Sample Manuscript Showing Specifications and Style
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Denver Cmc Photography Section Newsletter
MARCH 2018 DENVER CMC PHOTOGRAPHY SECTION NEWSLETTER Wednesday, March 14 CONNIE RUDD Photography with a Purpose 2018 Monthly Meetings Steering Committee 2nd Wednesday of the month, 7:00 p.m. Frank Burzynski CMC Liaison AMC, 710 10th St. #200, Golden, CO [email protected] $20 Annual Dues Jao van de Lagemaat Education Coordinator Meeting WEDNESDAY, March 14, 7:00 p.m. [email protected] March Meeting Janice Bennett Newsletter and Communication Join us Wednesday, March 14, Coordinator fom 7:00 to 9:00 p.m. for our meeting. [email protected] Ron Hileman CONNIE RUDD Hike and Event Coordinator [email protected] wil present Photography with a Purpose: Conservation Photography that not only Selma Kristel Presentation Coordinator inspires, but can also tip the balance in favor [email protected] of the protection of public lands. Alex Clymer Social Media Coordinator For our meeting on March 14, each member [email protected] may submit two images fom National Parks Mark Haugen anywhere in the country. Facilities Coordinator [email protected] Please submit images to Janice Bennett, CMC Photo Section Email [email protected] by Tuesday, March 13. [email protected] PAGE 1! DENVER CMC PHOTOGRAPHY SECTION MARCH 2018 JOIN US FOR OUR MEETING WEDNESDAY, March 14 Connie Rudd will present Photography with a Purpose: Conservation Photography that not only inspires, but can also tip the balance in favor of the protection of public lands. Please see the next page for more information about Connie Rudd. For our meeting on March 14, each member may submit two images from National Parks anywhere in the country. -
No Slide Title
December 2007 Updated 12/17/07 AT&T Mobility December ~ Washington Government WSCA – AT&T Mobility Device and Rate Plan Update for 2007 All Offers for Government Use ONLY On the attached pages you will find updates to the December WSCA pricing for Equipment and Rate Plans. Table of Contents Page 2: Voice Rate Plans Page 3: FREE Cellular Phones Page 4: Cellular Phones Page 5: BlackBerry Devices Page 6: SmartPhones (Microsoft, Nokia, Palm) Page 7: Push-to-Talk Devices Page 8: Aircards Page 9: Accessories Page 10: Nationwide Coverage Map December Highlights: ¾New Blackberry 8310 Curve! ~ Onboard GPS ~ Available in Titanium & Red! ¾ New Samsung Blackjack 2 – GPS ~ Available in Black & Red! ¾ Air Card Promotion: Sierra AC881 & Option GT Max FREE! *Certain devices may not be shown due to policy or otherwise WSCA Pricing. For more Information Contact: Prices and Promotions subject to change without notice Rob Holden All Offers for Government Use ONLY 425-580-7741 Master Price Agreement: T07-MST-069 [email protected] All plans receive WSCA 20% discount on monthly recurring service charges December 2007 December 2007 Updated 12/17/07 AT&T Mobility Oregon Government WSCA All plans receive 20% additional discount off of monthly recurring charges! AT&T Mobility Calling Plans REGIONAL Plan NATION Plans (Free Roaming and Long Distance Nationwide) Monthly Fee $9.99 (Rate Code ODNBRDS11) $39.99 $59.99 $79.99 $99.99 $149.99 Included mins 0 450 900 1,350 2,000 4,000 5000 N & W, Unlimited Nights & Weekends, Unlimited Mobile to 1000 Mobile to Mobile Unlim -
Completing a Photography Exhibit Data Tag
Completing a Photography Exhibit Data Tag Current Data Tags are available at: https://unl.box.com/s/1ttnemphrd4szykl5t9xm1ofiezi86js Camera Make & Model: Indicate the brand and model of the camera, such as Google Pixel 2, Nikon Coolpix B500, or Canon EOS Rebel T7. Focus Type: • Fixed Focus means the photographer is not able to adjust the focal point. These cameras tend to have a large depth of field. This might include basic disposable cameras. • Auto Focus means the camera automatically adjusts the optics in the lens to bring the subject into focus. The camera typically selects what to focus on. However, the photographer may also be able to select the focal point using a touch screen for example, but the camera will automatically adjust the lens. This might include digital cameras and mobile device cameras, such as phones and tablets. • Manual Focus allows the photographer to manually adjust and control the lens’ focus by hand, usually by turning the focus ring. Camera Type: Indicate whether the camera is digital or film. (The following Questions are for Unit 2 and 3 exhibitors only.) Did you manually adjust the aperture, shutter speed, or ISO? Indicate whether you adjusted these settings to capture the photo. Note: Regardless of whether or not you adjusted these settings manually, you must still identify the images specific F Stop, Shutter Sped, ISO, and Focal Length settings. “Auto” is not an acceptable answer. Digital cameras automatically record this information for each photo captured. This information, referred to as Metadata, is attached to the image file and goes with it when the image is downloaded to a computer for example. -
INSTRUCTION MANUAL Type C / N Design and Specifications Are Subject to Change Without Prior Notice
DIGITAL TTL MACRO FLASH Nissin Japan Ltd., Tokyo http://www.nissin-japan.com Nissin Marketing Ltd., Hong Kong INSTRUCTION MANUAL http://www.nissindigital.com Type C / N Design and Specifications are subject to change without prior notice. MF0611 REV. 1.1 Thank you for purchasing a Nissin product SIMPLE OPERATION When attaching MF18 to the camera, the basic flash exposure operation is fully Before using this flash unit, please read this instruction manual and refer controlled by the camera. It is the same idea as when you use the built-in your camera owner’s manual carefully to get a better understanding of camera flash, but it is placed on the hotshoe of the camera instead of using the proper operation to enjoy flash photography. built-in flash. Nissin Macro Flash MF18 is a flash system for taking close-up photos of small ADVANCED FUNCTIONS subjects using a flash to eliminate shadows, allowing you to enjoy photography. MF18 provides advanced flash functions including 1st curtain synchronization, This instruction manual is intended mainly for Canon or Nikon digital SLR, with Rear curtain synchronization and High speed shutter synchronization are the latest TTL flash control system, and features Nissin’s original rotating color supported. display, easily guiding its operations. It works automatically with Canon ETTL / ETTL II or Nikon i-TTL auto-flash systems. The provided adapter rings make it available for use with different lens. Please note that MF18 is not usable with other branded cameras for TTL Compatible cameras operation. Please refer Nissin’s compatibility chart shown in its home page for details. -
Sample Manuscript Showing Specifications and Style
Information capacity: a measure of potential image quality of a digital camera Frédéric Cao 1, Frédéric Guichard, Hervé Hornung DxO Labs, 3 rue Nationale, 92100 Boulogne Billancourt, FRANCE ABSTRACT The aim of the paper is to define an objective measurement for evaluating the performance of a digital camera. The challenge is to mix different flaws involving geometry (as distortion or lateral chromatic aberrations), light (as luminance and color shading), or statistical phenomena (as noise). We introduce the concept of information capacity that accounts for all the main defects than can be observed in digital images, and that can be due either to the optics or to the sensor. The information capacity describes the potential of the camera to produce good images. In particular, digital processing can correct some flaws (like distortion). Our definition of information takes possible correction into account and the fact that processing can neither retrieve lost information nor create some. This paper extends some of our previous work where the information capacity was only defined for RAW sensors. The concept is extended for cameras with optical defects as distortion, lateral and longitudinal chromatic aberration or lens shading. Keywords: digital photography, image quality evaluation, optical aberration, information capacity, camera performance database 1. INTRODUCTION The evaluation of a digital camera is a key factor for customers, whether they are vendors or final customers. It relies on many different factors as the presence or not of some functionalities, ergonomic, price, or image quality. Each separate criterion is itself quite complex to evaluate, and depends on many different factors. The case of image quality is a good illustration of this topic. -
The Pentax Digital Camera Flash Lighting System – © Nigel Mcgregor 2015
THE PENTAX DIGITAL CAMERA FLASH LIGHTING SYSTEM An exploration of the functioning and practical operations for the Pentax Camera Brand Dedicated Flash Lighting System. This Guide includes the principles for Camera Operations, Built-in flash, Pentax and Dedicated Third Party flash units. Nigel McGregor - © 2015, London, United Kingdom The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Title (i) The Pentax Digital Camera Flash Lighting System Welcome To My Guide I’m Nigel McGregor, a passionate user of Pentax DSLR photography equipment. A New Zealander, but long term resident of the United Kingdom, where I live to the South of London near the Surrey border. Landscapes, gardens, flowers and architecture are my main photographic interests, but like many family photographers it is the portraits and action shots of loved ones that take up the most SD card space on my camera. It was the striving to get better results with these people shots, often indoors, that has propelled my interest in flash photography with Pentax equipment. I love taking flash pictures with my Pentax camera and flash. Even more so wirelessly with a softbox or umbrella set-up. But getting good consistent results can be frustrating, and so I want to share my thoughts on understanding the Pentax flash system, and how to get the most out of it. Take a look at the Contents and Introduction here to give you a quick idea of what is contained in this guide. Please join in the discussions about the guide and flash photography in general on the forums. I’d love to hear your feedback, suggestions and responses to the contents of this guide! You can get to me via the following routes; PentaxForums.com/My Profile PentaxUser.com/My Portfolio ThePentaxForum.co.uk/My Profile The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Welcome and Contact The Pentax Digital Camera Flash Lighting System – PDF Version 1, July 2015 © Nigel McGregor, London 2015 {Use your PDF Reader page number indicator to navigate and jump to required pages …} Contents 1. -
Seeing Like Your Camera ○ My List of Specific Videos I Recommend for Homework I.E
Accessing Lynda.com ● Free to Mason community ● Set your browser to lynda.gmu.edu ○ Log-in using your Mason ID and Password ● Playlists Seeing Like Your Camera ○ My list of specific videos I recommend for homework i.e. pre- and post-session viewing.. PART 2 - FALL 2016 ○ Clicking on the name of the video segment will bring you immediately to Lynda.com (or the login window) Stan Schretter ○ I recommend that you eventually watch the entire video class, since we will only use small segments of each video class [email protected] 1 2 Ways To Take This Course What Creates a Photograph ● Each class will cover on one or two topics in detail ● Light ○ Lynda.com videos cover a lot more material ○ I will email the video playlist and the my charts before each class ● Camera ● My Scale of Value ○ Maximum Benefit: Review Videos Before Class & Attend Lectures ● Composition & Practice after Each Class ○ Less Benefit: Do not look at the Videos; Attend Lectures and ● Camera Setup Practice after Each Class ○ Some Benefit: Look at Videos; Don’t attend Lectures ● Post Processing 3 4 This Course - “The Shot” This Course - “The Shot” ● Camera Setup ○ Exposure ● Light ■ “Proper” Light on the Sensor ■ Depth of Field ■ Stop or Show the Action ● Camera ○ Focus ○ Getting the Color Right ● Composition ■ White Balance ● Composition ● Camera Setup ○ Key Photographic Element(s) ○ Moving The Eye Through The Frame ■ Negative Space ● Post Processing ○ Perspective ○ Story 5 6 Outline of This Class Class Topics PART 1 - Summer 2016 PART 2 - Fall 2016 ● Topic 1 ○ Review of Part 1 ● Increasing Your Vision ● Brief Review of Part 1 ○ Shutter Speed, Aperture, ISO ○ Shutter Speed ● Seeing The Light ○ Composition ○ Aperture ○ Color, dynamic range, ● Topic 2 ○ ISO and White Balance histograms, backlighting, etc. -
Aperture, Exposure, and Equivalent Exposure Aperture
Aperture, Exposure, and Equivalent Exposure Aperture Also known as f-stop Aperture Controls opening’s size during exposure Another term for aperture: f-stop Controls Depth of Field Each full stop on the aperture (f-stop) either doubles or halves the amount of light let into the camera Light is halved this direction Light is doubled this direction The Camera/Eye Comparison Aperture = Camera body = Pupil Shutter = Eyeball Eyelashes Lens Iris diaphragm = Film = Iris Light sensitive retina Aperture and Depth of Field Depth of Field • The zone of sharpness variable by aperture, focal length, or subject distance f/22 f/8 f/4 f/2 Large Depth of Field Shot at f/22 Jacob Blade Shot at f/64 Ansel Adams Shallow Depth of Field Shot at f/4 Keely Nagel Shot at f/5.6 How is a darkroom test strip like a camera’s light meter? They both tell how much light is being allowed into an exposure and help you to pick the correct amount of light using your aperture and proper time (either timer or shutter speed) This is something called Equivalent Exposure Which will be explained now… What we will discuss • Exposure • Equivalent Exposure • Why is equivalent exposure important? Photography – Greek photo = light graphy = writing What is an exposure? Which one is properly exposed and what happened to the others? A B C Under Exposed A Over Exposed B Properly Exposed C Exposure • Combined effect of volume of light hitting the film or sensor and its duration. • Volume is controlled by the aperture (f-stop) • Duration (time) is controlled by the shutter speed Equivalent -
HASSELBLAD INTRODUCES the H6D-400C MS, a 400 MEGA PIXEL
Press information – for immediate release Gothenburg, Sweden 16 Jan 2018 HASSELBLAD INTRODUCES THE H6D-400c MS, A 400 MEGA PIXEL MULTI-SHOT CAMERA Building on a vast experience of developing exceptional, high-quality single and multi-shot cameras, Hasselblad once again has raised the bar for image quality captured with medium format system. Multi-Shot capture has become an industry standard in the field of art reproduction and cultural heritage for the documentation of paintings, sculptures, and artwork. As the only professional medium format system to feature multi-shot technology, Hasselblad continues to be the leading choice for institutions, organizations, and museums worldwide to record historic treasures in the highest image quality possible. With over 10 years of digital imaging expertise, the latest Multi-Shot digital camera combines the H6D’s unrivalled ease of use with a completely new frontier of image quality and detail. This new camera encompasses all of the technological functions of Hasselblad’s H6D single shot camera, and adds to that the resolution and colour fidelity advancements that only Multi-Shot photography can bring to image capture. With an effective resolution of 400MP via 6 shot image capture, or 100MP resolution in either 4 shot Multi-Shot capture or single shot mode, the Multi-Shot capture requires the sensor and its mount to be moved at a high-precision of 1 or ½ a pixel at a time via a piezo unit. To capture Multi-Shot images the camera must be tethered to a PC or MAC. In 400MP Multi-Shot mode, 6 images are captured, the first 4 involve moving the sensor by one pixel at a time to achieve real colour data (GRGB- see 4 shot diagrams below), this cycle then returns the sensor to its starting point. -
Down and Dirty Camera Tricks Even for Your CELL PHONE
Down and Dirty Camera Tricks Even for Your CELL PHONE Educational Seminar GCSAA Presenter - John R. Johnson Creating Images That Count The often quoted Yogi said, “When you come to a Fork in the Road – Take it!” What he meant was . “When you have a Decision in Life – Make it.” Let’s Make Good Decisions with Our Cameras I Communicate With Images You’ve known me for Years. Good Photography Is How You Can Communicate This one is from the Media Moses Pointe – WA Which Is Better? Same Course, 100 yards away – Shot by a Pro Moses Pointe – WA Ten Tricks That Work . On Big Cameras Too. Note image to left is cell phone shot of me shooting in NM See, Even Pros Use Cell Phones So Let’s Get Started. I Have My EYE On YOU Photography Must-Haves Light Exposure Composition This is a Cell Phone Photograph #1 - Spectacular Light = Spectacular Photography Colbert Hills - KS Light from the side or slightly behind. Cell phones require tons of light, so be sure it is BRIGHT. Sunsets can’t hurt either. #2 – Make it Interesting Change your angle, go higher, go lower, look for the unusual. Resist the temptation to just stand and shoot. This is a Cell Phone Photograph Mt. Rainier Coming Home #2 – Make it Interesting Same trip, but I shot it from Space just before the Shuttle re-entry . OK, just kidding, but this is a real shot, on a flight so experiment and expand your vision. This is a Cell Phone Photograph #3 – Get Closer In This Case Lower Too Typically, the lens is wide angle, so things are too small, when you try to enlarge, they get blurry, so get closer to start. -
Canon EOS 1D
C J C GETTING THE MOST FROM YOUR EOS-1 CLASS DIGITAL SLR TIPS AND TECHNIQUES: CAMERA HANDLING & MAXIMUM IMAGE QUALITY OVERVIEW Canon’s EOS-1 class digital SLRs (EOS-1D, EOS-1Ds, EOS-1D Mark II and EOS-1Ds Mark II) are clearly the company’s highest quality and most powerful digital SLRs to date. Thanks to their key attributes of EF Lens compatibility, Canon CMOS sensor technology and DIGIC/DIGIC II Image Processors, EOS-1 class digital SLRs produce images with exceptionally low noise, excellent detail and superb color. As with any professional camera system, there are numerous variables in camera operation, lens selection and image quality optimization that must be clearly understood and mastered by the user in order to achieve the best possible results. The purpose of this document is to identify the factors that affect the autofocus (AF) performance and image quality aspects of EOS-1 class digital SLRs, and provide tips and techniques on getting the most out of this powerful camera and lens system. We have intentionally provided detailed explanations to clarify the reasoning behind our recommendations, but at the beginning of the document there is also a brief summary of the main points for your convenience. Thank you for using Canon products! We want you to know that we sincerely appreciate your patronage. OVERVIEW 2 QUICK REFERENCE GUIDE Camera Operation Tips Select focusing points manually: Selecting the focusing point manually speeds up the autofocus system because the camera does not have to decide which focus point or points to use. Manual focusing point selection also allows you to control exactly where the camera is focusing. -
Minolta Electronic Auto-Exposure 35Mm Single Lens Reflex Cameras and CLE
Minolta Electronic Auto-Exposure 35mm Single Lens Reflex Cameras and CLE Minolta's X-series 35mm single lens user the creative choice of aperture and circuitry requires a shutter speed faster reflex cameras combine state-of-the-art shutter-priority automation, plus metered than 1/1000 second. These cameras allow photographic technology with Minolta's tra manual operation at the turn of a lever. The full manual control for employing sophisti ditional fine handling and human engineer photographer can select shutter-priority cated photo techniques. The silent elec ing to achieve precision instruments that operation to freeze action or control the tronic self-timer features a large red LED are totally responsive to creative photogra amount of blur for creative effect. Aperture signal which pulsates with increasing fre phy. Through-the-Iens metering coupled priority operation is not only useful for quency during its ten-second operating with advanced, electronically governed depth-of-field control , auto~exposure with cycle to indicate the approaching exposure. focal-plane shutters provide highly accu bellows, extension tubes and mirror lenses, The Motor Drive 1, designed exclusively rate automatic exposure control. All X but for the control of shutter speed as well . for the XG-M, provides single-frame and series cameras are compatible with the Full metered-manual exposure control continuous-run film advance up to 3.5 vast array of lenses and accessories that allows for special techniques. frames per second. Plus, auto winders and comprise the Minolta single lens reflex A vibration-free electromagnetic shutter "dedicated" automatic electronic flash units system. release triggers the quiet electronic shutter.