49 Books 69 Libraries 30 Countries 10 Languages 1 Winner
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Woman War Correspondent,” 1846-1945
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository CONDITIONS OF ACCEPTANCE: THE UNITED STATES MILITARY, THE PRESS, AND THE “WOMAN WAR CORRESPONDENT,” 1846-1945 Carolyn M. Edy A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Journalism and Mass Communication. Chapel Hill 2012 Approved by: Jean Folkerts W. Fitzhugh Brundage Jacquelyn Dowd Hall Frank E. Fee, Jr. Barbara Friedman ©2012 Carolyn Martindale Edy ALL RIGHTS RESERVED ii Abstract CAROLYN M. EDY: Conditions of Acceptance: The United States Military, the Press, and the “Woman War Correspondent,” 1846-1945 (Under the direction of Jean Folkerts) This dissertation chronicles the history of American women who worked as war correspondents through the end of World War II, demonstrating the ways the military, the press, and women themselves constructed categories for war reporting that promoted and prevented women’s access to war: the “war correspondent,” who covered war-related news, and the “woman war correspondent,” who covered the woman’s angle of war. As the first study to examine these concepts, from their emergence in the press through their use in military directives, this dissertation relies upon a variety of sources to consider the roles and influences, not only of the women who worked as war correspondents but of the individuals and institutions surrounding their work. Nineteenth and early 20th century newspapers continually featured the woman war correspondent—often as the first or only of her kind, even as they wrote about more than sixty such women by 1914. -
Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette
www.ssoar.info Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette Veröffentlichungsversion / Published Version Monographie / monograph Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Kester, B. (2002). Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933). (Film Culture in Transition). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/ urn:nbn:de:0168-ssoar-317059 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de * pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933. -
UNIVERSITY of Southern CALIFORNIA 11 Jan
UNIVERSAL CITY STUDIOS. INC. AN MCA INC. COMPANY r November 15, 1971 Dr. Bernard _R. Kantor, Chairman Division of Cinema University <;:>f S.outhern California University Park Los Angeles, Calif. 90007 Dear Dr. Kantor: Forgive my delay in answering your nice letter and I want to assure you I am very thrilled about being so honored by the Delta Kappa Al ha, and I most certainly will be present at the . anquet on February 6th. Cordia ~ l I ' Edi ~'h EH:mp 100 UNIVERSAL CITY PLAZA • UNIVERSAL CITY, CALIFORNIA 91608 • 985-4321 CONSOLIDATED FILM I DU TRIES 959 North Seward Street • Hollywood, California 90038 I (213) 462 3161 telu 06 74257 1 ubte eddr n CONSOLFILM SIDNEY P SOLOW February 15, 1972 President 1r. David Fertik President, DKA Uni ersity of Southern California Cinema Department Los Angels, California 90007 Dear Dave: This is to let you know how grateful I am to K for electing me to honorary membership. This is an honor, I must confess, that I ha e for many years dar d to hope that I would someday receive. So ;ou have made a dre m c me true. 'I he award and he widespread publici : th· t it achieved brought me many letters and phone calls of congra ulations . I have enjoyel teaching thee last twent, -four years in the Cinema Department. It is a boost to one's self-rep ct to be accepted b: youn , intelligent people --e peciall, those who are intere.ted in film-m·king . Please e t nJ my thanks to all t e ho ~ere responsible for selec ing me for honor ry~ m er_hip. -
Rawlins 1992 Appendixa.Pdf (288.6Kb)
+ Page 44 + Appendix A. Electronic Book Technology The evolution of the personal computer has followed a path similar to that of the printed book, but in 40 years instead of 600. Alan Kay. [36] To understand the long-term threat to publishing paper books, we need to understand some technology: computer memory, optical discs, memory cards, geosynchronous satellites, cellular radio, radio frequency modems, fiber optic cable, electronic networks, flat-panel displays, portable computers, and desktop computers. This appendix also supports claims made in the report that some apparently radical technology will not only be possible, it is almost inevitable. By sketching the demand and market for each piece of technology, it also shows the computer industry's commitment to rapid change and it shows why this pace of change is inevitable. Personal computers are not yet as common as dishwashers, but that is only a few years away. It is hard to grasp just how much computers have improved. Unlike any other technology ever, computers have improved 10 millionfold in the past 50 years; [37] in that time computers have gone from the lab to the lap. In 30 years, computers shrank from houses, to cars, to refrigerators, to ovens, to microwave ovens, to record players, to large books, to magazines, to wallets. They have stopped at wallet size only because if they were any smaller humans could not use them; eventually they will accept voice input and could display output on the inside of a pair of sunglasses. In the far future, they may move inside the human body. -
Prose by Julia Franck and Judith Hermann
Studies in 20th & 21st Century Literature Volume 28 Issue 1 Writing and Reading Berlin Article 10 1-1-2004 Gen(d)eration Next: Prose by Julia Franck and Judith Hermann Anke Biendarra University of Cincinnati Follow this and additional works at: https://newprairiepress.org/sttcl Part of the German Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Biendarra, Anke (2004) "Gen(d)eration Next: Prose by Julia Franck and Judith Hermann," Studies in 20th & 21st Century Literature: Vol. 28: Iss. 1, Article 10. https://doi.org/10.4148/2334-4415.1574 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Gen(d)eration Next: Prose by Julia Franck and Judith Hermann Abstract In March 1999, critic Volker Hage adopted a term in Der Spiegel that subsequently dominated public discussions about new German literature by female authors-"Fräuleinwunder"… Keywords 1999, Volker Hage, Der Spiegel, new German literature, female authors, Fräuleinwunder, Julia Franck, Judith Hermann, critic, gender, generation This article is available in Studies in 20th & 21st Century Literature: https://newprairiepress.org/sttcl/vol28/iss1/10 Biendarra: Gen(d)eration Next: Prose by Julia Franck and Judith Hermann Gen(d)eration Next: Prose by Julia Franck and Judith Hermann Anke S. Biendarra University of Cincinnati In March 1999, critic Volker Hage adopted a term in Der Spiegel that subsequently dominated public discussions about new Ger- man literature by female authors-"Frauleinwunder."' He uses it collectively for "the young women who make sure that German literature is again a subject of discussion this spring." Hage as- serts that they seem less concerned with "the German question," the consequences of two German dictatorships, and prefer in- stead to thematize "eroticism and love" in their texts. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, begiiming at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9211205 Redeeming history in the story: Narrative strategies in the novels of Anna Seghers and Nadine Gordimer Prigan, Carol Ludtke, Ph.D. -
GLOBAL CHILLING the Impact of Mass Surveillance on International Writers
The Impact of Mass Surveillance on International Writers GLOBAL CHILLING The Impact of Mass Surveillance on International Writers Results from PEN’s International Survey of Writers January 5, 2015 1 Global Chilling The Impact of Mass Surveillance on International Writers Results from PEN’s International Survey of Writers January 5, 2015 © PEN American Center 2015 All rights reserved PEN American Center is the largest branch of PEN International, the world’s leading literary and human rights organization. PEN works in more than 100 countries to protect free expression and to defend writers and journalists who are imprisoned, threatened, persecuted, or attacked in the course of their profession. PEN America’s 3700 members stand together with more than 20,000 PEN writers worldwide in international literary fellowship to carry on the achievements of such past members as James Baldwin, Robert Frost, Allen Ginsberg, Langston Hughes, Arthur Miller, Eugene O’Neill, Susan Sontag, and John Steinbeck. For more information, please visit www.pen.org. CONTENTS INTRODUCTION 4 PRESENTATION OF KEY FINDINGS 7 RECOMMENDATIONS 15 ACKNOWLEDGMENTS 17 METHODOLOGY 18 APPENDIX: PARTIAL SURVEY RESULTS 24 NOTES 35 GLOBAL CHILLING From August 28 to October 15, 2014, INTRODUCTION PEN American Center carried out an international survey of writers1, to in- vestigate how government surveillance influences their thinking, research, and writing, as well as their views of gov- ernment surveillance by the U.S. and its impact around the world. The survey instrument was developed and overseen by the nonpartisan expert survey research firm The FDR Group.2 The survey yielded 772 responses from writers living in 50 countries. -
YOKO TAWADA Exhibition Catalogue
VON DER MUTTERSPRACHE ZUR SPRACHMUTTER: YOKO TAWADA’S CREATIVE MULTILINGUALISM AN EXHIBITION ON THE OCCASION OF YOKO TAWADA’S VISIT TO OXFORD AS DAAD WRITER IN RESIDENCE UNIVERSITY OF OXFORD, TAYLORIAN (VOLTAIRE ROOM) HILARY TERM 2017 ExhiBition Catalogue written By Sheela Mahadevan Edited By Yoko Tawada, Henrike Lähnemann and Chantal Wright Contributed to by Yoko Tawada, Henrike Lähnemann, Chantal Wright, Emma HuBer and ChriStoph Held Photo of Yoko Tawada Photographer: Takeshi Furuya Source: Yoko Tawada 1 Yoko Tawada’s Biography: CABINET 1 Yoko Tawada was born in 1960 in Tokyo, Japan. She began to write as a child, and at the age of twelve, she even bound her texts together in the form of a first book. She learnt German and English at secondary school, and subsequently studied Russian literature at Waseda University in 1982. After this, she intended to go to Russia or Poland to study, since she was interested in European literature, especially Russian literature. However, her university grant to study in Poland was withdrawn in 1980 because of political unrest, and instead, she had the opportunity to work in Hamburg at a book trade company. She came to Europe by ship, then by trans-Siberian rail through the Soviet Union, Poland and the DDR, arriving in Berlin. In 1982, she studied German literature at Hamburg University, and thereafter completed her doctoral work on literature at Zurich University. Among various authors, she studied the poetry of Paul Celan, which she had already read in Japanese. Indeed, she comments on his poetry in an essay entitled ‘Paul Celan liest Japanisch’ in her collection of essays named Talisman and also in her essay entitled ‘Die Niemandsrose’ in the collection Sprachpolizei und Spielpolyglotte. -
30 April 2015
Weekly Round-Up, 30 April 2015 * Any weekly round-up attachments can be found at the following link https://weblearn.ox.ac.uk/access/content/group/modlang/general/weekly_roundup/index.html Disclaimer: The University of Oxford and the Faculty of Medieval and Modern Languages accept no responsibility for the content of any advertisement published in The Weekly Round-Up. Readers should note that the inclusion of any advertisement in no way implies approval or recommendation of either the terms of any offer contained in it or of the advertiser by the University of Oxford or The Faculty of Medieval and Modern Languages. Contents 1 Lectures and Events Internal 1.1 How to Write the Great War? Francophone and Anglophone Poetics 1.2 OCGH events update: Tuesday 28 April, 2pm-6.30pm, St Antony's 1.3 DANSOX Events 1.4 Post-Kantian European Philosophy Seminar (PKEPS): Trinity Term 2015 1.5 Part of an endless river: Alberto de Lacerda – A Commemorative Exhibition 1.6 Intensive Weekend Courses at the Language Centre 1.7 The Archive and Forms of Knowledge seminar series : Carolyn Steedman 1.8 Bodleian Libraries Workshop for Week 2 1.9 Oxford Travel Cultures Seminar: 'Travel and Consumption' Programme 1.10 Oxford Podemos Talk 1.11 Dante at 750, Looking Back With Auerbach, Oxford, 5 June 2015 1.12 Clara Florio Cooper Memorial Lecture 2015 1.13 Liberal Limits of Liberalism: Saturday 2nd May 2015 1.14 OCGH and the Wellcome Unit for the History of Medicine: 'Disease and Global History' Workshop 1.15 OCGH Events Update 1.16 Events Organised by the Maison Française -
The External Conflict of Modern War Correspondents
THE EXTERNAL CONFLICT OF MODERN WAR CORRESPONDENTS: TECHNOLOGY’S INEVITABLE IMPACT ON THE EXTINCTION OF NOSTALGIC COMBAT REPORTING James Colby Horton, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2002 APPROVED: Jacqueline Lambiase, Major Professor James Mueller, Committee Member Richard Wells, Committee Member Mitchell Land, Director of the Frank W. Mayborn Institute of Journalism Jim Albright, Chair of the Department of Journalism C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Horton, James Colby. The External Conflict of Modern War Correspondents: Technology’s Inevitable Impact on the Extinction of Nostalgic Combat Reporting. Master of Arts (Journalism), August 2002, 136 pp., 10 tables, reference list, 111 titles. Through historical and content analyses of war coverage, this study qualitatively addresses emotional quality, use of sources, and implied use of technology to better understand the tension between Vietnam and Afghanistan war correspondents and their military counterparts. Early American democracy aspired to give total freedom to its people. But the American military, in its quest to uphold the ideas of democracy, has often challenged the freedom of press clause set forth by the United States Constitution. Since the Vietnam era, the relationship between the military and the media has been plagued by questions of censorship, assertions of falsehood, and threats to national security. But it is the technological advancements in both reporting and combat techniques that have caused a disappearance of the nostalgic war coverage that American correspondents once prospered from. The possibility of returning to journalists’ vision of unrestricted press access is all but lost due to such advancements. -
Skylight Books – Hotlist Winter 2011/2012 SKYLIGHT BOOKS
Skylight Books – Hotlist Winter 2011/2012 SKYLIGHT BOOKS Skylight Books is the wholesale division of McNally Robinson Booksellers. With a focus on serving Libraries and Schools in our region, we pride ourselves on personal service and local titles in combination with the price and selection of a national supplier. Like all the national library wholesalers, Skylight offers: · MARC records · Online ordering · Hotlists · Aggressive discounts In addition, Skylight offers: · Regional perspective and titles reflected in our recommendations. · Personalized service · The satisfaction of spending your tax dollars in your community. When thinking about your buying decisions, please consider us. We offer all the advantages of a national supplier while retaining the service of a local company. Thank You, Tory McNally Ph: 204-339-2093 Fax: 204-339-2094 Email: [email protected] Pg 1 Skylight Books – Hotlist Winter 2011/2012 WORKING TOGETHER Hotlist Orders Our Hotlist is produced three times a year for our Library customers and is available in print and on-line through our institutional website skylightbooks.ca. A copy of the print version is mailed to all of our Library customers. Spreadsheets by title and by author are available for download from the website or contact your Skylight representative to receive copies via email. Hotlist orders should be completed and sent by the deadline date indicated on the Hotlist hard copy and on our website. Please contact us if an extension to this deadline is required to be sure you will not miss out on our pre-publication ordering. Hotlist orders placed on-line should only contain items chosen from the Hotlist. -
Juergen Boos in Conversation with Jonathan Landgrebe the Ghost In
the frankfurt magazine Juergen Boos in Conversation with Jonathan Landgrebe The Ghost in the Machine – Artificial Intelligence in German Books The Bauhaus in the World – A Century of Inspiration Time for a Second Look – Graphic Adaptations of Multimedia Worlds EDITORIAL Dear readers, Bauhaus. And they’re not just for display: anyone Are you intrigued by our cover photo? I’d like to can try the costumes on. Their first appearance is tell you the story behind this image. In 2019, we’re at the German Guest of Honour presentation at Cicek © FBM/Nurettin celebrating the 100th anniversary of the Bau the Taipei International Book Exhibition in Febru haus – the most important art, design and archi ary. And of course, this isn’t all we’re presenting in Bärbel Becker tecture school of the 20th century. On our cover, Taipei: we’ve put together a special collection of has been at the Frank you see three costumes based on the original new books about the Bauhaus movement which furter Buchmesse drawings and colour swatches of Oskar Schlem is also on display. This magazine will give you an for many years and is mer, the painter and sculptor who created the Tri insight into our Bauhaus showcase as well. the director of the adic Ballet – a modernist dance concept. From This is the second issue of the frankfurt magazine. International Projects 1920, Schlemmer led Bauhaus workshops in paint We received lots of positive feedback from the department. ing murals, and in wood and stone sculpture, and readers of our first issue – publishing colleagues, from 1923–1929, the Bauhaus theatre.