“'The Paranoia Was Fulfilled' – an Analysis of Joan Didion's
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Joan Didion and the New Journalism
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 1986 Joan Didion and the new journalism Jean Gillingwators Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the American Literature Commons Recommended Citation Gillingwators, Jean, "Joan Didion and the new journalism" (1986). Theses Digitization Project. 417. https://scholarworks.lib.csusb.edu/etd-project/417 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. JOAN DIDION AND THE NEW JOURNALISM A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Jean Gillingwators June 1986 JOAN DIDION AND THE NEW JOURNALISM ■ ■ A Thesis Presented to the Faculty of California State University, San Bernardino by Jean ^i^ingwators June 1986 Approved by: Jw IT m Chair Date Abstract Most texts designed to teach writing include primarily non-fiction models. Most teachers, though, have been trained in the belles lettres tradition, and their competence usually lies with fiction Or poetry. Cultural preference has traditionally held that fiction is the most important form of literature. Analyzing a selection of twentieth century non-fiction prose is difficult; there are too few resources, and conventional analytical methods too often do not fit modern non-fiction. The new journalism, a recent literary genre, is especially difficult to "teach" because it blends fictive and journalistic techniques. -
Stade Stade Stade Saturdays Saturdays Saturdays Stade Stade Stade Saturdays Saturdays Saturdays Stade Stade Stade Saturdays Saturdays Saturdays Stade Saturdays
stade stade stade saturdays saturdays saturdays stade stade stade saturdays saturdays saturdays stade stade stade saturdays saturdays saturdays stade saturdays White reversed logo when it appears on colours stade backgrounds etc.. stade saturdays Mono version saturdays May to October 2013 Stade Open Space, Hastings Free performances by the sea www.hastings.gov.uk/stadesaturdays stade stade stade saturdays saturdays saturdays stade stade stade saturdays saturdays saturdays stade stade stade saturdays saturdays saturdays stade saturdays www.hastings.gov.uk/stadesaturdays White reversed logo when it appears on colours stade backgrounds etc.. stade saturdays Mono version saturdays stade stade stade saturdays saturdays saturdays After a successful first year, Stade Saturdays returns for another exciting and As last year, Stade Saturdays, with a few exceptions (you’ll need to check the diverse season in 2013. programme), start at 7.30pm. If it’s Saturdaystade evening, thenstade the place tostade be is the The Stade Open Space is on the seafront in the heart of Hastings Old Town, nestling Stade in Hastings: a stroll along the seafront,saturdays a game of crazysaturdays golf, a visitsaturdays to a pub or beside the award-winning Jerwood Art Gallery, the traditional beach-launched restaurant, rounded off by a free performance on the seafront. fishing fleet and our iconic ‘net shops’. What could be better? It’s Famously Hastings. The first season had something for everyone, starting with a concert by Port Isaac’s stade stade stade saturdays saturdays saturdays Fisherman’s Friends, kicking off a programme of weekly events that included Councillor Peter Chowney the exhilarating dance of the Hofesh Shechter Company, through to the Cultural Lead Member for Regeneration Olympiad events such as the spectacular pyrotechnics of Pi-Leau, the Big Dance Hastings Borough Council. -
THE FREE WESSEX ARTS and CULTURE GUIDE EVOLVER May and June 2019 EVOLVER 111:Layout 1 23/04/2019 18:50 Page 2
EVOLVER_111:Layout 1 23/04/2019 18:49 Page 1 THE FREE WESSEX ARTS AND CULTURE GUIDE EVOLVER May and June 2019 EVOLVER_111:Layout 1 23/04/2019 18:50 Page 2 2 EVOLVER_111:Layout 1 23/04/2019 18:50 Page 3 EVOLVER 111 EXHIBIT A ZARA MCQUEEN: ‘AS THE CROW FLIES’ Mixed media (120 x 150 cm) ARTIST’S STATEMENT: “Drawing and painting is part of who I am. It is how I respond to my world. I am driven by mood and intuition. I always begin outside. In that sense I am a landscape painter. Seasonal changes catch my attention and I can rarely resist the changing colours and textures of the natural year. I sketch and paint in watercolour, charcoal or oil then return to the studio where I make larger mixed media pieces guided by memory and feeling. Work gets cut down, torn up, collaged and reformed. Fragments of self portraits often lay hidden in fields, branches or buildings.” ‘DRAWN IN’ 11 May - 15 June: Bridport Arts Centre, South Street, BRIDPORT, DT6 3NR. Tuesday - Saturday 10am - 4pm. 01308 424204 / bridport-arts.com. zara-mcqueen.co.uk EVOLVER Email [email protected] THE WESSEX ARTS AND CULTURE GUIDE Telephone 01935 808441 Editor SIMON BARBER Website evolver.org.uk Assisted by SUZY RUSHBROOK Instagram evolvermagazine Evolver Writer Twitter @SimonEvolver FIONA ROBINSON www.fionarobinson.com Facebook facebook.com/EvolverMagazine Graphic Design SIMON BARBER Published by EVOLVER MEDIA LIMITED Website OLIVER CONINGHAM at AZTEC MEDIA Pre-Press by FLAYDEMOUSE Front Cover 01935 479453 / flaydemouse.com JEREMY GARDINER: ‘WEST BAY IV’ Printed by STEPHENS & GEORGE (Painting) Distributed by ACOUSTIC See page 4. -
The Liveryman Review 2016-2017
The Liveryman Review 2016-2017 Installation Dinner 2016 attended by HRH The Duke of Edinburgh Council 2016-2017 L to R. Clerk: Liz Wicksteed – Hon. Solicitor: Keith Baker – Senior VP: Paul Herbage – President: Alderman John Garbutt Junior VP: Dr Trevor Brignall – Hon. Treasurer: Graham Lovelock – Hon. Secretary: Adèle Thorpe Officers and Clerk: Elected Members of Council: • President: • Prof. Trevor Beedham MBBS BDS FRCOG Hon DSc Alderman John Garbutt KFO JP FRSA FCSI FRGS BSc(Econ) • Alan Cook CStS • Senior Vice-President: Paul Herbage MBE CStJ • Capt Arthur Creighton FRIN • Junior Vice-President: • Julie Fox Dr Trevor Brignall PhD DBA MA MBA DMS DipM CIOM • Prof James Kelly • Hon. Secretary: Adèle Thorpe • Tony Lofts • Hon. Solicitor: Keith Baker LLB FCIL • Richard Model • Hon. Treasurer: Graham Lovelock FNZICA BCom FIoD • Judith Pleasance CC MA(Hons) • Immediate Past President: John MacCabe ACII • Dr Christine Rigden BSc PhD FGS Cgeol • Clerk: Liz Wicksteed BA (Hons) • Nicholas Somers • Dr Keith Williams BSc(Econ) MA PhD Past Presidents With Voting Rights: • Graham Withers ACII – Chartered Insurer • Michael Hudson CC • Judy Tayler-Smith BA DipEgy FSA SCOT Standing invitation to attend: • Neil G.M.Redcliffe BSc(Econ) MBA FCA • Asst Hon. Treasurer: Simon Bentley • Alderman Sir David Wootton MA • John MacCabe ACII The Liveryman Review 2016-2017 Contents Origins of “The Liveryman” President’s review ............................................................................................................. 2 President’s diary 2016-2017 -
America's Fascination with Multiple Murder
CHAPTER ONE AMERICA’S FASCINATION WITH MULTIPLE MURDER he break of dawn on November 16, 1957, heralded the start of deer hunting T season in rural Waushara County, Wisconsin. The men of Plainfield went off with their hunting rifles and knives but without any clue of what Edward Gein would do that day. Gein was known to the 647 residents of Plainfield as a quiet man who kept to himself in his aging, dilapidated farmhouse. But when the men of the vil- lage returned from hunting that evening, they learned the awful truth about their 51-year-old neighbor and the atrocities that he had ritualized within the walls of his farmhouse. The first in a series of discoveries that would disrupt the usually tranquil town occurred when Frank Worden arrived at his hardware store after hunting all day. Frank’s mother, Bernice Worden, who had been minding the store, was missing and so was Frank’s truck. But there was a pool of blood on the floor and a trail of blood leading toward the place where the truck had been garaged. The investigation of Bernice’s disappearance and possible homicide led police to the farm of Ed Gein. Because the farm had no electricity, the investigators con- ducted a slow and ominous search with flashlights, methodically scanning the barn for clues. The sheriff’s light suddenly exposed a hanging figure, apparently Mrs. Worden. As Captain Schoephoerster later described in court: Mrs. Worden had been completely dressed out like a deer with her head cut off at the shoulders. -
Slouching Towards Bethlehem: Essays by Joan Didion
Slouching Towards Bethlehem: Essays by Joan Didion This collection captures the unique time and place of Didion's focus, exploring subjects such as John Wayne and Howard Hughes, growing up in California, the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture.. Why you'll like it: 1960s California, a motley crew, mainstream- and counter-culture. About the Author: Born in Sacramento, California, on December 5, 1934, Joan Didion received a B.A. from the University of California, Berkeley in 1956. She wrote for Vogue from 1956 to 1963, and was visiting regent's lecturer in English at the University of California, Berkeley in 1976. Didion also published novels, short stories, social commentary, and essays. Her work often comments on social disorder. Didion wrote for years on her native California; from there her perspective broadened and turned to the countries of Central America and Southeast Asia. Her novels include Democracy (1984) and The Last Thing He Wanted (1996). Well known nonfiction titles include Slouching Towards Bethlehem (1968), The White Album (1979), The Year of Magical Thinking (2005) and Blue Nights (2011). In 1971 Joan Didion was nominated for the National Book Award in fiction for Play It As It Lays. In 1981 she received the American Book Award in nonfiction, and was nominated for a National Book Critics Circle Prize in nonfiction for The White Album. Didion has received a great deal of recognition for The Year of Magical Thinking, which was awarded the National Book Award for Nonfiction in 2005. -
Horizontal and Vertical Themes in Joan Didion's Memoir Where I Was From
RSA 15-16 (2004-2005) CRISTINA SCATAMACCHIA Horizontal and Vertical Themes in Joan Didion's Memoir Where I Was From 1. According to Katherine Usher Henderson, "Few American writers are 'American' in all the ways that Joan Didion is" (140). Didion, a celebrat ed journalist and fiction writer, has published five novels and several col lections of essays, from Slouching Towards Bethlehem (1968) and The White Album (1979), highly influential and groundbreaking examples of new journalism investigating themes like social fragmentation and rootless ness, to the more recent PoliticalFictions (2001) on the workings of Amer ican electoral politics, and Fixed Ideas: America Since 9.11 (2003), a dis section of the Bush administration's tactics and strategies for determin ing the public perception of the terrorist attacks and the war in Iraq that followed. While writing on so many different subjects, she has always analyzed and interpreted them from a highly personal viewpoint and a specific Western ideological perspective. Didion, in fact, was born in Sacramento in 1934 into an upper-middle class family and her work reflects her experience as an American and a Californian. Her identity as a daughter of California has caused many of her essays to be both region al and autobiographical in focus (Winchell 94; Muggli 402; Roiphe 1-2). The mythology of her native state figures prominently in them, as she seeks to render the moral complexity of the American Western experi ence, its dilemmas and ambiguities. Even when she deals with larger social and economic forces at work in contemporary American politics, she understands them in terms of her own peculiarly Californian sensi bility (Davidson 36; Didion, "Thinking" 10). -
The White Album by Joan Didion Created by Lars Jan / Early Morning Opera
2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer The White Album By Joan Didion Created by Lars Jan / Early Morning Opera BAM Harvey Theater Nov 28—30, Dec 1 at 7:30pm Running time: approx. 1 hour 30 minutes Performed by and created with Mia Barron With performances by Stephanie Regina, Andrew Schneider, Micaela Taylor, Sharon Udoh Architectural design by P-A-T-T-E-R-N-S Architecture Lighting by Andrew Schneider and Chu-hsuan Chang Music and sound design by Jonathan Snipes Choreography by Stephanie Zaletel Dramaturgy by David Bruin Season Sponsor: Major support for The White Album provided by Agnes Gund Major support for theater at BAM provided by: The Achelis and Bodman Foundation The Fan Fox & Leslie R. Samuels Foundation, Inc. The Francena T. Harrison Foundation Trust The SHS Foundation The Shubert Foundation, Inc. The White Album MIA BARRON LARS JAN STEPHANIE REGINA ANDREW SCHNEIDER MICAELA TAYLOR SHARON UDOH The White Album Assistant director Madeline Barasch Costume design Kate Fry Sound engineer Duncan Woodbury Design consultant Shannon Scrofano Special effects Steve Tolin / TolinFX Scenic fabrication Stereobot, Inc. Technical director Michaelangelo DeSerio Production manager Sarah Peterson Stage manager Amanda Eno Company manager Marisa Blankier Producer Miranda Wright Produced with Los Angeles Performance Practice / PerformancePractice.org The White Album was commissioned by Center Theatre Group with support from the Andrew W. Mellon Foundation, by BAM for the 2018 Next Wave Festival, by the Wexner Center for the Arts at The Ohio State University, and by The Center for the Art of Performance at UCLA. -
Mr. Claro -- Modern Nonfiction Reading Selection by Joan Didion Holy Water JOAN DIDION Is a Fifth-Generation Californian, Born I
Untitled Document Mr. Claro -- Modern Nonfiction Reading Selection by Joan Didion Holy Water JOAN DIDION is a fifth-generation Californian, born in Sacramento (1934), who took her B.A. at Berkeley and lives in Los Angeles. Between college and marriage to the writer John Gregory Dunne, she lived in New York for seven years, where she worked as an editor for Vogue and wrote essays for the National Review and the Saturday Evening Post. In California, Didion and Dunne separately write novels and magazine articles and collaborate on screenplays. Didion's novels are Run River (1963), Play It as It Lays (1970), A Book of Common Prayer (1977), and Democracy (1984). Her collections of essays are Slouching Towards Bethlehem (1968), The White Album (1979), from which we have taken this selection, and After Henry (1992). She published Salvador in 1983, in 1987 Miami. Joan Didion is one of our best nonfiction writers. She describes the alien, simple California she grew up in and the southern California where she now lives - a landscape of drive-ins and orange groves, ocean and freeway, the Manson murders and ordinary, domestic, adulterous homicide. She has done witness to the turmoils of the decades, especially the sixties - drugs, Vietnam, and personal breakdown. Expertly sensitive and inventive with language, she is most talented in the representation of hysteria. While her book about El Salvador mentions politics, it is essentially the record of a sensibility, sensitive to fear, exposed to an atmosphere that engenders it: "Terror is the given of the place." Much of Didion's journalism derives from interviews. -
The Long Prison Journey of Leslie Van Houten: Life Beyond the Cult by Kariene Faith Boston: Northeastern University Press (2001), 216 Pp
The long Prison Journey of leslie Van Houten: life Beyond the Cult By Kariene Faith Boston: Northeastern University Press (2001), 216 pp. Reviewed by Liz Elliott n the last year of the 1960s, a decade of anomie, the U.S. experienced two I events that would symbolize different aspects of its culture into the next millennium. These events took place at opposite sides of the country, although they occun-ed less than a week apart. One event, a cultural festival of music and arts, has remained in time as an example of the possibilities of peaceful co existence in adverse circumstances oflarge numbers ofpeopJe. From August 15th to the 17th the Woodstock Music and Arts Festival's patrons endured rain and mud - and all of the other inconveniences that would reasonably accrue in a situation where unexpected large numbers ofpeople converged in one location -to see some of the decade's masters of rock and roll and folk music perfonn in the state of New York. Almost half a million people, many of whom were experiencing the event under the influence of various illicit drugs, attended Woodstock and lived together peacefhlly for one weekend. 1 Across the continent a few days earlier, the world heard the news of two ten-ible sets of murders in California that shook the sense of security that until then was enjoyed by Americans. We were soon to learn that these bizarre, seemingly ritualistic killings were the bidding of a charismatic but crazy man who was state-raised2 and resourceful. In this case the drugs were used to weaken the already fragile resolve ofyoung idealistic people who were searching for themselves and open to new ways of seeing the world. -
History of the U.S. Attorneys
Bicentennial Celebration of the United States Attorneys 1789 - 1989 "The United States Attorney is the representative not of an ordinary party to a controversy, but of a sovereignty whose obligation to govern impartially is as compelling as its obligation to govern at all; and whose interest, therefore, in a criminal prosecution is not that it shall win a case, but that justice shall be done. As such, he is in a peculiar and very definite sense the servant of the law, the twofold aim of which is that guilt shall not escape or innocence suffer. He may prosecute with earnestness and vigor– indeed, he should do so. But, while he may strike hard blows, he is not at liberty to strike foul ones. It is as much his duty to refrain from improper methods calculated to produce a wrongful conviction as it is to use every legitimate means to bring about a just one." QUOTED FROM STATEMENT OF MR. JUSTICE SUTHERLAND, BERGER V. UNITED STATES, 295 U. S. 88 (1935) Note: The information in this document was compiled from historical records maintained by the Offices of the United States Attorneys and by the Department of Justice. Every effort has been made to prepare accurate information. In some instances, this document mentions officials without the “United States Attorney” title, who nevertheless served under federal appointment to enforce the laws of the United States in federal territories prior to statehood and the creation of a federal judicial district. INTRODUCTION In this, the Bicentennial Year of the United States Constitution, the people of America find cause to celebrate the principles formulated at the inception of the nation Alexis de Tocqueville called, “The Great Experiment.” The experiment has worked, and the survival of the Constitution is proof of that. -
Charles Manson I
I FEDERAL BUREAU OF INVESTIGATION FREEDOM OF INFORMATION/PRIVACY ACTS SECTION COVER SHEET SUBJECT: CHARLES MANSON I ' ~-»/! '1 / 0 2n Rev. 7-21-av!I , son l?.4 ~ oac 92/ hr "- - Y O _____~t_ asper __._____. Callahan _.____ /T~ ggonradFelt _ " n P" Sullivan "'@§§%§._...i_ ' I Tavel ..____.__._. - Trotter _______ 'I _ ' l HolmesTele. Room_..____._.____._ . /' _ Gandy » Y ~11 .2?-r'>,7 I; , -92.>-/1 , I 0' , - _ *0 ~~ - -.-1 w92 _92 <-4 6 92.-. MURDERS! ' LOS ANCELES-A SIX-MANTEAM OFPOLICE DETECTIVESTODAY PROBED Q TWO MACABREMURDER CASESWHICH BORE STARTLINC SIMILARITIES-' E SENSELESS, SAVAGESTABBINGS WITH ALMOST RITUALISTIC OVERTONES., Q POLICE MAINTAINEDTHERE WAS NO DIRECT PHYSICALEVIDENCE TO _ I F ONNECT THESTABBING DEATHSOF A MIDDLEACED COUPLE SUNDAYAND * E MASSMURDER SATURDAYOF ACTRESS SHARON TATE AND HER FOURGUESTS . if T A SECLUDED ESTATE. - } BUT AN OFFICER SAID IT IS UNUSUALTO HAVETHE SAME TEAM ON TWO ASESTHE SOLE SUSPECTUNLESSTHERE'STHEINDICATION INTATE MURDERS CASESANWILLIAM THELINKED. AREGARR5%SON, 19 A/// A CARETAKERTHE AT BENEDICT CANYON LEASEDHOME THE BY AESS, WAS ; RELEASED YESTERDAY. 1 AFTER HISONLY SUSPECTWALKED OUTOE POLICEHEADQUARTERS INSPECTOR HAROLD YARNELLSAID THERE IS NOTSUEFUCIENT EVIDENCETO HOLD GARRETSON.THERE IS NO REASON TOSUSPECT HIM. DETECTIVES TODAYLEANED TOWARDTHE THEORYTHE STABINGS SUNDAY OF MARKET OWNERLEON LABIANCA ANDHIS WIFEROSEMARY EIR HOMMIGHT 92 8/12--ctsoeaH-I COPYA A NEW BY_ ASSAILANT THE or EARLIER. U MUR 11301;? ~ E4 " 101,0/~"n REC-69* ' l AUG 14196 ,»4 .Yb /DI/la,. ta LE '3* /0 - »J%4¢Q¢; IT?! Q _ I ;;Jt:"' h_ ._ -TN p 4'64-f-4:../ -.£/Q,1 -.