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INSTRUCTION MANUAL Type C / N Design and Specifications Are Subject to Change Without Prior Notice
DIGITAL TTL MACRO FLASH Nissin Japan Ltd., Tokyo http://www.nissin-japan.com Nissin Marketing Ltd., Hong Kong INSTRUCTION MANUAL http://www.nissindigital.com Type C / N Design and Specifications are subject to change without prior notice. MF0611 REV. 1.1 Thank you for purchasing a Nissin product SIMPLE OPERATION When attaching MF18 to the camera, the basic flash exposure operation is fully Before using this flash unit, please read this instruction manual and refer controlled by the camera. It is the same idea as when you use the built-in your camera owner’s manual carefully to get a better understanding of camera flash, but it is placed on the hotshoe of the camera instead of using the proper operation to enjoy flash photography. built-in flash. Nissin Macro Flash MF18 is a flash system for taking close-up photos of small ADVANCED FUNCTIONS subjects using a flash to eliminate shadows, allowing you to enjoy photography. MF18 provides advanced flash functions including 1st curtain synchronization, This instruction manual is intended mainly for Canon or Nikon digital SLR, with Rear curtain synchronization and High speed shutter synchronization are the latest TTL flash control system, and features Nissin’s original rotating color supported. display, easily guiding its operations. It works automatically with Canon ETTL / ETTL II or Nikon i-TTL auto-flash systems. The provided adapter rings make it available for use with different lens. Please note that MF18 is not usable with other branded cameras for TTL Compatible cameras operation. Please refer Nissin’s compatibility chart shown in its home page for details. -
The Pentax Digital Camera Flash Lighting System – © Nigel Mcgregor 2015
THE PENTAX DIGITAL CAMERA FLASH LIGHTING SYSTEM An exploration of the functioning and practical operations for the Pentax Camera Brand Dedicated Flash Lighting System. This Guide includes the principles for Camera Operations, Built-in flash, Pentax and Dedicated Third Party flash units. Nigel McGregor - © 2015, London, United Kingdom The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Title (i) The Pentax Digital Camera Flash Lighting System Welcome To My Guide I’m Nigel McGregor, a passionate user of Pentax DSLR photography equipment. A New Zealander, but long term resident of the United Kingdom, where I live to the South of London near the Surrey border. Landscapes, gardens, flowers and architecture are my main photographic interests, but like many family photographers it is the portraits and action shots of loved ones that take up the most SD card space on my camera. It was the striving to get better results with these people shots, often indoors, that has propelled my interest in flash photography with Pentax equipment. I love taking flash pictures with my Pentax camera and flash. Even more so wirelessly with a softbox or umbrella set-up. But getting good consistent results can be frustrating, and so I want to share my thoughts on understanding the Pentax flash system, and how to get the most out of it. Take a look at the Contents and Introduction here to give you a quick idea of what is contained in this guide. Please join in the discussions about the guide and flash photography in general on the forums. I’d love to hear your feedback, suggestions and responses to the contents of this guide! You can get to me via the following routes; PentaxForums.com/My Profile PentaxUser.com/My Portfolio ThePentaxForum.co.uk/My Profile The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Welcome and Contact The Pentax Digital Camera Flash Lighting System – PDF Version 1, July 2015 © Nigel McGregor, London 2015 {Use your PDF Reader page number indicator to navigate and jump to required pages …} Contents 1. -
HASSELBLAD INTRODUCES the H6D-400C MS, a 400 MEGA PIXEL
Press information – for immediate release Gothenburg, Sweden 16 Jan 2018 HASSELBLAD INTRODUCES THE H6D-400c MS, A 400 MEGA PIXEL MULTI-SHOT CAMERA Building on a vast experience of developing exceptional, high-quality single and multi-shot cameras, Hasselblad once again has raised the bar for image quality captured with medium format system. Multi-Shot capture has become an industry standard in the field of art reproduction and cultural heritage for the documentation of paintings, sculptures, and artwork. As the only professional medium format system to feature multi-shot technology, Hasselblad continues to be the leading choice for institutions, organizations, and museums worldwide to record historic treasures in the highest image quality possible. With over 10 years of digital imaging expertise, the latest Multi-Shot digital camera combines the H6D’s unrivalled ease of use with a completely new frontier of image quality and detail. This new camera encompasses all of the technological functions of Hasselblad’s H6D single shot camera, and adds to that the resolution and colour fidelity advancements that only Multi-Shot photography can bring to image capture. With an effective resolution of 400MP via 6 shot image capture, or 100MP resolution in either 4 shot Multi-Shot capture or single shot mode, the Multi-Shot capture requires the sensor and its mount to be moved at a high-precision of 1 or ½ a pixel at a time via a piezo unit. To capture Multi-Shot images the camera must be tethered to a PC or MAC. In 400MP Multi-Shot mode, 6 images are captured, the first 4 involve moving the sensor by one pixel at a time to achieve real colour data (GRGB- see 4 shot diagrams below), this cycle then returns the sensor to its starting point. -
Totalmem),Form Factor,System on Chip,Screen Sizes,Screen Densities,Abis,Android SDK Versions,Opengl ES Versions
Manufacturer,Model Name,Model Code,RAM (TotalMem),Form Factor,System on Chip,Screen Sizes,Screen Densities,ABIs,Android SDK Versions,OpenGL ES Versions 10.or,E,E,2846MB,Phone,Qualcomm MSM8937,1080x1920,480,arm64-v8a 10.or,G,G,3603MB,Phone,Qualcomm MSM8953,1080x1920,480,arm64-v8a 10.or,D,10or_D,2874MB,Phone,Qualcomm MSM8917,720x1280,320,arm64-v8a 4good,A103,4GOOD_Light_A103,907MB,Phone,Mediatek MT6737M,540x960,240,armeabi- v7a 4good,4GOOD Light B100,4GOOD_Light_B100,907MB,Phone,Mediatek MT6737M,540x960,240,armeabi-v7a 7Eleven,IN265,IN265,466MB,Phone,Mediatek MT6572,540x960,240,armeabi-v7a 7mobile,DRENA,DRENA,925MB,Phone,Spreadtrum SC7731C,480x800,240,armeabi-v7a 7mobile,KAMBA,KAMBA,1957MB,Phone,Mediatek MT6580,720x1280,320,armeabi-v7a 7mobile,SWEGUE,SWEGUE,1836MB,Phone,Mediatek MT6737T,1080x1920,480,arm64-v8a A.O.I. ELECTRONICS FACTORY,A.O.I.,TR10CS1_11,965MB,Tablet,Intel Z2520,1280x800,160,x86 Aamra WE,E2,E2,964MB,Phone,Mediatek MT6580,480x854,240,armeabi-v7a Accent,Pearl_A4,Pearl_A4,955MB,Phone,Mediatek MT6580,720x1440,320,armeabi-v7a Accent,FAST7 3G,FAST7_3G,954MB,Tablet,Mediatek MT8321,720x1280,160,armeabi-v7a Accent,Pearl A4 PLUS,PEARL_A4_PLUS,1929MB,Phone,Mediatek MT6737,720x1440,320,armeabi-v7a Accent,SPEED S8,SPEED_S8,894MB,Phone,Mediatek MT6580,720x1280,320,armeabi-v7a Acegame S.A. -
Ams Second Quarter and Half Year Results 2020
ams Second quarter and half year results 2020 Alexander Everke, CEO Ingo Bank, CFO Moritz M. Gmeiner, Head of IR July 2020 Vision for ams/OSRAM Create the uncontested leader in optical solutions Sensing Illumination Visualization © ams AG Page 2 Build the leading portfolio in optical solutions Strength across the full range of key solution components Optical components Integrated circuits Emitters Detectors + micro-modules + algorithms • LEDs • Optical elements: Lenses, • Light sensors • Emitter driver ICs Key solution • µLED light guides, DOEs • Bio-sensors • Sensor interfaces components • VCSELs/EELs • Micro-optical packaging • Image sensors • Sensor processors • Lamps • Optical modules (incl. algorithms) Micro-optical/optical solutions + lamps (modules) Sensing Illumination Visualization Target applications © ams AG Page 3 Create the uncontested leader in optical solutions Micromodule + module Innovation + leadership Diversified business solutions Pursue real innovation and Develop optical micromodule/module Drive diversified business with market leadership in key optical solutions for growth applications in balanced application mix components (emitters, optics, sensing, illumination, visualization and broad customer portfolio detectors, ICs, algorithms) Co-operation In-house manufacturing M&A Work with innovation leaders Focus in-house manufacturing Accelerate the implementation in each area, then roll out to on process steps driving of our strategy through M&A broader customer base product differentiation Leading financial performance Deliver excellent financial performance in revenue growth and profitability © ams AG Page 4 Strategic position to benefit from growth trends Key technology trends driving the sensing market Digital Next generation Autonomous Next generation In-cabin sensing automotive Bio-sensing Industrial IoT displays driving imaging (ICS) / HMI lighting . µLED displays . LIDAR solutions . -
Flash in Stereo
FLASH IN STEREO “Golf Legend Bobby Jones Taking a Swing", photo taken by Dr. Harold Edgerton , the inventor of electronic flash in 1938, using stroboscopic flash photography. A Presentation by George Themelis NSA / July 2010 Outline • Why Flash? • Flash Advantages in Stereo • Short History of Flash Photography • Flash Bulbs vs. Electronic Flash • Flash Synchronization • Flash Exposure • Issues when using flash • Special Flash Techniques • Flash in Slide Bar (Single camera) Stereo • Flash with Vintage Stereo Cameras • Flash with compact digital stereo cameras • Flash with twin cameras Why Flash? When the existing light is dim, there is a need for artificial light in order to get good expo- sures . Example: In a well-lit interior space a typical exposure using 100 ISO is f8 at 1 second. Compare this to a “sunny day” f16 1/100, 2+7 = 9 f-stops less light. Hand hold- ing the camera or taking pictures of people at these long exposures is impossible. Hence flash is a necessity for taking pictures indoors. Without extra light, the photographer has three options: 1) Open up the aperture (f-stop), 2) Increase the time of the exposure . 3) Increase sensitivity (ISO) . These methods have disadvantages & limitations: • Opening up the lens aperture reduces the depth of field (can be a problem in stereo) in- creases lens aberrations, plus there is a limit (lens maximum aperture) • Theoretically, there is no limit in increasing exposure time, but in practice 1) film recip- rocity, 2) digital noise, 3) blurry pictures without solid support, 4) subject movement. • Increased sensitivity leads to film grain or digital noise. -
George Eastman Museum Annual Report 2018
George Eastman Museum Annual Report 2018 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 8 Photography Workshops 9 Loans 10 Objects Loaned For Exhibitions 10 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 30 Technology 32 George Eastman Legacy 34 Richard and Ronay Menschel Library 48 Purchases for the Collections 48 Photography 48 Moving Image 49 Technology 49 George Eastman Legacy 49 Richard and Ronay Menschel Library 49 Conservation & Preservation 50 Conservation 50 Photography 50 Technology 52 George Eastman Legacy 52 Richard and Ronay Menschel Library 52 Preservation 53 Moving Image 53 Financial 54 Treasurer’s Report 54 Fundraising 56 Members 56 Corporate Members 58 Annual Campaign 59 Designated Giving 59 Planned Giving 61 Trustees, Advisors & Staff 62 Board of Trustees 62 George Eastman Museum Staff 63 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2018. MAIN GALLERIES HISTORY OF PHOTOGRAPHY GALLERY Stories of Indian Cinema: A History of Photography Abandoned and Rescued Curated by Jamie M. Allen, associate curator, Department of Photography, and Todd Gustavson, exhibitions, Moving Image Department curator, Technology Collection NovemberCurated by 11,Jurij 2017–May Meden, curator 13, 2018 of film October 14, 2017–April 22, 2018 Nandita -
Gannett Foundation Photographic Study Center Policies and Procedures for Researchers
Gannett Foundation Photographic Study Center Policies and Procedures for Researchers Hours *Due to Covid-19 the Study Center is currently closed to researchers until further notice. Collection access is available by appointment on the following days and times: Wednesday – Friday 10:00 a.m. – 12:00 p.m., 1:00 p.m. – 4:00 p.m. To make an appointment please complete and submit the Researcher Request Form (https://www.eastman.org/photographic-study-center-researcher-request-form) a minimum of two weeks in advance. Please contact collection staff at [email protected] with any questions regarding collection access or appointment availability. Prior to your arrival, please review the George Eastman Museum’s health and safety policies at: https://www.eastman.org/welcome-back. Arriving for your Appointment Please enter the museum through the main entrance located on the west side of the building (facing the parking lot). Speak to a staff member in the Thomas Tischer Visitor Center and inform them you have an appointment in the Gannett Foundation Photographic Study Center. All researchers will be required to sign in and will be given a visitor’s badge. General Policies Coats, briefcases, backpacks, or other large personal items are not allowed in the study center. You will be asked to place these items in a locker or coatrack outside of the Study Center upon arrival. Food and drink are not allowed in the study center. This includes gum and mints. Notepads and wooden pencils may be used for making research notes. Mechanical pencils, pens, or ink are not allowed. -
E-300 Advanced Manual
E-300AdEN-Cover 04.10.22 11:43 AM Page 1 Basic operations DIGITDIGITALAL CAMERA Things to know before shooting http://www.olympus.com/ Selecting the right mode for shooting conditions ADVANCED MANUAL ADVANCED ADADVANCEDVANCED MANUMANUALAL Shinjuku Monolith, 3-1 Nishi-Shinjuku 2-chome, Shinjuku-ku, Tokyo, Japan Various shooting functions Focusing functions Two Corporate Center Drive, PO Box 9058, Melville, NY 11747-9058, U.S.A. Tel. 1-631-844-5000 Exposure, image and color Technical Support (USA) 24/7 online automated help: http://www.olympusamerica.com/E1 Phone customer support: Tel. 1-800-260-1625 (Toll-free) Playback Our phone customer support is available from 8 am to 10 pm (Monday to Friday) ET Customizing the settings/ E-Mail: [email protected] functions of your camera Olympus software updates can be obtained at: http://www.olympus.com/digital Printing Premises: Wendenstrasse 14-18, 20097 Hamburg, Germany Transferring images to a Tel. +49 40 - 23 77 3-0 / Fax +49 40 - 23 07 61 computer Goods delivery: Bredowstrasse 20, 22113 Hamburg, Germany Letters: Postfach 10 49 08, 20034 Hamburg, Germany Appendix European Technical Customer Support: Please visit our homepage http://www.olympus-europa.com or call our TOLL FREE NUMBER*: 00800 - 67 10 83 00 Information for Austria, Belgium, Denmark, Finland, France, Germany, Italy, Luxemburg, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, United Kingdom * Please note some (mobile) phone services/provider do not permit access or request an additional prefix to +800 numbers. For all not listed European Countries and in case that you can’t get connected to ● Thank you for purchasing an Olympus digital camera. -
Clinical Photography Manual by Kris Chmielewski Introduction
Clinical Photography Manual by Kris Chmielewski Introduction Dental photography requires basic knowledge about general photographic rules, but also proper equipment and a digital workflow are important. In this manual you will find practical information about recommended equipment, settings, and accessories. For success with clinical photo documentation, consistency is the key. The shots and views presented here are intended as recommendations. While documenting cases, it is very important to compose the images in a consistent manner, so that the results or stages of the treatment can easily be compared. Don’t stop documenting if a failure occurs. It’s even more important to document such cases because of their high educational value. Dr. Kris Chmielewski, DDS, MSc Educational Director of Dental Photo Master About the author Kris Chmielewski is a dentist and professional photographer. Highly experienced in implantology and esthetic dentistry, he has more than 20 years experience with dental photography. He is also a freelance photographer and filmmaker, involved with projects for the Discovery Channel. 2 CONTENT Equipment 4 Camera 5 Initial camera settings for dental photography 7 Lens 8 Flash 10 Brackets 14 Accessories Retractors 15 Mirrors 16 Contrasters 17 Camera & instrument positioning 18 Intraoral photography Recommended settings 22 Frontal views 23 Occlusal views 23 Lateral views 24 Portraits Recommended settings 26 Views 27 Post-production 29 How to prepare pictures for lectures and for print 30 3 Equipment Equipment For dental photography, you need a camera with a dedicated macro lens and flash. The equipment presented in these pages is intended to serve as a guide that can help with selection of similar products from other manufacturers. -
Announcement
Announcement Total 83 articles, created at 2016-04-13 06:03 1 Facebook levels up its live streaming service with new video tab and developer tools (3.00/4) Facebook is doubling down on its investment in video with a new tool that will help hardware makers build devices to stream live to the social networking service. 2016-04-12 14:42 3KB www.computerworld.com 2 Show us your Dark Souls 3 character Day one in Lothric: took a sick selfie. 2016-04-13 01:04 962Bytes www.pcgamer.com (2.00/4) 3 Smite fans, we've got 5,000 Jing Wei keys to give away (2.00/4) That's a lot of codes. 2016-04-13 00:37 1KB www.pcgamer.com 4 Badlock: Patch your Samba and Windows server now The Badlock security holes are as bad as bad can be. You should patch your Samba- and Windows-servers immediately. 2016-04-12 19:41 4KB zdnet.com.feedsportal.com (2.00/4) 5 PC shipments decline for sixth consecutive quarter, but gaming PCs are on the rise Industry tracking firms Gartner and IDC both reported steep declines in worldwide PC (2.00/4) shipments. 2016-04-12 18:08 3KB www.pcgamer.com 6 Come in Microsoft SQL Server 2005, your time is up Another ageing but still used Microsoft product put out to pasture 2016-04-12 15:37 2KB www.theinquirer.net (2.00/4) 7 Apple Pay struggles in Australia as banks profit from a fee- phobic market Australia's big banks are not rushing to enable Apple Pay despite the country's citizens using iPhones at a rate more than double the global average. -
Pico-Ing Into the Future of Mobile Projection and Contexts
Pico-ing into the Future of Mobile Projection and Contexts Max L. Wilson*, Dan Craggs, Simon Robinson, Matt Jones, Kristian Brimble Future Interaction Technology Lab, Department of Computer Science, Swansea University, Swansea, SA28PP, UK Tel: +44 (0) 1792 295393 Fax: +44 (0) 1792 295708 {m.l.wilson, csdanc, s.n.w.robinson, matt.jones}@swansea.ac.uk Abstract Ten years ago we were on the verge of having cameras built into our mobile phones, but knew very little about what to expect or how they would be used. Now we are faced with the same unknowns with mobile projector phones. This research seeks to explore how people will want to use such technology, how they will feel when using it, and what social effects we can expect to see. This paper describes our two-phase field investigation that uses a combination of methods to investigate how, when, and why mobile projections may be used. The first study used an experience sampling method to investigate responses to a range of different media types, and, for example, the choice of surfaces used in each case. The second study asked users to create video diary entries showing when, where, and why they would have wanted to project information. Together these studies provide complementary insights into the future use of mobile projector phones. Our results cover detailed responses to a range of media types from the first study, while the second identified which of the known mobile information needs were commonly recorded by participants. Both studies provide insights that may help shape the hardware, software, and interaction design of mobile projector phones as they become increasingly available.