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Stade Stade Stade Saturdays Saturdays Saturdays Stade Stade Stade Saturdays Saturdays Saturdays Stade Stade Stade Saturdays Saturdays Saturdays Stade Saturdays
stade stade stade saturdays saturdays saturdays stade stade stade saturdays saturdays saturdays stade stade stade saturdays saturdays saturdays stade saturdays White reversed logo when it appears on colours stade backgrounds etc.. stade saturdays Mono version saturdays May to October 2013 Stade Open Space, Hastings Free performances by the sea www.hastings.gov.uk/stadesaturdays stade stade stade saturdays saturdays saturdays stade stade stade saturdays saturdays saturdays stade stade stade saturdays saturdays saturdays stade saturdays www.hastings.gov.uk/stadesaturdays White reversed logo when it appears on colours stade backgrounds etc.. stade saturdays Mono version saturdays stade stade stade saturdays saturdays saturdays After a successful first year, Stade Saturdays returns for another exciting and As last year, Stade Saturdays, with a few exceptions (you’ll need to check the diverse season in 2013. programme), start at 7.30pm. If it’s Saturdaystade evening, thenstade the place tostade be is the The Stade Open Space is on the seafront in the heart of Hastings Old Town, nestling Stade in Hastings: a stroll along the seafront,saturdays a game of crazysaturdays golf, a visitsaturdays to a pub or beside the award-winning Jerwood Art Gallery, the traditional beach-launched restaurant, rounded off by a free performance on the seafront. fishing fleet and our iconic ‘net shops’. What could be better? It’s Famously Hastings. The first season had something for everyone, starting with a concert by Port Isaac’s stade stade stade saturdays saturdays saturdays Fisherman’s Friends, kicking off a programme of weekly events that included Councillor Peter Chowney the exhilarating dance of the Hofesh Shechter Company, through to the Cultural Lead Member for Regeneration Olympiad events such as the spectacular pyrotechnics of Pi-Leau, the Big Dance Hastings Borough Council. -
THE FREE WESSEX ARTS and CULTURE GUIDE EVOLVER May and June 2019 EVOLVER 111:Layout 1 23/04/2019 18:50 Page 2
EVOLVER_111:Layout 1 23/04/2019 18:49 Page 1 THE FREE WESSEX ARTS AND CULTURE GUIDE EVOLVER May and June 2019 EVOLVER_111:Layout 1 23/04/2019 18:50 Page 2 2 EVOLVER_111:Layout 1 23/04/2019 18:50 Page 3 EVOLVER 111 EXHIBIT A ZARA MCQUEEN: ‘AS THE CROW FLIES’ Mixed media (120 x 150 cm) ARTIST’S STATEMENT: “Drawing and painting is part of who I am. It is how I respond to my world. I am driven by mood and intuition. I always begin outside. In that sense I am a landscape painter. Seasonal changes catch my attention and I can rarely resist the changing colours and textures of the natural year. I sketch and paint in watercolour, charcoal or oil then return to the studio where I make larger mixed media pieces guided by memory and feeling. Work gets cut down, torn up, collaged and reformed. Fragments of self portraits often lay hidden in fields, branches or buildings.” ‘DRAWN IN’ 11 May - 15 June: Bridport Arts Centre, South Street, BRIDPORT, DT6 3NR. Tuesday - Saturday 10am - 4pm. 01308 424204 / bridport-arts.com. zara-mcqueen.co.uk EVOLVER Email [email protected] THE WESSEX ARTS AND CULTURE GUIDE Telephone 01935 808441 Editor SIMON BARBER Website evolver.org.uk Assisted by SUZY RUSHBROOK Instagram evolvermagazine Evolver Writer Twitter @SimonEvolver FIONA ROBINSON www.fionarobinson.com Facebook facebook.com/EvolverMagazine Graphic Design SIMON BARBER Published by EVOLVER MEDIA LIMITED Website OLIVER CONINGHAM at AZTEC MEDIA Pre-Press by FLAYDEMOUSE Front Cover 01935 479453 / flaydemouse.com JEREMY GARDINER: ‘WEST BAY IV’ Printed by STEPHENS & GEORGE (Painting) Distributed by ACOUSTIC See page 4. -
7.Castrillo-Echart
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Dadun, University of Navarra Pablo Castrillo Towards a narrative definition of [email protected] PhD Candidate and Lecturer. the American political thriller film University of Navarra. Spain. Pablo Echart Abstract [email protected] Senior Lecturer in The Hollywood political thriller is a film genre of unique Screenwriting. University of relevance in the United States, often acting as a reflection of the Navarra. Spain. fears and anxieties of its historical times. At the same time, however, the definition of its identity and boundaries still leaves Submitted room for further specification, perhaps due to the frequent June 4, 2015 consideration of the political thriller as part of the broader Approved September 30, 2015 categories of either thriller narratives or political films. By revising the available literature and filmography and analyzing the narrative features of the classical political thriller, this © 2015 Communication & Society article proposes a deeper definition of the genre that takes into ISSN 0214-0039 account the nature of the broader ‘thriller’ category of films E ISSN 2386-7876 springing from a specific mode of crime fiction that focuses on a doi: 10.15581/003.28.4. 109-123 www.communication-society.com victim or threatened individual as its protagonist, depicts and conveys intense emotional states, portrays an unbalanced and highly existentialist worldview, and travels into the 2015 – Vol. 28(4), pp. 109-123 extraordinary while at the same time holding on to very concrete expectations of verisimilitude. The political thriller How to cite this article: specifies this broader form of narration and links it to dramatic Castrillo, P. -
The Liveryman Review 2016-2017
The Liveryman Review 2016-2017 Installation Dinner 2016 attended by HRH The Duke of Edinburgh Council 2016-2017 L to R. Clerk: Liz Wicksteed – Hon. Solicitor: Keith Baker – Senior VP: Paul Herbage – President: Alderman John Garbutt Junior VP: Dr Trevor Brignall – Hon. Treasurer: Graham Lovelock – Hon. Secretary: Adèle Thorpe Officers and Clerk: Elected Members of Council: • President: • Prof. Trevor Beedham MBBS BDS FRCOG Hon DSc Alderman John Garbutt KFO JP FRSA FCSI FRGS BSc(Econ) • Alan Cook CStS • Senior Vice-President: Paul Herbage MBE CStJ • Capt Arthur Creighton FRIN • Junior Vice-President: • Julie Fox Dr Trevor Brignall PhD DBA MA MBA DMS DipM CIOM • Prof James Kelly • Hon. Secretary: Adèle Thorpe • Tony Lofts • Hon. Solicitor: Keith Baker LLB FCIL • Richard Model • Hon. Treasurer: Graham Lovelock FNZICA BCom FIoD • Judith Pleasance CC MA(Hons) • Immediate Past President: John MacCabe ACII • Dr Christine Rigden BSc PhD FGS Cgeol • Clerk: Liz Wicksteed BA (Hons) • Nicholas Somers • Dr Keith Williams BSc(Econ) MA PhD Past Presidents With Voting Rights: • Graham Withers ACII – Chartered Insurer • Michael Hudson CC • Judy Tayler-Smith BA DipEgy FSA SCOT Standing invitation to attend: • Neil G.M.Redcliffe BSc(Econ) MBA FCA • Asst Hon. Treasurer: Simon Bentley • Alderman Sir David Wootton MA • John MacCabe ACII The Liveryman Review 2016-2017 Contents Origins of “The Liveryman” President’s review ............................................................................................................. 2 President’s diary 2016-2017 -
Bad Cops: a Study of Career-Ending Misconduct Among New York City Police Officers
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers Author(s): James J. Fyfe ; Robert Kane Document No.: 215795 Date Received: September 2006 Award Number: 96-IJ-CX-0053 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers James J. Fyfe John Jay College of Criminal Justice and New York City Police Department Robert Kane American University Final Version Submitted to the United States Department of Justice, National Institute of Justice February 2005 This project was supported by Grant No. 1996-IJ-CX-0053 awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. Points of views in this document are those of the authors and do not necessarily represent the official position or policies of the U.S. -
Bridging Resources for Year 11 Applicants: Media Studies St John Rigby College Gathurst Rd, Orrell, Wigan WN5 0LJ 01942 214797
Bridging Resources for Year 11 Applicants: MEDIA STUDIES St John Rigby College Media Studies In Media, you will study a range of print and audio-visual products, including advertising, television, radio, film, newspapers and magazines, games and online media. The tasks below focus on some of these media types to give you some knowledge of them before beginning the course. We also have an online learning area with lots of fun and interesting tasks. If you would like access to this, please email us for login information. If you have any questions or would like more information about the course, please do get in touch! Simon Anten- Head of Media - [email protected] Catherine Strong- Media Teacher - [email protected] Music Video From its beginnings, music video has been an innovative and experimental form. Many a successful film director has either made their name as a music video director or still uses the form to experiment with editing, photography and post production effects. Watch the following two videos by British film directors: Radiohead’s “Street Spirit” (Jonathan Glazer 1995) and FKA Twigs’ “tw-ache” (Tom Beard 2014). What are your thoughts about both videos? In what ways might they be seen as experimental (as well as weird, intriguing and exciting)? How do they create an impact? How do they complement or challenge the music? Who is the target audience for each video? (It can be useful to read the comments on YouTube to get a sense of people’s reactions to them, but don’t do this if you’re sensitive to bad language!) Is there anything distinctly British about either or both of them? Comparing a director’s video and film output Jonathan Glazer directed Radiohead’s “Street Spirit” just a few years before directing his first feature, the brilliant Sexy Beast (2000), starring Ben Kingsley and Ray Winstone. -
Recipesholdings, & User Guide
LLC 10-SECOND RECIPESHOLDINGS, & USER GUIDE CAPBRAN IMPORTANT SAFEGUARDS • AFTER BLENDING INGREDIENTS, REMOVE THE CROSS BLADE ASSEMBLY—ALLOW THE VESSEL WITH ITS CONTENTS TO SETTLE AND TO RELEASE ANY PRESSURE THAT MAY HAVE BUILT UP DURING THE EXTRACTION PROCESS. IF YOU WILL NOT CONSUME IT IMMEDIATELY, SAVE THESE INSTRUCTIONS USE THE STAY FRESH LID TO CLOSE THE CONTAINER. UNSCREW THE LID AND RELEASE HOUSEHOLD USE ONLY PRESSURE PERIODICALLY IF STORING LONGER THAN A FEW HOURS TO RELEASE ANY ADDED PRESSURE THAT MAY HAVE BUILT UP DUE TO FERMENTATION. Read all instructions before operating the Magic Bullet. When using electrical • NEVER PERMIT ANY BLENDED MIXTURE TO SIT INSIDE A CUP SEALED WITH A CROSS appliances, basic safety precautions should always be followed, including: BLADE BASE WITHOUT FIRST RELEASING THE PRESSURE. • DO NOT ALLOW BLENDED CONTENTS TO SIT FOR LONG PERIODS IN A SEALED GENERAL SAFETY CONTAINER. THE SUGARS IN FRUITS AND VEGETABLES CAN FERMENT, CAUSING PRESSURE TO BUILD UP AND EXPANDLLC IN THE VESSEL WHICH CAN CAUSE INGREDIENTS • Cross blades are sharp. Handle carefully. TO BURST AND SPRAY OUT WHEN MOVED OR OPENED. UNCSCREW THE LID AND OPEN • Always use your Magic Bullet on a clean, flat, hard, dry surface, never on cloth or paper THE CUP FOR A FEW MOMENTS TO RELEASE ANY PRESSURE THAT HAS BUILT UP. which may block the fan vents and cause overheating. • RELEASE PRESSURE BY CAREFULLY UNSCREWING THE LID AND OPENING THE CUP FOR • Do not immerse the cord, plug or base in water or other liquids. A FEW MOMENTS. • Close supervision is necessary when any appliances are used by or near children. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Info Fair Resources
………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out -
The Director's Idea
The Director’s Idea This Page is Intentionally Left Blank The Director’s Idea The Path to Great Directing Ken Dancyger New York University Tisch School of the Arts New York, New York AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Acquisitions Editor: Elinor Actipis Project Manager: Paul Gottehrer Associate Editor: Becky Golden-Harrell Marketing Manager: Christine Degon Veroulis Cover Design: Alisa Andreola Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK Copyright © 2006, Elsevier Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (ϩ44) 1865 843830, fax: (ϩ44) 1865 853333, E-mail: [email protected]. You may also complete your request on-line via the Elsevier homepage (http://elsevier.com), by selecting “Support & Contact” then “Copyright and Permission” and then “Obtaining Permissions.” Recognizing the importance of preserving what has been written, Elsevier prints its books on acid-free paper whenever possible. Library of Congress Cataloging-in-Publication Data Application submitted British Library Cataloguing-in-Publication -
Newsletter 19/06 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 19/06 DIGITAL EDITION Nr. 190 - September 2006 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 19/06 (Nr. 190) September 2006 editorial Hallo Laserdisc- und DVD-Fans, sein, mit der man alle Fans, die bereits ein lich zum 22. Bond-Film wird es bestimmt liebe Filmfreunde! Vorgängermodell teuer erworben haben, wieder ein nettes Köfferchen geben. Dann Was gibt es Neues aus Deutschland, den ärgern wird. Schick verpackt in einem ed- möglicherweise ja schon in komplett hoch- USA und Japan in Sachen DVD? Der vor- len Aktenkoffer präsentiert man alle 20 auflösender Form. Zur Stunde steht für den liegende Newsletter verrät es Ihnen. Wie offiziellen Bond-Abenteuer als jeweils 2- am 13. November 2006 in den Handel ge- versprochen haben wir in der neuen Ausga- DVD-Set mit bild- und tonmäßig komplett langenden Aktenkoffer noch kein Preis be wieder alle drei Länder untergebracht. restaurierten Fassungen. In der entspre- fest. Wer sich einen solchen sichern möch- Mit dem Nachteil, dass wieder einmal für chenden Presseerklärung heisst es dazu: te, der sollte aber nicht zögern und sein Grafiken kaum Platz ist. Dieses Mal ”Zweieinhalb Jahre arbeitete das MGM- Exemplar am besten noch heute vorbestel- mussten wir sogar auf Cover-Abbildungen Team unter Leitung von Filmrestaurateur len. Und wer nur an einzelnen Titeln inter- in der BRD-Sparte verzichten. Der John Lowry und anderen Visionären von essiert ist, den wird es freuen, dass es die Newsletter mag dadurch vielleicht etwas DTS Digital Images, dem Marktführer der Bond-Filme nicht nur als Komplettpaket ”trocken” wirken, bietet aber trotzdem den digitalen Filmrestauration, an der komplet- geben wird, sondern auch gleichzeitig als von unseren Lesern geschätzten ten Bildrestauration und peppte zudem alle einzeln erhältliche 2-DVD-Sets. -
Buffy & Angel Watching Order
Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74