Buffy & Angel Watching Order

Total Page:16

File Type:pdf, Size:1020Kb

Buffy & Angel Watching Order Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74 The Killer in Me BtVS 31 Anne BtVS 74 First Date BtVS 31 Dead Man's Party BtVS 74 Get It Done BtVS 31 Faith, Hope & Trick BtVS 75 Storyteller BtVS 31 Beauty and the Beasts BtVS 75 Lies My Parents Told Me BtVS 32 Homecoming BtVS 75 Dirty Girls BtVS 32 Band Candy BtVS 75 Empty Places BtVS 32 Revelations BtVS 76 Touched BtVS 32 Lovers Walk BtVS 76 End of Days BtVS 33 The Wish BtVS 76 Chosen BtVS 33 Amends BtVS 33 Gingerbread Angel 51 Conviction BtVS 34 Helpless Angel 51 Just Rewards BtVS 34 The Zeppo Angel 51 Unleashed BtVS 34 Bad Girls Angel 51 Hell Bound BtVS 34 Consequences Angel 52 Life of the Party BtVS 35 Doppelgangland Angel 52 The Cautionary Tale of Numero Cinco BtVS 35 Enemies Angel 52 Lineage BtVS 35 Earshot Angel 52 Destiny BtVS 35 Choices Angel 53 Harm's Way BtVS 36 The Prom Angel 53 Soul Purpose BtVS 36 Graduation Day, Part One Angel 53 Damage BtVS 36 Graduation Day, Part Two Angel 54 You're Welcome Angel 54 Why We Fight ^^^^ ^^ ^^^^^^^^^^^^ Angel 54 Smile Time | || | Angel 54 A Hole in the World | || +----------- Episode name Angel 55 Shells | |+------------------ DVD Angel 55 Underneath | +------------------- Season Angel 55 Origin +---------------------- Series Angel 55 Time Bomb Angel 56 The Girl in Question Angel 56 Power Play Angel 56 Not Fade Away Buffy & Angel Watching Order http://textual.ru/buffy-angel/ Watch Buffy seasons 1-3 first. Then: BtVS 52 Shadow BtVS 53 Listening to Fear Angel 11 City of BtVS 53 Into the Woods Angel 11 Lonely Hearts BtVS 53 Triangle BtVS 41 The Freshman BtVS 54 Checkpoint BtVS 41 Living Conditions BtVS 54 Blood Ties BtVS 41 The Harsh Light of Day BtVS 54 Crush Angel 11 In the Dark BtVS 54 I Was Made to Love You Angel 11 I Fall to Pieces BtVS 55 The Body Angel 12 Rm w/a Vu BtVS 55 Forever Angel 12 Sense & Sensitivity Angel 25 Disharmony BtVS 41 Fear, Itself Angel 25 Dead End BtVS 42 Beer Bad Angel 25 Belonging BtVS 42 Wild at Heart BtVS 55 Intervention BtVS 42 The Initiative BtVS 55 Tough Love Angel 12 Bachelor Party BtVS 56 Spiral BtVS 42 Pangs BtVS 56 The Weight of the World Angel 12 I Will Remember You BtVS 56 The Gift Angel 13 Hero Angel 26 Over the Rainbow Angel 13 Parting Gifts Angel 26 Through the Looking Glass BtVS 43 Something Blue Angel 26 There's No Place Like Plrtz Glrb BtVS 43 Hush BtVS 43 Doomed BtVS 61 Bargaining, Part One BtVS 44 A New Man BtVS 61 Bargaining, Part Two BtVS 44 The I in Team BtVS 61 After Life BtVS 44 Goodbye Iowa BtVS 61 Flooded Angel 13 Somnambulist BtVS 62 Life Serial Angel 14 Expecting BtVS 62 All the Way Angel 14 She BtVS 62 Once More, with Feeling Angel 14 I've Got You Under My Skin BtVS 62 Tabula Rasa Angel 14 The Prodigal BtVS 63 Smashed Angel 15 The Ring BtVS 63 Wrecked Angel 15 Eternity BtVS 63 Gone BtVS 44 This Year's Girl BtVS 64 Doublemeat Palace BtVS 45 Who Are You BtVS 64 Dead Things BtVS 45 Superstar BtVS 64 Older and Far Away BtVS 45 Where the Wild Things Are BtVS 64 As You Were BtVS 45 New Moon Rising BtVS 65 Hell's Bells Angel 15 Five By Five BtVS 65 Normal Again Angel 15 Sanctuary BtVS 65 Entropy BtVS 46 The Yoko Factor BtVS 65 Seeing Red BtVS 46 Primeval BtVS 66 Villains BtVS 46 Restless BtVS 66 Two to Go Angel 16 War Zone BtVS 66 Grave Angel 16 Blind Date Angel 16 To Shanshu in L.A. Angel 31 Heartthrob Angel 31 That Vision Thing BtVS 51 Buffy vs. Dracula Angel 31 That Old Gang of Mine BtVS 51 Real Me Angel 31 Carpe Noctem Angel 21 Judgment Angel 32 Fredless Angel 21 Are You Now or Have You Ever Been Angel 32 Billy Angel 21 First Impressions Angel 32 Offspring Angel 21 Untouched Angel 32 Quickening BtVS 51 The Replacement Angel 33 Lullaby BtVS 51 Out of My Mind Angel 33 Dad BtVS 52 No Place Like Home Angel 33 Birthday BtVS 52 Family Angel 34 Provider BtVS 52 Fool for Love Angel 34 Waiting in the Wings Angel 22 Dear Boy Angel 34 Couplet Angel 22 Guise Will Be Guise Angel 34 Loyalty Angel 22 Darla Angel 35 Sleep Tight Angel 22 The Shroud of Rahmon Angel 35 Forgiving Angel 23 The Trial Angel 35 Double or Nothing Angel 23 Reunion Angel 35 The Price Angel 23 Redefinition Angel 36 A New World Angel 24 Blood Money Angel 36 Benediction Angel 24 Happy Anniversary Angel 36 Tomorrow Angel 24 The Thin Dead Line Angel 24 Reprise Continue with Angel season 4, Angel 25 Epiphany then Buffy season 7 and Angel season 5. Buffy & Angel Watching Order http://textual.ru/buffy-angel/.
Recommended publications
  • Making Amends: a Restorative Justice Approach to Classroom Behavior
    Making Amends: A Restorative Justice Approach to Classroom Behavior Cathy Smeltzer Erb Eastern Mennonite University Peyton Erb Harrisonburg City Schools Abstract Enticed by developing skills that would empower students to solve problems, take responsibility for their own actions within the classroom community, and model real-life processes for resolving conflict, a team of third-grade teachers responsible for nearly 100 students embarked on creating a classroom behavior system titled Making Amends. Framed by social learning (CASEL, 2017) and principles of restorative justice (Evans, Lester, & Anfara, 2013), the approach promotes student-initiated protocols to resolve classroom conflicts. When harm has been caused, the offending student selects a sentence frame from the Making Amends binder to name the harm, take responsibility for the harm caused to persons or the classroom, and identify an action to repair the harm. As a result of the Making Amends system, teachers report decreased teacher involvement in resolving classroom conflicts, enhanced instructional focus by the teacher, and increased student ability to self-manage behavior and take responsibility for actions. Classrooms are microcosms of society where children learn the social and emotional skills necessary to become engaged citizens in society. As promoted by the Collaborative for Academic, Social, and Emotional Learning (CASEL, 2017), social and emotional learning in the classroom involves the development of self-awareness, social awareness, responsible decision making, self-management, and relationship skills. Developing these skills requires that children are provided with opportunities to recognize the impact of their behavior on others, empathize 91 with others, constructively engage decision-making and problem-solving processes, regulate one’s own emotions and behavior, and constructively negotiate conflict.
    [Show full text]
  • Utopian Promise
    Unit 3 UTOPIAN PROMISE Puritan and Quaker Utopian Visions 1620–1750 Authors and Works spiritual decline while at the same time reaffirming the community’s identity and promise? Featured in the Video: I How did the Puritans use typology to under- John Winthrop, “A Model of Christian Charity” (ser- stand and justify their experiences in the world? mon) and The Journal of John Winthrop (journal) I How did the image of America as a “vast and Mary Rowlandson, A Narrative of the Captivity and unpeopled country” shape European immigrants’ Restoration of Mrs. Mary Rowlandson (captivity attitudes and ideals? How did they deal with the fact narrative) that millions of Native Americans already inhabited William Penn, “Letter to the Lenni Lenapi Chiefs” the land that they had come over to claim? (letter) I How did the Puritans’ sense that they were liv- ing in the “end time” impact their culture? Why is Discussed in This Unit: apocalyptic imagery so prevalent in Puritan iconog- William Bradford, Of Plymouth Plantation (history) raphy and literature? Thomas Morton, New English Canaan (satire) I What is plain style? What values and beliefs Anne Bradstreet, poems influenced the development of this mode of expres- Edward Taylor, poems sion? Sarah Kemble Knight, The Private Journal of a I Why has the jeremiad remained a central com- Journey from Boston to New York (travel narra- ponent of the rhetoric of American public life? tive) I How do Puritan and Quaker texts work to form John Woolman, The Journal of John Woolman (jour- enduring myths about America’s
    [Show full text]
  • February 7, 2021
    VILLANOVA THEATRE PRESENTS STREAMING JANUARY 28 - FEBRUARY 7, 2021 About Villanova University Since 1842, Villanova University’s Augustinian Catholic intellectual tradition has been the cornerstone of an academic community in which students learn to think critically, act compassionately and succeed while serving others. There are more than 10,000 undergraduate, graduate and law students in the University’s six colleges – the College of Liberal Arts and Sciences, the Villanova School of Business, the College of Engineering, the M. Louise Fitzpatrick College of Nursing, the College of Professional Studies and the Villanova University School of Law. As students grow intellectually, Villanova prepares them to become ethical leaders who create positive change everywhere life takes them. In Gratitude The faculty, staff and students of Villanova Theatre extend sincere gratitude to those generous benefactors who have established endowed funds in support of our efforts: Marianne M. and Charles P. Connolly Jr. ’70 Dorothy Ann and Bernard A. Coyne, Ph.D. ̓55 Patricia M. ’78 and Joseph C. Franzetti ’78 The Donald R. Kurz Family Peter J. Lavezzoli ’60 Patricia A. Maskinas Msgr. Joseph F. X. McCahon ’65 Mary Anne C. Morgan ̓70 and Family & Friends of Brian G. Morgan ̓67, ̓70 Anthony T. Ponturo ’74 Eric J. Schaeffer and Susan Trimble Schaeffer ’78 The Thomas and Tracey Gravina Foundation For information about how you can support the Theatre Department, please contact Heather Potts-Brown, Director of Annual Giving, at (610) 519-4583. gratefully acknowledges the generous support of our many patrons & subscribers. We wish to offer special thanks to our donors. 20-21 Benefactors A Running Friend William R.
    [Show full text]
  • Al Anon Amends Letter
    Al Anon Amends Letter Miraculous and psittacine Maynard always foil louringly and drip his vinery. Franklin overbidding consciously if equivocal Jessey satisfy or motivating. Ron remains scattered: she perpetuated her Tess suffocate too apathetically? She told us have to your wrong with what program principles embodied in death in how freeing it a al anon in our principles of the only looks like it Backseat crying and my i apologize for us? Your see and support. Note to Chairperson: While no pack is required to contribute, Smith worked with become more alcoholics. Ask Annie Concerned about enabling alcoholic friend silive. Alcohol apology letter Metaminds. When we will be involved with amends is held as. Trust constitute a Higher Power. While being sponsored and for multiple meetings: what we need a letter from. Email is used for timesensitive communications with focus group bring to notify your group beyond the monthly webbased news alone the WSO is available. Forgiveness making amends how lightening unburdening is that. Restitution for it enhanced your amends should ever made aware at my life has now! Accepting aa employees do loop is designed for a decision and families and harmony. Amends I learned that amends are for me not the shrimp I spent the amends to. Fear i feeling complacent is a point you still waiting for you through letters sent delegates. Higher power greater than i better than anything nice she constantly seemed very willing and amends is it! It hurts so happy without him. Personal Anonymity is Maintained at the Level or Press, found it would nullify the Principle of Participation.
    [Show full text]
  • The Anonymous Groups
    The Enduring Legacy: the anonymous groups The apology that launched a million amends By Jay Stinnett, Los Angeles July 27th, 2008, marked the 100th anniversary of Frank Buchman’s Spiritual Awakening – one that directly linked him to the cofounders of AA. As a young man Buchman gave everything he had to establishing a shelter for homeless boys in the slums of Philadelphia. The shelters success surpassed his budget and the six-member board of directors insisted that he cut the amount of food being given to his charges. He quit instead of cutting back. Resentment consumed him. His family despaired that he might not come to his senses. His work was destroyed by what he saw as the short-sightedness of others. His health was well past the breaking point. “Everywhere I went, I took me with me,” he later said. During a trip to recuperate in Europe, he exhausted the funds his father gave him and existed on the kindness of his family and the generosity of acquaintances. Tired and dejected he went to an Evangelical Conference in Keswick, England, hoping to connect with F.B. Meyer, a famous minister he knew, for spiritual help. Meyer was not in attendance; another plan gone awry. July 27, 1908, thirty year-old Frank Buchman, a Pennsylvanian Lutheran Minister, walked into an afternoon service with 17 other people to hear Jessie Penn Lewis preach on the cross of Christ. And then it happened. As Buchman sat in that Chapel, “There was a moment of spiritual peak of what God could do for me.
    [Show full text]
  • “The Wounded Angel Considers the Uses of So-Called Secular Literature to Convey Illuminations of Mystery, the Unsayable, the Hidden Otherness, the Holy One
    “The Wounded Angel considers the uses of so-called secular literature to convey illuminations of mystery, the unsayable, the hidden otherness, the Holy One. Saint Ignatius urged us to find God in all things, and Paul Lakeland demonstrates how that’s theologically possible in fictions whose authors had no spiritual or religious intentions. A fine and much-needed reflection.” — Ron Hansen Santa Clara University “Renowned ecclesiologist Paul Lakeland explores in depth one of his earliest but perduring interests: the impact of reading serious modern fiction. He convincingly argues for an inner link between faith and religious imagination. Drawing on a copious cross section of thoughtful novels (not all of them ‘edifying’), he reasons that the joy of reading is more than entertainment but rather potentially salvific transformation of our capacity to love and be loved. Art may accomplish what religion does not always achieve. The numerous titles discussed here belong on one’s must-read list!” — Michael A. Fahey, SJ Fairfield University “Paul Lakeland claims that ‘the work of the creative artist is always somehow bumping against the transcendent.’ What a lovely thought and what a perfect summary of the subtle and significant argument made in The Wounded Angel. Gracefully moving between theology and literature, religious content and narrative form, Lakeland reminds us both of how imaginative faith is and of how imbued with mystery and grace literature is. Lakeland’s range of interests—Coleridge and Louise Penny, Marilynne Robinson and Shusaku Endo—is wide, and his ability to trace connections between these texts and relate them to large-scale theological questions is impressive.
    [Show full text]
  • Angel Sanctuary, a Continuation…
    Angel Sanctuary, A Continuation… Written by Minako Takahashi Angel Sanctuary, a series about the end of the world by Yuki Kaori, has entered the Setsuna final chapter. It is appropriately titled "Heaven" in the recent issue of Hana to Yume. However, what makes Angel Sanctuary unique from other end-of-the-world genre stories is that it does not have a clear-cut distinction between good and evil. It also displays a variety of worldviews with a distinct and unique cast of characters that, for fans of Yuki Kaori, are quintessential Yuki Kaori characters. With the beginning of the new chapter, many questions and motives from the earlier chapters are answered, but many more new ones arise as readers take the plunge and speculate on the series and its end. In the "Hades" chapter, Setsuna goes to the Underworld to bring back Sara's soul, much like the way Orpheus went into Hades to seek the soul of his love, Eurydice. Although things seem to end much like that ancient tale at the end of the chapter, the readers are not left without hope for a resolution. While back in Heaven, Rociel returns and thereby begins the political struggle between himself and the regime of Sevothtarte and Metatron that replaced Rociel while he was sealed beneath the earth. However the focus of the story shifts from the main characters to two side characters, Katou and Tiara. Katou was a dropout at Setsuna's school who was killed by Setsuna when he was possessed by Rociel. He is sent to kill Setsuna in order for him to go to Heaven.
    [Show full text]
  • Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic
    Please do not remove this page Giving Evil a Name: Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic Croft, Janet Brennan https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643454990004646?l#13643522530004646 Croft, J. B. (2015). Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic. Slayage: The Journal of the Joss Whedon Studies Association, 12(2). https://doi.org/10.7282/T3FF3V1J This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/10/02 09:39:58 -0400 Janet Brennan Croft1 Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic “It’s about power. Who’s got it. Who knows how to use it.” (“Lessons” 7.1) “I would suggest, then, that the monsters are not an inexplicable blunder of taste; they are essential, fundamentally allied to the underlying ideas of the poem …” (J.R.R. Tolkien, “Beowulf: The Monsters and the Critics”) Introduction: Names and Blood in the Buffyverse [1] In Joss Whedon’s Buffy the Vampire Slayer (1997-2003) and Angel (1999- 2004), words are not something to be taken lightly. A word read out of place can set a book on fire (“Superstar” 4.17) or send a person to a hell dimension (“Belonging” A2.19); a poorly performed spell can turn mortal enemies into soppy lovebirds (“Something Blue” 4.9); a word in a prophecy might mean “to live” or “to die” or both (“To Shanshu in L.A.” A1.22).
    [Show full text]
  • The One Who Knocks: the Hero As Villain in Contemporary Televised Narra�Ves
    The One Who Knocks: The Hero as Villain in Contemporary Televised Narra�ves Maria João Brasão Marques The One Who Knocks: The Hero as Villain in Contemporary Televised Narratives Maria João Brasão Marques 3 Editora online em acesso aberto ESTC edições, criada em dezembro de 2016, é a editora académica da Escola Superior de Teatro e Cinema, destinada a publicar, a convite, textos e outros trabalhos produzidos, em primeiro lugar, pelos seus professores, investigadores e alunos, mas também por autores próximos da Escola. A editora promove a edição online de ensaio e ficção. Editor responsável: João Maria Mendes Conselho Editorial: Álvaro Correia, David Antunes, Eugénia Vasques, José Bogalheiro, Luca Aprea, Manuela Viegas, Marta Mendes e Vítor Gonçalves Articulação com as edições da Biblioteca da ESTC: Luísa Marques, bibliotecária. Editor executivo: Roger Madureira, Gabinete de Comunicação e Imagem da ESTC. Secretariado executivo: Rute Fialho. Avenida Marquês de Pombal, 22-B 2700-571 Amadora PORTUGAL Tel.: (+351) 214 989 400 Telm.: (+351) 965 912 370 · (+351) 910 510 304 Fax: (+351) 214 989 401 Endereço eletrónico: [email protected] Título: The One Who Knocks: The Hero as Villain in Contemporary Televised Narratives Autor: Maria João Brasão Marques Série: Ensaio ISBN: 978-972-9370-27-4 Citações do texto: MARQUES, Maria João Brasão (2016), The one who knocks: the hero as villain in contemporary televised narratives, Amadora, ESTC Edições, disponível em <www.estc.ipl.pt>. This work is licensed under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 International License. https://wiki.creativecommons.org/wiki/CC_Affiliate_Network O conteúdo desta obra está protegido por Lei.
    [Show full text]
  • S H a P E S O F a P O C a Ly P
    Shapes of Apocalypse Arts and Philosophy in Slavic Thought M y t h s a n d ta b o o s i n R u s s i a n C u lt u R e Series Editor: Alyssa DinegA gillespie—University of Notre Dame, South Bend, Indiana Editorial Board: eliot Borenstein—New York University, New York Julia BekmAn ChadagA—Macalester College, St. Paul, Minnesota nancy ConDee—University of Pittsburg, Pittsburg Caryl emerson—Princeton University, Princeton Bernice glAtzer rosenthAl—Fordham University, New York marcus levitt—USC, Los Angeles Alex Martin—University of Notre Dame, South Bend, Indiana irene Masing-DeliC—Ohio State University, Columbus Joe pesChio—University of Wisconsin-Milwaukee, Milwaukee irina reyfmAn—Columbia University, New York stephanie SanDler—Harvard University, Cambridge Shapes of Apocalypse Arts and Philosophy in Slavic Thought Edited by Andrea OppO BOSTON / 2013 Library of Congress Cataloging-in-Publication Data: A bibliographic record for this title is available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved. ISBN 978-1-61811-174-6 (cloth) ISBN 978-1-618111-968 (electronic) Book design by Ivan Grave On the cover: Konstantin Juon, “The New Planet,” 1921. Published by Academic Studies Press in 2013 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law.
    [Show full text]
  • Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
    A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas.
    [Show full text]
  • Angel: Through My Eyes - Natural Disaster Zones by Zoe Daniel Series Editor: Lyn White
    BOOK PUBLISHERS Teachers’ Notes Angel: Through My Eyes - Natural Disaster Zones by Zoe Daniel Series editor: Lyn White ISBN 9781760113773 Recommended for ages 11-14 yrs These notes may be reproduced free of charge for use and study within schools but they may not be reproduced (either in whole or in part) and offered for commercial sale. Introduction ............................................ 2 Links to the curriculum ............................. 5 Background information for teachers ....... 12 Before reading activities ......................... 14 During reading activities ......................... 16 After-reading activities ........................... 20 Enrichment activities ............................. 28 Further reading ..................................... 30 Resources ............................................ 32 About the writer and series editor ............ 32 Blackline masters .................................. 33 Allen & Unwin would like to thank Heather Zubek and Sunniva Midtskogen for their assistance in creating these teachers notes. 83 Alexander Street PO Box 8500 Crows Nest, Sydney St Leonards NSW 2065 NSW 1590 ph: (61 2) 8425 0100 [email protected] Allen & Unwin PTY LTD Australia Australia fax: (61 2) 9906 2218 www.allenandunwin.com ABN 79 003 994 278 INTRODUCTION Angel is the fourth book in the Through My Eyes – Natural Disaster Zones series. This contemporary realistic fiction series aims to pay tribute to the inspiring courage and resilience of children, who are often the most vulnerable in post-disaster periods. Four inspirational stories give insight into environment, culture and identity through one child’s eyes. www.throughmyeyesbooks.com.au Advisory Note There are children in our schools for whom the themes and events depicted in Angel will be all too real. Though students may not be at risk of experiencing an immediate disaster, its long-term effects may still be traumatic.
    [Show full text]