Skylight Books – Hotlist Winter 2011/2012 SKYLIGHT BOOKS
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Woman War Correspondent,” 1846-1945
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository CONDITIONS OF ACCEPTANCE: THE UNITED STATES MILITARY, THE PRESS, AND THE “WOMAN WAR CORRESPONDENT,” 1846-1945 Carolyn M. Edy A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Journalism and Mass Communication. Chapel Hill 2012 Approved by: Jean Folkerts W. Fitzhugh Brundage Jacquelyn Dowd Hall Frank E. Fee, Jr. Barbara Friedman ©2012 Carolyn Martindale Edy ALL RIGHTS RESERVED ii Abstract CAROLYN M. EDY: Conditions of Acceptance: The United States Military, the Press, and the “Woman War Correspondent,” 1846-1945 (Under the direction of Jean Folkerts) This dissertation chronicles the history of American women who worked as war correspondents through the end of World War II, demonstrating the ways the military, the press, and women themselves constructed categories for war reporting that promoted and prevented women’s access to war: the “war correspondent,” who covered war-related news, and the “woman war correspondent,” who covered the woman’s angle of war. As the first study to examine these concepts, from their emergence in the press through their use in military directives, this dissertation relies upon a variety of sources to consider the roles and influences, not only of the women who worked as war correspondents but of the individuals and institutions surrounding their work. Nineteenth and early 20th century newspapers continually featured the woman war correspondent—often as the first or only of her kind, even as they wrote about more than sixty such women by 1914. -
HGTV's Alison Victoria
Summer 2015 HGTV’s Alison Victoria crashing kitchens, saving lives Protect Your Pet The Next Step to Avoid these common a No Kill Chicago household risks Englewood door-to-door outreach North Shore Adoption Center Opens! ABOUT If we could, we’d give it a thumbs up. FREDRICK - Adopted May 2015 CLOVER - Adopted May 2015 PAWS CHICAGO MISSION IS TO BUILD NO KILL COMMUNITIES – STARTING WITH A NO KILL CHICAGO – WHERE PETS ARE NO LONGER DESTROYED JUST BECAUSE THEY ARE HOMELESS. Since our founding in 1997, a year in which a staggering 42,561 dogs and cats were killed in Chicago, the number of homeless dogs and cats euthanized annually has dropped significantly, down 77 percent by 2014. But this drop does not mean our work is done: In 2014, 9,817 animals were still killed in Chicago and nearly 60,000 animals were killed in the state of Illinois. When will Chicago be considered a No Kill city? When we are saving every healthy and treatable animal. To reach that goal, PAWS Chicago is implementing a comprehensive No Kill model to build a No Kill Chicago. COMMUNITY ENGAGEMENT HEALTH & BEHAVIOR Community is at the core of everything we do. Engaging the public Part of the commitment to guaranteeing life for all PAWS pets is in the cause of homeless animals and providing them with the keeping them happy, healthy and continually moving toward new information to make lifesaving choices, like adoption and spay/neuter, loving homes. In order to achieve this goal, we have built a is what has brought about such transformation in our 17 years. -
The Practical Use of Comics by TESOL Professionals By
Comics Aren’t Just For Fun Anymore: The Practical Use of Comics by TESOL Professionals by David Recine A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in TESOL _________________________________________ Adviser Date _________________________________________ Graduate Committee Member Date _________________________________________ Graduate Committee Member Date University of Wisconsin-River Falls 2013 Comics, in the form of comic strips, comic books, and single panel cartoons are ubiquitous in classroom materials for teaching English to speakers of other languages (TESOL). While comics material is widely accepted as a teaching aid in TESOL, there is relatively little research into why comics are popular as a teaching instrument and how the effectiveness of comics can be maximized in TESOL. This thesis is designed to bridge the gap between conventional wisdom on the use of comics in ESL/EFL instruction and research related to visual aids in learning and language acquisition. The hidden science behind comics use in TESOL is examined to reveal the nature of comics, the psychological impact of the medium on learners, the qualities that make some comics more educational than others, and the most empirically sound ways to use comics in education. The definition of the comics medium itself is explored; characterizations of comics created by TESOL professionals, comic scholars, and psychologists are indexed and analyzed. This definition is followed by a look at the current role of comics in society at large, the teaching community in general, and TESOL specifically. From there, this paper explores the psycholinguistic concepts of construction of meaning and the language faculty. -
Paradigms of the Unknown
PARADIGMS OF THE UNKNOWN TRANSFORMATIONS OF THE EPISTEMOLOGICAL HORIZONS IN CONTEMPORARY HUNGARIAN CRIME FICTION THESES Edit Dömötör Doctoral School: Hungarian Literature Leader of the Doctoral School: Zoltán Kenyeres DSc. Doctoral Programme: Contemporary Hungarian Literature Leader of the Doctoral Programme: Tamás Tarján CSc. Consultant : Tamás Tarján CSc. Eötvös Loránd University Faculty of Humanities Budapest, 2008 The Object, the Goal and the Theoretical Framework of the Research The object of the dissertation is the approach of contemporary Hungarian crime fiction from an epistemological and a reader-response critical point of view, and, furthermore, the examination of the shifts in the epistemological horizons and in the discourses of crime. Foregrounding the process of cognition provides the opportunity to study this genre in a wider cultural and historical context along the issues of the historical constructions of observation and seeing, reading, the closely related concepts of space, time and narrative, the secret, the accessibility of the past and the medial conditioning of the possibilities of ”fixing” the criminal. The ”models” of observation (Crary) are inseparable from the reorganization of knowledge, i.e. from the fact that thay provide diverse modes of cognition. The dissertation formulates the paradigms of investigation in crime fiction on the basis of epistemological, semiotical and reader-response critical considerations. In addition, it presents their (re)interpretations in various and diverse initiatives in contemporary Hungarian literature. The goal of studying the epistemological paradigms of investigation carries the methodological consequence that, in order to clarify the modes of posing these problems, the dissertation involves, besides contemporary Hungarian literature, foreign, older Hungarian and also works enforcing other generic codes. -
The Aqueduct Gazette Top Stories Filter House Co-Winner of the Tiptree H Filter House Wins the Tiptree on April 26, 2009, the James Tiptree, Jr
Spring/Summer 2009 Volume 5 The Aqueduct Gazette Top Stories Filter House Co-Winner of the Tiptree H Filter House Wins the Tiptree On April 26, 2009, The James Tiptree, Jr. H New Essay Collection from Literary Award Council announced that the Ursula K. Le Guin 2008 Tiptree Award will be going to Patrick Special Features Ness’s young adult novel The Knife of Never Letting Go and Nisi Shawl’s Filter House, an H Hanging out along the Aqueduct…, by Nisi Shawl Aqueduct Press book. page 9 The Tiptree Award, an annual literary prize H L. Timmel Duchamp for science fiction or fantasy “that expands or Interviews Liz Henry about explores our understanding of gender,” will The WisCon Chronicles, Vol. 3 be presented on Memorial Day weekend at page 6 WisCon in Madison, Wisconsin. Each winner H Gwyneth Jones writes about will receive $1000 in prize money, an original The Buonarotti Quartet artwork created specifically for the winning page 2 novel or story, and a confection, usually choco- H Three Observations and a late. The 2008 jurors were Gavin J. Grant Dialogue by Sylvia Kelso page 2 (chair), K. Tempest Bradford, Leslie Howle, Roz Kaveney, and Catherynne M. Valente. In Other News The award is named for Alice B. Sheldon, who wrote under the pseudonym H Aqueduct Celebrates James Tiptree, Jr. By her impulsive choice of a masculine pen name, Sheldon 5th Anniversary cont. on page 5 page 8 H New Spring Releases New from Aqueduct: Ursula K. Le Guin, page 12 Cheek by Jowl Talks and Essays about How and Why Fantasy Matters The monstrous homogenization of our world has now almost destroyed the map, any map, by making every place on it exactly like every other place, and leaving no blanks. -
UNIVERSITY of Southern CALIFORNIA 11 Jan
UNIVERSAL CITY STUDIOS. INC. AN MCA INC. COMPANY r November 15, 1971 Dr. Bernard _R. Kantor, Chairman Division of Cinema University <;:>f S.outhern California University Park Los Angeles, Calif. 90007 Dear Dr. Kantor: Forgive my delay in answering your nice letter and I want to assure you I am very thrilled about being so honored by the Delta Kappa Al ha, and I most certainly will be present at the . anquet on February 6th. Cordia ~ l I ' Edi ~'h EH:mp 100 UNIVERSAL CITY PLAZA • UNIVERSAL CITY, CALIFORNIA 91608 • 985-4321 CONSOLIDATED FILM I DU TRIES 959 North Seward Street • Hollywood, California 90038 I (213) 462 3161 telu 06 74257 1 ubte eddr n CONSOLFILM SIDNEY P SOLOW February 15, 1972 President 1r. David Fertik President, DKA Uni ersity of Southern California Cinema Department Los Angels, California 90007 Dear Dave: This is to let you know how grateful I am to K for electing me to honorary membership. This is an honor, I must confess, that I ha e for many years dar d to hope that I would someday receive. So ;ou have made a dre m c me true. 'I he award and he widespread publici : th· t it achieved brought me many letters and phone calls of congra ulations . I have enjoyel teaching thee last twent, -four years in the Cinema Department. It is a boost to one's self-rep ct to be accepted b: youn , intelligent people --e peciall, those who are intere.ted in film-m·king . Please e t nJ my thanks to all t e ho ~ere responsible for selec ing me for honor ry~ m er_hip. -
Rawlins 1992 Appendixa.Pdf (288.6Kb)
+ Page 44 + Appendix A. Electronic Book Technology The evolution of the personal computer has followed a path similar to that of the printed book, but in 40 years instead of 600. Alan Kay. [36] To understand the long-term threat to publishing paper books, we need to understand some technology: computer memory, optical discs, memory cards, geosynchronous satellites, cellular radio, radio frequency modems, fiber optic cable, electronic networks, flat-panel displays, portable computers, and desktop computers. This appendix also supports claims made in the report that some apparently radical technology will not only be possible, it is almost inevitable. By sketching the demand and market for each piece of technology, it also shows the computer industry's commitment to rapid change and it shows why this pace of change is inevitable. Personal computers are not yet as common as dishwashers, but that is only a few years away. It is hard to grasp just how much computers have improved. Unlike any other technology ever, computers have improved 10 millionfold in the past 50 years; [37] in that time computers have gone from the lab to the lap. In 30 years, computers shrank from houses, to cars, to refrigerators, to ovens, to microwave ovens, to record players, to large books, to magazines, to wallets. They have stopped at wallet size only because if they were any smaller humans could not use them; eventually they will accept voice input and could display output on the inside of a pair of sunglasses. In the far future, they may move inside the human body. -
Location Marketing and Cultural Tourism Crime Narratives As Destination Branding
Deliverable 4.1 Location marketing and cultural tourism Crime narratives as destination branding Edited by Cathrin Bengesser Kim Toft Hansen Lynge Stegger Gemzøe WP number and title: WP4 – Creative Industries: Media Industries and location marketing strategies for a transcultural European space Task number and title: 4.1 and 4.2: “Understanding transnational European production and location strategies” & “Understanding pub- lishing and translation strategies in the European cultural space” Lead beneficiary: AAU Type: Report Dissemination level: Public Due date: Month 22 Actual date of delivery: 11 February 2020 Revised: 9 December 2020 This1 reportExecutive presents research Summaryinto location placement in Although the capitals of Europe still play a very im- popular cultural crime narratives across the European con- portant locative role in crime narratives and in popular cul- tinent. Considering the British, Nordic and South-Eastern ture in general, the report finds an increasing production European context, the report evaluates strategies in the interest in cities and places away from the central cities cultural, creative and tourism industries regarding the of Europe. Crime narratives have, to an increasing degree, choice of European locations and settings for local or trans- been able to profile rural areas, peripheral locations and national crime stories in literature, film and television. smaller towns for a potentially international audience. One the one hand, the report shows an increasing in- From Aberystwyth in Wales, to Ystad in Sweden, to Trieste ternational awareness from producers, funding schemes, in Italy, to Braşov in Romania, there is less attention to- distributors and broadcasters of both local and translocal wards cosmopolitan Europe and more interest in rural-ur- place branding in and through crime stories. -
Magazines V17N9.Qxd
Apr COF C1:COF C1.qxd 3/10/2011 9:19 AM Page 1 ORDERS DUE th 18APR 2011 APR E E COMIC H H T T SHOP’S CATALOG COF FI page:FI 3/10/2011 2:50 PM Page 1 FEATURED ITEMS COMICS & GRAPHIC NOVELS DIARY OF A ZOMBIE KID TP G ANTARCTIC PRESS THE ARCHIE BABIES GN G ARCHIE COMICS KANNAGI VOLUME 1 GNG BANDAI ENTERTAINMENT 1 1 HAPPINESS IS A WARM BLANKET, CHARLIE BROWN! HC G BOOM! STUDIOS/KABOOM! WAR GODDESS #0 G BOUNDLESS COMICS KIRBY: GENESIS #1 G D. E./DYNAMITE ENTERTAINMENT VAMPIRELLA #8 G D. E./DYNAMITE ENTERTAINMENT GHOST IN SHELL: STAND ALONE COMPLEX VOLUME 1 GN G KODANSHA COMICS PIRATE PENGUIN VS. NINJA CHICKEN VOLUME 1 HC G TOP SHELF PRODUCTIONS CHIBISAN DATE GN G TOKYOPOP BOOKS & MAGAZINES ALTER EGO #102 G COMICS DC COMICS: THE ULTIMATE CHARACTER GUIDE HC G COMICS HORRORHOUND #30 G HORROR CALENDARS BORIS VALLEJO & JULIE BELL FANTASY 2012 WALL CALENDAR G FANTASY/SCI-FI CAPT AMERICA: THE FIRST AVENGER 16-MONTH WALL CALENDAR G MOVIE/TV CONAN THE BARBARIAN 2012 WALL CALENDAR G COMICS GREEN LANTERN DIE-CUT 2012 CALENDAR G COMICS 2 2 OLIVIA: BETTIE PAGE 16-MONTH 2012 WALL CALENDAR G BABES THOR 16-MONTH WALL CALENDAR G MOVIE/TV VINTAGE MARVEL COMICS 2012 12-MONTH WALL CALENDAR G COMICS WILLIAM STOUT: ZOMBIES 2012 WALL CALENDAR G ZOMBIES! TRADING CARDS TOPPS 2011 PRO DEBUT BASEBALL T/C BOX G TOPPS COMPANY THE WALKING DEAD TRADING CARDS G CRYPTOZOIC ENTERTAINMENT THE COMPLETE STAR TREK: THE NEXT GENERATION SERIES 1 TRADING CARDS G RITTENHOUSE ARCHIVES MARVEL: CAPTAIN AMERICA MOVIE TRADING CARDS G THE UPPER DECK COMPANY APPAREL MARVEL VS CAPCOM: CAPCOM -
Enter the Cube by Nicholas and Daniel Dobkin January 2002 to December 2004
Enter the Cube by Nicholas and Daniel Dobkin January 2002 to December 2004 Table of Contents: Chapter 1: Playtime, Paytime ..............................................................................................................................................1 Chapter 2: Not in Kansas Any More....................................................................................................................................6 Chapter 3: A Quiz in Time Saves Six................................................................................................................................18 Chapter 4: Peach Pitstop....................................................................................................................................................22 Chapter 5: Copter, Copter, Overhead, I Choose Fourside for my Bed...........................................................................35 Chapter 6: EZ Phone Home ..............................................................................................................................................47 Chapter 7: Ghost Busted....................................................................................................................................................58 Chapter 8: Pipe Dreams......................................................................................................................................................75 Chapter 9: Victual Reality................................................................................................................................................102 -
Alejandro Magno En El Cómic: Apuntes Sobre Recepción Clásica Y Didáctica De La Historia
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositorio Universidad de Zaragoza CLIO. History and History teaching Alejandro Magno en el cómic: apuntes sobre recepción clásica y didáctica de la Historia Alexander the Great in comics: notes on Classical Reception and History Teaching Julián Pelegrín Campo Universidad de Zaragoza. [email protected] Resumen La presencia de Alejandro Magno en el cómic ha sido prácticamente ignorada por los estudios sobre la recepción centrados tanto en la Antigüedad clásica en general como en la figura de este personaje en particular, y muy escasamente examinada por los que abordan el tratamiento de la Antigüedad en dicho género. Sin embargo, la existencia de más de doscientos títulos publicados a lo largo de casi un siglo que incorporan representaciones gráficas de Alejandro constituye un corpus con entidad más que suficiente como para ser reconocido en tanto que objeto de estudio por la investigación académica a la vista tanto de sus posibilidades educativas en el ámbito de la didáctica de la Historia como de la importancia del personaje como icono de referencia en el marco de la cultura popular contemporánea. Palabras clave: Alejandro Magno, cómic, recepción clásica, didáctica de la Historia, cultura popular contemporánea. Abstract The presence of Alexander the Great in comics has been virtually ignored by the reception studies both about Classical Antiquity and about the Macedonian conqueror, and very sparsely analysed by the research about the treatment of Antiquity in comic books. However, the existence of more than two hundred works published over almost a century with graphic representations of Alexander shapes a corpus with more than enough value to be recognized as object of study by academic research because of the educational possibilities of the most recent historical-biographical approaches from History teaching, and the importance of Alexander the Great as a reference icon in the contemporary popular culture. -
The External Conflict of Modern War Correspondents
THE EXTERNAL CONFLICT OF MODERN WAR CORRESPONDENTS: TECHNOLOGY’S INEVITABLE IMPACT ON THE EXTINCTION OF NOSTALGIC COMBAT REPORTING James Colby Horton, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2002 APPROVED: Jacqueline Lambiase, Major Professor James Mueller, Committee Member Richard Wells, Committee Member Mitchell Land, Director of the Frank W. Mayborn Institute of Journalism Jim Albright, Chair of the Department of Journalism C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Horton, James Colby. The External Conflict of Modern War Correspondents: Technology’s Inevitable Impact on the Extinction of Nostalgic Combat Reporting. Master of Arts (Journalism), August 2002, 136 pp., 10 tables, reference list, 111 titles. Through historical and content analyses of war coverage, this study qualitatively addresses emotional quality, use of sources, and implied use of technology to better understand the tension between Vietnam and Afghanistan war correspondents and their military counterparts. Early American democracy aspired to give total freedom to its people. But the American military, in its quest to uphold the ideas of democracy, has often challenged the freedom of press clause set forth by the United States Constitution. Since the Vietnam era, the relationship between the military and the media has been plagued by questions of censorship, assertions of falsehood, and threats to national security. But it is the technological advancements in both reporting and combat techniques that have caused a disappearance of the nostalgic war coverage that American correspondents once prospered from. The possibility of returning to journalists’ vision of unrestricted press access is all but lost due to such advancements.