Benchmarking of Mobile Phone Cameras
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Breaking Down the “Cosine Fourth Power Law”
Breaking Down The “Cosine Fourth Power Law” By Ronian Siew, inopticalsolutions.com Why are the corners of the field of view in the image captured by a camera lens usually darker than the center? For one thing, camera lenses by design often introduce “vignetting” into the image, which is the deliberate clipping of rays at the corners of the field of view in order to cut away excessive lens aberrations. But, it is also known that corner areas in an image can get dark even without vignetting, due in part to the so-called “cosine fourth power law.” 1 According to this “law,” when a lens projects the image of a uniform source onto a screen, in the absence of vignetting, the illumination flux density (i.e., the optical power per unit area) across the screen from the center to the edge varies according to the fourth power of the cosine of the angle between the optic axis and the oblique ray striking the screen. Actually, optical designers know this “law” does not apply generally to all lens conditions.2 – 10 Fundamental principles of optical radiative flux transfer in lens systems allow one to tune the illumination distribution across the image by varying lens design characteristics. In this article, we take a tour into the fascinating physics governing the illumination of images in lens systems. Relative Illumination In Lens Systems In lens design, one characterizes the illumination distribution across the screen where the image resides in terms of a quantity known as the lens’ relative illumination — the ratio of the irradiance (i.e., the power per unit area) at any off-axis position of the image to the irradiance at the center of the image. -
Xerox Confidentcolor Technology Putting Exacting Control in Your Hands
Xerox FreeFlow® The future-thinking Print Server ConfidentColor Technology print server. Brochure It anticipates your needs. With the FreeFlow Print Server, you’re positioned to not only better meet your customers’ demands today, but to accommodate whatever applications you need to print tomorrow. Add promotional messages to transactional documents. Consolidate your data center and print shop. Expand your color-critical applications. Move files around the world. It’s an investment that allows you to evolve and grow. PDF/X support for graphic arts Color management for applications. transactional applications. With one button, the FreeFlow Print Server If you’re a transactional printer, this is the assures that a PDF/X file runs as intended. So print server for you. It supports color profiles when a customer embeds color-management in an IPDS data stream with AFP Color settings in a file using Adobe® publishing Management—so you can print color with applications, you can run that file with less time confidence. Images and other content can be in prepress and with consistent color. Files can incorporated from a variety of sources and reliably be sent to multiple locations and multiple appropriately rendered for accurate results. And printers with predictable results. when you’re ready to expand into TransPromo applications, it’s ready, too. Xerox ConfidentColor Technology Find out more Putting exacting control To learn more about the FreeFlow Print Server and ConfidentColor Technology, contact your Xerox sales representative or call 1-800-ASK-XEROX. Or visit us online at www.xerox.com/freeflow. in your hands. © 2009 Xerox Corporation. All rights reserved. -
101 Examples of Effective Calls-To-Action
101 EXAMPLES OF EFFECTIVE CALLS-TO-ACTION How 101 Companies Drive People to Take Action A publication of 2 101 EXAMPLES OF EFFECTIVE CALLS-TO-ACTION 101 EXAMPLES OF EFFECTIVE CALLS-TO-ACTION 3 IS THIS BOOK RIGHT FOR ME? Not quite sure if this ebook is right for you? See the below description to determine if your level matches the content you are about to read. INTRODUCTORY Introductory content is for marketers who are new to the subject. U q This content typically includes step-by-step instructions on how HUBSPOT’s All-IN-ONE LEAD BLOGGING & to get started with this aspect of inbound marketing and learn its MARKETING SOFTWARE GENEratiON SOCIAL MEDIA fundamentals. Read our “Introduction to Effective Calls-to-Action.” ... brings your whole marketing world to- gether in one, powerful, integrated system. s INTERMEDIATE Get Found: M Help prospects find you online EMAIL & SEarch Intermediate content is for marketers who are familiar with the Convert: Nurture your leads and drive conversions Analyze: Measure and improve your marketing AUTOMatiON OPTIMIZatiON subject but have only basic experience in executing strategies and Plus more apps and integrations tactics on the topic. This content typically covers the fundamentals and moves on to reveal more complex functions and examples. Request A Demo Video Overview Read our guide to “Mastering the Design & Copy of Calls-to- g Y Action.” LEAD MARKETING MANAGEMENT ANALYTICS ADVANCED This ebook! Advanced content is for marketers who are, or want to be, experts on the subject. In it, we walk you through advanced features of this aspect of inbound marketing and help you develop complete mastery of the subject. -
Denver Cmc Photography Section Newsletter
MARCH 2018 DENVER CMC PHOTOGRAPHY SECTION NEWSLETTER Wednesday, March 14 CONNIE RUDD Photography with a Purpose 2018 Monthly Meetings Steering Committee 2nd Wednesday of the month, 7:00 p.m. Frank Burzynski CMC Liaison AMC, 710 10th St. #200, Golden, CO [email protected] $20 Annual Dues Jao van de Lagemaat Education Coordinator Meeting WEDNESDAY, March 14, 7:00 p.m. [email protected] March Meeting Janice Bennett Newsletter and Communication Join us Wednesday, March 14, Coordinator fom 7:00 to 9:00 p.m. for our meeting. [email protected] Ron Hileman CONNIE RUDD Hike and Event Coordinator [email protected] wil present Photography with a Purpose: Conservation Photography that not only Selma Kristel Presentation Coordinator inspires, but can also tip the balance in favor [email protected] of the protection of public lands. Alex Clymer Social Media Coordinator For our meeting on March 14, each member [email protected] may submit two images fom National Parks Mark Haugen anywhere in the country. Facilities Coordinator [email protected] Please submit images to Janice Bennett, CMC Photo Section Email [email protected] by Tuesday, March 13. [email protected] PAGE 1! DENVER CMC PHOTOGRAPHY SECTION MARCH 2018 JOIN US FOR OUR MEETING WEDNESDAY, March 14 Connie Rudd will present Photography with a Purpose: Conservation Photography that not only inspires, but can also tip the balance in favor of the protection of public lands. Please see the next page for more information about Connie Rudd. For our meeting on March 14, each member may submit two images from National Parks anywhere in the country. -
No Slide Title
December 2007 Updated 12/17/07 AT&T Mobility December ~ Washington Government WSCA – AT&T Mobility Device and Rate Plan Update for 2007 All Offers for Government Use ONLY On the attached pages you will find updates to the December WSCA pricing for Equipment and Rate Plans. Table of Contents Page 2: Voice Rate Plans Page 3: FREE Cellular Phones Page 4: Cellular Phones Page 5: BlackBerry Devices Page 6: SmartPhones (Microsoft, Nokia, Palm) Page 7: Push-to-Talk Devices Page 8: Aircards Page 9: Accessories Page 10: Nationwide Coverage Map December Highlights: ¾New Blackberry 8310 Curve! ~ Onboard GPS ~ Available in Titanium & Red! ¾ New Samsung Blackjack 2 – GPS ~ Available in Black & Red! ¾ Air Card Promotion: Sierra AC881 & Option GT Max FREE! *Certain devices may not be shown due to policy or otherwise WSCA Pricing. For more Information Contact: Prices and Promotions subject to change without notice Rob Holden All Offers for Government Use ONLY 425-580-7741 Master Price Agreement: T07-MST-069 [email protected] All plans receive WSCA 20% discount on monthly recurring service charges December 2007 December 2007 Updated 12/17/07 AT&T Mobility Oregon Government WSCA All plans receive 20% additional discount off of monthly recurring charges! AT&T Mobility Calling Plans REGIONAL Plan NATION Plans (Free Roaming and Long Distance Nationwide) Monthly Fee $9.99 (Rate Code ODNBRDS11) $39.99 $59.99 $79.99 $99.99 $149.99 Included mins 0 450 900 1,350 2,000 4,000 5000 N & W, Unlimited Nights & Weekends, Unlimited Mobile to 1000 Mobile to Mobile Unlim -
Full Lumia 1020 Specs Revealed Packs 6 Lenses and 3X Zoom
Full Lumia 1020 Specs Revealed, Packs 6 Lenses And 3x Zoom Full Lumia 1020 Specs Revealed, Packs 6 Lenses And 3x Zoom 1 / 5 2 / 5 PureView 41 MP sensor with Optical Image Stabilization (OIS), Backside-illuminated image sensor, 6 lens optics, High resolution zoom 3x, Autofocus, Xenon Flash, LED for video, 1080p video at 30 fps, Includes Nokia Pro Camera mode and Nokia Smart Camera Mode.. lumia 1020 spec (läckt), BigBadBoogie, 13-07-11 08:07 ... .com/2013/07/10/full- lumia-1020-specs-revealed-packs-6-lenses-and-3x-zoom/.. At first glance, the 41-megapixel PureView camera that the Nokia Lumia 1020 is packing ... ... Weight. 5.57 oz (158 g) ... Rounding things out, it also packs along a six-element lens with ZEISS optics, ... (OIS), backside illuminated sensor, 3x lossless zoom, LED flash, and a Xenon flash. ... Nokia Lumia 1020 View Full specs ... ... of the Nokia 1020's full spec sheet, so without further ado check it out below: *Main points: 41 megapixels, OIS, 3x Zoom (lossless?), 6 lens .... The Nokia 808 PureView is a Symbian-powered smartphone first unveiled on 27 February 2012 at the Mobile World Congress. It is the first smartphone to feature Nokia's PureView Pro technology, a pixel oversampling technique that reduces an image taken at full resolution ... In July 2013, Nokia released the Lumia 1020, a successor running the .... Nokia's Lumia 1020 is the Windows Phone camera king we've been ... find six-lens Carl Zeiss optics (as in the recently unveiled Lumia 925), ... It has high-resolution 3x zoom, autofocus (you can manually focus, .. -
INSTRUCTION MANUAL Type C / N Design and Specifications Are Subject to Change Without Prior Notice
DIGITAL TTL MACRO FLASH Nissin Japan Ltd., Tokyo http://www.nissin-japan.com Nissin Marketing Ltd., Hong Kong INSTRUCTION MANUAL http://www.nissindigital.com Type C / N Design and Specifications are subject to change without prior notice. MF0611 REV. 1.1 Thank you for purchasing a Nissin product SIMPLE OPERATION When attaching MF18 to the camera, the basic flash exposure operation is fully Before using this flash unit, please read this instruction manual and refer controlled by the camera. It is the same idea as when you use the built-in your camera owner’s manual carefully to get a better understanding of camera flash, but it is placed on the hotshoe of the camera instead of using the proper operation to enjoy flash photography. built-in flash. Nissin Macro Flash MF18 is a flash system for taking close-up photos of small ADVANCED FUNCTIONS subjects using a flash to eliminate shadows, allowing you to enjoy photography. MF18 provides advanced flash functions including 1st curtain synchronization, This instruction manual is intended mainly for Canon or Nikon digital SLR, with Rear curtain synchronization and High speed shutter synchronization are the latest TTL flash control system, and features Nissin’s original rotating color supported. display, easily guiding its operations. It works automatically with Canon ETTL / ETTL II or Nikon i-TTL auto-flash systems. The provided adapter rings make it available for use with different lens. Please note that MF18 is not usable with other branded cameras for TTL Compatible cameras operation. Please refer Nissin’s compatibility chart shown in its home page for details. -
How to Transfer Itunes Media Files to Nokia Lumia 730/735/830
How to Transfer iTunes Media Files to Nokia Lumia 730/735/830 Nokia Flagship Lumia 830, Dual-SIM Lumia 730, and 4G Lumia 735 At IFA 2014, Nokia has unveiled the new Windows Phone 8.1 models including Lumia 830, Lumia 730 and Lumia 735 to the world. Featured with a 10- megapixel PureView camera and 8.5mm thickness, Nokia Lumia 830 is announced as an "affordable flagship" as well as the thinnest and lightest Lumia phone yet. And for Lumia 730 series of phones, the magnanimous focus is the ubiquitous "selfies" with a 5MP wide-angle front camera and a 6.7MP rear camera along with the unique Selfie app pre-installed on the devices. The difference between Nokia Lumia 730 and Lumia 735 is that the former is a dual- SIM variant and supports 3G, while the latter comes with 4G LTE support. For people who like to take selfies, the Lumia 730 and 735 would be nice choices. According to the official announcement, all these three new Lumia models will be on sale in September 2014. View Model Comparison of Nokia Lumia 730, Lumia 735, and Lumia 830 Transfer Media Files from iTunes to Nokia Lumia 730/735/830 So you must be too eager to wait for those camera phones, right? But if you are a movie lover who has tons of movies, TV shows and other media files purchased from iTunes and would like to watch those iTunes movies on Nokia Lumia 730, Lumia 735 or Lumia 830, you'd better take a look at the following story before rush to buy the phone. -
Cielab Color Space
Gernot Hoffmann CIELab Color Space Contents . Introduction 2 2. Formulas 4 3. Primaries and Matrices 0 4. Gamut Restrictions and Tests 5. Inverse Gamma Correction 2 6. CIE L*=50 3 7. NTSC L*=50 4 8. sRGB L*=/0/.../90/99 5 9. AdobeRGB L*=0/.../90 26 0. ProPhotoRGB L*=0/.../90 35 . 3D Views 44 2. Linear and Standard Nonlinear CIELab 47 3. Human Gamut in CIELab 48 4. Low Chromaticity 49 5. sRGB L*=50 with RGB Numbers 50 6. PostScript Kernels 5 7. Mapping CIELab to xyY 56 8. Number of Different Colors 59 9. HLS-Hue for sRGB in CIELab 60 20. References 62 1.1 Introduction CIE XYZ is an absolute color space (not device dependent). Each visible color has non-negative coordinates X,Y,Z. CIE xyY, the horseshoe diagram as shown below, is a perspective projection of XYZ coordinates onto a plane xy. The luminance is missing. CIELab is a nonlinear transformation of XYZ into coordinates L*,a*,b*. The gamut for any RGB color system is a triangle in the CIE xyY chromaticity diagram, here shown for the CIE primaries, the NTSC primaries, the Rec.709 primaries (which are also valid for sRGB and therefore for many PC monitors) and the non-physical working space ProPhotoRGB. The white points are individually defined for the color spaces. The CIELab color space was intended for equal perceptual differences for equal chan- ges in the coordinates L*,a* and b*. Color differences deltaE are defined as Euclidian distances in CIELab. This document shows color charts in CIELab for several RGB color spaces. -
Sample Manuscript Showing Specifications and Style
Information capacity: a measure of potential image quality of a digital camera Frédéric Cao 1, Frédéric Guichard, Hervé Hornung DxO Labs, 3 rue Nationale, 92100 Boulogne Billancourt, FRANCE ABSTRACT The aim of the paper is to define an objective measurement for evaluating the performance of a digital camera. The challenge is to mix different flaws involving geometry (as distortion or lateral chromatic aberrations), light (as luminance and color shading), or statistical phenomena (as noise). We introduce the concept of information capacity that accounts for all the main defects than can be observed in digital images, and that can be due either to the optics or to the sensor. The information capacity describes the potential of the camera to produce good images. In particular, digital processing can correct some flaws (like distortion). Our definition of information takes possible correction into account and the fact that processing can neither retrieve lost information nor create some. This paper extends some of our previous work where the information capacity was only defined for RAW sensors. The concept is extended for cameras with optical defects as distortion, lateral and longitudinal chromatic aberration or lens shading. Keywords: digital photography, image quality evaluation, optical aberration, information capacity, camera performance database 1. INTRODUCTION The evaluation of a digital camera is a key factor for customers, whether they are vendors or final customers. It relies on many different factors as the presence or not of some functionalities, ergonomic, price, or image quality. Each separate criterion is itself quite complex to evaluate, and depends on many different factors. The case of image quality is a good illustration of this topic. -
The Pentax Digital Camera Flash Lighting System – © Nigel Mcgregor 2015
THE PENTAX DIGITAL CAMERA FLASH LIGHTING SYSTEM An exploration of the functioning and practical operations for the Pentax Camera Brand Dedicated Flash Lighting System. This Guide includes the principles for Camera Operations, Built-in flash, Pentax and Dedicated Third Party flash units. Nigel McGregor - © 2015, London, United Kingdom The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Title (i) The Pentax Digital Camera Flash Lighting System Welcome To My Guide I’m Nigel McGregor, a passionate user of Pentax DSLR photography equipment. A New Zealander, but long term resident of the United Kingdom, where I live to the South of London near the Surrey border. Landscapes, gardens, flowers and architecture are my main photographic interests, but like many family photographers it is the portraits and action shots of loved ones that take up the most SD card space on my camera. It was the striving to get better results with these people shots, often indoors, that has propelled my interest in flash photography with Pentax equipment. I love taking flash pictures with my Pentax camera and flash. Even more so wirelessly with a softbox or umbrella set-up. But getting good consistent results can be frustrating, and so I want to share my thoughts on understanding the Pentax flash system, and how to get the most out of it. Take a look at the Contents and Introduction here to give you a quick idea of what is contained in this guide. Please join in the discussions about the guide and flash photography in general on the forums. I’d love to hear your feedback, suggestions and responses to the contents of this guide! You can get to me via the following routes; PentaxForums.com/My Profile PentaxUser.com/My Portfolio ThePentaxForum.co.uk/My Profile The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Welcome and Contact The Pentax Digital Camera Flash Lighting System – PDF Version 1, July 2015 © Nigel McGregor, London 2015 {Use your PDF Reader page number indicator to navigate and jump to required pages …} Contents 1. -
Seeing Like Your Camera ○ My List of Specific Videos I Recommend for Homework I.E
Accessing Lynda.com ● Free to Mason community ● Set your browser to lynda.gmu.edu ○ Log-in using your Mason ID and Password ● Playlists Seeing Like Your Camera ○ My list of specific videos I recommend for homework i.e. pre- and post-session viewing.. PART 2 - FALL 2016 ○ Clicking on the name of the video segment will bring you immediately to Lynda.com (or the login window) Stan Schretter ○ I recommend that you eventually watch the entire video class, since we will only use small segments of each video class [email protected] 1 2 Ways To Take This Course What Creates a Photograph ● Each class will cover on one or two topics in detail ● Light ○ Lynda.com videos cover a lot more material ○ I will email the video playlist and the my charts before each class ● Camera ● My Scale of Value ○ Maximum Benefit: Review Videos Before Class & Attend Lectures ● Composition & Practice after Each Class ○ Less Benefit: Do not look at the Videos; Attend Lectures and ● Camera Setup Practice after Each Class ○ Some Benefit: Look at Videos; Don’t attend Lectures ● Post Processing 3 4 This Course - “The Shot” This Course - “The Shot” ● Camera Setup ○ Exposure ● Light ■ “Proper” Light on the Sensor ■ Depth of Field ■ Stop or Show the Action ● Camera ○ Focus ○ Getting the Color Right ● Composition ■ White Balance ● Composition ● Camera Setup ○ Key Photographic Element(s) ○ Moving The Eye Through The Frame ■ Negative Space ● Post Processing ○ Perspective ○ Story 5 6 Outline of This Class Class Topics PART 1 - Summer 2016 PART 2 - Fall 2016 ● Topic 1 ○ Review of Part 1 ● Increasing Your Vision ● Brief Review of Part 1 ○ Shutter Speed, Aperture, ISO ○ Shutter Speed ● Seeing The Light ○ Composition ○ Aperture ○ Color, dynamic range, ● Topic 2 ○ ISO and White Balance histograms, backlighting, etc.