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Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
Stock DECEMBER 2020
DISTRO / 2020 DISQUE LP CODE STOCK CHF !Attention! - S/T INLP 859 1 12 562 – Cuando vivir es morir INLP 524 2 14 7 seconds – Leave a light on INLP 780 X 25 7 seconds – The crew INLP 599 x 18 7 seconds – Walk together, rock together INLP 107 1 16 A wilhelm scream – S/T INLP 493 1 17 Accidente – Amistad Y Rebelión INLP 918 1 10 Accidente – Pulso INLP 278 2 13 Accidente – S/t INLP 230 2 10 Adhesive – Sideburner INLP 879 1 18 Adolescents – OC Confidential INLP 622 2 12 Adolescents – S/T INLP 006 1 22 Adult Magic – S/T INLP 133 2 14 Against me! - As the eternal cowboy INLP 748 X 21 Against me! - Is reinventing Axl Rose INLP 228 1 21 Against me! - Searching for a former clarity 2LP INLP 752 1 28 Against me! - Shape Shift With Me INLP 342 1 32 Against me! - Transgender dysphoria blues INLP 751 3 27 Agent Attitude – First 2 Eps INLP 614 1 12 Agnostic front – Another voice INLP 668 1 17 Agnostic front – Live At CBGB INLP 543 x 19 Agnostic front – Victim in pain INLP 010 1 17 Alea Jacta Est – Dies Irae INLP 606 4 16 Alea Jacta Est – Gloria Victis INLP 357 2 10 Alea Jacta Est – Vae Victis INLP 776 1 15 Alkaline trio – Maybe i'll cacth fire INLP 222 x 18 Alkaline trio – My shame is true INLP 626 X 26 Alkaline trio – This addiction INLP 373 x 22 All – Allroy for prez INLP 240 1 20 All – Allroy Saves INLP 939 1 22 All – Allroys revenge INLP 238 X 27 All – Breaking things INLP 319 1 28 All – Pummel INLP 651 2 28 All out War – Dying Gods INLP 338 X 18 All Pigs Must Die – Hostage Animal INLP 698 1 21 All pigs must die – Nothing violates this nature INLP 701 1 22 All pigs must die – s/t INLP 015 1 22 Altair – Nuestro Enemigo INLP 294 2 12 American Football - S/T LP3 INLP 1010 2 28 UK 20 American football – s/t INLP 018 X 24 American Football – S/T (EP) INLP 762 x 16 American Football – S/T LP2 INLP 731 X 25 And So Your Life Is Ruined – s/t INLP 938 1 12 Page 1 DISTRO / 2020 And yo your life is ruined – s/t INLP 835 1 13 Angel Du$t - Pretty Buff INLP 1011 1 28 Angel Dust – A.D. -
BERMUDA3ECK Präsentiert Sonntag · 14.07
präsentiert VAN CANTO Sonntag · 14.07. Ringbühne 11.– 14. JULI 2013 BERMUDA3ECK www.bochumtotal.de Eine Veranstaltung der Bochum Total UG 2013 in Zusammenarbeit mit dem Kulturbüro der Stadt Bochum BOCHUM TOTAL 2013 Powered by VORWORT 2013 wird ein gutes Jahr. Soviel steht fest. Nach dem Nach einem Herbst der Schmähungen über unsere grauenhaften Winter und dem noch schlechteren Früh- schöne Stadt, hier mal wieder ein richtiges Highlight Stadtwerke Bochum ling kann 2013 nur noch richtig durchstarten. Und damit für alle Bochumer und Besucher. Vier Tage volles das auch klappt, haben wir für die 28. Auflage Bochum Programm an allen Ecken und Enden. Wir haben neue Total ein Programm zusammengestellt, auf das wir uns Partner gewonnen und uns gemeinsam mit unseren wieder richtig freuen können. Wir haben tolle Bands langjährigen Partnern neu aufgestellt. Das Ergebnis mit Ökostrom auf den drei großen Bühnen, auch beim Spätprogramm davon könnt Ihr bei Bochum Total 2013 sehen. in der Rotunde werden die Wände wackeln und im Wir freuen uns drauf und hoffen, Ihr seid alle wieder Offstage-Bereich ist auch diesmal in etlichen Kneipen dabei und wie immer schon wieder herzlich eingeladen. aus Wasserkraft und Clubs wieder richtig gute Stimmung zu erwarten. Artists Abby. 38 Heaven’s Basement . 53 Mega! Mega! . 18 Aeneas Rooch . 09 Heisskalt . 52 Monsters of Liedermaching . 21 Anne Haight . 19 Herrenmagazin . 10 Musik for the Kitchen . 58 Bochum Apologies, I Have None . 39 Honig . 42 New Found Land . 06 Babylou . 24 Honigdieb . 43 Ok Kid . 09 Ben Redelings . 14 Jaimi Faulkner. 09 Pamela Falcon. 56 Blackmail. 20 Johnhubertus . 50 Paper Arms . -
United Edge Records & Textbook Music Interview
United Edge Records & Textbook Music Interview To me, United Edge Records was one of the record labels that I could pickup anything from and know that it was going to be quality metalcore. Same thing for the post-hardcore fad during the mid-2000’s that was practically held up with Textbook Music in the forefront. It was always quality material. The person responsible for that was Andrea “Edge” Goonan. A native Canadian from Saskatchewan, she moved to Calgary, Alberta and then to New York City in 2002 , where she continued the record label operations there. Andrea has moved on to other things and I wanted to interview her before all those memories faded. United Edge Records complete discography: UXE010 Forthcoming self-titled CD, 2000 UXE011 True Until Death compilation CD, 2000 UXE012 Fallout – Live and Learn CD, 2000 UXE013 True Until Death 2 compilation CD, 2001 UXE014 Finer Truth – Embrace the Day CD, 2001 UXE015 One of These Days self-titled CD, 2002 UXE016 Die Young – Songs for the Converted 7″, 2003 UXE017 Last Perfection – Violent Solutions for a Violent World, 2003 UXE018 Fate Thirteen – Things Will Never Be the Way They Were Before, 2003 UXE019 For You compilation CD, 2004 UXE020 Caligula – We Burn Bridges CD, 2004 UXE021 The Rescue – Phone Numbers CD, 2004 UXE022 Comity – The Deus Ex-Machina As a Forgotten Genius (Andy Warhol Sucks) CD, 2004 UXE023 Last Perfection – Drawing Conclusions CD, 2004 UXE025 Bitter Tongues – Clovis CD, 2005 UXE001 One Voice Defiant – One Voice Defiant (Tape) UXE002 In Your Face – Positive Youth (7″) -
Dead Season Official Biography
Dead Season Official Biography -Formation (June 1997 – October 1997) Dead Season was one of the many bands formed by ex members of Two Line Filler. Two Line Filler, under the line up of Matt White on vocals, Colin Clark and Al Biddle on guitars, Mike Calder on bass and Jon Drew on drums, had just finished an incredibly successful mid-western/east coast United States tour with The Enkindels (the first Enkindel tour under the new name) in mid-June of 1997. Two Line Filler, then signed to New Red Archives, was considering signing with Arista Records, who had already offered them a deal. Additionally, they were receiving offers to play shows with Texas is the Reason, Hot Water Music, Avail and even one of Colin Sears’ post-Dag Nasty bands, all amounting to enough dates for another east coast US tour that summer. Despite all of this, Matt White, not liking the direction the band was going, decided that he wasn’t up for it and announced that Two Line Filler was over. The other four members, unwilling to pass up such an opportunity, decided to continue in a new band sans Matt White, with Colin assuming vocal duties as well as guitar. Without an official band name, they immediately started writing new material, in the style of “Life Isn’t Fair (Screams the Kid Again)”, the last song Two Line Filler had written. This song had been a huge hit on the tour with The Enkindels, but Matt didn’t like the direction the music was going in. -
Sensor Wiesbaden-Re- Viel Erfolg Für Die Zukunft Mit Diesem Schönen Magazin
Fühle deine Stadt. Wiesbaden. Mai 2012 Nr.2 VERFLUXTES WIESBADEN – KAUGUMMIS KREATIV – FESTE FEIERN TANZBRUNNEN-REPORT – MAIFESTSPIELE – STRASSENMUSIKER IM TEST NEU & Gratis sensor 05/12 3 „Die Erstausgabe für Wiesbaden ist wirklich gelungen. Sehr schönes Heft mit Wiesbadener Themen und Editorial / Inhalt Gesichtern.“ (Sascha Bach) „Gratulation zum neuen Produkt! Sensor ist wirklich gut gemacht. Darauf hat Wiesbaden gewartet!“ (Gordon Bonnet) „Glückwunsch zu diesem neuen Schmuckstück. Tolle Arbeit! Editorial PS – Waren Sie eigentlich auch auf der großen sensor Wiesbaden-Re- Viel Erfolg für die Zukunft mit diesem schönen Magazin. Chapeau!“ (Frederik Malsy) „sensor zeigt, dass Liebe Leserinnen und Leser, leaseparty im Kulturpalast? Das war es viele überaschende Seiten gibt von einer Stadt, von der man eigentlich denkt, dass man sie kennt.“ ungeplant und unmerklich haben ein Fest! Unsere Freunde vom Inter- sich die „alten Männer“ in unser noch netfernsehsender BigCityTV waren (Dietmar Brück) „Ich möchte Ihnen zur ersten Wiesbadener sensor-Ausgabe gratulieren. Sie ist sehr gelungen ganz junges Stadtmagazin – Sie hal- mit der Kamera dabei und haben ei- ten die Ausgabe Nr.2 in den Händen nen tollen Beitrag veröffentlicht. und gefällt mir gut.“ (Birgit Knetsch) „Glückwunsch für die gelungene erste Ausgabe.“ (Karl Schlieker) – eingeschlichen. Ein erneuter Beleg Schauen Sie mal rein: www.bigci- „Ich freue mich sehr, dass ihr es nun endlich auch nach Wiesbaden geschafft habt.“ (Michaela Metzen) „Es dafür, dass Wiesbaden tatsächlich die tytv.de Und merken Sie schon mal Rentnerstadt ist, als die es gerne ver- vor: 30. August, Kulturpalast, will ist ein toller erster Aufschlag. (...) Mir haben vor allem solche Themen gefallen, die ein wenig abseits der spottet wird? Wohl kaum. -
Read Razorcake Issue #48 As a PDF
RIP THIS PAGE OUT Razorcake LV D ERQD¿GH QRQSUR¿W PXVLF PDJD]LQH GHGLFDWHG WR If you wish to donate through the mail, PLEASE supporting independent music culture. All donations, subscriptions, please rip this page out and send it to: and orders directly from us—regardless of amount—have been large Razorcake/Gorsky Press, Inc. components to our continued survival. $WWQ1RQSUR¿W0DQDJHU PO Box 42129 Razorcake has been very fortunate. Why? By the mere fact that Los Angeles, CA 90042 we still exist today. By the fact that we have over one hundred regular contributors—in addition to volunteers coming in every week day—at a time when our print media brethren are getting knocked down and out. Name What you may not realize is that the fanciest part about Razorcake is the zine you’re holding in your hands. We put everything we have into Address it. We pay attention to the pragmatic details that support our ideology. Our entire operations are run out of a 500 square foot basement. We don’t outsource any labor we can do ourselves (we don’t own a printing press or run the postal service). We’re self-reliant and take great pains E-mail WRFRYHUDERRPLQJIRUPRIPXVLFWKDWÀRXULVKHVRXWVLGHRIWKHPXVLF Phone industry, that isn’t locked into a fair weather scene or subgenre. Company name if giving a corporate donation 6RKHUH¶VWRDQRWKHU\HDURIJULWWHGWHHWKKLJK¿YHVDQGVWDULQJDW disbelief at a brand new record spinning on a turntable, improving our Name if giving on behalf of someone quality of life with each spin. Donation amount If you would like to give Razorcake some -
Milam County, Texas - Its Evolution and Leaders
MILAM COUNTY, TEXAS - ITS EVOLUTION AND LEADERS MILAM COUNTY, TEXAS ITS EVOLUTION AND LEADERS February 2021 Page 1 MILAM COUNTY, TEXAS - ITS EVOLUTION AND LEADERS A NOTE TO THE READERS Milam County, Texas. I always add those three words to my writings and communications – I want people to know I live here. So, in 2019 when Milam County Judge Steve Young asked me if I would write a report about the history of the Milam County Commissioners Court – I did not hesitate to say “Of course I will.” Soon after beginning the research for this report, I realized that a simple listing of the names of county judges and commissioners serving Milam County since the birth of the Republic of Texas in 1836 would not provide an adequate appreciation of Milam County’s rich history. Consequently, I decided to provide Readers a deeper dive into the birth of Milam County government by adding comprehensive facts about the geographical and legislative origins of Milam County, towns that served as ‘County Seat’ for Milam County, and courthouses that housed Milam County government for the last 184 years. But the thread that ties together all of the following story’s facets is the people who came before: those who were frontier settlers – those who founded towns – those who risked their lives to protect others – those who died protecting others - those who simply lived their lives as best they could – and those who helped govern Milam County for the common good. I added a few biographical notes to acquaint you with some of these people. -
How to Be Fashionable Or Consume Like Me
how to be the little fashion things we do to seem cool to able people like ourselves or consume like me by follow any combination of the following tried and andrew coulter enright true rules and you are bound to fool us smoke buy cigarettes expensive jeans any brand is really okay smoking will be cool for a we notice even the smallest logos long time its best to go for a working class cigarette try marlboro mediums diesel Daryl K people will say unfiltereds earl evisu or handrolled are the levis engineered coolest levis sta prest marc jacobs they try too hard mavi paper smoke filters or filter psycho cowboy lights seven alternatively order them from switzerland you can always wear your and be cool like us parents jeans wear your moms jeans with your dads belt and mention it quietly several times as summer departs days swimming enter the mind swim swim at wear public pools at night reservoirs your parents pool your aunts pool in the hamptons the hamptons clar wear ks sunglasses in the pool yesstill wear your tshirts buy two blatant eversoslightly luxury accessories dont wear thousands of dollars worth of clothes every day even if you can afford it wear beat up old clothes with two very expensive small items people will too small automatically assume you are burberry scarves lv wallets cool lv haircubes prada bag coach hat rich tods mocs you know the shit just dont show off and people will notice that too dont want to flaunt it live in dont love or hate la a big city obviously it is acceptable to live in the beautiful countryside provided -
SURFING for PUNKS: the INTERNET and the PUNK SUBCULTURE in NEW JERSEY by AARON ROBERT FURGASON a Dissertation Submitted To
SURFING FOR PUNKS: THE INTERNET AND THE PUNK SUBCULTURE IN NEW JERSEY by AARON ROBERT FURGASON A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Communication, Information and Library Studies written under the direction of Professor Linda Steiner And approved by ________________________________ ________________________________ ________________________________ ________________________________ New Brunswick, New Jersey October, 2008 ABSTRACT OF THE DISSERTATION SURFING FOR PUNKS: THE INTERNET AND THE PUNK SUBCULTURE IN NEW JERSEY BY AARON ROBERT FURGASON Dissertation Director Professor Linda Steiner This study examines the influence of the Internet on the punk subculture in New Jersey. Previous research by academics on the effect of the Internet on popular music has centered on the impact of Napster and peer-to-peer networks on the distribution of recordings (Alexander, 2002; Ayres & Williams, 2004; Bishop, 2004; Daniel & Klimis, 1999; Fox, 2004; Mardesich, 1999; & Oberholzer & Strumpf, 2004). However, unexamined is the influence of the Internet on a specific music subculture, punk. This is important because the subculture is occupied mainly by youth engaged with both the Internet and punk music. The Internet's influence on the punk subculture is a particularly important area of study because the Internet alters how participants in the subculture (punk fans, bands and independent labels) communicate with one another, as well as changes the distribution of punk artifacts and information. ii Central to this study is the history of the major labels' dominance over the distribution and promotion of punk music, a domination examined via critical political economy theory. -
Addiction, Culture, and Narrative During the War on Drugs
University of Kentucky UKnowledge Theses and Dissertations--English English 2016 The Age of Intervention: Addiction, Culture, and Narrative During the War on Drugs Ashleigh M. Hardin University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.151 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Hardin, Ashleigh M., "The Age of Intervention: Addiction, Culture, and Narrative During the War on Drugs" (2016). Theses and Dissertations--English. 34. https://uknowledge.uky.edu/english_etds/34 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
The Body of the Witch in Popular Culture
HEX APPEAL: THE BODY OF THE WITCH IN POPULAR CULTURE Marley Stuever-Williford A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2021 Committee: Jeffrey Brown, Advisor Esther Clinton Angela Nelson © 2020 Marley Stuever-Williford All Rights Reserved iii ABSTRACT Jeffrey Brown, Advisor This thesis investigates the relationship between the body of the witch in popular culture and attitudes and assumptions about the female body. This study was conducted through textual analysis of several popular films and television shows about witches. This analysis is structured around three core archetypes of femininity: the Maiden, the Mother, and the Crone, examining how each of the three archetypes preserve stereotypes about women and how witches can subvert or reinforce those stereotypes. Using the theory of abjection as a foundation, this thesis argues that witches have a strong relationship to abject femininity and can therefore expose the anxieties and fears about female bodies in a patriarchal culture. This is not a comprehensive study of witches in popular culture, and further research into the intersections of gender and race, sexuality, and ability is needed to form any definite conclusions. This study is merely an exploration of female archetypes and how the female body is conceived through the witch’s body in popular culture. iv This thesis is dedicated to my mother, the strongest and kindest witch I know. v ACKNOWLEDGMENTS I would first like to express my deepest appreciation for my thesis advisor, Jeffrey Brown, and committee members Esther Clinton and Angela Nelson for your invaluable insights not just on this project but in classes as well.