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Boso's- Lfe of Alexdnder 111
Boso's- Lfe of Alexdnder 111 Introduction by PETER MUNZ Translated by G. M. ELLIS (AG- OXFORD . BASIL BLACKWELL @ Basil Blackwell 1973 AI1 rights Reserved. No part of this publication may be reproduced, stored in a retrieval System, or uansmitted, in any form or by. any. means, electronic, mechanical, photo- copying, recording or otherwise, without the prior permis- sion of Basil Blackwell & Mott Limited. ICBN o 631 14990 2 Library of Congress Catalog Card Num'cer: 72-96427 Printed in Great Britain by Western Printing Services Ltd, Bristol MONUMENTA GERilAANIAE I-' 11.2' I d8-:;c,-q-- Bibliothek Boso's history of Pope Alexander I11 (1159-1181) is the most re- markable Part of the Liber Pontificalis. Unlike almost all the other contributions, it is far more than an informative chronicle. It is a work of history in its own right and falsely described as a Life of Alexander 111. Boso's work is in fact a history of the Iong schism in the church brought about by the double election of I159 and perpet- uated until the Peace of Venice in I 177. It makes no claim to be a Life of Alexander because it not only says nothing about his career before his election but also purposely omits all those events and activities of his pontificate which do not strictly belong to the history of the schism. It ends with Alexander's return to Rome in 1176. Some historians have imagined that this ending was enforced by Boso's death which is supposed to have taken piace in 1178.~But there is no need for such a supposition. -
Storia Militare Moderna a Cura Di VIRGILIO ILARI
NUOVA RIVISTA INTERDISCIPLINARE DELLA SOCIETÀ ITALIANA DI STORIA MILITARE Fascicolo 7. Giugno 2021 Storia Militare Moderna a cura di VIRGILIO ILARI Società Italiana di Storia Militare Direttore scientifico Virgilio Ilari Vicedirettore scientifico Giovanni Brizzi Direttore responsabile Gregory Claude Alegi Redazione Viviana Castelli Consiglio Scientifico. Presidente: Massimo De Leonardis. Membri stranieri: Christopher Bassford, Floribert Baudet, Stathis Birthacas, Jeremy Martin Black, Loretana de Libero, Magdalena de Pazzis Pi Corrales, Gregory Hanlon, John Hattendorf, Yann Le Bohec, Aleksei Nikolaevič Lobin, Prof. Armando Marques Guedes, Prof. Dennis Showalter (†). Membri italiani: Livio Antonielli, Marco Bettalli, Antonello Folco Biagini, Aldino Bondesan, Franco Cardini, Piero Cimbolli Spagnesi, Piero del Negro, Giuseppe De Vergottini, Carlo Galli, Roberta Ivaldi, Nicola Labanca, Luigi Loreto, Gian Enrico Rusconi, Carla Sodini, Donato Tamblé, Comitato consultivo sulle scienze militari e gli studi di strategia, intelligence e geopolitica: Lucio Caracciolo, Flavio Carbone, Basilio Di Martino, Antulio Joseph Echevarria II, Carlo Jean, Gianfranco Linzi, Edward N. Luttwak, Matteo Paesano, Ferdinando Sanfelice di Monteforte. Consulenti di aree scientifiche interdisciplinari: Donato Tamblé (Archival Sciences), Piero Cimbolli Spagnesi (Architecture and Engineering), Immacolata Eramo (Philology of Military Treatises), Simonetta Conti (Historical Geo-Cartography), Lucio Caracciolo (Geopolitics), Jeremy Martin Black (Global Military History), Elisabetta Fiocchi Malaspina (History of International Law of War), Gianfranco Linzi (Intelligence), Elena Franchi (Memory Studies and Anthropology of Conflicts), Virgilio Ilari (Military Bibliography), Luigi Loreto (Military Historiography), Basilio Di Martino (Military Technology and Air Studies), John Brewster Hattendorf (Naval History and Maritime Studies), Elina Gugliuzzo (Public History), Vincenzo Lavenia (War and Religion), Angela Teja (War and Sport), Stefano Pisu (War Cinema), Giuseppe Della Torre (War Economics). -
Britain, Austria, and the “Burden of War” in the Western Mediterranean, 1703–1708
international journal of military history and historiography 39 (2019) 7-33 IJMH brill.com/ijmh Britain, Austria, and the “Burden of War” in the Western Mediterranean, 1703–1708 Caleb Karges* Concordia University Irvine, California [email protected] Abstract The Austrian and British alliance in the Western Mediterranean from 1703 to 1708 is used as a case study in the problem of getting allies to cooperate at the strategic and operational levels of war. Differing grand strategies can lead to disagreements about strategic priorities and the value of possible operations. However, poor personal rela- tions can do more to wreck an alliance than differing opinions over strategy. While good personal relations can keep an alliance operating smoothly, it is often military necessity (and the threat of grand strategic failure) that forces important compro- mises. In the case of the Western Mediterranean, it was the urgent situation created by the Allied defeat at Almanza that forced the British and Austrians to create a work- able solution. Keywords War of the Spanish Succession – Coalition Warfare – Austria – Great Britain – Mediter- ranean – Spain – Strategy * Caleb Karges obtained his MLitt and PhD in Modern History from the University of St An- drews, United Kingdom in 2010 and 2015, respectively. His PhD thesis on the Anglo-Austrian alliance during the War of the Spanish Succession received the International Commission of Military History’s “André Corvisier Prize” in 2017. He is currently an Assistant Professor of History at Concordia University Irvine in Irvine, California, usa. © koninklijke brill nv, leiden, 2019 | doi:10.1163/24683302-03901002Downloaded from Brill.com09/28/2021 04:24:08PM via free access <UN> 8 Karges 1 Introduction1 There were few wars in European history before 1789 as large as the War of the Spanish Succession. -
Press Release WILLIAM KENTRIDGE Preparing the Flute
Press release WILLIAM KENTRIDGE Preparing the Flute Opening Wednesday 16 November 2005, 5.00 pm – 9.00 pm, Galleria Lia Rumma Naples, Via Vannella Gaetani, 12 Tel.+39.081.7643619, Fax+39.081.7644213 e-mail [email protected] –web: www.gallerialiarumma.it Gallery opening times: from Tuesday to Friday from 4.30 pm to 7.30 pm – on other days by appointment During 2005, William Kentridge was responsible for the sets and the direction of The Magic Flute by Wolfgang Amadeus Mozart for the opening of the new season of Brussels La Monnaie/De Munt Opera House, as part of an initiative promoted by the same theatre with Foundation of the San Carlo Opera House in Naples, the Lille Opera House and the Theatre of Caen. The project to be shown at the Lia Rumma Gallery in Naples is entitled Preparing the Flute and presents a reduced scale interior of a theatre which refers to the set design adopted in Brussels. The structure has a series of five progressive wings which mark out the perspective of the space and act as a frame for the video projected onto the end wall. At the same time other animated images, these also drawn with white lines onto a black background are projected frontally using the lateral wings as screens. The video and the drawings on display in the exhibition show landscapes and figures that allude, often in ironical fashion, to the events and characters from Mozart’s opera. In this way, the themes which are already present in other of Kentridge’s works – such as the caged lion, the metamorphosis whereby objects are transformed into animals, the broken lines that become brightly lit paths.. -
“Burden of War” in the Western Mediterranean, 1703–1708
international journal of military history and historiography 39 (2019) 7-33 IJMH brill.com/ijmh Britain, Austria, and the “Burden of War” in the Western Mediterranean, 1703–1708 Caleb Karges* Concordia University Irvine, California [email protected] Abstract The Austrian and British alliance in the Western Mediterranean from 1703 to 1708 is used as a case study in the problem of getting allies to cooperate at the strategic and operational levels of war. Differing grand strategies can lead to disagreements about strategic priorities and the value of possible operations. However, poor personal rela- tions can do more to wreck an alliance than differing opinions over strategy. While good personal relations can keep an alliance operating smoothly, it is often military necessity (and the threat of grand strategic failure) that forces important compro- mises. In the case of the Western Mediterranean, it was the urgent situation created by the Allied defeat at Almanza that forced the British and Austrians to create a work- able solution. Keywords War of the Spanish Succession – Coalition Warfare – Austria – Great Britain – Mediter- ranean – Spain – Strategy * Caleb Karges obtained his MLitt and PhD in Modern History from the University of St An- drews, United Kingdom in 2010 and 2015, respectively. His PhD thesis on the Anglo-Austrian alliance during the War of the Spanish Succession received the International Commission of Military History’s “André Corvisier Prize” in 2017. He is currently an Assistant Professor of History at Concordia University Irvine in Irvine, California, usa. © koninklijke brill nv, leiden, 2019 | doi:10.1163/24683302-03901002Downloaded from Brill.com09/26/2021 05:14:25AM via free access <UN> 8 Karges 1 Introduction1 There were few wars in European history before 1789 as large as the War of the Spanish Succession. -
The History of Painting in Italy, Vol. V
The History Of Painting In Italy, Vol. V By Luigi Antonio Lanzi HISTORY OF PAINTING IN UPPER ITALY. BOOK III. BOLOGNESE SCHOOL. During the progress of the present work, it has been observed that the fame of the art, in common with that of letters and of arms, has been transferred from place to place; and that wherever it fixed its seat, its influence tended to the perfection of some branch of painting, which by preceding artists had been less studied, or less understood. Towards the close of the sixteenth century, indeed, there seemed not to be left in nature, any kind of beauty, in its outward forms or aspect, that had not been admired and represented by some great master; insomuch that the artist, however ambitious, was compelled, as an imitator of nature, to become, likewise, an imitator of the best masters; while the discovery of new styles depended upon a more or less skilful combination of the old. Thus the sole career that remained open for the display of human genius was that of imitation; as it appeared impossible to design figures more masterly than those of Bonarruoti or Da Vinci, to express them with more grace than Raffaello, with more animated colours than those of Titian, with more lively motions than those of Tintoretto, or to give them a richer drapery and ornaments than Paul Veronese; to present them to the eye at every degree of distance, and in perspective, with more art, more fulness, and more enchanting power than fell to the genius of Coreggio. Accordingly the path of imitation was at that time pursued by every school, though with very little method. -
Respublica Mosaica: Imposters, Legislators and Civil Religion
Respublica mosaica 7 . Respublica mosaica: imposters, legislators and civil religion oland was, then, embroiled in the day-to-day cut and thrust of British Tpolitics, advancing a clear and profound defence of commonwealth principles especially by supporting the interest of the Protestant succession against popery. This was not simply a British project, but a European-wide campaign. Toland exploited all possible connections. His intellectual contri- bution was not just made in the form of printed works but (as we have seen in chapter 2 above) was also manifest in the conversations and scribal materials he circulated amongst his powerful friends. One potent relationship was the connection with Hanover. From the very moment Toland managed to intrude himself into the diplomatic mission charged with presenting the Act of Settlement to Sophia, he used his intimacy with her as a theatre for the display of his arguments. This relationship with Sophia (and her daughter) was both public and private: the series of public defences and eloges of her political legitimacy and rational character were matched by a private liaison manifest in a series of profoundly erudite and heterodox conversations about the nature of the soul, the sacred status of Scripture and political theory.1 The textual remnants of these conversations are the closest we can get to capturing the power of Toland’s intellectual charisma. Taking advantage of the ‘complete liberty of conscience’ established at Hanover, Toland, often encouraged by Sophia (much to the anxiety of Leibniz), -
Andrea Bruno at the Velasca Tower
Milan, 9 May 2016 Starting today, the Velasca Tower will host an exhibition dedicated to an Italian master architect PROGETTARE L’ESISTENTE (DESIGNING THE EXISTING) ANDREA BRUNO AT THE VELASCA TOWER At the Velasca Tower, an exhibition of the architect Andrea Bruno expands on the themes of recovery and conservation A tribute to the architect Andrea Bruno before his departure for Paris where he will be awarded an honorary degree by the Conservatoire national des arts et métiers on 13 May Until 5 July, the Velasca Tower will host a retrospective exhibition dedicated to Andrea Bruno, an Italian mater architect who has linked his name to the design of museums and the ingenious conversion of historic buildings. For Andrea Bruno, transformation is “the only way to guarantee the preservation of memories through architecture”. The Velasca Tower, which has always represented the perfect synthesis of tradition and innovation, is thus the ideal location to display some of the main projects by the architect Andrea Bruno. During his professional career, Bruno has found the right balance between historic value and functionality, highlighting how the restoration of architectural icons can still be an opportunity for functional and economic historical enhancement. On display are 16 models, photographs, original sketches and technical drawings of some of the many projects realised from the 60s up until today, through which it is possible to understand the profound meaning of Designing the Existing for Bruno. An approach that starts with the identification of the correct use for the “existing” in order to enhance the same through innovative and always original design solutions that ensure its conservation over time. -
Locating John Toland
Locating John Toland Introduction . Locating John Toland OLAND was desperately ill. He had recurring ‘pains in my thighs, reins and T stomach’ accompanied by ‘a total loss of appetite, hourly retchings, and very high colour’d water’. His hopes that this suffering was the symptom of ‘gravel’ that would pass with the stones were dashed. Confined to his chamber for weeks, he could keep down nothing but weak broth, and was scarcely able to walk. Reduced to relying on the kindnesses of others by disastrous invest- ments in the fashionable speculations of South Sea Company, Toland was on his uppers. Only a few years previously his pen had been at the command of government ministers and European princes: he had written for German queens, Savoyard princes, Irish peers and English earls.1 Despite his international celebrity, John Toland eventually died a slow, painful death in lowly circumstances, passing away in a rented back room of a carpenter’s cottage in March 1722. This was less than gentle scholarly poverty. Given the radical character of his reputation, perhaps it was no coincidence that the churchyard was that of St Mary’s Putney, which had entertained the political debates of the Levellers in the 1640s. Having suffered for months from a combination of the stone, severe rheumatism and ‘black-jaundice’, the final ‘violent indisposition’ that carried him away was a fever which ‘proved mortal to him about three of the clock on Sunday morning, the 11th instant, in the 53rd Year of his Age’.2 Typically for a man steeped in the writings of classical antiquity, Toland, called in one obituary ‘the Lucian of our times’, approached death with a ‘philosophical patience’, although papers left scattered in his room indicated he blamed the incompetence and greed of physicians for much of his misery.3 He was bedridden for over a month but his friends and patrons did what they could to make him comfortable. -
The Duke of Marlborough's 1709 Campaign and the Experience Of
A Very Murdering Year: The Duke of Marlborough’s 1709 Campaign and the Experience of Battle at Malplaquet. By CALLUM ANDREW JOHNSTONE A thesis submitted to the University of Birmingham for the degree of MASTER OF ARTS BY RESEARCH College of Arts and Law University of Birmingham November 2017 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Table of Contents LIST OF MAPS.........................................................................................................ii A NOTE ON DATES ................................................................................................ iii INTRODUCTION .................................................................................................... 1 Malplaquet.................................................................................................................. 1 European Warfare ...................................................................................................... 3 Marlborough ............................................................................................................ -
Prince Eugene's Winter Palace
Prince Eugene’s Winter Palace Prince Eugene’s Winter Palace Prince Eugene’s Winter Palace Prince Eugene’s Winter Palace Edited by Agnes Husslein-Arco belvedere belvedere Table of Contents Agnes Husslein-Arco 6 Prince Eugene’s Winter Palace on Himmelpfortgasse Richard Kurdiovsky 9 “its name is known all over Europe and is reckoned among the loveliest of buildings.” The Winter Palace: The History of its Construction, Decoration and its Use Andreas Gamerith 25 The Ornamental Paintings of the Winter Palace Sylvia Schönolt 39 The Recently Completed Restoration Leopold Auer 87 Prince Eugene and the Ideal of the honnête homme. Behavioral Norms of the Elites under the Ancien Régime Georg Lechner 99 Prince Eugene of Savoy The Hercules and Apollo of His Time 136 Biographical overview 138 List of Artists and Individuals 142 Cited Literature 148 Authors’ biographies 152 Colophon and Picture Credits 5 Prince Eugene’s Winter Palace on Himmelpfortgasse Agnes Husslein-Arco Today the Himmelpfortgasse is located in a highly buy a building on Himmelpfortgasse. Subsequently, he desirable part of Vienna’s inner city. In Prince Eugene’s was also able to buy the neighboring building; and in time, it was more of a bourgeois district, with the 1696 Johann Fischer von Erlach who at that time had aristocracy preferring the proximity to the Hofburg and already made himself a name as an architect and stood in constructing its palaces on Herrengasse, for instance. the favor of the imperial house began constructing a Old-established families had the best locations so that palace. With its seven south-facing windows this building people who later moved in needed a lot of luck and even was anything but imposing, yet its real splendor only more money to be able to settle in their vicinity. -
Monarchs Retired from Business
MONAECHS RETIRED PROM BUSINESS. '^^<^<^<X (0)F S WE 32) IS W 3320S MONARCHS RETIRED FROM BUSINESS. BY DR. DORAN, AUTHOR OP ' KNIGHTS AND THEIR DATS,' ' QUEENS OP ENGLAND OF THE HOUSE OF HANOVEB," ' HABITS AND MEN, 'TABLE TEAITS AND SOMETHING ON THEM.' IN TWO VOLUMES. VOLUME II. ' I've thought, at gentle and ungentle hour, Of many an act and giant-shape of power, Of the old Kings with high-exacting looks, Sceptred and globed." LEIGH HUNT. LONDON : RICHARD BENTLEY, NEW BURLINGTON STREET, ^jluiilisfjer in tiinarg t0 |^er fHajrstg. 1857. [The right of Translation is reserved^] PRINTED BY JOHN EDWABD TAYLOR, LITTLE QUEEN STEEET, LINCOLN'S INN FIELDS. CONTENTS OP THE SECOND VOLUME. PAGE INCIDENTS IN THE LIYES OF RETIRED MONAECHS, DOWN TO THE DEATH OF VALERIAN 1 DIOCLETIAN 16 MAXIMIAN TO ROMULUS AUGUSTUS 30 3Kje Eastern Empire. GRAVE OB CLOISTER 46 THE BYZANTINE C^SARS OF THE ICONOCLASTIC PERIOD . 59 THE BASILIAN DYNASTY. MONARCHS AMONG THE MONKS . 77 THE COMNENI. MORE TENANTS FOR STUDION 88 THE BALDWINS 96 THE MOST CHRISTIAN KING, MONK ANTONY 102 THE PAPAL DYNASTY 112 ----- :*=== THE THREE Pn 136 Russia. THE CZARS 168 IVAN VI 175 Sardinia. VICTOR AMADEUS 1 195 THREE CHOWNLESS KINGS , . 205 VI CONTENTS. PAGE EEIC IX. CHBISTIAX II.............. 218 SWEDEN ................... 233 THE STOBY OF EEIC XIV............. 240 CHEISTINA .................. 255 GUSTAVUS IV............... 308 Spam. PHILIP V................... 330 CHABLES IV.................. 334 Portugal. SANCHO II................... 350 ALPHONSO VI.................. 354 Curfeeg. THE Two BAJAZETS ............... 373 Conclusion .............. 394 MONARCHS RETIRED FROM BUSINESS, FROM JULIUS TO YALERIAN. " Here a vain man his sceptre breaks, The next a broken sceptre takes, And warriors win and lose ; This rolling world will never stand, Plunder'd and snatch'd from hand to hand, As power decays or grows." ISAAC WATTS.