George Eastman Museum Annual Report 2015
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INSTRUCTION MANUAL Type C / N Design and Specifications Are Subject to Change Without Prior Notice
DIGITAL TTL MACRO FLASH Nissin Japan Ltd., Tokyo http://www.nissin-japan.com Nissin Marketing Ltd., Hong Kong INSTRUCTION MANUAL http://www.nissindigital.com Type C / N Design and Specifications are subject to change without prior notice. MF0611 REV. 1.1 Thank you for purchasing a Nissin product SIMPLE OPERATION When attaching MF18 to the camera, the basic flash exposure operation is fully Before using this flash unit, please read this instruction manual and refer controlled by the camera. It is the same idea as when you use the built-in your camera owner’s manual carefully to get a better understanding of camera flash, but it is placed on the hotshoe of the camera instead of using the proper operation to enjoy flash photography. built-in flash. Nissin Macro Flash MF18 is a flash system for taking close-up photos of small ADVANCED FUNCTIONS subjects using a flash to eliminate shadows, allowing you to enjoy photography. MF18 provides advanced flash functions including 1st curtain synchronization, This instruction manual is intended mainly for Canon or Nikon digital SLR, with Rear curtain synchronization and High speed shutter synchronization are the latest TTL flash control system, and features Nissin’s original rotating color supported. display, easily guiding its operations. It works automatically with Canon ETTL / ETTL II or Nikon i-TTL auto-flash systems. The provided adapter rings make it available for use with different lens. Please note that MF18 is not usable with other branded cameras for TTL Compatible cameras operation. Please refer Nissin’s compatibility chart shown in its home page for details. -
The Pentax Digital Camera Flash Lighting System – © Nigel Mcgregor 2015
THE PENTAX DIGITAL CAMERA FLASH LIGHTING SYSTEM An exploration of the functioning and practical operations for the Pentax Camera Brand Dedicated Flash Lighting System. This Guide includes the principles for Camera Operations, Built-in flash, Pentax and Dedicated Third Party flash units. Nigel McGregor - © 2015, London, United Kingdom The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Title (i) The Pentax Digital Camera Flash Lighting System Welcome To My Guide I’m Nigel McGregor, a passionate user of Pentax DSLR photography equipment. A New Zealander, but long term resident of the United Kingdom, where I live to the South of London near the Surrey border. Landscapes, gardens, flowers and architecture are my main photographic interests, but like many family photographers it is the portraits and action shots of loved ones that take up the most SD card space on my camera. It was the striving to get better results with these people shots, often indoors, that has propelled my interest in flash photography with Pentax equipment. I love taking flash pictures with my Pentax camera and flash. Even more so wirelessly with a softbox or umbrella set-up. But getting good consistent results can be frustrating, and so I want to share my thoughts on understanding the Pentax flash system, and how to get the most out of it. Take a look at the Contents and Introduction here to give you a quick idea of what is contained in this guide. Please join in the discussions about the guide and flash photography in general on the forums. I’d love to hear your feedback, suggestions and responses to the contents of this guide! You can get to me via the following routes; PentaxForums.com/My Profile PentaxUser.com/My Portfolio ThePentaxForum.co.uk/My Profile The Pentax Digital Camera Flash Lighting System – © Nigel McGregor 2015 Welcome and Contact The Pentax Digital Camera Flash Lighting System – PDF Version 1, July 2015 © Nigel McGregor, London 2015 {Use your PDF Reader page number indicator to navigate and jump to required pages …} Contents 1. -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
FOR IMMEDIATE RELEASE DAVID LEVINTHAL: Barbie!
FOR IMMEDIATE RELEASE DAVID LEVINTHAL: Barbie! February 28 – April 11, 2009 Reception: Saturday, February 28, 5-7pm Artist Talk: Friday, March 6th at 11am In honor of the iconic doll’s 50th birthday, GERING & LóPEZ GALLERY presents Barbie!, an exhibition of large-format Polaroids by acclaimed photographer David Levinthal. The subjects of these photographs are not toys but rather representations of popular culture, as Levinthal seeks to explore the subliminal effects of the Barbie doll image on the American collective subconscious. A familiar and often polarizing image, the Barbie doll has served as a figure of the idealized female form and the quintessence of glamour as well as a taboo symbol of the oppressive currents in society that have affected generations of American youths. Mattel first manufactured Barbie fifty years ago after the conclusion of World War II, a time when couture houses boomed in France after the ending of wartime restrictions. The Barbie dolls in the photographs featured in this exhibition lack the populist sentiments that later models displayed, instead reflecting a microcosm of mid-century American life inhabited by predominantly white, upper-middle class women. A far subtler series than others in Levinthal’s oeuvre, these unbiased society portraits allow viewers to form their own interpretations of the impact of Barbie’s image on American popular culture. Appropriately, the exhibition is located on Fifth Avenue mere blocks away from both Bergdorf Goodman and F.A.O. Schwartz, titans of haute couture and children’s luxury items, in one of Manhattan’s most highly trafficked shopping areas. Couched in the style of early high fashion photographers such as Irving Penn and Richard Avedon, these dolls showcase the height of post-war fashion from 1959 to the early 1970s. -
Easy Riders, Raging Bulls: How the Sex, Drugs and Rock and Roll Generation Saved Hollywood Pdf, Epub, Ebook
EASY RIDERS, RAGING BULLS: HOW THE SEX, DRUGS AND ROCK AND ROLL GENERATION SAVED HOLLYWOOD PDF, EPUB, EBOOK Peter Biskind | 512 pages | 26 Apr 1999 | SIMON & SCHUSTER | 9780684857084 | English | New York, United States Easy Riders, Raging Bulls: How the Sex, Drugs and Rock and Roll Generation Saved Hollywood PDF Book My impression of this documentary wasn't so great due to the fact of already seeing and knowing a similar themed work a few years ago called "A Decade Under the Influence" , directed by Ted Demme and Richard LaGravenese, which was a better project for numerous reasons. Why do people go see them? The book is hefty with gossip of all kinds, which is too bad because he's talking about the revolution in films in the 60's to early 80's. It is chock full of interviews and choice information about the time period 60's's in American cinema that changed everything, for a lot better and some for not. Beatty likes to fuck alot. Biskind's book disappointed me tremendously. Return to the Books Home Page. Assassinations, cultural domination, drugging, spying, provocation: Talk about taking the fight to your opponents—the American people—and crippling them for generations! But in the kind of popularized pseudohistory ''Easy Riders, Raging Bulls'' exemplifies, anecdotes are valued above all else, bitchy gossip is privileged, dysfunction is automatically more fascinating than artistic success, aggrieved former friends and former lovers are granted the license to settle scores sometimes anonymously , documentation is disdained and historical analysis must be squeezed into the narrative quickly, so as not to disrupt the dishing. -
Wakefield, West Riding: the Economy of a Yorkshire Manor
WAKEFIELD, WEST RIDING: THE ECONOMY OF A YORKSHIRE MANOR By BRUCE A. PAVEY Bachelor of Arts Oklahoma State University Stillwater, Oklahoma 1991 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 1993 OKLAHOMA STATE UNIVERSITY WAKEFIELD, WEST RIDING: THE ECONOMY OF A YORKSHIRE MANOR Thesis Approved: ~ ThesiSAd er £~ A J?t~ -Dean of the Graduate College ACKNOWLEDGEMENTS I am deeply indebted to to the faculty and staff of the Department of History, and especially the members of my advisory committee for the generous sharing of their time and knowledge during my stay at O.S.U. I must thank Dr. Alain Saint-Saens for his generous encouragement and advice concerning not only graduate work but the historian's profession in general; also Dr. Joseph Byrnes for so kindly serving on my committee at such short notice. To Dr. Ron Petrin I extend my heartfelt appreciation for his unflagging concern for my academic progress; our relationship has been especially rewarding on both an academic and personal level. In particular I would like to thank my friend and mentor, Dr. Paul Bischoff who has guided my explorations of the medieval world and its denizens. His dogged--and occasionally successful--efforts to develop my skills are directly responsible for whatever small progress I may have made as an historian. To my friends and fellow teaching assistants I extend warmest thanks for making the past two years so enjoyable. For the many hours of comradeship and mutual sympathy over the trials and tribulations of life as a teaching assistant I thank Wendy Gunderson, Sandy Unruh, Deidre Myers, Russ Overton, Peter Kraemer, and Kelly McDaniels. -
NPG Glamour of the Gods Talk: Ruth Harriet Louise to Eve Arnold The
NPG Glamour of the Gods Talk: Ruth Harriet Louise to Eve Arnold The story of Hollywood is fascinating. In 1905 Sunset Boulevard was just a dirt track road. Today it is a seventeen mile main road that runs through Los Angeles. By 1910 a community of film companies were emerging and by 1914 Adolph Zukor‘s Famous Players merged with the Lasky Company and it was not long before Paramount Pictures was created and a vertically controlled film industry evolved. Right from the beginning stars were an important ingredient to promote films. One of the earliest stars is Theda Bara who appeared in Cleopatra, Carmen and Salome but most of these films have vanished. However, the popularity of the comedians and in particular Buster Keaton, Charlie Chaplin, Laurel and Hardy have survived. Their films are continuously screened worldwide in a variety of formats. The sex Goddesses also seem to hold up reasonably well and in particular Gloria Swanson and Pola Negri. The iconic face of Louise Brooks remains popular too. Stills were used to promote films in newspapers and magazines and used as art work for the poster design. Stills were also used to promote the film in campaign books and sales catalogues to entice exhibitors. One of the first stills men to arrive was Clarence Sinclair Bull who came to Hollywood in 1917. Another of the pioneers was Harry Waxman a successful New York photographer who set up a studio in Los Angeles and began to photograph many of the Hollywood stars including Gloria Swanson and Pola Negri. Waxman focused on the personality of the star as seen in Waxman’s 1926 portrait of Evelyn Brett. -
George Eastman Museum Annual Report 2016
George Eastman Museum Annual Report 2016 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 9 Photography Workshops 10 Loans 11 Objects Loaned for Exhibitions 11 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 22 Technology 23 George Eastman Legacy 24 Purchases for the Collections 29 Photography 29 Technology 30 Conservation & Preservation 31 Conservation 31 Photography 31 Moving Image 36 Technology 36 George Eastman Legacy 36 Richard & Ronay Menschel Library 36 Preservation 37 Moving Image 37 Financial 38 Treasurer’s Report 38 Fundraising 40 Members 40 Corporate Members 43 Matching Gift Companies 43 Annual Campaign 43 Designated Giving 45 Honor & Memorial Gifts 46 Planned Giving 46 Trustees, Advisors & Staff 47 Board of Trustees 47 George Eastman Museum Staff 48 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2016. Alvin Langdon Coburn Sight Reading: ONGOING Curated by Pamela G. Roberts and organized for Photography and the Legible World From the Camera Obscura to the the George Eastman Museum by Lisa Hostetler, Curated by Lisa Hostetler, Curator in Charge, Revolutionary Kodak Curator in Charge, Department of Photography Department of Photography, and Joel Smith, Curated by Todd Gustavson, Curator, Technology Main Galleries Richard L. Menschel -
Douglass Crockwell Collection, 1897-1976, Bulk 1934-1968
Douglass Crockwell collection, 1897-1976, bulk 1934-1968 Finding aid prepared by Ken Fox, Project Archivist, George Eastman Museum, Moving Image Department, April 2015 Descriptive Summary Creator: Crockwell, Spencer Douglass, 1904-1968 Title: Douglass Crockwell collection Dates: 1897-1976, bulk 1934-1968 Physical Extent: 30.1 cubic feet Repository: Moving Image Department George Eastman Museum 900 East Avenue Rochester, NY 14607 Phone: 585-271-3361 Email: [email protected] Content Abstract: Spencer Douglass Crockwell was a commercial illustrator, experimental filmmaker, inventor, Mutoscope collector, amateur scientist, and Glens Falls, New York, resident. The Douglass Crockwell Collection contains Mr. Crockwell's personal papers, professional documents, films, Mutoscope reels, flip books, drawings, and photographs documenting his professional, civic, and personal life. Language: Collection materials are in English Location: Collection materials are located onsite. Access Restrictions: Collection is open to research upon request. Copyright: George Eastman Museum holds the rights to the physical materials but not intellectual property rights. Acquisition Information: The earliest acquisition of collection materials occurred on August 20, 1973, when one table Mutoscope and three Mutoscope reels were received by the George Eastman Museum as an unrestricted gift from Mr. Crockwell's widow. On March 22, 1974, Mrs. Crockwell transferred most of the Douglass Crockwell Collection to the Museum with the 1 understanding that one third of the collection would be received as an immediate gift. The remaining balance of the collection -- which included the films -- would be received as a loan for study purposes with the understanding it would be accessioned into the permanent collection as a gift within the next two years. -
Photography & Film
ROCHESTER, NY Photography and Film INFLUENCING THE INDUSTRY FOR MORE THAN 100 YEARS Thanks to George Eastman and Kodak, Rochester, NY is a film and photography epicenter for anyone interested in the science, technology, and history of making pictures or a fascination with the art, drama and fun of preserving special memories. The Eastman Legacy George Eastman Museum is the world’s oldest photography museum and one of the oldest film archives in the U.S. Its 4.5 million artifacts include George Eastman and Thomas Edison the world’s largest collection of camera technology. Eastman’s mansion is a National Historic Landmark. • Impressive photography collections - Includes work of major photographers throughout history & the world’s largest collection of daguerreotypes. George Eastman Museum • Personal collections of top filmmakers -including 8,000 titles from Martin Scorsese. • The School of Film and Animation at RIT - George Eastman was an active benefactor of the Rochester Institute of Technology. ImageCity Photography Gallery - In the heart of ARTWalk, exhibits work of local and national photographers. VisitRochester.com PHOTOGRAPHY & FILM | ROCHESTER, NY Major Film Festivals! High Falls Film Festival (November) celebrates outstanding cinematic achievements by women in a traditionally male-dominated industry. ImageOut Film & Video Festival (October) - The largest LGBT film festival in New York State. Rochester’s Jewish International Film Festival (Summer) - Presents the best contemporary Jewish themed films from around the world. Nitrate Picture Show at George Eastman Museum (May) - The world’s festival of film conservation, featuring screenings of vintage prints, lectures and workshops. Rochester International Film Festival - The world’s oldest Short Film Festival. -
Black History Month, and WXXI Is Proud to Present a Variety of Corporate Sponsorships
WXXI-TV/HD | WORLD | CREATE | AM1370 | CLASSICAL 91.5 | WRUR 88.5 | THE LITTLE PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER LISTINGSFEBRUARY 2016 TAILOR MADE: THE STORY OF ROCHESTER’S GARMENT INDUSTRY Before Rochester was known as home to giant manufactures such as Kodak and Xerox, it was a leader in the clothing and textile industry. In fact, in the late 1800s garment trade was one of the biggest employers in the city. And, in the 1890s Rochester was the 4th largest men’s clothing manufacturer in the U.S. This WXXI-produced documentary captures the fascinating story of the garment industry and the people who contributed to it. It showcases the rich history of Rochester’s clothing industry from Michaels-Stern & Co. to the Button Factory to one of the country’s oldest and most prestigious clothiers – Hickey Freeman. TAILOR MADE: THE STORY OF ROCHESTER’S GARMENT INDUSTRY PREMIERES MONDAY, FEBRUARY 29 AT 8PM ON WXXI-TV THE LITTLE Theatre’S FROM THE TOP BLACK ROCHESTER’S History PERFORMANCE MONTH SUNDAY, FEBRUARY 14 AT 5PM ON CLASSICAL 91.5 Raymond FENG BY RUOLANHAN PHOTOGraphy details inside>> FILM SERIES details INSIDE>> Abilene Bar & Lounge Friends of CMAC Matthews & Fields Lumber Rochester City School District Alesco Advisors Friends of GardenAerial (Greentopia) McArdle Burkhardt LLC Rochester Events All Around Movers Frontier Communications Memorial Art Gallery Rochester Folk Art Festival All Cats Care Center GEVA Theatre Center Memorial Art Gallery – Fine Arts Council Rochester Folk Art Guild Allendale Columbia School Gardner PLUS Architects Microclimate [a wine bar] Rochester Gurdjieff Center Alzheimer’s Association Garth Fagan Dance Mike Deming Antiques Rochester Home Builders’ Association Inc. -
Summer 2018 Bulletin
CELEBRATING OUR 147TH YEAR OF SERVICE KEHILATH JESHURUN BULLETIN Volume LXXXVIII, Number 4 June 22, 2018 9 Tammuz 5778 CALL Y OUR MOTHER by Rabbi Chaim Steinmetz ate in his career, South Central Bell the most spiritual man needs to eat a and groaning Telephone Company asked the nourishing lunch. and possibly LUniversity of Alabama football But katnut hamochin becomes a in pain. The coach Bear Bryant to do a TV commercial. problem when it monopolizes your “victim” had In it, Bryant would tell the audience how consciousness. It’s easy to fixate on the been put there he encourages his young football recruits details and lose sight of the big picture. by Dr. Batson to call home. The script called for Coach Minding the mundane can rapidly devolve and Professor Darley Bryant to end the commercial in his tough, into small mindedness. to see if the seminarians would play the gruff voice and say: “Have you called your A classic example of this is the role of the Good Samaritan - or pass him mama today?” instinctive response to hurry. by…… On the day of the filming, Coach On April 10, 1971, The New York Of the 40, a total of 16 stopped to help. Bryant ad-libbed the ending, and with an Times reported about two academics at Twenty-four did not swerve from their emotional voice said: “Have you called Princeton: path. One even stepped over the “victim” your mama today? I sure wish I could call Prof. John M. Darley, who teaches to get through the doorway he had mine.” psychology at the university, and C.