INSTRUCTIONS Before Using Your Camera, Read This Manual Carefully to Ensure Correct Use
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
INSTRUCTION MANUAL Type C / N Design and Specifications Are Subject to Change Without Prior Notice
DIGITAL TTL MACRO FLASH Nissin Japan Ltd., Tokyo http://www.nissin-japan.com Nissin Marketing Ltd., Hong Kong INSTRUCTION MANUAL http://www.nissindigital.com Type C / N Design and Specifications are subject to change without prior notice. MF0611 REV. 1.1 Thank you for purchasing a Nissin product SIMPLE OPERATION When attaching MF18 to the camera, the basic flash exposure operation is fully Before using this flash unit, please read this instruction manual and refer controlled by the camera. It is the same idea as when you use the built-in your camera owner’s manual carefully to get a better understanding of camera flash, but it is placed on the hotshoe of the camera instead of using the proper operation to enjoy flash photography. built-in flash. Nissin Macro Flash MF18 is a flash system for taking close-up photos of small ADVANCED FUNCTIONS subjects using a flash to eliminate shadows, allowing you to enjoy photography. MF18 provides advanced flash functions including 1st curtain synchronization, This instruction manual is intended mainly for Canon or Nikon digital SLR, with Rear curtain synchronization and High speed shutter synchronization are the latest TTL flash control system, and features Nissin’s original rotating color supported. display, easily guiding its operations. It works automatically with Canon ETTL / ETTL II or Nikon i-TTL auto-flash systems. The provided adapter rings make it available for use with different lens. Please note that MF18 is not usable with other branded cameras for TTL Compatible cameras operation. Please refer Nissin’s compatibility chart shown in its home page for details. -
A 7.5X Afocal Zoom Lens Design and Kernel Aberration Correction Using Reversed Ray Tracing Methods
A 7.5X Afocal Zoom Lens Design and Kernel Aberration Correction Using Reversed Ray Tracing Methods Item Type text; Electronic Thesis Authors Zhou, Xi Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 23:12:56 Link to Item http://hdl.handle.net/10150/634395 A 7.5X Afocal Zoom Lens Design and Kernel Aberration Correction Using Reversed Ray Tracing Methods by Xi Zhou ________________________________ Copyright © Xi Zhou 2019 A Thesis Submitted to the Faculty of the JAMES C. WYANT COLLEGE OF OPTICAL SCIENCES In Partial Fulfillment of the requirements For the degree of MASTER OF SCIENCE In the Graduate College THE UNIVERSITY OF ARIZONA 1 2 Table of Contents List of Figures ................................................................................................................................. 5 ABSTRACT .................................................................................................................................... 9 KEYWORDS ................................................................................................................................ 10 1. INTRODUCTION .................................................................................................................... 11 1.1 Motivation .......................................................................................................................... -
The Pentax Digital Camera Flash Lighting System – © Nigel Mcgregor 2015
THE PENTAX DIGITAL CAMERA FLASH LIGHTING SYSTEM An exploration of the functioning and practical operations for the Pentax Camera Brand Dedicated Flash Lighting System. This Guide includes the principles for Camera Operations, Built-in flash, Pentax and Dedicated Third Party flash units. Nigel McGregor - © 2015, London, United Kingdom The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Title (i) The Pentax Digital Camera Flash Lighting System Welcome To My Guide I’m Nigel McGregor, a passionate user of Pentax DSLR photography equipment. A New Zealander, but long term resident of the United Kingdom, where I live to the South of London near the Surrey border. Landscapes, gardens, flowers and architecture are my main photographic interests, but like many family photographers it is the portraits and action shots of loved ones that take up the most SD card space on my camera. It was the striving to get better results with these people shots, often indoors, that has propelled my interest in flash photography with Pentax equipment. I love taking flash pictures with my Pentax camera and flash. Even more so wirelessly with a softbox or umbrella set-up. But getting good consistent results can be frustrating, and so I want to share my thoughts on understanding the Pentax flash system, and how to get the most out of it. Take a look at the Contents and Introduction here to give you a quick idea of what is contained in this guide. Please join in the discussions about the guide and flash photography in general on the forums. I’d love to hear your feedback, suggestions and responses to the contents of this guide! You can get to me via the following routes; PentaxForums.com/My Profile PentaxUser.com/My Portfolio ThePentaxForum.co.uk/My Profile The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Welcome and Contact The Pentax Digital Camera Flash Lighting System – PDF Version 1, July 2015 © Nigel McGregor, London 2015 {Use your PDF Reader page number indicator to navigate and jump to required pages …} Contents 1. -
Starkish Xpander Lens
STARKISH XPANDER LENS Large sensor sizes create beautiful images, but they can also pose problems without the right equipment. By attaching the Xpander Lens to your cinema lenses, you can now enjoy full scale ability to shoot with large sensors including 6K without compromising focal length capability. The Kish Xpander Lens allows full sensor coverage for the ARRI Alexa and RED Dragon cameras and is compatible for a wide range of cinema lenses to prevent vignetting: . Angenieux Optimo 17-80mm zoom lens . Angenieux Optimo 24-290mm zoom lens . Angenieux Compact Optimo zooms . Cooke 18-100mm zoom lens . Angenieux 17-102mm zoom lens . Angenieux 25-250mm HR zoom lens Whether you are shooting with the ARRI Alexa Open Gate or Red Dragon 6K, the Xpander Lens is the latest critical attachment necessary to prevent vignetting so you can maximize the most out of large sensor coverage. SPECIFICATIONS Version 1,15 Version 1,21 Image expansion factor: 15 % larger (nominal) Image expansion factor: 21 % larger (nominal) Focal Length: X 1.15 Focal length 1.21 Light loss: 1/3 to ½ stop Light Loss 1/2 to 2/3 stop THE XPANDER LENS VS. THE RANGE EXTENDER Even though the Lens Xpander functions similar to the lens range extender attachment, in terms of focal length and light loss factors, there is one fundamental difference to appreciate. The Xpander gives a larger image dimension by expanding the original image to cover a larger sensor area. This accessory is designed to maintain the optical performance over the larger image area. On the other hand, the range extender is also magnifying the image (focal length gets longer) but this attachment only needs to maintain the optical performance over the original image area. -
Ronin-S Release Notes
Ronin-S Release Notes Date: 2019.08.28 Firmware: v1.9.0.80 Ronin App iOS: v1.2.2 Ronin App Android: v1.2.2 DJI Pro Assistant for Ronin (PC): v2.0.2 DJI Pro Assistant for Ronin (Mac): v2.0.2 User Manual: v1.2 What’s New? Added video recording, autofocus, and focus pull support for Sony A9 and A6400 cameras with supported E-mount lenses using a Multi-Camera Control Cable (Micro-USB). To use autofocus on the Sony A9 and A6400, press halfway down on the camera control button of the gimbal Added photo capture, video recording, autofocus, and focus pull support for Canon EOS RP cameras with supported RF mount lenses using a Multi-Camera Control Cable (Type-C). To use autofocus on the Canon EOS RP, press halfway down on the camera control button of the gimbal. Added photo capture, video recording, autofocus, and focus pull support for Canon M50 cameras with supported EF-M mount lenses using a Multi-Camera Control Cable (Micro-USB). To use autofocus on the Canon M50, press halfway down on the camera control button on the gimbal. Added photo capture, video recording, autofocus, and focus pull support for Canon EOS 6D and EOS 80D cameras with supported EF mount lenses using a Multi-Camera Control Cable (Mini USB). To use autofocus on the Canon EOS 6D and EOS 80D, press halfway down on the camera control button of the gimbal. Added photo capture, video recording, autofocus, and focus pull support for Panasonic G9 cameras with supported Macro 4/3 mount lenses using a Multi-Camera Control Cable (Micro USB). -
HASSELBLAD INTRODUCES the H6D-400C MS, a 400 MEGA PIXEL
Press information – for immediate release Gothenburg, Sweden 16 Jan 2018 HASSELBLAD INTRODUCES THE H6D-400c MS, A 400 MEGA PIXEL MULTI-SHOT CAMERA Building on a vast experience of developing exceptional, high-quality single and multi-shot cameras, Hasselblad once again has raised the bar for image quality captured with medium format system. Multi-Shot capture has become an industry standard in the field of art reproduction and cultural heritage for the documentation of paintings, sculptures, and artwork. As the only professional medium format system to feature multi-shot technology, Hasselblad continues to be the leading choice for institutions, organizations, and museums worldwide to record historic treasures in the highest image quality possible. With over 10 years of digital imaging expertise, the latest Multi-Shot digital camera combines the H6D’s unrivalled ease of use with a completely new frontier of image quality and detail. This new camera encompasses all of the technological functions of Hasselblad’s H6D single shot camera, and adds to that the resolution and colour fidelity advancements that only Multi-Shot photography can bring to image capture. With an effective resolution of 400MP via 6 shot image capture, or 100MP resolution in either 4 shot Multi-Shot capture or single shot mode, the Multi-Shot capture requires the sensor and its mount to be moved at a high-precision of 1 or ½ a pixel at a time via a piezo unit. To capture Multi-Shot images the camera must be tethered to a PC or MAC. In 400MP Multi-Shot mode, 6 images are captured, the first 4 involve moving the sensor by one pixel at a time to achieve real colour data (GRGB- see 4 shot diagrams below), this cycle then returns the sensor to its starting point. -
FP4 Plus Is an Exceptionally Fine Grain, Medium Speed Black and White Film
HARMAN technology Limited TECHNICAL INFORMATION F P4 PLUS ISO 125/22º, BLACK AND WHITE PROFESSIONAL FILM FOR HIGH PRINT QUALITY AND FLEXIBILITY IN USE ILFORD FP4 Plus is an exceptionally fine grain, medium speed black and white film. It is ideal for high quality indoor and outdoor photography, particularly when giant enlargements are to be made. In addition to general photography, FP4 Plus is also suited to copying and internegative work, and has many applications in scientific, technical and industrial photography. FP4 Plus is robust and will give usable results even if it is overexposed by as much as six stops, or underexposed by two stops. It is compatible with all major processing systems, including those which give the standard short fixing and washing times. FP4 Plus 35mm film is coated on 0.125mm/5-mil acetate base and is available in 24 or 36 exposure cassettes, or in bulk lengths of 17 or 30.5 metres (56 and 100ft). FP4 Plus 35mm film is supplied in DX coded cassettes, suitable for all 35mm cameras. FP4 Plus roll film is coated on 0.110mm/4-mil clear acetate base with an anti- halation backing which clears during development. It is available in 120 lengths and is edge numbered 1 to 19. FP4 Plus sheet film is coated on 0.180mm/7-mil polyester base with an anti- halation backing which clears during development. It is available in a wide range of standard sizes. The emulsion faces the user when sheet film is held in the position shown opposite. EXPOSURE RATING FP4 Plus has a speed rating of ISO 125/22º to daylight. -
Refractive Optical Design Systems • Many Different Types of Lens Systems
Refractive Optical Design Systems • Many different types of lens systems used • Want to look at each from the following Performance Requirements • Field of View: How much of a object is seen in the image from the lens system • F# • Packaging requirements • Spectral Range Single Element • Poor image quality • Very small field of view • Chromatic Aberrations – only use a high f# • However fine for some applications eg Laser with single line • Where just want a spot, not a full field of view Landscape Lens • Single lens but with aperture stop added • i.e restriction on lens separate from the lens • Lens is “bent” around the stop • Reduces angle of incidence – thus off axis aberrations • Aperture either in front or back • Simple cameras use this Achromatic Doublet • Brings red and blue into same focus • Green usually slightly defocused • Chromatic blur 25 less than singlet (for f#=5 lens) • Cemented achromatic doublet poor at low f# • Slight improvement if add space between lens • Removes 5th order spherical Cooke Triplet Anastigmats • Three element lens which limits angle of incidence • Good performance for many applications • Designed in England by Taylor at “Cooke & Son” in 1893 • Created a photo revolution: simple elegant high quality lens • Gave sharp margins and detail in shadows • Lens 2 is negative & smaller than lenses 1 & 3 positives • Have control of 6 radii & 2 spaces • Allows balancing of 7 primary aberrations 1. Spherical 2. Coma 3. Astigmatism 4. Axial colour 5. Lateral colour 6. Distortion 7. Field curvature • Also control -
Autofocus Camera with Liquid Lens
Autofocus Camera with Liquid Lens Pixelink has developed a family of USB 3.0 autofocus cameras that seamlessly integrate with liquid lenses providing you with cutting-edge solutions ideal for high-speed imaging applications. Features » One push, high-speed, point to point focus » Seamless integration with liquid lenses » Focus range of millimeters to infinity, in less than 20 ms » Easy integration with Pixelink SDK Benefits » Large range of optical variation: Liquid interface allows for large phase shi variations » Sturdiness : Tested for over 100 million cycles with zero performance degradation » Shock resistance: Excellent output before and aer shock tests » High-speed: Reconfigures in tens of milliseconds » Low power: Dissipates ~15mW, 10x lower than other systems Applications » Bar-Code Reading » Biometrics - Facial and Retinal » Inspection » Biotechnology » Medical Applications 1900 City Park Drive, Suite 410, O�awa, Ontario K1J 1A3, Canada Tel: +1.833.247.1211 (Canada) Tel: 613.247.1211 (North America) pixelink.com Select the Camera and Autofocus Lens that Fits Your Application Pixelink has a full line of USB 3.0 autofocus cameras including: Camera Model Color Space Sensor Resolution Sensor Size PL-D721CU Color ON Semi Vita 1300 1.3 MP 1/2” PL-D721MU Monochrome ON Semi Vita 1300 1.3 MP 1/2” PL-D722CU Color ON Semi Vita 2000 2.3 MP 2/3” PL-D722MU Monochrome ON Semi Vita 2000 2.3 MP 2/3” PL-D729MU Monochrome ON Semi Mano 9600 9.5 MP 2/3” PL-D732CU Color CMOSIS CMV 2000 2.2 MP 2/3” PL-D732MU Monochrome CMOSIS CMV 2000 2.2 MP 2/3” PL-D732MU-NIR -
Detection and Depletion of Digital Cameras: an Exploration Into Protecting Personal Privacy in the Modern World Jessica Sanford Union College - Schenectady, NY
Union College Union | Digital Works Honors Theses Student Work 6-2016 Detection and Depletion of Digital Cameras: An Exploration into Protecting Personal Privacy in the Modern World Jessica Sanford Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Photography Commons, Privacy Law Commons, and the Technology and Innovation Commons Recommended Citation Sanford, Jessica, "Detection and Depletion of Digital Cameras: An Exploration into Protecting Personal Privacy in the Modern World" (2016). Honors Theses. 206. https://digitalworks.union.edu/theses/206 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. Detection and Deflection of Digital Cameras: An Exploration into Protecting Personal Privacy in the Modern World By Jessica Sanford * * * * * * * * * Submitted in partial fulfillment of the requirements for Honors in the Department of Computer Science UNION COLLEGE June, 2016 ! 1 ABSTRACT SANFORD, JESSICA !Detection and Deflection of Digital Cameras: An Exploration into Protecting Personal Privacy in the Modern World. Department of Computer Science, June 2016. ADVISOR: John Rieffel As all forms of technology become more integrated into our daily lives, personal privacy has become a major concern. Everyday devices, such as mobile phones, have surveillance capabilities simply by having a digital camera as part of the device. And while privacy and secrecy seem to go hand in hand, it is not always the case that one does not care about privacy because they have nothing to hide. -
Film Grain, Resolution and Fundamental Film Particles
FFFiiilllmmm GGGrrraaaiiinnn,,, RRReeesssooollluuutttiiiooonnn aaannnddd FFFuuunnndddaaammmeennntttaaalll FFFiiilllmmm PPPaaarrrtttiiicccllleeesss Version 9 March 2006 Tim Vitale © 2006 use by permission only 1 Introduction 1 2 Fundamental Film Particles – Silver-Halide 0.2 - 2.0 um 3 Feature Size and Digital Resolution: Data Table 1 4 Dye Clouds are the Fundamental Particles Color Film 6 3 Film Grain 6 Dye Clouds are the Film Grain in Color Film 6 Film Grain in Black-and-White Film 7 Cross-Section of Film 9 Grain Size Variability 9 RMS Granularity – Film Image Noise 9 RMS Granularity of Several Films: Data Table 2 10 Film Resolution – Sharpness 10 System Resolving Power Equation 12 Lens Issues Effecting Resolution 12 Film Issues Effecting Resolution 12 Evaluation a System: Camera, Lens and Film 13 Selected Film & Lens Resolution Data: Data Table 3 13 Camera System Resolving Power: Data Table 4 14 Measuring Film Grain 14 Print Grain Index 14 Size of Perceived Film Grain: Example 15 Size Domains for Enlargement & Magnification: Data Table 5 15 Maximum Resolution of a Microscope: Data Table 6 16 4 Eliminating Film Grain from an Image 18 Drum Scan Aperture 18 Feature size vs. Digital Resolution vs. Film: Data Table 7 19 Scan Resolution in Flatbed Scanning 19 Wet Mounting for Film Scanning 20 New Generation of Flatbed Scanners 21 Future Generation of Scanners – Epson Perfection V750-M 23 Software for Diminishing Film Grain 24 1 Introduction The purpose of this complex essay is to demonstrate the following: • Fundamental film particles (silver -
The Lightest and Smallest Full-Frame Eos Camera*
THE LIGHTEST AND SMALLEST FULL-FRAME EOS CAMERA* The Portable Performer. Stepping up to a full-frame camera has never been easier. The mirrorless EOS RP – the lightest and most compact full-frame EOS camera to date* - includes a 26.2 MP CMOS sensor, fast and accurate autofocus, 4K video, and our powerful DIGIC 8 processor for exceptional results, even in low light. It’s compatible with RF lenses as well as all EF/EF-S lenses**, has helpful features like Feature Assistant and Creative Assist, and is versatile and comfortable to use with both a vari-angle touchscreen LCD and an electronic viewfinder. Wherever you travel, the EOS RP helps you capture the world with quality, control and ease. SIZED TO MOVE. GO FULL FRAME. EF/EF-S LENS COMPATIBILITY. EASE TO PLEASE. The EOS RP is the lightest and smallest full-frame The EOS RP is equipped with a 26.2 MP full-frame In addition to compatibility with RF lenses, the Getting the results you want is made easier with EOS camera*, making it incredibly easy to carry image sensor. This full-frame size gives you EOS RP can also be used with all EF/EF-S lenses a number of helpful and convenient options, on all your travels or even when you’re just feeling amazing flexibility when choosing a lens and using the optional Mount Adapter EF-EOS R, including a vari-angle LCD, a built-in EVF, a inspired at home or around the neighborhood. outstanding image quality when shooting images providing exceptional flexibility for a wide variety convenient Mode Dial to select shooting modes and video.