session 8 Room 7 p. 32 J. Benyamin June 20 8.30-11.15 Session 11 Room 10 p. 34 M. Bergamo June 21 8.30-11.15 Session 19 Stanza p. 41

B della Caccia C. Bilsel June 20 15.45-18.30 Open Session 2 Stanza p. 38 della Caccia L. Blagojevi´c June 18 19.00-21.00 Side Event Ristorante p. 49 «Il Barbagusto» June 21 8.30-11.15 Session 18 Room 9 p. 40 L. Bleijenberg June 20 15.45-18.30 Session 14 Room 8 p. 36 D. Bocharnikova June 21 8.30-11.15 Session 18 Room 9 p. 40 L. Bosman June 20 8.30-11.15 Session 9 Room 8 p. 33 D. Botica June 21 8.30-11.15 Session 19 Stanza p. 41 della Caccia

76 77 B. Boucsein June 21 14.00-16:45 Open Session 3 Stanza p. 43 E. Di Majo June 21 8.30-11.15 Session 19 Stanza p. 41

della Caccia B della Caccia E. Branscome June 21 14.00-16:45 Session 24 Room 10 p. 44 M. Di Nallo June 20 15.45-18.30 Phd Roundtable Stanza p. 38 M. Caldeira June 21 14.00-16:45 Session 22 Room 7 p. 42 2 dello Zodiaco H. Campbell June 20 8.30-11.15 Session 11 Room 10 p. 34 M. Di Robilant June 18 11.30-12.30 Side Event Castello del p. 48 D. Campobenedetto June 20 15.45-18.30 Phd Roundtable Stanza p. 38 Valentino/Room 8 2 dello Zodiaco D V. Didelon June 20 8.30-11.15 Session 7 Room 6 p. 32 G. Caramellino June 18 13.00-16.00 Side Event Castello del p. 49 S. Diniz June 21 8.30-11.15 Session 16 Room 6 p. 39 Valentino/Stanza F. Doglio June 21 14.00-16:45 Open Session 3 Stanza p. 43 della Caccia della Caccia June 19 19.00-21.00 Side Event Galleria Caracol p. 50 G. Domènech June 21 14.00-16:45 Session 22 Room 7 p. 42 M. Casciato June 20 8.30-11.15 Phdroundtable 1 Stanza p. 35 Casadevall

dello Zodiaco E H. Engler June 20 8.30-11.15 Session 10 Room 9 p. 33 C. Casey June 21 8.30-11.15 Session 19 Stanza p. 41 D. Fabricius June 21 14.00-16:45 Session 24 Room 10 p. 44 della Caccia A. Falbel June 18 09.00-13.00 Side Event Castello del p. 47 M. Cassani June 20 15.45-18.30 Phd Roundtable Stanza p. 38 Valentino/Room 6 Simonetti 2 dello Zodiaco J. Ferng June 20 15.45-18.30 Session 14 Room 8 p. 36 R. Caterino June 21 8.30-11.15 Session 19 Stanza p. 41 June 19 19.00-21.00 Side Event Ristorante p. 50 della Caccia «Il Barbagusto» A. Celedon Forster June 20 15.45-18.30 Open Session 2 Stanza p. 38 K. Förster June 21 14.00-16:45 Session 24 Room 10 p. 44 C della Caccia V. Fortunato June 19 15.45-18.30 Session 5 Stanza p. 31 J.H. Chang June 20 15.45-18.30 Session 13 Room 7 p. 36 della Caccia I. Cheng June 21 14.00-16:45 Session 23 Room 9 p. 43 F A. Forty June 19 10.30-11.00 Opening Teatro Regio / p. 21 P. Christesen June 21 14.00-16:45 Roundtable 3 Stanza p. 44 Address Foyer Del Toro dello Zodiaco June 21 14.00-16:45 Open Session 3 Stanza p. 43 J. Clarke June 19 15.45-18.30 Session 6 Stanza p. 31 della Caccia dello Zodiaco H. Frank June 18 13.00-16.00 Side Event Castello del p. 49 E. Cobb June 19 15.45-18.30 Session 1 Room 6 p. 29 Valentino/Stanza C.E. Comas June 21 14.00-16:45 Session 22 Room 7 p. 42 della Caccia M. Comba June 21 8.30-11.15 Session 20 Stanza p. 41 June 21 17.45-18.45 Keynote Torino Esposizioni pp. 24, dello Zodiaco / Salone B 26 G. Comoglio June 20 8.30-11.15 Phd Roundtable Stanza p. 35 S. Galletti June 20 8.30-11.15 Session 8 Room 7 p. 32 1 dello Zodiaco E. Garofalo June 19 15.45-18.30 Session 5 Stanza p. 31 J. Correia June 20 15.45-18.30 Open Session 1 Room 10 p. 37 della Caccia C. Cowell June 20 15.45-18.30 Session 13 Room 7 p. 36 G. Gasco June 21 14.00-16:45 Session 23 Room 9 p. 43 K. Cupers June 19 15.45-18.30 Session 4 Room 10 p. 30 Y. Geng June 20 15.45-18.30 Session 15 Room 9 p. 37 D. Cutolo June 21 8.30-11.15 Roundtable 2 Room 10 p. 40 M. Gharipour June 21 8.30-11.15 Session 19 Stanza p. 41 G. Dardanello June 20 8.30-11.15 Roundtable 1 Stanza p. 34 della Caccia della Caccia R. Ghoche June 20 15.45-18.30 Session 14 Room 8 p. 36 P. Davies June 20 15.45-18.30 Session 12 Room 6 p. 35 F.M. Giammusso June 20 15.45-18.30 Phd Roundtable Stanza p. 38 S. de Jong June 20 15.45-18.30 Session 14 Room 8 p. 36 2 dello Zodiaco F. De Pieri June 18 13.00-16.00 Side Event Castello del p. 49 E. Gianasso June 20 8.30-11.15 Roundtable 1 Stanza p. 34

Valentino/Stanza G della Caccia della Caccia L. Gil June 19 15.45-18.30 Session 5 Stanza p. 31 June 19 19.00-21.00 Side Event Galleria Caracol p. 50 della Caccia

N. De Togni June 20 8.30-11.15 Phd Roundtable Stanza p. 35 D P. Goad June 21 8.30-11.15 Session 17 Room 7 p. 39 authors 1 dello Zodiaco I. González Galán June 21 8.30-11.15 Session 20 Stanza p. 41 authors

J.I. del Cueto June 21 14.00-16:45 Session 22 Room 7 p. 42 dello Zodiaco

of Ruiz-Funes M. González June 21 14.00-16:45 Session 22 Room 7 p. 42 of M. Delbeke June 20 15.45-18.30 Session 14 Room 8 p. 36 Pendás x x D. Deriu June 21 17.00-17.45 Conference Torino Esposizioni p. 24 J. Gosseye June 19 15.45-18.30 Session 4 Room 10 p. 30 Résumé / Salone B E. Greco June 20 8.30-11.15 Phd Roundtable Stanza p. 35 R. Devos June 21 14.00-16:45 Session 21 Room 6 p. 42 1 dello Zodiaco inde inde

78 79 J. Gritti June 19 15.45-18.30 Session 5 Stanza p. 31 L. Klein June 21 8.30-11.15 Session 18 Room 9 p. 40 della Caccia H.E. Koliji June 21 8.30-11.15 Session 19 Stanza p. 41 H.E. Grossman June 20 8.30-11.15 Session 9 Room 8 p. 33 della Caccia G

M. Grossman June 20 8.30-11.15 Session 9 Room 8 p. 33 K R. Kozlovsky June 19 15.45-18.30 Session 1 Room 6 p. 29 V. Grossman June 21 8.30-11.15 Session 17 Room 7 p. 39 P. Kratochvíl June 21 8.30-11.15 Roundtable 2 Room 10 p. 40 A. Gzowska June 21 8.30-11.15 Session 18 Room 9 p. 40 V. Kuli´c June 21 8.30-11.15 Session 18 Room 9 p. 40 P. Haba June 20 8.30-11.15 Session 10 Room 9 p. 33 A. Kurg June 21 8.30-11.15 Session 18 Room 9 p. 40 R. Hanisch June 21 17.00-17.45 Conference Torino Esposizioni p. 24 J. Lagae June 21 14.00-16:45 Session 21 Room 6 p. 42 Résumé / Salone B A. Leach June 20 8.30-11.15 Session 7 Room 6 p. 32 J. Heathcott June 21 8.30-11.15 Roundtable 2 Room 10 p. 40 R. Legault June 21 8.30-11.15 Session 17 Room 7 p. 39 E.C. Heine June 19 15.45-18.30 Session 1 Room 6 p. 29 P. Leitner June 20 8.30-11.15 Session 11 Room 10 p. 34 M. Hershenzon June 21 14.00-16:45 Session 21 Room 6 p. 42 M. Lending June 20 8.30-11.15 Session 11 Room 10 p. 34, H. Heynen June 21 17.00-17.45 Conference Torino Esposizioni p. 24 June 21 11.15-11.55 Side Event Castello p. 51 Résumé / Salone B del Valentino/ L June 18 19.00-21.00 Side Event Ristorante p. 49 Room 10 «Il Barbagusto» A.M. León June 21 14.00-16:45 Session 22 Room 7 p. 42 A. Hultzsch June 20 8.30-11.15 Session 11 Room 10 p. 34 C. Leoni June 20 15.45-18.30 Session 14 Room 8 p. 36 June 19 18.45-19.30 Side Event Castello del p. 49 M.C. Loi June 20 15.45-18.30 Open Session 1 Room 10 p. 37 Valentino/Room 7 M. Lozanovska June 21 8.30-11.15 Session 17 Room 7 p. 39 H M. Hurx June 21 17.00-17.45 Conference Torino Esposizioni p. 24 C. Lucey June 21 8.30-11.15 Session 19 Stanza p. 41 Résumé / Salone B della Caccia June 19 18.45-19.30 Side Event Castello del p. 49 J. Mack June 19 15.45-18.30 Session 4 Room 10 p. 30 Valentino/Room 7 D. MacManus June 20 8.30-11.15 Session 11 Room 10 p. 34 M. Hvattum June 20 15.45-18.30 Phd Roundtable Stanza p. 38 C. Mambriani June 19 15.45-18.30 Session 6 Stanza p. 31 2 dello Zodiaco dello Zodiaco June 21 11.15-11.55 Side Event Castello p. 51 C. Maniaque June 19 15.45-18.30 Session 3 Room 9 p. 30 del Valentino/ Benton Room 10 M. Marchant June 19 15.45-18.30 Session 4 Room 10 p. 30 June 18 19.00-21.00 Side Event Ristorante p. 49 P. Marcinak June 20 8.30-11.15 Session 10 Room 9 p. 33 «Il Barbagusto» E. Marrone June 20 15.45-18.30 Phd Roundtable Stanza p. 38 T. Hyde June 19 15.45-18.30 Session 6 Stanza p. 31 2 dello Zodiaco dello Zodiaco T. Martelanc June 20 8.30-11.15 Session 8 Room 7 p. 32 A. Ignjatovic June 19 15.45-18.30 Session 2 Room 7 p. 29 P. Martens June 19 15.45-18.30 Session 5 Stanza p. 31

A. Ippoliti June 20 8.30-11.15 Session 8 Room 7 p. 32 I della Caccia F. Irace June 20 12.00-12.45 Keynote Torino Esposizioni pp. 22, M. Martens June 20 8.30-11.15 Session 8 Room 7 p. 32 / Salone B 25 S.L. Martin- June 21 14.00-16:45 Roundtable 3 Stanza p. 44 I. Jackson June 20 15.45-18.30 Session 13 Room 7 p. 36 McAuliffe dello Zodiaco L. Jacobi June 20 15.45-18.30 Open Session 1 Room 10 p. 37 J.P. Martins June 21 8.30-11.15 Session 16 Room 6 p. 39 M K. James- June 21 19.00-19.05 Announcing Torino Esposizioni p. 24 J. Maxim June 20 15.45-18.30 Session 15 Room 9 p. 37 Chakraborty Eahn 2016 / Salone B C.K. May June 19 15.45-18.30 Session 3 Room 9 p. 30 H. Jannière June 20 8.30-11.15 Session 11 Room 10 p. 34

J A. McClain June 21 14.00-16:45 Roundtable 3 Stanza p. 44 C. Jöchner June 20 8.30-11.15 Roundtable 1 Stanza p. 34 dello Zodiaco della Caccia E. McKellar June 20 15.45-18.30 Session 12 Room 6 p. 35 S. Jovanovic June 20 15.45-18.30 Session 15 Room 9 p. 37 M. McLeod June 20 8.30-11.15 Phd Roundtable Stanza p. 35 Weiss 1 dello Zodiaco H.T. Jung June 21 14.00-16:45 Session 21 Room 6 p. 42 N. Meiri-Dann June 20 8.30-11.15 Session 7 Room 6 p. 32 authors D. Karmon June 20 15.45-18.30 Session 12 Room 6 p. 35 A.M. Meister June 21 8.30-11.15 Session 16 Room 6 p. 39 authors

E. Kashina June 19 15.45-18.30 Session 5 Stanza p. 31 C. Mejia Moreno June 20 8.30-11.15 Session 11 Room 10 p. 34

of della Caccia S. Micheli June 19 15.45-18.30 Session 4 Room 10 p. 30 of J. Ketels June 20 8.30-11.15 Session 8 Room 7 p. 32 L.M. Mignone June 21 14.00-16:45 Roundtable 3 Stanza p. 44 x x

A. Khorakiwala June 19 15.45-18.30 Session 3 Room 9 p. 30 K dello Zodiaco S. Klaiber June 20 8.30-11.15 Roundtable 1 Stanza p. 34 D. Millette June 21 14.00-16:45 Roundtable 3 Stanza p. 44 della Caccia dello Zodiaco inde June 18 19.00-21.00 Side Event Ristorante p. 49 P. Minosh June 21 14.00-16:45 Session 23 Room 9 p. 43 inde «Il Barbagusto»

80 81 L. Molinari June 21 8.30-11.15 Session 20 Stanza p. 41 E. Rowley June 21 8.30-11.15 Session 16 Room 6 p. 39 dello Zodiaco R I. Ruudi Eesti June 20 15.45-18.30 Session 15 Room 9 p. 37 G.L. Montanari June 21 8.30-11.15 Roundtable 2 Room 10 pp. 40 T. Sandstra June 21 8.30-11.15 Roundtable 2 Room 10 p. 40 C. Monterumisi June 20 8.30-11.15 Phd Roundtable Stanza p. 35 F. Scaduto June 19 15.45-18.30 Session 5 Stanza p. 31 1 dello Zodiaco della Caccia

H. Moravˇcíková June 20 8.30-11.15 Session 10 Room 9 p. 33 M F. Schmidt June 19 15.45-18.30 Session 6 Stanza p. 31 P.A. Morton June 21 14.00-16:45 Session 24 Room 10 p. 44 dello Zodiaco N. Mota June 21 8.30-11.15 Session 16 Room 6 p. 39 L. Schrijver June 20 8.30-11.15 Session 7 Room 6 p. 32 A. Moulis June 20 8.30-11.15 Session 7 Room 6 p. 32 D. Sekuliˇc June 20 15.45-18.30 Session 15 Room 9 p. 37 L. Mulvin June 21 14.00-16:45 Roundtable 3 Stanza p. 44 N. Senos June 19 15.45-18.30 Session 5 Stanza p. 31 dello Zodiaco della Caccia E. Naginski June 20 15.45-18.30 Session 14 Room 8 p. 36 H. Seražin June 19 15.45-18.30 Session 5 Stanza p. 31 V. Nègre June 20 15.45-18.30 Open Session 1 Room 10 p. 37 della Caccia A. Nitzan Shiftan June 21 19.05-19.15 Closing Address Torino Esposizioni p. 24 N D. Sherer June 21 8.30-11.15 Session 20 Stanza p. 41 / Salone B dello Zodiaco

E. Okay June 20 15.45-18.30 Session 12 Room 6 p. 35 S A.I. Siddiqi June 20 15.45-18.30 Session 13 Room 7 p. 36 D. Opazo June 21 14.00-16:45 Session 21 Room 6 p. 42 E. Sigge June 21 14.00-16:45 Session 21 Room 6 p. 42

L. Orlandi June 21 8.30-11.15 Roundtable 2 Room 10 p. 40 O M. Simon June 20 8.30-11.15 Session 10 Room 9 p. 33 K. Ottenheym June 19 15.45-18.30 Session 5 Stanza p. 31 D. Siret June 19 15.45-18.30 Session 3 Room 9 p. 30 della Caccia L.M. Soo June 20 15.45-18.30 Open Session 1 Room 10 p. 37 S. Pace June 21 8.30-11.15 Roundtable 2 Room 10 p. 40 Ł. Stanek June 21 14.00-16:45 Session 23 Room 9 p. 43 M. Paeslack June 18 09.00-13.00 Side Event Castello del p. 47 June 18 19.00-21.00 Side Event Ristorante p. 49 Valentino/Room 6 «Il Barbagusto» S. Pasquali June 19 15.45-18.30 Session 6 Stanza p. 31 S. Sterken June 21 14.00-16:45 Session 21 Room 6 p. 42 dello Zodiaco N. Stieber June 21 17.00-17.45 Conference Torino Esposizioni p. 24 V. Patteeuw June 21 14.00-16.45 Session 24 Room 10 p. 44 Résumé / Salone B A. Payne June 19 11.00-12.00 Keynote Teatro Regio / p. 21 B. Stoppioni June 20 15.45-18.30 Phd Roundtable Stanza p. 38 Foyer Del Toro 2 dello Zodiaco E.L. Pelkonen June 21 14.00-16:45 Session 24 Room 10 p. 44 L.C. Szacka June 21 14.00-16:45 Session 24 Room 10 p. 44 M. Pepchinski June 20 8.30-11.15 Session 10 Room 9 p. 33 M. Tabarrini June 20 8.30-11.15 Roundtable 1 Stanza p. 34 S. Pisciella June 20 8.30-11.15 Session 9 Room 8 p. 33

P della Caccia E. Poehler June 21 14.00-16:45 Roundtable 3 Stanza p. 44 T C. Thake June 20 8.30-11.15 Session 8 Room 7 p. 32 dello Zodiaco A. Tostões June 21 8.30-11.15 Session 17 Room 7 p. 39 A. Pollali June 20 8.30-11.15 Session 8 Room 7 p. 32 E. Tsilika June 19 15.45-18.30 Session 4 Room 10 p. 30 C. Popescu June 20 15.45-18.30 Session 15 Room 9 p. 37 O. Uduku June 20 15.45-18.30 Session 13 Room 7 p. 36 June 18 19.00-21.00 Side Event Ristorante p. 49

U C.C. Ungureanu June 20 15.45-18.30 Session 14 Room 8 p. 36 «Il Barbagusto» F. Urban June 21 8.30-11.15 Session 18 Room 9 p. 40 T. Potoˇcnik June 20 8.30-11.15 Session 10 Room 9 p. 33 E. Vai June 20 15.45-18.30 Phd Roundtable Stanza p. 38 R. Proctor June 19 15.45-18.30 Session 2 Room 7 p. 29 2 dello Zodiaco T. Proietti June 20 8.30-11.15 Phd Roundtable Stanza p. 35 M. van Bee June 20 8.30-11.15 Roundtable 1 Stanza p. 34 1 dello Zodiaco della Caccia P. Pyla June 19 15.45-18.30 Session 3 Room 9 p. 30 D. van der Plaat June 20 15.45-18.30 Session 13 Room 7 p. 36 A. Quantrill June 19 15.45-18.30 Session 3 Room 9 p. 30

V C. van Eck June 20 15.45-18.30 Session 14 Room 8 p. 36 M. Quintã June 21 8.30-11.15 Session 17 Room 7 p. 39 Q R. Verde Zein June 21 8.30-11.15 Session 17 Room 7 p. 39 M.B. Rabens June 19 15.45-18.30 Session 2 Room 7 p. 29 M. Vidal June 19 15.45-18.30 Session 1 Room 6 p. 29 C. Rauhut June 19 15.45-18.30 Session 1 Room 6 p. 29 N. Vossoughian June 21 14.00-16:45 Session 23 Room 9 p. 43

authors C. Renzoni June 19 19.00-21.00 Side Event Galleria Caracol p. 50 authors

D. Vranic June 21 14.00-16:45 Open Session 3 Stanza p. 43 I. Requena Ruiz June 19 15.45-18.30 Session 3 Room 9 p. 30 della Caccia M. Riggs June 20 8.30-11.15 Roundtable 1 Stanza p. 34 of W. Wagemakers June 20 8.30-11.15 Session 9 Room 8 p. 33 of della Caccia R E.D. Walker June 20 15.45-18.30 Session 14 Room 8 p. 36 x F. Rosenberg June 19 15.45-18.30 Session 1 Room 6 p. 29 x Y. Wang June 20 15.45-18.30 Open Session 2 Stanza p. 38 M. Rosso June 19 10.30-11.00 Opening Teatro Regio / p. 21

W della Caccia Address Foyer Del Toro K. Wang June 20 15.45-18.30 Open Session 2 Stanza p. 38

inde C. Rostagni June 21 8.30-11.15 Session 20 Stanza p. 41 inde della Caccia dello Zodiaco

82 83 B. Ward June 20 15.45-18.30 Session 12 Room 6 p. 35 B.W. Wescoat June 21 14.00-16:45 Roundtable 3 Stanza p. 44

dello Zodiaco W N. Westbrook June 20 8.30-11.15 Session 9 Room 8 p. 33 M. Zarmakoupi June 21 14.00-16:45 Roundtable 3 Stanza p. 44 dello Zodiaco C. Zimmerman June 21 8.30-11.15 Session 16 Room 6 p. 39 Z C. Zito June 21 14.00-16:45 Open Session 3 Stanza p. 43 della Caccia Save the Date 2016 EAHN 4th International Meeting Dublin 2-4 June 2016

84 CASTELLO DEL VALENTINO

stanza PIANO NOBILE zodiaco stanza book caccia shop

registration desk

lunch room 10

GROUND FLOOR room room 9 8

room room 7 6 Organisation h network Sponsors

With the additional support of

Direzione di Staff Controllo Strategico e Direzionale, Facility e Appalti Assessorato alla Cultura