Camera Recommendation for Dental Photography March 2020
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INSTRUCTION MANUAL Type C / N Design and Specifications Are Subject to Change Without Prior Notice
DIGITAL TTL MACRO FLASH Nissin Japan Ltd., Tokyo http://www.nissin-japan.com Nissin Marketing Ltd., Hong Kong INSTRUCTION MANUAL http://www.nissindigital.com Type C / N Design and Specifications are subject to change without prior notice. MF0611 REV. 1.1 Thank you for purchasing a Nissin product SIMPLE OPERATION When attaching MF18 to the camera, the basic flash exposure operation is fully Before using this flash unit, please read this instruction manual and refer controlled by the camera. It is the same idea as when you use the built-in your camera owner’s manual carefully to get a better understanding of camera flash, but it is placed on the hotshoe of the camera instead of using the proper operation to enjoy flash photography. built-in flash. Nissin Macro Flash MF18 is a flash system for taking close-up photos of small ADVANCED FUNCTIONS subjects using a flash to eliminate shadows, allowing you to enjoy photography. MF18 provides advanced flash functions including 1st curtain synchronization, This instruction manual is intended mainly for Canon or Nikon digital SLR, with Rear curtain synchronization and High speed shutter synchronization are the latest TTL flash control system, and features Nissin’s original rotating color supported. display, easily guiding its operations. It works automatically with Canon ETTL / ETTL II or Nikon i-TTL auto-flash systems. The provided adapter rings make it available for use with different lens. Please note that MF18 is not usable with other branded cameras for TTL Compatible cameras operation. Please refer Nissin’s compatibility chart shown in its home page for details. -
The Pentax Digital Camera Flash Lighting System – © Nigel Mcgregor 2015
THE PENTAX DIGITAL CAMERA FLASH LIGHTING SYSTEM An exploration of the functioning and practical operations for the Pentax Camera Brand Dedicated Flash Lighting System. This Guide includes the principles for Camera Operations, Built-in flash, Pentax and Dedicated Third Party flash units. Nigel McGregor - © 2015, London, United Kingdom The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Title (i) The Pentax Digital Camera Flash Lighting System Welcome To My Guide I’m Nigel McGregor, a passionate user of Pentax DSLR photography equipment. A New Zealander, but long term resident of the United Kingdom, where I live to the South of London near the Surrey border. Landscapes, gardens, flowers and architecture are my main photographic interests, but like many family photographers it is the portraits and action shots of loved ones that take up the most SD card space on my camera. It was the striving to get better results with these people shots, often indoors, that has propelled my interest in flash photography with Pentax equipment. I love taking flash pictures with my Pentax camera and flash. Even more so wirelessly with a softbox or umbrella set-up. But getting good consistent results can be frustrating, and so I want to share my thoughts on understanding the Pentax flash system, and how to get the most out of it. Take a look at the Contents and Introduction here to give you a quick idea of what is contained in this guide. Please join in the discussions about the guide and flash photography in general on the forums. I’d love to hear your feedback, suggestions and responses to the contents of this guide! You can get to me via the following routes; PentaxForums.com/My Profile PentaxUser.com/My Portfolio ThePentaxForum.co.uk/My Profile The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Welcome and Contact The Pentax Digital Camera Flash Lighting System – PDF Version 1, July 2015 © Nigel McGregor, London 2015 {Use your PDF Reader page number indicator to navigate and jump to required pages …} Contents 1. -
Macro Photography Camera Richard J
Evaluating A Macro Photography Camera Richard J. Nelson Introduction My company, AMF, purchased a general-purpose digital camera five years ago, the Sony Mavica, model MVC-FD83. The digital capability and floppy disc drive media proved very practical for general documentation purposes. The floppy discs made it convenient for any employee to work with the images. After about 20,000+ images the floppy drive wore out and a new camera was needed. Meanwhile I had personally purchased a Nikon Coolpix 995 camera with a 3.3 Megapixel resolution (a big improvement over the Sony Mavica 0.9 megapixel resolution) and close focus (2 cm) capability. This became a consideration for an AMF camera and we ordered one on eBay, which was lost by the USPS - it was insured. Earlier in 2005 I purchased a Sony T1 with a Magnify mode that featured a very close focus (1 cm) and 5- megapixel resolution. This camera has provided many of the images used on posters, reports, fundraiser book, procedures, and power point presentations, especially for the BPB project. The ability to produce a large image of a very small object has proved very useful for our engineering and publicity projects. The Sony T1 works especially well as a general documentation camera for me because I always have it with me, I have extra memory cards, 1 GB total for about 500 images, and 2 extra batteries for any photo shoot requirements. All of this fits in my shirt pocket and is with me 24/7. The T1 has two serious limitations. The first is sharpness with magnification, and the second is working distance for lighting. -
HASSELBLAD INTRODUCES the H6D-400C MS, a 400 MEGA PIXEL
Press information – for immediate release Gothenburg, Sweden 16 Jan 2018 HASSELBLAD INTRODUCES THE H6D-400c MS, A 400 MEGA PIXEL MULTI-SHOT CAMERA Building on a vast experience of developing exceptional, high-quality single and multi-shot cameras, Hasselblad once again has raised the bar for image quality captured with medium format system. Multi-Shot capture has become an industry standard in the field of art reproduction and cultural heritage for the documentation of paintings, sculptures, and artwork. As the only professional medium format system to feature multi-shot technology, Hasselblad continues to be the leading choice for institutions, organizations, and museums worldwide to record historic treasures in the highest image quality possible. With over 10 years of digital imaging expertise, the latest Multi-Shot digital camera combines the H6D’s unrivalled ease of use with a completely new frontier of image quality and detail. This new camera encompasses all of the technological functions of Hasselblad’s H6D single shot camera, and adds to that the resolution and colour fidelity advancements that only Multi-Shot photography can bring to image capture. With an effective resolution of 400MP via 6 shot image capture, or 100MP resolution in either 4 shot Multi-Shot capture or single shot mode, the Multi-Shot capture requires the sensor and its mount to be moved at a high-precision of 1 or ½ a pixel at a time via a piezo unit. To capture Multi-Shot images the camera must be tethered to a PC or MAC. In 400MP Multi-Shot mode, 6 images are captured, the first 4 involve moving the sensor by one pixel at a time to achieve real colour data (GRGB- see 4 shot diagrams below), this cycle then returns the sensor to its starting point. -
Macro Photography
MACRO PHOTOGRAPHY Dave Bremner February 21,2019 What is it? It is extreme close- up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life size (though macrophotography technic ally refers to the art of making very large photographs) (Wikipedia) Think small. Size matters in reverse! You want to make something that is small, larger than life size if you can. What is needed for Macro: The following is a list of gear, ideas, and means of achieving MACRO 1) Camera (obvious) DSLR, mirrorless ILC, or compact camera, or cell phone 2) Macro lens 1:1 magnification if you have one, or compact camera with macro setting, or a lens with macro setting depicted usually with a flower either on the camera or on the lens. The lower the ratio the better ie 1:2,1:3,1:4 etc. 3) Tripod and remote or knowledge of using the timer mode on your camera to prevent camera shake during the exposure. 4) You want to get as close to the subject/object that you want to shoot and achieve optimal focus and DOF (depth of field for the articles in the image that you want to display to your taste.) 5) Do you want abstract , or accurate recognizable depiction? Most mundane everyday things (insects, snowflakes , water drops can be almost unrecognizable the larger the final image can be made). Try shooting something like a cheese grater, or cutlery close up to obtain something abstract. Cheese Grater Cutlery and lens ball 6) PATIENCE: This is something I do not have a lot of and you may find yourself expending yours trying to obtain the shot you want in the proper light and composition. -
Plant Macro Photography
Plant Macro Photography PUBLISHED - 09 JUN 2020 Plant Macro Photography Macro photography of flowers can be done both inside and outside. There are so many opportunities to open up a whole new world of photography and to give you a new way of visualising the world to improve your composition. Plant Macro photography can be shot with either a tripod or handheld, it’s your choice, however, you should get much sharper images if you do use a tripod. You can use any lens that allows you to close focus, but to get the best results something like the Nikkor 40mm or 85mm DX micro lenses or the for full frame cameras the Nikkor 60 or 105mm micro lenses would be perfect. Handheld Macro Photography 1 of 6 If you are shooting handheld, make sure your shutter speed is high enough to ensure a sharp image. This will vary between cameras and lenses but a good shutter speed to aim for would be a minimum of 1/125th or ideally around 1/250th if your subject is not moving. If your lens has a Vibration Reduction (VR) I would suggest setting that to on. Set your ISO to the lowest native ISO on your camera either 64, 100 or 200 and then turn on Auto ISO. You can use either P (Programme), S (Shutter Priority), A (Aperture Priority) or M (Manual) modes. To get the best results we would suggest using manual mode as you can control both the shutter speed to get a pin sharp image and your aperture for either a limited or large depth of field. -
Flash in Stereo
FLASH IN STEREO “Golf Legend Bobby Jones Taking a Swing", photo taken by Dr. Harold Edgerton , the inventor of electronic flash in 1938, using stroboscopic flash photography. A Presentation by George Themelis NSA / July 2010 Outline • Why Flash? • Flash Advantages in Stereo • Short History of Flash Photography • Flash Bulbs vs. Electronic Flash • Flash Synchronization • Flash Exposure • Issues when using flash • Special Flash Techniques • Flash in Slide Bar (Single camera) Stereo • Flash with Vintage Stereo Cameras • Flash with compact digital stereo cameras • Flash with twin cameras Why Flash? When the existing light is dim, there is a need for artificial light in order to get good expo- sures . Example: In a well-lit interior space a typical exposure using 100 ISO is f8 at 1 second. Compare this to a “sunny day” f16 1/100, 2+7 = 9 f-stops less light. Hand hold- ing the camera or taking pictures of people at these long exposures is impossible. Hence flash is a necessity for taking pictures indoors. Without extra light, the photographer has three options: 1) Open up the aperture (f-stop), 2) Increase the time of the exposure . 3) Increase sensitivity (ISO) . These methods have disadvantages & limitations: • Opening up the lens aperture reduces the depth of field (can be a problem in stereo) in- creases lens aberrations, plus there is a limit (lens maximum aperture) • Theoretically, there is no limit in increasing exposure time, but in practice 1) film recip- rocity, 2) digital noise, 3) blurry pictures without solid support, 4) subject movement. • Increased sensitivity leads to film grain or digital noise. -
Macro and Close-Up Photography
Photo by Daniel Schwen Macro and Close-up Photography Digital Photography DeCal 2010 Nathan Yan Kellen Freeman Some slides adapted from Zexi Eric Yan What Is Macro Photography? Macro commonly refers to large-magnification photographs -i.e. showing small subjects in great detail Magnification is given as a multiplicative factor (e.g. 3x) or a ratio (e.g. 1:2). Lenses which provide at least 1:1 or 1x magnification are considered “true” macro lenses. Magnification factor: size of image recorded on sensor, relative to size of actual object Sometimes referred to as “micro” – same thing Common subjects: Insects Head of a blow-fly 5x magnification Common subjects: Flowers Tulip Common subjects: Small detail of everyday objects Cigarette tip Magnification Lens Sensor Object size: x Image size: x Magnification: image size / object size = 1 Magnification Lens Sensor Object size: x Image size: 0.5x Magnification: image size / object size = 0.5 Magnification Pixel density also determines the level of detail Lens Sensor Object size: x Greater pixel density mean more pixels representing an image of given size: more detail Image size: 0.5x “Crop” sensors often have similar # pixels in smaller area = greater pixel density The Optics • Two factors affect magnification: focal length and subject distance • M= hi / ho = di / do the shorter do or longer di would give larger M. • Large magnification is achieved by placing lens further from sensor, or allowing lens to focus closer Lenses in Macro Photography Regular macro lenses • Long lens barrel design (to -
6 Tips for Near-Macro Photography with a Telephoto Lens a Post By: Elliot Hook
6 Tips for Near-Macro Photography with a Telephoto Lens A Post By: Elliot Hook Macro photography is the art of capturing the fine detail of very small subjects that may not be able to be seen by the naked eye. Technically, to fall under the term ‘macro’, the subject should be captured with a reproduction ratio of 1:1, i.e. the subject will be captured on the sensor at 100 % life size. Macro lenses are specially designed to minimise the focussing distance, allowing the photographer to get closer to the subject and so increase the reproduction ratio. There are a number of other techniques that can be used to help achieve the desired magnification without a dedicated lens (extension tubes, close-up filters, reversing rings), however, one of less often considered techniques is to use something that you probably already have in your kit bag: a telephoto lens. Milking Bonnet Fungi (Mycena galopus) Telephoto lenses offer extreme magnification but generally have much larger minimum focussing distances pushing the photographer further from the subject and so reducing the reproduction ratio. Some telephoto lenses, when combined with camera systems utilising smaller sensors, are able to offer 1:1 magnification (‘true macro’) however, typically, telephoto lenses are limited to close-up photography, at near-macro reproduction ratios. Using a telephoto lens for this kind of work offers a couple of advantages over a dedicated macro lens that are a direct result of the large minimum focus distance. Because the working distance to the subject is in the region of 1 metre (compared to 15 – 30 cm of standard macro lenses) the risk of disturbing your subject as you compose your shot is much reduced. -
George Eastman Museum Annual Report 2018
George Eastman Museum Annual Report 2018 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 8 Photography Workshops 9 Loans 10 Objects Loaned For Exhibitions 10 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 30 Technology 32 George Eastman Legacy 34 Richard and Ronay Menschel Library 48 Purchases for the Collections 48 Photography 48 Moving Image 49 Technology 49 George Eastman Legacy 49 Richard and Ronay Menschel Library 49 Conservation & Preservation 50 Conservation 50 Photography 50 Technology 52 George Eastman Legacy 52 Richard and Ronay Menschel Library 52 Preservation 53 Moving Image 53 Financial 54 Treasurer’s Report 54 Fundraising 56 Members 56 Corporate Members 58 Annual Campaign 59 Designated Giving 59 Planned Giving 61 Trustees, Advisors & Staff 62 Board of Trustees 62 George Eastman Museum Staff 63 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2018. MAIN GALLERIES HISTORY OF PHOTOGRAPHY GALLERY Stories of Indian Cinema: A History of Photography Abandoned and Rescued Curated by Jamie M. Allen, associate curator, Department of Photography, and Todd Gustavson, exhibitions, Moving Image Department curator, Technology Collection NovemberCurated by 11,Jurij 2017–May Meden, curator 13, 2018 of film October 14, 2017–April 22, 2018 Nandita -
Photography Techniques Intermediate Skills
Photography Techniques Intermediate Skills PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Wed, 21 Aug 2013 16:20:56 UTC Contents Articles Bokeh 1 Macro photography 5 Fill flash 12 Light painting 12 Panning (camera) 15 Star trail 17 Time-lapse photography 19 Panoramic photography 27 Cross processing 33 Tilted plane focus 34 Harris shutter 37 References Article Sources and Contributors 38 Image Sources, Licenses and Contributors 39 Article Licenses License 41 Bokeh 1 Bokeh In photography, bokeh (Originally /ˈboʊkɛ/,[1] /ˈboʊkeɪ/ BOH-kay — [] also sometimes heard as /ˈboʊkə/ BOH-kə, Japanese: [boke]) is the blur,[2][3] or the aesthetic quality of the blur,[][4][5] in out-of-focus areas of an image. Bokeh has been defined as "the way the lens renders out-of-focus points of light".[6] However, differences in lens aberrations and aperture shape cause some lens designs to blur the image in a way that is pleasing to the eye, while others produce blurring that is unpleasant or distracting—"good" and "bad" bokeh, respectively.[2] Bokeh occurs for parts of the scene that lie outside the Coarse bokeh on a photo shot with an 85 mm lens and 70 mm entrance pupil diameter, which depth of field. Photographers sometimes deliberately use a shallow corresponds to f/1.2 focus technique to create images with prominent out-of-focus regions. Bokeh is often most visible around small background highlights, such as specular reflections and light sources, which is why it is often associated with such areas.[2] However, bokeh is not limited to highlights; blur occurs in all out-of-focus regions of the image. -
Gannett Foundation Photographic Study Center Policies and Procedures for Researchers
Gannett Foundation Photographic Study Center Policies and Procedures for Researchers Hours *Due to Covid-19 the Study Center is currently closed to researchers until further notice. Collection access is available by appointment on the following days and times: Wednesday – Friday 10:00 a.m. – 12:00 p.m., 1:00 p.m. – 4:00 p.m. To make an appointment please complete and submit the Researcher Request Form (https://www.eastman.org/photographic-study-center-researcher-request-form) a minimum of two weeks in advance. Please contact collection staff at [email protected] with any questions regarding collection access or appointment availability. Prior to your arrival, please review the George Eastman Museum’s health and safety policies at: https://www.eastman.org/welcome-back. Arriving for your Appointment Please enter the museum through the main entrance located on the west side of the building (facing the parking lot). Speak to a staff member in the Thomas Tischer Visitor Center and inform them you have an appointment in the Gannett Foundation Photographic Study Center. All researchers will be required to sign in and will be given a visitor’s badge. General Policies Coats, briefcases, backpacks, or other large personal items are not allowed in the study center. You will be asked to place these items in a locker or coatrack outside of the Study Center upon arrival. Food and drink are not allowed in the study center. This includes gum and mints. Notepads and wooden pencils may be used for making research notes. Mechanical pencils, pens, or ink are not allowed.