Tour of the Royal Residences and Tasting Itinerary

Total Page:16

File Type:pdf, Size:1020Kb

Tour of the Royal Residences and Tasting Itinerary TOUR OF THE ROYAL RESIDENCES AND TASTING ITINERARY Art, history, flavours, fragrances and colours will be the leading themes of this inventive itinerary, in order to discover an outstanding artistic heritage, as well as the characteristic products of Piedmontese tradition with an exquisite selection of foods and wines. THE ROYAL HOUSE ROYAL PROGRAM OF SAVOY TASTINGS The origin of the Royal “Royal tastings” offers a tour 1ST DAY: Residences of Savoy dates of some of the residences Tour of Reggia di Venaria; back to the second half of composing the Crown lunch on-site. In the 1500s, when Emmanuel of Delights, from a new afternoon, tour of the Philibert, Duke of Savoy and “tasty” point of view, Castle of Rivoli (Museum moved his capital city to involving history and art, of Contemporary art), royal Turin, commissioning the as well as flavours and tea break at the coffee bar rehash of ancient castles fragrances; the guides of (For the 4 days tour: return and the building of new CulturalWay will lead the to the hotel for dinner and residences along the great visitors in a tour giving them overnight). green area surrounding the the opportunity to live the 2ND DAY: city. The system of the Royal atmosphere of the royal past, Tour of the Castle of Residences reached its period tasting ancient flavours. Racconigi; lunch in a local of grandeur between the The package includes tasting restaurant. In the afternoon, XVII and the XVIII century, itineraries of traditional tour of the Palazzina di Caccia thanks to the establishment products that will be of Stupinigi and tasting of what Amedeo di consumed inside the museum itinerary of characteristic Castellamonte called rooms chosen for the tour and products. (For the 4 days tour: Corona di delizie (Crown inside some farmsteads and return to the hotel for dinner of Delights), a particular winehouses as well. There are and overnight). system composed by palaces, two kinds of programs that 3RD DAY: vineyards, houses and castles, visitors can choose: 1 day or Tour of Villa della Regina, royal residences representing 4 days, including the sojourn tasting itinerary in a wine the style and the power in Turin. bar of the structure. In the of the Savoy. Among these, afternoon, tour of the wine there are: Palazzo Reale, cellars and museums annexed Villa della Regina, to the building. (For the 4 Castle of Racconigi, days tour: return to the hotel Castle of Rivoli, for dinner and overnight). Castle of Agliè, 4TH DAY: Reggia di Venaria Reale Tour of the Castle of Aglié, and the Palazzina tasting itinerary in a local di Caccia of Stupinigi. wine bar and tour of the vineyards. In the afternoon, tour of the Palazzo Reale, tasting itinerary in a local winehouse. Return to Turin to the hotel and end of services. The sojourn is planned at the SHARING*** Hotel in Turin. 1 2 3 4 5 6 7 1 Castello di Rivoli 4 Castello Ducale di Agliè 7 Palazzina di Caccia 2 Villa della Regina 5 Reggia di Venaria di Stupinigi 3 Palazzo Reale 6 Castello di Racconigi ROYAL TASTINGS - 4 DAYS AND SOJOURN • For groups from 25 to 35 people € 387,00 p.p. • For groups of 40 people € 374,00 p.p. • For groups of 45 people € 364,00 p.p. • For groups of 50 people € 357,00 p.p. The price includes: • Sojourn of 4 days/3 nights, half-board service, drinks excluded, at the SHARING*** Hotel of Turin, double or multiple rooms; • Private GT coach for all the scheduled tours; • TORINO + PIEMONTE CARD for adults, for 5 days, allowing the entrance to the scheduled Royal Residences (and other museums and cultural locations); • Guided tours at the scheduled Royal Residences with a qualified tourist guide in Italian language for groups of 25 people; for groups of foreign language, there is an extra of € 7,00 p.p. • All the scheduled tasting itineraries; • Insurances. The price doesn’t include: • Anything specified in the section “The price includes”. ROYAL TASTINGS - 1 DAY • For groups from 25 to 35 people € 92,00 p.p. • For groups of 40 people € 87,00 p.p. • For groups of 45 people € 84,00 p.p. • For groups of 50 people € 82,00 p.p. The price includes: • Private GT coach for all the scheduled tours; • Ticket allowing the entrance to the scheduled Royal Residences for the chosen day of the tour ; • Guided tours at the scheduled Royal Residences with a qualified tourist guide in Italian language for groups of 25 people; for groups of foreign language, there is an extra of € 2,00 p.p.; • All the scheduled tasting itineraries; • Insurances. The price doesn’t include: • Anything specified in the section “The price includes”. Technical organization: KELUAR S.r.l. Via Assietta, 16/b - 10128 Torino - Tel. 011 5162979 - 011 5162038 - Fax 011 5175486 www.keluar.it - [email protected].
Recommended publications
  • Boso's- Lfe of Alexdnder 111
    Boso's- Lfe of Alexdnder 111 Introduction by PETER MUNZ Translated by G. M. ELLIS (AG- OXFORD . BASIL BLACKWELL @ Basil Blackwell 1973 AI1 rights Reserved. No part of this publication may be reproduced, stored in a retrieval System, or uansmitted, in any form or by. any. means, electronic, mechanical, photo- copying, recording or otherwise, without the prior permis- sion of Basil Blackwell & Mott Limited. ICBN o 631 14990 2 Library of Congress Catalog Card Num'cer: 72-96427 Printed in Great Britain by Western Printing Services Ltd, Bristol MONUMENTA GERilAANIAE I-' 11.2' I d8-:;c,-q-- Bibliothek Boso's history of Pope Alexander I11 (1159-1181) is the most re- markable Part of the Liber Pontificalis. Unlike almost all the other contributions, it is far more than an informative chronicle. It is a work of history in its own right and falsely described as a Life of Alexander 111. Boso's work is in fact a history of the Iong schism in the church brought about by the double election of I159 and perpet- uated until the Peace of Venice in I 177. It makes no claim to be a Life of Alexander because it not only says nothing about his career before his election but also purposely omits all those events and activities of his pontificate which do not strictly belong to the history of the schism. It ends with Alexander's return to Rome in 1176. Some historians have imagined that this ending was enforced by Boso's death which is supposed to have taken piace in 1178.~But there is no need for such a supposition.
    [Show full text]
  • Front Matter
    Cambridge University Press 978-1-107-14770-6 — Turin and the British in the Age of the Grand Tour Edited by Paola Bianchi , Karin E. Wolfe Frontmatter More Information i Turin and the British in the Age of the Grand Tour h e Duchy of Savoy i rst claimed royal status in the seventeenth century, but only in 1713 was Victor Amadeus II, Duke of Savoy (1666– 1732), crowned King of Sicily. h e events of the Peace of Utrecht (1713) sanc- tioned the decades- long project the Duchy had pursued through the con- voluted maze of political relationships between foreign powers. Of these, the British Kingdom was one of their most assiduous advocates, because of complementary dynastic, political, cultural and commercial interests. A notable stream of British diplomats and visitors to the Sabaudian capital engaged in an extraordinary and reciprocal exchange with the Turinese during this fertile period. h e l ow of travellers, a number of whom were British emissaries and envoys posted to the court, coincided, in part, with the itineraries of the international Grand Tour which transformed the capital into a gateway to Italy, resulting in a conl agration of cultural cosmopolitanism in early modern Europe. PAOLA BIANCHI teaches Early Modern History at the Universit à della Valle d’Aosta. She has researched and written on the journeys of various English travellers who came to Italy in the eighteenth century to be pre- sented at the Savoy court and to be part of Piedmont society. Her pub- lications include Onore e mestiere. Le riforme militari nel Piemonte del Settecento (2002); Cuneo in et à moderna.
    [Show full text]
  • Coastal Landscape, Pieter Mauritz Bolckman (1640 - 1710)
    anticSwiss 23/09/2021 12:48:34 http://www.anticswiss.com Coastal landscape, Pieter Mauritz Bolckman (1640 - 1710) SOLD ANTIQUE DEALER Period: 17° secolo -1600 Antichità Castelbarco Riva del Garda Style: Rinascimento, Luigi XIII +39 0464 973235 393494296409 Height:99cm Width:131cm Material:Olio su tela Price:0€ DETAILED DESCRIPTION: Pieter Mauritz Bolckman or italianised Pietro Maurizio Bolckman (Gorinchem, Netherlands 1640 - Turin 1710) Lively coastal landscape with a market scene oil on canvas cm. 88 x 119 In the frame in gilded and lacquered wood cm. 99 x 131 Expertise of Professor Camillo Manzitti Tous les détails sur: https://www.antichitacastelbarco.it/it/prodotto/pieter-mauritz- bolckman-paesaggio-costiero-1 The painting represents an important and significant addition to the catalog of the painter Pietro Maurizio Bolckman (Gorinchem, 1640 - Turin, 1710), of Dutch nationality, but active mainly in Italy during the second half of the 17th century, first to Rome, then to Genoa and finally, from 1679, to Turin. The work, particularly rich in detail, depicts a fanciful coastal landscape, such as the scene of a bustling scene animated by rich buyers, merchants and fishermen, busy in their daily activities. The style with which the characters and genre scenes are underlined perfectly expresses the style of the master. The figures seem to be typical of the repertoire of the Dutch painter, where the influence of the Bamboccianti school learned during his stay in Rome is evident; The details of the work, the characters in the first place, can be compared to those who populate one of the most famous paintings of Bolckman, illustrating the extension of the shroud of Piazza Castello, now located in the castle of Racconigi, 'Opera' Scene of popular life overlooking Piazza Castello 'from Palazzo Madama to Turin.
    [Show full text]
  • Honors Thesis
    Honors thesis SPECIALISTIC DEGREE COURSE of «Design of gardens, parks and landscape» Abstract «The Park of the Castle of Racconigi, an unique experience of restoring and managing» Tutor by Prof.ssa Maria Adriana GIUSTI Marco FERRARI Graduation session February 2016 Since 1980 - year of the acquisition by the State Property Administration - up to 2010, the 180 hectares of the park of the Castle of Racconigi benefited from the restoration involving, an estimate 18 million Euros of investments. In these thirty years, the works have been supervised by the architect Mirella Macera, a Superintendence of Cultural Heritage official and Director of the Manor since 1994. She had discovered and deeply understood the spirit of the park in the first place, having being hosted there with her family since 1983. Having lived there and having dealt with it throughout the years, she got to imagine and plan the most appropriate management strategies and to put together an efficient staff to pursue these objectives. After having opened to the public in 1992, the castle and the park hosted just over 16.000 visitors, while 14 years later, in 2006, the threshold of 200.000 visits was reached, getting more than 12 times the initial visitors. Therefore, Racconigi for that year was the third most visited museum in Piedmont. It was acknowledged as a UNESCO Heritage Site and registered in the European network «Natura 2000» as Site of Community Importance. In 2010 it also received the award as «Italy’s Most Beautiful Park». Racconigi: the town, the castle and the park. Aerial photo, 2003.
    [Show full text]
  • Press Release WILLIAM KENTRIDGE Preparing the Flute
    Press release WILLIAM KENTRIDGE Preparing the Flute Opening Wednesday 16 November 2005, 5.00 pm – 9.00 pm, Galleria Lia Rumma Naples, Via Vannella Gaetani, 12 Tel.+39.081.7643619, Fax+39.081.7644213 e-mail [email protected] –web: www.gallerialiarumma.it Gallery opening times: from Tuesday to Friday from 4.30 pm to 7.30 pm – on other days by appointment During 2005, William Kentridge was responsible for the sets and the direction of The Magic Flute by Wolfgang Amadeus Mozart for the opening of the new season of Brussels La Monnaie/De Munt Opera House, as part of an initiative promoted by the same theatre with Foundation of the San Carlo Opera House in Naples, the Lille Opera House and the Theatre of Caen. The project to be shown at the Lia Rumma Gallery in Naples is entitled Preparing the Flute and presents a reduced scale interior of a theatre which refers to the set design adopted in Brussels. The structure has a series of five progressive wings which mark out the perspective of the space and act as a frame for the video projected onto the end wall. At the same time other animated images, these also drawn with white lines onto a black background are projected frontally using the lateral wings as screens. The video and the drawings on display in the exhibition show landscapes and figures that allude, often in ironical fashion, to the events and characters from Mozart’s opera. In this way, the themes which are already present in other of Kentridge’s works – such as the caged lion, the metamorphosis whereby objects are transformed into animals, the broken lines that become brightly lit paths..
    [Show full text]
  • The History of Painting in Italy, Vol. V
    The History Of Painting In Italy, Vol. V By Luigi Antonio Lanzi HISTORY OF PAINTING IN UPPER ITALY. BOOK III. BOLOGNESE SCHOOL. During the progress of the present work, it has been observed that the fame of the art, in common with that of letters and of arms, has been transferred from place to place; and that wherever it fixed its seat, its influence tended to the perfection of some branch of painting, which by preceding artists had been less studied, or less understood. Towards the close of the sixteenth century, indeed, there seemed not to be left in nature, any kind of beauty, in its outward forms or aspect, that had not been admired and represented by some great master; insomuch that the artist, however ambitious, was compelled, as an imitator of nature, to become, likewise, an imitator of the best masters; while the discovery of new styles depended upon a more or less skilful combination of the old. Thus the sole career that remained open for the display of human genius was that of imitation; as it appeared impossible to design figures more masterly than those of Bonarruoti or Da Vinci, to express them with more grace than Raffaello, with more animated colours than those of Titian, with more lively motions than those of Tintoretto, or to give them a richer drapery and ornaments than Paul Veronese; to present them to the eye at every degree of distance, and in perspective, with more art, more fulness, and more enchanting power than fell to the genius of Coreggio. Accordingly the path of imitation was at that time pursued by every school, though with very little method.
    [Show full text]
  • Andrea Bruno at the Velasca Tower
    Milan, 9 May 2016 Starting today, the Velasca Tower will host an exhibition dedicated to an Italian master architect PROGETTARE L’ESISTENTE (DESIGNING THE EXISTING) ANDREA BRUNO AT THE VELASCA TOWER At the Velasca Tower, an exhibition of the architect Andrea Bruno expands on the themes of recovery and conservation A tribute to the architect Andrea Bruno before his departure for Paris where he will be awarded an honorary degree by the Conservatoire national des arts et métiers on 13 May Until 5 July, the Velasca Tower will host a retrospective exhibition dedicated to Andrea Bruno, an Italian mater architect who has linked his name to the design of museums and the ingenious conversion of historic buildings. For Andrea Bruno, transformation is “the only way to guarantee the preservation of memories through architecture”. The Velasca Tower, which has always represented the perfect synthesis of tradition and innovation, is thus the ideal location to display some of the main projects by the architect Andrea Bruno. During his professional career, Bruno has found the right balance between historic value and functionality, highlighting how the restoration of architectural icons can still be an opportunity for functional and economic historical enhancement. On display are 16 models, photographs, original sketches and technical drawings of some of the many projects realised from the 60s up until today, through which it is possible to understand the profound meaning of Designing the Existing for Bruno. An approach that starts with the identification of the correct use for the “existing” in order to enhance the same through innovative and always original design solutions that ensure its conservation over time.
    [Show full text]
  • Monarchs Retired from Business
    MONAECHS RETIRED PROM BUSINESS. '^^<^<^<X (0)F S WE 32) IS W 3320S MONARCHS RETIRED FROM BUSINESS. BY DR. DORAN, AUTHOR OP ' KNIGHTS AND THEIR DATS,' ' QUEENS OP ENGLAND OF THE HOUSE OF HANOVEB," ' HABITS AND MEN, 'TABLE TEAITS AND SOMETHING ON THEM.' IN TWO VOLUMES. VOLUME II. ' I've thought, at gentle and ungentle hour, Of many an act and giant-shape of power, Of the old Kings with high-exacting looks, Sceptred and globed." LEIGH HUNT. LONDON : RICHARD BENTLEY, NEW BURLINGTON STREET, ^jluiilisfjer in tiinarg t0 |^er fHajrstg. 1857. [The right of Translation is reserved^] PRINTED BY JOHN EDWABD TAYLOR, LITTLE QUEEN STEEET, LINCOLN'S INN FIELDS. CONTENTS OP THE SECOND VOLUME. PAGE INCIDENTS IN THE LIYES OF RETIRED MONAECHS, DOWN TO THE DEATH OF VALERIAN 1 DIOCLETIAN 16 MAXIMIAN TO ROMULUS AUGUSTUS 30 3Kje Eastern Empire. GRAVE OB CLOISTER 46 THE BYZANTINE C^SARS OF THE ICONOCLASTIC PERIOD . 59 THE BASILIAN DYNASTY. MONARCHS AMONG THE MONKS . 77 THE COMNENI. MORE TENANTS FOR STUDION 88 THE BALDWINS 96 THE MOST CHRISTIAN KING, MONK ANTONY 102 THE PAPAL DYNASTY 112 ----- :*=== THE THREE Pn 136 Russia. THE CZARS 168 IVAN VI 175 Sardinia. VICTOR AMADEUS 1 195 THREE CHOWNLESS KINGS , . 205 VI CONTENTS. PAGE EEIC IX. CHBISTIAX II.............. 218 SWEDEN ................... 233 THE STOBY OF EEIC XIV............. 240 CHEISTINA .................. 255 GUSTAVUS IV............... 308 Spam. PHILIP V................... 330 CHABLES IV.................. 334 Portugal. SANCHO II................... 350 ALPHONSO VI.................. 354 Curfeeg. THE Two BAJAZETS ............... 373 Conclusion .............. 394 MONARCHS RETIRED FROM BUSINESS, FROM JULIUS TO YALERIAN. " Here a vain man his sceptre breaks, The next a broken sceptre takes, And warriors win and lose ; This rolling world will never stand, Plunder'd and snatch'd from hand to hand, As power decays or grows." ISAAC WATTS.
    [Show full text]
  • “Comparative Urbanism” in Post- Fordist Cities
    Journal for interdisciplinary research in architecture, design and planning contourjournal.org RESEARCH ARTICLE COMPARING HABITATS The Challenges of “Comparative Urbanism” in Post- Fordist Cities: The cases of Turin and Detroit AUTHORS Asma Mehan 1 AFFILIATIONS 1 CITTA - Research Center for Territory, Transports and Environment. University of Porto UP . Portugal CONTACT [email protected] 1 | September 15, 2019 | DOI https://doi.org/10.6666/contour.v0i4.92 ASMA MEHAN Abstract In 1947, the U.S. Secretary of State, George C. Marshall announced that the USA would provide development aid to help the recovery and reconstruction of the economies of Europe, which was widely known as the ‘Marshall Plan’. In Italy, this plan generated a resurgence of modern industrialization and remodeled Italian Industry based on American models of production. As the result of these transnational transfers, the systemic approach known as Fordism largely succeeded and allowed some Italian firms such as Fiat to flourish. During this period, Detroit and Turin, homes to the most powerful automobile corporations of the twentieth century, became intertwined in a web of common features such as industrial concentration, mass flows of immigrations, uneven urban sprawl, radical iconography and inner-city decay, which characterized Fordism in both cities. In the crucial decades of the postwar expansion of the automobile industries, both cities were hubs of labor battles and social movements. However, after the radical decline in their industries as previous auto cities, they experienced the radical shift toward post-Fordist urbanization and production of political urbanism. This research responds to the recent interest for a comparative (re)turn in urban studies by suggesting the conceptual theoretical baseline for the proposed comparative framework in post-Fordist cities.
    [Show full text]
  • ARRE Study Days 2012 Lite EN-1
    ARRE Study Days 2012 Royal Residences, History and Territory: the experience of Piedmont Reggia di Venaria (16 – 23 June 2012) This year the second edition of the “ARRE Study Days” will be held at the Reggia di Venaria, near Turin - the ancient capital of the State of Savoy - from Saturday, June 16 to Saturday, June 23, 2012. The Summer School is organised by the Department of Culture of Regione Piemonte and the Research Department of the Reggia di Venaria, in collaboration with the Ministry for Cultural Heritage and Activities – Regional Department for Cultural Heritage and Landscape of Piedmont. The theme of this year’s ARRE Summer School is Royal Residences, History and Territory: the experience of Piedmont. Piedmont is a region traditionally characterised by an industrial vocation, that made it one of the drivers of Italy’s development. However, deep changes have occurred over the past twenty years and the Region’s eminently industrial vocation has been replaced by tourist appeal. This process is particularly evident in the Region’s capital, Turin, a city that was regarded for years as Italy’s Detroit for its automotive industry and perceived as a grim factory town. In less than one generation, Turin has managed to restore the glory of its past as an ancient capital of baroque and successfully consolidated its new status as a major tourist destination. According to the data from the National Tourist Bureau during the Christmas Holidays of 2010-11 and 2011-12 tourists chose Turin over such fierce competitors as Venice, Florence and Milan: a scenario that would have been simply unthinkable only a decade ago.
    [Show full text]
  • From Rivoli to Salbertrand Through the Lower Susa Valley, Exploring the Area's Many Historical and Natural Attractions
    Itinerari tra cultura, sapori e valli Olimpiche piemonte Exploring the culture, food and Olympic Valleys Copertina a cura di Pensativa, Torino 4 turin revealed torino si svela 11 a stroll through turin a spasso per torino 16 piemonte, a region of europe piemonte, regione d’europa 22 taste and style in piemonte gusto e stile dal piemonte 26 along the via francigena: the susa valley ripercorrendo la via francigena: la valle di susa 31 sport and gastronomy in the lower susa valley la bassa val susa tra sport e gastronomia 36 up the chisone valley... towards sestriere without getting there lungo la statale 23… verso sestriere senza arrivarci mai 44 travel notes on the way to the alps appunti di viaggio sulla rotta delle alpi 48 the vibrant heart of the olympic mountains for people who want more than snow il cuore pulsante delle montagne olimpiche per chi non cerca solo neve 55 the art of good living in the olimpic mountains montagne olimpiche, curiosità e art de vivre 61 the via lattea from top to bottom la via lattea da cima a fondo contents sommario Sant’Anselmo EDITRICE DIRETTORE EDITORIALE Andrea Cenni DIRETTORE RESPONSABILE Guido Barosio ART DIRECTOR Valter Carasso SEGRETARIA DI REDAZIONE Federica Tourn HANNO COLLABORATO Elena Boscolo, Gloria Cardano, Laura Sciolla, Giulia Vola REDAZIONE Via Sant’Anselmo, 11 - 10125 Torino - Tel. 011.650.33.44 (4 linee r.a.) Fax 011.650.70.79 - www.torinomagazine.it [email protected] FOTO Press Image e Valter Carasso GRAFICA E IMPAGINAZIONE Art Café Advertising, Torino Copertina a cura di Pensativa, Torino STAMPA G.
    [Show full text]
  • Turin, Castles and Fortresses of Piedmont and Aosta Valley
    Turin, Castles and Fortresses of Piedmont and Aosta Valley Aosta Valley– Fenìs Castle 8 DAY’S PROGRAM Day 1: Arrival at Malpensa Airport, Milan Milan - Duomo Transfer by private car or minivan from the airport to the Hotel downtown. Meeting in the hall of the hotel with our staff for a short briefing and start on tour by foot. Visit of the Alla Scala Theatre and his Museum, Vittorio Emanuele’s Gallery and Duomo interiors and terraces, the Basilica of Sant’Ambrogio, San Lorenzo and Sant’Eustorgio’s Cathedral with Portinari Chapel, Castello Square. City sightseeing. Return to the hotel and dinner in a famous restaurant in the center of the city. Day 2: Milan-Turin. Arrival in Turin and visit of the historical town-centre Turin - Piazza San Carlo Breakfast in the hotel. Departure of the guests in the morning by private coach from the hotel to Turin, accommodation in the booked hotel. Meeting with the local guide in the hall of the hotel and starting of the visit. Lunch in an historical café. After lunch, by foot, beginning of the promenade in the center to appreciate streets, squares and monuments of the city: Saint Lorenzo’s Church, the Cathedral, Roman Relics (ruins of the Theatre and Porta Palatina, Palazzo di Città Square, Palazzo di Città Street, Corpus Domini’s Church, Garibaldi Street, Roma Road, San Carlo Square, Maria Vittoria Street, Accademia delle Scienze Street, Carignano Palace, Carlo Alberto Square. Return to the hotel and dinner in a well-known Michelin starry restaurant. Day 3: Turin. La Venaria Reale Turin - Reggia di Venaria Breakfast in the hotel, meeting with the local guide in the hall to visit Palazzo Madama with the archeological site and the Juvarra’s main stair, Royal Palace, Royal Square and Egyptian Museum.
    [Show full text]