George Eastman Museum Annual Report 2018
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May 18, 2014 Commencement
CampusSUNDAY, MAY 18, 2014 / COMMENCEMENT ISSUE Times SERVING THE UNIVERSITY OF ROCHESTER COMMUNITY SINCE 1873 / campustimes.org ALEX KURLAND/ SENIOR STAFF PAGE 2 / campustimes.org NEWS / SUNDAY, MAY 18, 2013 COMMEN C EMENT CEREMONIES THE SCHOOL OF NURSING THE COLLEGE OF ARTS, SCIENCES & ENGINEERING FRIDAY, MAY 16, 1:00 P.M. THE scHOOL OF MEDICINE & DENTIstRY SUNDAY, MAY 18, 9:00 A.M. KODAK HALL, EASTMAN SCHOOL OF MUSIC MASTer’S DEGREE EASTMAN QUADRANGLE, RIVER CAMPUS SATURDAY, MAY 17, 12:15 P.M. KILBOURN HALL, EASTMAN SCHOOL OF MUSIC THE EASTMAN SCHOOL OF MUSIC THE SCHOOL OF MEDICINE & DENTISTRY SUNDAY, MAY 18, 11:15 A.M. FRIDAY, MAY 16, 4:00 P.M. KODAK HALL, EASTMAN SCHOOL OF MUSIC KODAK HALL, EASTMAN SCHOOL OF MUSIC THE MARGARET WARNER SCHOOL OF EDUCATION & HUMAN DEVELOPMENT SATURDAY, MAY 17, 2:30 P.M. THE WILLIAM E. SIMON SCHOOL DOCTORAL DEGREE CEREMONY KODAK HALL, EASTMAN SCHOOL OF MUSIC OF BUSINESS ADMINISTRATION SATURDAY, MAY 17, 9:30 A.M. SUNDAY, JUNE 8, 10:00 A.M. KODAK HALL, EASTMAN SCHOOL OF MUSIC KODAK HALL, EASTMAN SCHOOL OF MUSIC COLLEGE DIPLOMA CEREMONIES DEPARTMENT LOCATION TIME (SUNDAY, MAY 18) African American Studies Room 321, Morey Hall 2:00 P.M. American Sign Language Lander Auditorium, Hutchison Hall 1:15 P.M. Anthropology Lander Auditorium, Hutchison Hall 11:15 A.M. Archaeology, Technology & Historical Structures Sloan Auditorium. Goergen Hall 12:45 P.M. Art & Art History M&T Bank Ballroom, Memorial Art Gallery 11:30 A.M. Biochemistry 1962 Auditorium, Arthur Kornberg Medical Research Building 11:15 A.M. -
Andrea Modica
ANDREA MODICA EDUCATION 1985 Yale University School of Art, New Haven, Connecticut M.F.A. in Photography, presented Ward Cheney Award for Outstanding Achievement 1982 State University of New York College at Purchase, Purchase, New York B.F.A. in Visual Arts and Art History, graduated with honors TEACHING EXPERIENCE 2006-present Drexel University, Philadelphia, Pennsylvania Professor in the Photography Program, full-time 1996-present International Center of Photography, New York, New York Instructor for advanced portrait photography in General Studies Program, adjunct 2013 Accademia di Belle Arti di Brera, Milan, Italy Visiting Professor for portrait class 2005 Lyndon State College, Lyndonville, Vermont Instructor for basic photography, adjunct 1995-2005 The Colorado College, Colorado Springs, Colorado Visiting Professor for basic, intermediate and advanced photography, adjunct 2000 State University of New York College at Purchase, Purchase, New York Visiting Professor for advanced photography, adjunct 1999 Princeton University, Princeton, New Jersey Visiting Professor for advanced photography, for Atelier 1985-1998 State University of New York College at Oneonta, Oneonta, New York Associate Professor, teaching all levels of photography, the history of photography, drawing and two-dimensional design, full-time 1984-1985 Parsons School of Design, New York, New York Instructor for alternative printing processes and life drawing, adjunct 1983 Worthington Hooker School, New Haven, Connecticut Developed and executed courses in painting and basic -
INSTRUCTION MANUAL Type C / N Design and Specifications Are Subject to Change Without Prior Notice
DIGITAL TTL MACRO FLASH Nissin Japan Ltd., Tokyo http://www.nissin-japan.com Nissin Marketing Ltd., Hong Kong INSTRUCTION MANUAL http://www.nissindigital.com Type C / N Design and Specifications are subject to change without prior notice. MF0611 REV. 1.1 Thank you for purchasing a Nissin product SIMPLE OPERATION When attaching MF18 to the camera, the basic flash exposure operation is fully Before using this flash unit, please read this instruction manual and refer controlled by the camera. It is the same idea as when you use the built-in your camera owner’s manual carefully to get a better understanding of camera flash, but it is placed on the hotshoe of the camera instead of using the proper operation to enjoy flash photography. built-in flash. Nissin Macro Flash MF18 is a flash system for taking close-up photos of small ADVANCED FUNCTIONS subjects using a flash to eliminate shadows, allowing you to enjoy photography. MF18 provides advanced flash functions including 1st curtain synchronization, This instruction manual is intended mainly for Canon or Nikon digital SLR, with Rear curtain synchronization and High speed shutter synchronization are the latest TTL flash control system, and features Nissin’s original rotating color supported. display, easily guiding its operations. It works automatically with Canon ETTL / ETTL II or Nikon i-TTL auto-flash systems. The provided adapter rings make it available for use with different lens. Please note that MF18 is not usable with other branded cameras for TTL Compatible cameras operation. Please refer Nissin’s compatibility chart shown in its home page for details. -
Missions and Film Jamie S
Missions and Film Jamie S. Scott e are all familiar with the phenomenon of the “Jesus” city children like the film’s abused New York newsboy, Little Wfilm, but various kinds of movies—some adapted from Joe. In Susan Rocks the Boat (1916; dir. Paul Powell) a society girl literature or life, some original in conception—have portrayed a discovers meaning in life after founding the Joan of Arc Mission, variety of Christian missions and missionaries. If “Jesus” films while a disgraced seminarian finds redemption serving in an give us different readings of the kerygmatic paradox of divine urban mission in The Waifs (1916; dir. Scott Sidney). New York’s incarnation, pictures about missions and missionaries explore the East Side mission anchors tales of betrayal and fidelity inTo Him entirely human question: Who is or is not the model Christian? That Hath (1918; dir. Oscar Apfel), and bankrolling a mission Silent movies featured various forms of evangelism, usually rekindles a wealthy couple’s weary marriage in Playthings of Pas- Protestant. The trope of evangelism continued in big-screen and sion (1919; dir. Wallace Worsley). Luckless lovers from different later made-for-television “talkies,” social strata find a fresh start together including musicals. Biographical at the End of the Trail mission in pictures and documentaries have Virtuous Sinners (1919; dir. Emmett depicted evangelists in feature films J. Flynn), and a Salvation Army mis- and television productions, and sion worker in New York’s Bowery recent years have seen the burgeon- district reconciles with the son of the ing of Christian cinema as a distinct wealthy businessman who stole her genre. -
The Pentax Digital Camera Flash Lighting System – © Nigel Mcgregor 2015
THE PENTAX DIGITAL CAMERA FLASH LIGHTING SYSTEM An exploration of the functioning and practical operations for the Pentax Camera Brand Dedicated Flash Lighting System. This Guide includes the principles for Camera Operations, Built-in flash, Pentax and Dedicated Third Party flash units. Nigel McGregor - © 2015, London, United Kingdom The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Title (i) The Pentax Digital Camera Flash Lighting System Welcome To My Guide I’m Nigel McGregor, a passionate user of Pentax DSLR photography equipment. A New Zealander, but long term resident of the United Kingdom, where I live to the South of London near the Surrey border. Landscapes, gardens, flowers and architecture are my main photographic interests, but like many family photographers it is the portraits and action shots of loved ones that take up the most SD card space on my camera. It was the striving to get better results with these people shots, often indoors, that has propelled my interest in flash photography with Pentax equipment. I love taking flash pictures with my Pentax camera and flash. Even more so wirelessly with a softbox or umbrella set-up. But getting good consistent results can be frustrating, and so I want to share my thoughts on understanding the Pentax flash system, and how to get the most out of it. Take a look at the Contents and Introduction here to give you a quick idea of what is contained in this guide. Please join in the discussions about the guide and flash photography in general on the forums. I’d love to hear your feedback, suggestions and responses to the contents of this guide! You can get to me via the following routes; PentaxForums.com/My Profile PentaxUser.com/My Portfolio ThePentaxForum.co.uk/My Profile The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Welcome and Contact The Pentax Digital Camera Flash Lighting System – PDF Version 1, July 2015 © Nigel McGregor, London 2015 {Use your PDF Reader page number indicator to navigate and jump to required pages …} Contents 1. -
2008-09 Annual Report from the President & Ceo and Board Chair
RochesteR philhARmonic oRchestRA 2008-09 AnnuAl RepoRt from the president & ceo and board chair Dear Friends, When the RPO’s 2008-09 season began on September 1, 2008, Amid the clouds of our economic forecast last season were we were aggressively moving forward, armed with a bold, new some glimmers of sunlight. Although ticket income did not strategic plan and propelled by anticipation of the renovation match our original goals and ultimately contributed to our year- and expansion of the Eastman Theatre. That new Transformation end deficit, we are proud that subscription revenues for 2008- Plan was built on the foundation of the previous plan, which 09—mostly generated prior to the steep Wall Street decline in itself had been the blueprint for significant growth in both the fall of 2008—were up 5% for the year. And by season’s end, earned and contributed revenue between 2005 and 2008. ticket revenues for our two flagship series remained strong— The overarching goal of the 2008-2011 plan was to eliminate up about 1% for the Philharmonics Series and up nearly 10% for the RPO’s structural deficit by 2010-11, positioning the the Wegmans Pops Series. Thanks to terrific audience response organization for long-term financial stability. Every facet of to our first Rochester-based summer season in many years and the nine-point plan remained true to the organization’s core the creation of the First Niagara Center City Pavilion, summer values and in step with our long-range goals of organizational ticket revenues also rose impressively this past summer, up 45% excellence, community service, and national recognition. -
SPECULATIONS on the MEGAPIXEL RACE OR "DO I NEED a + 32 MEGAPIXEL SENSOR?" by S.Saragosa A.K.A
SPECULATIONS ON THE MEGAPIXEL RACE OR "DO I NEED A + 32 MEGAPIXEL SENSOR?" By S.Saragosa a.k.a. tjshot Recent announcements of 24 Mpxls APS-C and rumors of 36 Mpxls full frame sensors seem to have changed the scenario for digital camera enthusiasts, triggering opposite reactions: some of us are out of the skin to get the new babies (I'm among them) while others seem to question the effectiveness of such upgrades. We had similar doubts in the past when upgrading to higher density sensors and I've read many articles on the internet stating that you don't really need more than about 20 Mpxls full frame sensor (due to lense diffraction/aberration, sensor sampling performance etc.) I hardly agree. At the level of development we have reached today a small increase of pixel pitch (effective sampling rate -> sharpness and resolution boost) in the sensor will induce a much higher (square growth law) megapixel count, thus requiring much larger in-camera buffer memory, faster data saving channels, more powerful computers etc. At the same time noise control becomes increasingly difficult (square growth law) due to higher amplification of the signal needed to achieve the same ISO rating; on the other side smaller pitch sensors seem to produce a much more even and defined noise, partly counterbalancing the degradation in quality (think about the terrible "pepper" grain in Canon EOS 5D compared to the smoother Canon EOS 7D). Many additional elements factor in, resulting in final image quality: A/D converter performance (12bit to 14bit seems to produce a very high boost in dynamic range, noise performance etc.), image processor, firmware etc. -
Water Across the Curriculum Educator Resource Guide
Water Across the Curriculum Educator Resource Guide Pre-K – 12th grade Barbara Morgan (American, 1900 – 1992), Children Dancing by the Lake, 1940. Gelatin silver print, 13 5/8 x 17 15/16 in (34.6 x 45.6 cm). Gift of Lloyd and Janet Morgan, Collection of the Haggerty Museum of Art, Marquette University, 91.3.61. Table of Contents 1. What is Water? (Pre-K – 5th grade) .............. pg 6–19 Themes explored: Defining ater,w states of water, personal reflection + art 2. The Water Cycle (Pre-K – 5th grade) ....... pg 20–33 Themes explored: Evaporation, condensation, and precipitation; groundwater and underground aquifers + art 3.Water and Pollution (Pre-K – 12th grade) ... pg 34–49 Themes explored: Sources of water pollution for the Great Lakes + art 4. Water Properties (6th – 12th grade) ......... pg 50–64 Themes explored: Water as molecules, three different states of water, water terms such as surface tension, water pressure, cohesion + art Thank you to all who contributed to this project: Funding for Water Across the Curriculum is generously provided by Mr. and Mrs. Frank P. Thometz, the John P. Raynor, S.J. Endowment Fund, and the Friends of the Haggerty Museum of Art. Special thanks to UWM’s Peck School of the Arts Department of Art & Design, ArtsECO (Arts Education/Community Ecosystem) interns Bri Sayeg and Susannah Fricker, Alverno College Internship Program, Rebecca Sarenac (Media Design), and Marquette University’s Educational Opportunity Program high school student interns Jaylin Rivas and Demaris Rodriguez. Content advising provided -
Track 1 Juke Box Jury
CD1: 1959-1965 CD4: 1971-1977 Track 1 Juke Box Jury Tracks 1-6 Mary, Queen Of Scots Track 2 Beat Girl Track 7 The Persuaders Track 3 Never Let Go Track 8 They Might Be Giants Track 4 Beat for Beatniks Track 9 Alice’s Adventures In Wonderland Track 5 The Girl With The Sun In Her Hair Tracks 10-11 The Man With The Golden Gun Track 6 Dr. No Track 12 The Dove Track 7 From Russia With Love Track 13 The Tamarind Seed Tracks 8-9 Goldfinger Track 14 Love Among The Ruins Tracks 10-17 Zulu Tracks 15-19 Robin And Marian Track 18 Séance On A Wet Afternoon Track 20 King Kong Tracks 19-20 Thunderball Track 21 Eleanor And Franklin Track 21 The Ipcress File Track 22 The Deep Track 22 The Knack... And How To Get It CD5: 1978-1983 CD2: 1965-1969 Track 1 The Betsy Track 1 King Rat Tracks 2-3 Moonraker Track 2 Mister Moses Track 4 The Black Hole Track 3 Born Free Track 5 Hanover Street Track 4 The Wrong Box Track 6 The Corn Is Green Track 5 The Chase Tracks 7-12 Raise The Titanic Track 6 The Quiller Memorandum Track 13 Somewhere In Time Track 7-8 You Only Live Twice Track 14 Body Heat Tracks 9-14 The Lion In Winter Track 15 Frances Track 15 Deadfall Track 16 Hammett Tracks 16-17 On Her Majesty’s Secret Service Tracks 17-18 Octopussy CD3: 1969-1971 CD6: 1983-2001 Track 1 Midnight Cowboy Track 1 High Road To China Track 2 The Appointment Track 2 The Cotton Club Tracks 3-9 The Last Valley Track 3 Until September Track 10 Monte Walsh Track 4 A View To A Kill Tracks 11-12 Diamonds Are Forever Track 5 Out Of Africa Tracks 13-21 Walkabout Track 6 My Sister’s Keeper -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Lois Conner [email protected]
Lois Conner [email protected] www.loisconner.net Education 1981-Yale University-MFA, Photography; 1975-Pratt Institute, BFA, Photography Fashion Institute of Technology, New York (1971-73); University of Delaware, Newark (1969-1971) Grants and Fellowships 2010, 2011 Sol and Carol Lewitt Artist-in-Residence, Praiano, Italy 2007 Anonymous was a Woman Fellowship 2006, 2010 Princeton University Research Fellowship 1984 Guggenheim Fellowship 1983 New York State Council on the Arts Fellowship 1979 National Endowment of the Arts Fellowship Collections (selected) Metropolitan Museum of Art; Museum of Modern Art, New York; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; National Museum of American Art; Smithsonian Institution; Corcoran Gallery of Art; Sackler Gallery, Washington, D.C; Philadelphia Museum of Art; New Orleans Museum of Art; Santa Barbara Museum of Art, California; Brooklyn Museum of Art; Chicago Art Institute; Cleveland Museum of Art; Toledo Art Museum; Yale University Art Gallery; The Getty Museum; Chicago Art Institute; Museum of Fine Arts, Boston; Fogg Art Museum, Harvard; The New York Public Library; The British Library; Victoria and Albert Museum, London; National Gallery of Art, Canberra; National Gallery of Victoria, Australia Solo Exhibitions 2018 Shanghai Center of Photography, “A Long View” Wairapa Academy, Featherston, New Zealand, “Lotus Leaves”; 2017 Zhizhusi, Gallery at Temple, Beijing, “Diandao: Downside Up” 2016 Naumkeag, Stockbridge, Massachusetts, “Arcadian Realms”; 2015 KMR Arts, Connecticut, -
Underwater Photographyphotography a Web Magazine
UnderwaterUnderwater PhotographyPhotography a web magazine Oct/Nov 2002 Nikon D100 housings Fuji S2 housing Sony F707 housing Kodak DCS Pro 14n Sperm whale Nai’a liveaboard U/w photojournalist - Jack Jackson Henry the seadragon Scilly Seals Lights & divers Easy macro British fish Underwater tripod Visions 2002 UwP 1 What links these sites? Turn to page 7 to find out... UwP 2 UnderwaterUnderwater PhotographyPhotography a web magazine Oct/Nov 2002 e mail [email protected] Contents 4 Travel & events 30 Meet Henry 43 Easy macro 8 New products 14 Sperm whale by Andy & Angela Heath with Ee wan Khoo 35 Scilly Seals 47 British fish with Tony Wu 19 Nai’a liveaboard with Will & Demelza by Mark Webster Posslethwaite 54 Size matters 35 Lights & divers by Jukka Nurminen & Alex Mustard by Pete Atkinson 25 U/w photojournalist by Martin Edge Cover photo by Tony Wu 58 Visions 2002 by Jack Jackson UwP 3 Travel & events Jim Breakell Tahiti talk at Dive Show, Oct 12/13 2002 In September Jim Breakell of Scuba Safaris went on a fact finding trip to the Pacific. First off he went to Ryrutu for for a few days humpback whale watching, then a week on the inaugural trip of the Tahiti Aggressor and then on to Bora Bora (what a hard life he has!) He will be giving an illustrated talk about his trip at the Dive Show in Birmingham on October 12/13th 2002. For more information contact Scuba Safaris, PO Box 8, Edenbridge, Kent TN8 7ZS. Tel 01342 851196. www.scuba-safaris.com John Boyle video trip May 2003 INVITATION John Boyle will be hosting a video diving trip from Bali to Komodo on Kararu next year.