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Boso's- Lfe of Alexdnder 111
Boso's- Lfe of Alexdnder 111 Introduction by PETER MUNZ Translated by G. M. ELLIS (AG- OXFORD . BASIL BLACKWELL @ Basil Blackwell 1973 AI1 rights Reserved. No part of this publication may be reproduced, stored in a retrieval System, or uansmitted, in any form or by. any. means, electronic, mechanical, photo- copying, recording or otherwise, without the prior permis- sion of Basil Blackwell & Mott Limited. ICBN o 631 14990 2 Library of Congress Catalog Card Num'cer: 72-96427 Printed in Great Britain by Western Printing Services Ltd, Bristol MONUMENTA GERilAANIAE I-' 11.2' I d8-:;c,-q-- Bibliothek Boso's history of Pope Alexander I11 (1159-1181) is the most re- markable Part of the Liber Pontificalis. Unlike almost all the other contributions, it is far more than an informative chronicle. It is a work of history in its own right and falsely described as a Life of Alexander 111. Boso's work is in fact a history of the Iong schism in the church brought about by the double election of I159 and perpet- uated until the Peace of Venice in I 177. It makes no claim to be a Life of Alexander because it not only says nothing about his career before his election but also purposely omits all those events and activities of his pontificate which do not strictly belong to the history of the schism. It ends with Alexander's return to Rome in 1176. Some historians have imagined that this ending was enforced by Boso's death which is supposed to have taken piace in 1178.~But there is no need for such a supposition. -
Front Matter
Cambridge University Press 978-1-107-14770-6 — Turin and the British in the Age of the Grand Tour Edited by Paola Bianchi , Karin E. Wolfe Frontmatter More Information i Turin and the British in the Age of the Grand Tour h e Duchy of Savoy i rst claimed royal status in the seventeenth century, but only in 1713 was Victor Amadeus II, Duke of Savoy (1666– 1732), crowned King of Sicily. h e events of the Peace of Utrecht (1713) sanc- tioned the decades- long project the Duchy had pursued through the con- voluted maze of political relationships between foreign powers. Of these, the British Kingdom was one of their most assiduous advocates, because of complementary dynastic, political, cultural and commercial interests. A notable stream of British diplomats and visitors to the Sabaudian capital engaged in an extraordinary and reciprocal exchange with the Turinese during this fertile period. h e l ow of travellers, a number of whom were British emissaries and envoys posted to the court, coincided, in part, with the itineraries of the international Grand Tour which transformed the capital into a gateway to Italy, resulting in a conl agration of cultural cosmopolitanism in early modern Europe. PAOLA BIANCHI teaches Early Modern History at the Universit à della Valle d’Aosta. She has researched and written on the journeys of various English travellers who came to Italy in the eighteenth century to be pre- sented at the Savoy court and to be part of Piedmont society. Her pub- lications include Onore e mestiere. Le riforme militari nel Piemonte del Settecento (2002); Cuneo in et à moderna. -
Coastal Landscape, Pieter Mauritz Bolckman (1640 - 1710)
anticSwiss 23/09/2021 12:48:34 http://www.anticswiss.com Coastal landscape, Pieter Mauritz Bolckman (1640 - 1710) SOLD ANTIQUE DEALER Period: 17° secolo -1600 Antichità Castelbarco Riva del Garda Style: Rinascimento, Luigi XIII +39 0464 973235 393494296409 Height:99cm Width:131cm Material:Olio su tela Price:0€ DETAILED DESCRIPTION: Pieter Mauritz Bolckman or italianised Pietro Maurizio Bolckman (Gorinchem, Netherlands 1640 - Turin 1710) Lively coastal landscape with a market scene oil on canvas cm. 88 x 119 In the frame in gilded and lacquered wood cm. 99 x 131 Expertise of Professor Camillo Manzitti Tous les détails sur: https://www.antichitacastelbarco.it/it/prodotto/pieter-mauritz- bolckman-paesaggio-costiero-1 The painting represents an important and significant addition to the catalog of the painter Pietro Maurizio Bolckman (Gorinchem, 1640 - Turin, 1710), of Dutch nationality, but active mainly in Italy during the second half of the 17th century, first to Rome, then to Genoa and finally, from 1679, to Turin. The work, particularly rich in detail, depicts a fanciful coastal landscape, such as the scene of a bustling scene animated by rich buyers, merchants and fishermen, busy in their daily activities. The style with which the characters and genre scenes are underlined perfectly expresses the style of the master. The figures seem to be typical of the repertoire of the Dutch painter, where the influence of the Bamboccianti school learned during his stay in Rome is evident; The details of the work, the characters in the first place, can be compared to those who populate one of the most famous paintings of Bolckman, illustrating the extension of the shroud of Piazza Castello, now located in the castle of Racconigi, 'Opera' Scene of popular life overlooking Piazza Castello 'from Palazzo Madama to Turin. -
Honors Thesis
Honors thesis SPECIALISTIC DEGREE COURSE of «Design of gardens, parks and landscape» Abstract «The Park of the Castle of Racconigi, an unique experience of restoring and managing» Tutor by Prof.ssa Maria Adriana GIUSTI Marco FERRARI Graduation session February 2016 Since 1980 - year of the acquisition by the State Property Administration - up to 2010, the 180 hectares of the park of the Castle of Racconigi benefited from the restoration involving, an estimate 18 million Euros of investments. In these thirty years, the works have been supervised by the architect Mirella Macera, a Superintendence of Cultural Heritage official and Director of the Manor since 1994. She had discovered and deeply understood the spirit of the park in the first place, having being hosted there with her family since 1983. Having lived there and having dealt with it throughout the years, she got to imagine and plan the most appropriate management strategies and to put together an efficient staff to pursue these objectives. After having opened to the public in 1992, the castle and the park hosted just over 16.000 visitors, while 14 years later, in 2006, the threshold of 200.000 visits was reached, getting more than 12 times the initial visitors. Therefore, Racconigi for that year was the third most visited museum in Piedmont. It was acknowledged as a UNESCO Heritage Site and registered in the European network «Natura 2000» as Site of Community Importance. In 2010 it also received the award as «Italy’s Most Beautiful Park». Racconigi: the town, the castle and the park. Aerial photo, 2003. -
Press Release WILLIAM KENTRIDGE Preparing the Flute
Press release WILLIAM KENTRIDGE Preparing the Flute Opening Wednesday 16 November 2005, 5.00 pm – 9.00 pm, Galleria Lia Rumma Naples, Via Vannella Gaetani, 12 Tel.+39.081.7643619, Fax+39.081.7644213 e-mail [email protected] –web: www.gallerialiarumma.it Gallery opening times: from Tuesday to Friday from 4.30 pm to 7.30 pm – on other days by appointment During 2005, William Kentridge was responsible for the sets and the direction of The Magic Flute by Wolfgang Amadeus Mozart for the opening of the new season of Brussels La Monnaie/De Munt Opera House, as part of an initiative promoted by the same theatre with Foundation of the San Carlo Opera House in Naples, the Lille Opera House and the Theatre of Caen. The project to be shown at the Lia Rumma Gallery in Naples is entitled Preparing the Flute and presents a reduced scale interior of a theatre which refers to the set design adopted in Brussels. The structure has a series of five progressive wings which mark out the perspective of the space and act as a frame for the video projected onto the end wall. At the same time other animated images, these also drawn with white lines onto a black background are projected frontally using the lateral wings as screens. The video and the drawings on display in the exhibition show landscapes and figures that allude, often in ironical fashion, to the events and characters from Mozart’s opera. In this way, the themes which are already present in other of Kentridge’s works – such as the caged lion, the metamorphosis whereby objects are transformed into animals, the broken lines that become brightly lit paths.. -
YOU CAN DO Welcome to the Vibrant Palazzo Madama Overlooking Heart of the City That Has in Turin Piazza Castello
TURIN CITY GUIDE ® JULY 2021 WWW.WHEREITALIA.COM/TURIN ALL YOU CAN DO Welcome to the vibrant Palazzo Madama overlooking heart of the city that has IN Turin Piazza Castello. marked Italian history SIGHTSEEING | MUSEUMS | SHOPPING | DINING | ENTERTAINMENT | MAPS DISCOVER DISCOVER MORE Turin July 2021 Dear friends and readers, the tourism sector is Where tips in great difficulties all over the world. We must therefore thank 26 SHOPPING you who are reading us At Tonatto you can find now because you are In love home fragrances and nonetheless the hope of recovery as the world perfumes, or create BRENTATORE your scent. CORSO VERCELLI slowly overcomes the CORSO ALESSANDRIA pandemic.TANGENZIALE We ItaliansNORD TORINO VI A PAG ANE LLI Parrocchia Santa Gianna have experienced all CORSO GIUSEPPE GARIBALDI 32 DINING CORSO GIULIO CESARE V I A L A N Z O S T R A D A D I D R U E N D O manner of crises and we ‘Le Vitel Étonné’ S T R A D A D I Dwith R U E N D O have always overcome STRADA DI DRUENDO VIA VERONESE restaurant serves 500 m them by trying not VIA V I A R E I S S R O M O L I BERGERA VENAR Piedmontese dishes, V IA A NDREA SANSOV IA to lose that smile of V I A R E I S S R O M O L I IN O VIA TRAVES CORSO GAETANO SCIREA Juventus Museum VIA VERONESE re-imagined to suit REBAUDENGO ELLA welcome that we once C V ST IA RADA DE Allianz Stadium GIOV LLA CONTI VI NESSA VIA REISS ROMOLI A AL contemporary tastes. -
The History of Painting in Italy, Vol. V
The History Of Painting In Italy, Vol. V By Luigi Antonio Lanzi HISTORY OF PAINTING IN UPPER ITALY. BOOK III. BOLOGNESE SCHOOL. During the progress of the present work, it has been observed that the fame of the art, in common with that of letters and of arms, has been transferred from place to place; and that wherever it fixed its seat, its influence tended to the perfection of some branch of painting, which by preceding artists had been less studied, or less understood. Towards the close of the sixteenth century, indeed, there seemed not to be left in nature, any kind of beauty, in its outward forms or aspect, that had not been admired and represented by some great master; insomuch that the artist, however ambitious, was compelled, as an imitator of nature, to become, likewise, an imitator of the best masters; while the discovery of new styles depended upon a more or less skilful combination of the old. Thus the sole career that remained open for the display of human genius was that of imitation; as it appeared impossible to design figures more masterly than those of Bonarruoti or Da Vinci, to express them with more grace than Raffaello, with more animated colours than those of Titian, with more lively motions than those of Tintoretto, or to give them a richer drapery and ornaments than Paul Veronese; to present them to the eye at every degree of distance, and in perspective, with more art, more fulness, and more enchanting power than fell to the genius of Coreggio. Accordingly the path of imitation was at that time pursued by every school, though with very little method. -
Pannelli Del Percorso Di Visita Rinnovato
PIANO INTERRATO Sala 2 Pannello prima esedra I SAVOIA: UNA STORIA MILLENARIA La visita della Reggia di Venaria si apre lungo il suggestivo Piano Seminterrato e qui si sviluppa in tre atti: la storia dei Savoia nel corso di dieci secoli (“La Dinastia”), l’evoluzione dei dominii da Contea a Regno (“L’espansione dello Stato”) e l’architettura come espressione di potere e sfoggio di grandezza (“L’architettura”). LA DINASTIA Opere artistiche, testimonianze storiche e allestimenti multimediali contribuiscono in queste sale alla rievocazione di una vicenda millenaria: quella dei Savoia, della loro abilità diplomatica, della loro tradizione militare, della loro attenta politica sociale e di riforme. Grazie a queste molteplici capacità i Savoia, partendo da un territorio periferico, riuscirono a inserirsi nel gioco dei grandi stati europei. Conti nel Medioevo, duchi dal ‘400 e re dal ‘700: i Savoia sono una delle dinastie più longeve della storia. Quasi un millennio, infatti, trascorre da Umberto I Biancamano, intorno all’anno Mille, a Umberto II, ultimo re d’Italia nel 1946. I Savoia si consideravano tedeschi e come tali si rappresentarono a partire dal ‘400 quali discendenti dei Wettin, casa sassone che aveva espresso diversi imperatori del Sacro Romano Impero e che ancora oggi siede sui troni di Belgio e Gran Bretagna. I Savoia erano gli unici vicari in Italia del Sacro Romano Impero, con il diritto di creare nobili e, dal 1451, quello di nominare i vescovi e gli abati dei loro Stati. Due anni dopo i Savoia divennero proprietari della Sindone. Il possesso della reliquia e la beatificazione di ben cinque membri della famiglia vennero interpretati come segni di una dinastia chiamata a governare per “volontà divina”. -
Andrea Bruno at the Velasca Tower
Milan, 9 May 2016 Starting today, the Velasca Tower will host an exhibition dedicated to an Italian master architect PROGETTARE L’ESISTENTE (DESIGNING THE EXISTING) ANDREA BRUNO AT THE VELASCA TOWER At the Velasca Tower, an exhibition of the architect Andrea Bruno expands on the themes of recovery and conservation A tribute to the architect Andrea Bruno before his departure for Paris where he will be awarded an honorary degree by the Conservatoire national des arts et métiers on 13 May Until 5 July, the Velasca Tower will host a retrospective exhibition dedicated to Andrea Bruno, an Italian mater architect who has linked his name to the design of museums and the ingenious conversion of historic buildings. For Andrea Bruno, transformation is “the only way to guarantee the preservation of memories through architecture”. The Velasca Tower, which has always represented the perfect synthesis of tradition and innovation, is thus the ideal location to display some of the main projects by the architect Andrea Bruno. During his professional career, Bruno has found the right balance between historic value and functionality, highlighting how the restoration of architectural icons can still be an opportunity for functional and economic historical enhancement. On display are 16 models, photographs, original sketches and technical drawings of some of the many projects realised from the 60s up until today, through which it is possible to understand the profound meaning of Designing the Existing for Bruno. An approach that starts with the identification of the correct use for the “existing” in order to enhance the same through innovative and always original design solutions that ensure its conservation over time. -
Programme and Tours Connections Between Teatro Regio Castello Del Valentino Torino Esposizioni and Circolo Eridano
EUROPEAN ARCHITECTURAL HISTORY NETWORK THIRD INTERNATIONAL MEETING PROGRAMME AND TOURS CONNECTIONS BETWEEN TEATRO REGIO CASTELLO DEL VALENTINO TORINO ESPOSIZIONI AND CIRCOLO ERIDANO Bus Stop PO Bus Stop n. Marconi 18 Bus Stop n. Donizetti 18 EUROPEAN ARCHITECTURAL HISTORY NETWORK THIRD INTERNATIONAL MEETING PROGRAMME AND TOURS Welcome to the Third International EAHN Meeting in Turin After the two successful International Meetings in Guimarães (2010) and Brussels (2012), we are now gathering in Turin for our Third International Conference. Turin, “the nicest village in the world” for Montesquieu, “one-company town” for so many 20th-century observers, has many histories that can speak for it. In the last fifteen years, Turin’s cultural offer and its tourist accommodation capacity have widely increased. The city is reorganizing its economic identity also by promoting and being host to an array of cul- tural activities, exhibitions and conventions related to the cultural heritage, considered in its broad range of artistic, architectural, environmental as- sets and resources. World-famous events have reshaped Turin’s public im- age. The Winter Olympic Games (2006), the exhibition of the Holy Shroud (2010), and the celebrations of the 150th anniversary of the Unification of Italy (2011), put much energy into the connection between mega-events and cultural elaboration, through an extensive programme of exhibitions, historic symposia and thematic itineraries. Turin is home to a lively community of historians and has attracted the inter- est of architectural and urban historians during most of the 20th century. The city’s baroque architecture gained the early attention of scholars such as Albert Erich Brinckmann, who in 1931 dedicated to Turin and Pied- mont his book Theatrum novum Pedemontii: Ideen, Entwürfe und Bauten von Guarini, Juvarra, Vittone. -
Celebriamo Leonardo 500 WE CELEBRATE LEONARDO DA VINCI 500 YEARS AFTER HIS DEATH
Celebriamo Leonardo 500 WE CELEBRATE LEONARDO DA VINCI 500 YEARS AFTER HIS DEATH EVENT OFFICIAL INTRODUCTION 2019 - ITALY ORGANIZED BY THE PARTNER: PROMOTED BY: Lomonen Group SE WORLD DIGITAL FOUNDATION (Member of “Discovery Kepler “) (A Scientific Foundation for the International Organisation) HQ. Adress: Corso Principe Oddone nr.18 - 10121 TORINO (ITALY) General Secretary Contacts + 39 334 2177239 Press Office: + 39 333 4509653 - E-mail: [email protected] CELEBRIAMO LEONARDO 500 (WE CELEBRATE LEONARDO DA VINCI 500 YEARS AFTER HIS DEATH) 1519-2019 THE NATIONAL INSTITUTIONAL EVENT FOR 500 YEARS CELEBRATIONS FROM THE ITALIAN GENIUS LEONARDO DA VINCI’S DEATH “Once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been, and there you will always long to return” Leonardo Da Vinci (The Atlantic Code ) _________________________________________________________________________________________ 29 NOVEMBER – 1st DECEMBER 2019 ROYAL CASTLE OF MONCALIERI TURIN - ITALY Castello di Moncalieri (Torino) ( ITALIA) THE EVENT’S LOCATION PROFILE The castle of Moncalieri is a Palace in the town of Moncalieri in the province of Turin (Italian Piedmont region). Along with other Royal residences of the Savoy dynasty in 1997, the year inscribed in the UNESCO world Cultural Heritage site by UNESCO. The first building on this site was a fortress built on a hill approximately 1,100 th year on the orders of Tom Zavoiskogo. The main task of the fortress was controlling the southern approach to Turin. In the mid-17th century Yolanda of Valois, wife of Duke Amadeus IX, turned the building into a charming country residence. By the architect Carlo di Castellamonte, the fortress was expanded considerably, and the interiors redesigned by local artists. -
2013 Imposta a Carico Di Chi Lo Espone - Dpr 639 Del 29-10-72 © Slp Assicurazioni Spa Progetto Ufficio Promozione E Sviluppo Le Residenze Sabaude
CompagniaAssicurazioni di Spese assicurazione Legali Peritali di “Tutelae Rischi Legale”Accessori Sede e Dir Gen: 10121 Torino - C.so Matteotti 3 bis - Tel. 011.548.003 - 011.548.748 - Fax 011.548.760 - sito www.slpspa.it Capitale Sociale 2.508.000 i. v. - Sez. I Albo Imprese ISVAP n° 1.00044 - C.C.I.A.A. TO 528412 - P.IVA 02025890019 CALENDARIO 2013 IMPOSTA A CARICO DI CHI LO ESPONE - DPR 639 DEL 29-10-72 © SLP ASSICURAZIONI SPA PROGETTO UFFICIO PROMOZIONE E SVILUPPO LE RESIDENZE SABAUDE Compagnia di assicurazione di “Tutela Legale” Sede e Dir Gen: 10121 Torino - C.so Matteotti 3 bis - Tel. 011.548.003 - 011.548.748 - Fax 011.548.760 - sito www.slpspa.it Capitale Sociale 2.508.000 i. v. - Sez. I Albo Imprese ISVAP n° 1.00044 - C.C.I.A.A. TO 528412 - P.IVA 02025890019 MONCALIERI (TO) - CASTELLO TORINO - CASTELLO TORINO - CASTELLO DEL VALENTINO TORINO - VILLA DELLA REGINA AGLIE’ (TO) - CASTELLO TORINO - PALAZZO REALE VENARIA REALE (TO) - REGGIA RIVOLI (TO) - CASTELLO RACCONIGI (CN) - CASTELLO REALE TORINO - PALAZZO CARIGNANO TORINO - PALAZZO MADAMA STUPINIGI (TO) - PALAZZINA DI CACCIA Si ringraziano: © SLP Assicurazioni Spa - La riproduzione è consentita solo su autorizzazione scritta della Società. - il Prof. Enzo Papa per l’elaborazione dell’apparato illustrativo Note: Per le immagini tratte da repertori di pubblica consultazione la SLP è disponibile a riconosce- - la Prof.ssa Luigia Montagna per la consulenza storico-geografica re eventuali spettanze. Il calendario, offerto in omaggio, non ha fini di lucro. Imposta a carico di chi lo espone: Dpr 639 del 29-10-72 LE RESIDENZE SABAUDE Quando Emanuele Filiberto venne a Torino nel 1559, dopo la lati torinesi risiedevano a Roma, delegando un Ausiliario alla vittoria sui Francesi nella battaglia di San Quintino (1557), non gestione degli obblighi pastorali e amministrativi della Diocesi.