George Eastman Museum Annual Report 2016
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Who's Who at Metro-Goldwyn-Mayer (1939)
W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H. -
Downloaded From: Usage Rights: Creative Commons: Attribution-Noncommercial-No Deriva- Tive Works 4.0
Daly, Timothy Michael (2016) Towards a fugitive press: materiality and the printed photograph in artists’ books. Doctoral thesis (PhD), Manchester Metropolitan University. Downloaded from: https://e-space.mmu.ac.uk/617237/ Usage rights: Creative Commons: Attribution-Noncommercial-No Deriva- tive Works 4.0 Please cite the published version https://e-space.mmu.ac.uk Towards a fugitive press: materiality and the printed photograph in artists’ books Tim Daly PhD 2016 Towards a fugitive press: materiality and the printed photograph in artists’ books Tim Daly A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy MIRIAD Manchester Metropolitan University June 2016 Contents a. Abstract 1 b. Research question 3 c. Field 5 d. Aims and objectives 31 e. Literature review 33 f. Methodology 93 g. Practice 101 h. Further research 207 i. Contribution to knowledge 217 j. Conclusion 220 k. Index of practice conclusions 225 l. References 229 m. Bibliography 244 n. Research outputs 247 o. Appendix - published research 249 Tim Daly Speke (1987) Silver-gelatin prints in folio A. Abstract The aim of my research is to demonstrate how a practice of hand made books based on the materiality of the photographic print and photo-reprography, could engage with notions of touch in the digital age. We take for granted that most artists’ books are made from paper using lithography and bound in the codex form, yet this technology has served neither producer nor reader well. As Hayles (2002:22) observed: We are not generally accustomed to thinking about the book as a material metaphor, but in fact it is an artifact whose physical properties and historical usage structure our interactions with it in ways obvious and subtle. -
Yellowstone Visitor Guide 2019
Yellowstone Visitor Guide 2019 Are you ready for your Yellowstone adventure? Place to stay Travel time Essentials Inside Hotels and campgrounds fill up Plan plenty of time to get to Top 5 sites to see: 2 Welcome quickly, both inside and around your destination. Yellowstone 1. Old Faithful Geyser 4 Camping the park. Make sure you have is worth pulling over for! 2. The Grand Canyon of the secured lodging before you make Plan a minimum of 40 minutes Yellowstone River 5 Activities other plans. If you do not, you to travel between junctions or 3. Yellowstone Lake 7 Suggested itineraries may have to drive several hours visitor service areas on the Grand 4. Mammoth Hot Springs away from the park to the nearest Loop Road. The speed limit in Terraces 8 Famously hot features available hotel or campsite. Yellowstone is 45 mph (73 kph) 5. Hayden or Lamar valleys 9 Wild lands and wildlife except where posted slower. 10 Area guides 15 Translations Area guides....pgs 10–14 Reservations.......pg 2 Road map.......pg 16 16 Yellowstone roads map Emergency Dial 911 Information line 307-344-7381 TTY 307-344-2386 Park entrance radio 1610 AM = Medical services Yellowstone is on 911 emergency service, including ambulances. Medical services are available year round at Mammoth Clinic (307- 344-7965), except some holidays. Services are also offered at Lake Clinic (307-242-7241) and at Old Faithful Clinic (307-545-7325) during the summer visitor season. Welcome to Yellowstone National Park Yellowstone is a special place, and very different from your home. -
Lower Genesee Loops Tour- Maplewood Park
Lower Genesee Loops Tour Follow Lake Ave. Follow Park Trail Follow Take Maplewood Ramp Up Drive You can park at Maplewood Park Return via 210 Bridge View Dr. Keehl St. Take Ramp to bridge. Follow St. This walking tour is arranged in two loops. Paul St. Following the first loop, you’ll enjoy wonderful views of the river as you cross a Follow Maplewood pedestrian bridge to Seneca Park. You’ll Drive walk south along the eastern edge of the park at St. Paul Street, and then cross over the Veterans Memorial Bridge and return to the starting point. On the second, shorter loop, you’ll learn about early Rochester Cross Veteran Bridge settlers and the history of Kodak. Healthy precautions: • Stay home if you’re not feeling well • Wear a mask if people are nearby, and stay at least six feet away from others • Don’t touch, sit on, or lean against, benches, fences, and other objects • Wash your hands for at least 20 seconds after returning home Lower Genesee Loops Tour #1 Lower Maplewood Park - Designed by the firm of #10 Veterans Memorial Bridge – This bridge was dedicated by the Frederick Law Olmsted, the park provides a dramatic Gold Star Mothers in 1931. It is a concrete arch faced with white natural landscape on the west side of the Genesee River granite. The bridge spans 981 feet, making it the longest bridge in gorge. The park includes a playground and a pond. Rochester. #2 Clean Waters Bridge- The bridge was built to hide two 6- #11 Palisaded Fort Site - In 1880, George Harris discovered the foot-diameter pipes which bring excess wastewater from remains of a three-acre palisaded village, built here by Native the west side of the river to a treatment plant in on the east Americans along this hillside. -
FOR IMMEDIATE RELEASE DAVID LEVINTHAL: Barbie!
FOR IMMEDIATE RELEASE DAVID LEVINTHAL: Barbie! February 28 – April 11, 2009 Reception: Saturday, February 28, 5-7pm Artist Talk: Friday, March 6th at 11am In honor of the iconic doll’s 50th birthday, GERING & LóPEZ GALLERY presents Barbie!, an exhibition of large-format Polaroids by acclaimed photographer David Levinthal. The subjects of these photographs are not toys but rather representations of popular culture, as Levinthal seeks to explore the subliminal effects of the Barbie doll image on the American collective subconscious. A familiar and often polarizing image, the Barbie doll has served as a figure of the idealized female form and the quintessence of glamour as well as a taboo symbol of the oppressive currents in society that have affected generations of American youths. Mattel first manufactured Barbie fifty years ago after the conclusion of World War II, a time when couture houses boomed in France after the ending of wartime restrictions. The Barbie dolls in the photographs featured in this exhibition lack the populist sentiments that later models displayed, instead reflecting a microcosm of mid-century American life inhabited by predominantly white, upper-middle class women. A far subtler series than others in Levinthal’s oeuvre, these unbiased society portraits allow viewers to form their own interpretations of the impact of Barbie’s image on American popular culture. Appropriately, the exhibition is located on Fifth Avenue mere blocks away from both Bergdorf Goodman and F.A.O. Schwartz, titans of haute couture and children’s luxury items, in one of Manhattan’s most highly trafficked shopping areas. Couched in the style of early high fashion photographers such as Irving Penn and Richard Avedon, these dolls showcase the height of post-war fashion from 1959 to the early 1970s. -
Visiting the Upper Geyser Basin (Old Faithful Geyser)
® Visiting the Upper Geyser Basin (Old Faithful Geyser) The Old Faithful Area (Upper Geyser Basin) is one of the most popular and crowded areas in the Summer. Start off with a visit to the new visitor’s center. Tour the center, but most importantly check the information desk for the estimated eruption times of pop - ular geysers in the basin. (Note that they are estimated times... so plan accordingly). Beat the crowds by starting early in the morning before those who did not sleep in the area arrive. Walk around the geyser basin and witness numerous well-known features; Old Faithful, Beehive, Castle, Grotto, Riverside & Morning Glory Pool to name a few. The cool morning air temperature intensifies the steam making the basin more magical. By mid-morning the Summer crowds get larger as the day goes until sunset. (When the area gets congested... head to the hills!, and take the hikes in the back country.) You’ll never get to see all the geysers erupt and will have to pick and chose those you want to invest with your time and how long younger family members can hold out. Prep your walk with a bathroom break and pack bottled beverages. Touring the basin takes time and before you know it you have walked a few miles. (For those in need there is a no frills bathroom near Morning Glory Pool.) Upper Geyser Basin Sites of Interest: 1. Walk through the new Visitor’s Center (opened in the Summer of 2011) 2. Tour the Upper Geyser Basin Boardwalk Upper Geyser Basin is the best place in Yellowstone to see geysers erupt. -
Mean Streets: Death and Disfiguration in Hawks's Scarface
Mean Streets: Death and Disfiguration in Hawks's Scarface ASBJØRN GRØNSTAD Consider this paradox: in Howard Hawks' Scarface, The Shame of the Nation, violence is virtually all-encompassing, yet it is a film from an era before American movies really got violent. There are no graphic close-ups of bullet wounds or slow-motion dissection of agonized faces and bodies, only a series of abrupt, almost perfunctory liquidations seemingly devoid of the heat and passion that characterize the deaths of the spastic Lyle Gotch in The Wild Bunch or the anguished Mr. Orange, slowly bleeding to death, in Reservoir Dogs. Nonetheless, as Bernie Cook correctly points out, Scarface is the most violent of all the gangster films of the eatly 1930s cycle (1999: 545).' Hawks's camera desists from examining the anatomy of the punctured flesh and the extended convulsions of corporeality in transition. The film's approach, conforming to the period style of ptc-Bonnie and Clyde depictions of violence, is understated, euphemistic, in its attention to the particulars of what Mark Ledbetter sees as "narrative scarring" (1996: x). It would not be illegitimate to describe the form of violence in Scarface as discreet, were it not for the fact that appraisals of the aesthetics of violence are primarily a question of kinds, and not degrees. In Hawks's film, as we shall see, violence orchestrates the deep structure of the narrative logic, yielding an hysterical form of plotting that hovers between the impulse toward self- effacement and the desire to advance an ethics of emasculation. Scarface is a film in which violence completely takes over the narrative, becoming both its vehicle and its determination. -
Kirkus Best Books of 2020
Featuring 328 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXVIII, NO. 23 | 1 DECEMBER 2020 REVIEWS THE BEST BOOKS OF 2020 SPECIAL ISSUE BONUS: Kirkus & Rolling Stone’s Top Music Books of 2020 The 100 Best Nonfiction and 100 Best YA Books of the Year + Our Regular December 1 Issue from the editor’s desk: Books That Deserved More Buzz Chairman HERBERT SIMON President & Publisher BY TOM BEER MARC WINKELMAN # Chief Executive Officer MEG LABORDE KUEHN [email protected] John Paraskevas Editor-in-Chief Every December, I look back on the year past and give a shoutout to those TOM BEER books that deserved more buzz—more reviews, more word-of-mouth [email protected] Vice President of Marketing promotion, more book-club love, more Twitter excitement. It’s a subjec- SARAH KALINA tive assessment—how exactly do you measure buzz? And how much is not [email protected] Managing/Nonfiction Editor enough?—but I relish the exercise because it lets me revisit some titles ERIC LIEBETRAU that merit a second look. [email protected] Fiction Editor Of course, in 2020 every book deserved more buzz. Between the pan- LAURIE MUCHNICK demic and the presidential election, it was hard for many titles, deprived [email protected] Young Readers’ Editor of their traditional publicity campaigns, to get the attention they needed. VICKY SMITH A few lucky titles came out early in the year, disappeared when coronavi- [email protected] Tom Beer Young Readers’ Editor rus turned our world upside down, and then managed to rebound; Douglas LAURA SIMEON [email protected] Stuart’s Shuggie Bain (Grove, Feb. -
NPG Glamour of the Gods Talk: Ruth Harriet Louise to Eve Arnold The
NPG Glamour of the Gods Talk: Ruth Harriet Louise to Eve Arnold The story of Hollywood is fascinating. In 1905 Sunset Boulevard was just a dirt track road. Today it is a seventeen mile main road that runs through Los Angeles. By 1910 a community of film companies were emerging and by 1914 Adolph Zukor‘s Famous Players merged with the Lasky Company and it was not long before Paramount Pictures was created and a vertically controlled film industry evolved. Right from the beginning stars were an important ingredient to promote films. One of the earliest stars is Theda Bara who appeared in Cleopatra, Carmen and Salome but most of these films have vanished. However, the popularity of the comedians and in particular Buster Keaton, Charlie Chaplin, Laurel and Hardy have survived. Their films are continuously screened worldwide in a variety of formats. The sex Goddesses also seem to hold up reasonably well and in particular Gloria Swanson and Pola Negri. The iconic face of Louise Brooks remains popular too. Stills were used to promote films in newspapers and magazines and used as art work for the poster design. Stills were also used to promote the film in campaign books and sales catalogues to entice exhibitors. One of the first stills men to arrive was Clarence Sinclair Bull who came to Hollywood in 1917. Another of the pioneers was Harry Waxman a successful New York photographer who set up a studio in Los Angeles and began to photograph many of the Hollywood stars including Gloria Swanson and Pola Negri. Waxman focused on the personality of the star as seen in Waxman’s 1926 portrait of Evelyn Brett. -
Local Old Faithful Area Ski
*See larger map for additional trails. Trail Descriptions Skiing in a geyser basin near thermal areas is an ex- Fern Cascades Loop Trail Skier-Tracked Trail - A trail that has been made/ citing and unusual experience. It also presents some 2.75 miles (4.4 km), most difficult, skier-tracked. broken by a person skiing through deep snow. challenges. Because of the heat below ground, sections Start at the Bear Den Ski Shop exit and angle of these trails are often bare of snow and you may need towards the Snow Lodge cabin area. Then the to remove your skis in order to continue. However, for trail goes through trees and crosses small bridges Machine-Groomed Trail - Mostly level trail with your own safety and the safety of other skiers, please to reach the main snow vehicle road. The trail machine set tracks; ideal conditions for beginners. do not remove your skis on steep, snow-covered trails. begins across the road. Bear right on this one- Groomed areas are for both classic and skate skiing. Skiing on boardwalks can be quite difficult and you way loop and follow under the power lines. If the Most of these are practice loops that follow summer may want to consider snowshoeing or walking along uphill section at the start of the trail is too steep, roads. In addition the Upper Geyser Basin Trail those routes. turn around. The trail only gets more difficult from from the lower store to Morning Glory Pool is there. The trail continues close to the bottom of the groomed but often has bare patches due to thermal heat. -
The Placemaking 2 PLAN Sections: A
INITIATIVE AREA the Placemaking 2 PLAN Sections: A. Overview of the Placemaking Plan B. Future Land Use (Character Areas) C. Other Placemaking Elements 25 ROCHESTER 2034 COMPREHENSIVE PLAN - DRAFT INITIATIVE AREA 2 | The placemaking plan INITIATIVE AREA 2 | The placemaking plan DRAFT - ROCHESTER 2034 COMPREHENSIVE PLAN 26 A. Overview of the Placemaking Plan A. Overview of the PLACEMAKING PLAN Introduction Conventional comprehensive plans contain KEY TAKEAWAYS a future land use plan as the centerpiece for guiding physical change in the municipality. The — We create places of great character community engagement process for Rochester when we invest in things like quality 2034 made it abundantly clear that there are parks, access to the river, attractive many other elements – physical projects, policies, public spaces, dynamic streetscapes, and programs – that intersect with land use resident engagement, and thoughtful and development to contribute to a functional land use planning. cityscape and positive sense of place. As such, — Growing the population of Rochester this comprehensive plan contains an innovative will restore the critical mass of approach to conventional land use planning by residents needed to support local integrating these other elements into a larger businesses, deconcentrate poverty, Placemaking Plan. and grow the tax base — Updating zoning and land use regulations will help create jobs, reoccupy vacant commercial spaces, and preserve community assets. — High standards for building and site design will make Rochester more attractive to residents, businesses, and visitors. 27 ROCHESTER 2034 COMPREHENSIVE PLAN - DRAFT INITIATIVE AREA 2 | The placemaking plan Placemaking is the art and science of shaping private development, public facilities, and the public realm into places of great character. -
Douglass Crockwell Collection, 1897-1976, Bulk 1934-1968
Douglass Crockwell collection, 1897-1976, bulk 1934-1968 Finding aid prepared by Ken Fox, Project Archivist, George Eastman Museum, Moving Image Department, April 2015 Descriptive Summary Creator: Crockwell, Spencer Douglass, 1904-1968 Title: Douglass Crockwell collection Dates: 1897-1976, bulk 1934-1968 Physical Extent: 30.1 cubic feet Repository: Moving Image Department George Eastman Museum 900 East Avenue Rochester, NY 14607 Phone: 585-271-3361 Email: [email protected] Content Abstract: Spencer Douglass Crockwell was a commercial illustrator, experimental filmmaker, inventor, Mutoscope collector, amateur scientist, and Glens Falls, New York, resident. The Douglass Crockwell Collection contains Mr. Crockwell's personal papers, professional documents, films, Mutoscope reels, flip books, drawings, and photographs documenting his professional, civic, and personal life. Language: Collection materials are in English Location: Collection materials are located onsite. Access Restrictions: Collection is open to research upon request. Copyright: George Eastman Museum holds the rights to the physical materials but not intellectual property rights. Acquisition Information: The earliest acquisition of collection materials occurred on August 20, 1973, when one table Mutoscope and three Mutoscope reels were received by the George Eastman Museum as an unrestricted gift from Mr. Crockwell's widow. On March 22, 1974, Mrs. Crockwell transferred most of the Douglass Crockwell Collection to the Museum with the 1 understanding that one third of the collection would be received as an immediate gift. The remaining balance of the collection -- which included the films -- would be received as a loan for study purposes with the understanding it would be accessioned into the permanent collection as a gift within the next two years.