Read Razorcake Issue #48 As a PDF

Total Page:16

File Type:pdf, Size:1020Kb

Read Razorcake Issue #48 As a PDF RIP THIS PAGE OUT Razorcake LV D ERQD¿GH QRQSUR¿W PXVLF PDJD]LQH GHGLFDWHG WR If you wish to donate through the mail, PLEASE supporting independent music culture. All donations, subscriptions, please rip this page out and send it to: and orders directly from us—regardless of amount—have been large Razorcake/Gorsky Press, Inc. components to our continued survival. $WWQ1RQSUR¿W0DQDJHU PO Box 42129 Razorcake has been very fortunate. Why? By the mere fact that Los Angeles, CA 90042 we still exist today. By the fact that we have over one hundred regular contributors—in addition to volunteers coming in every week day—at a time when our print media brethren are getting knocked down and out. Name What you may not realize is that the fanciest part about Razorcake is the zine you’re holding in your hands. We put everything we have into Address it. We pay attention to the pragmatic details that support our ideology. Our entire operations are run out of a 500 square foot basement. We don’t outsource any labor we can do ourselves (we don’t own a printing press or run the postal service). We’re self-reliant and take great pains E-mail WRFRYHUDERRPLQJIRUPRIPXVLFWKDWÀRXULVKHVRXWVLGHRIWKHPXVLF Phone industry, that isn’t locked into a fair weather scene or subgenre. Company name if giving a corporate donation 6RKHUH¶VWRDQRWKHU\HDURIJULWWHGWHHWKKLJK¿YHVDQGVWDULQJDW disbelief at a brand new record spinning on a turntable, improving our Name if giving on behalf of someone quality of life with each spin. Donation amount If you would like to give Razorcake some assistance beyond donations, we’re looking for volunteers in the following areas: non- 5D]RUFDNH*RUVN\3UHVV,QFD&DOLIRUQLDQRWIRUSUR¿WFRUSRUDWLRQLVUHJLVWHUHG SUR¿W JUDQW ZULWHU QRQSUR¿W IXQGUDLVHU QRQGRXFKH\ SXEOLFLVW RXU th as a charitable organization with the State of California’s Secretary of State, and has 50 LVVXHDQQLYHUVDU\LVFRPLQJXS )LOH0DNHU3URZL]DUG3&QHWZRUN EHHQJUDQWHGRI¿FLDOWD[H[HPSWVWDWXV VHFWLRQ F RIWKH,QWHUQDO5HYHQXH specialist, graphic designer (deep knowledge of InDesign required), and Code) from the United States IRS. Our tax ID number is 05-0599768. Your gift is website coder (PHP-Nuke and Zen Cart). If you live in the L.A. area, tax deductible to the full extent provided by law. we could always use a helping hand. Our door is open. Contact us via www.razorcake.org if you’d like to help out. Thank you. –Todd Taylor Subscription rates for a one year, six-issue subscription: SUU.S. – bulk:B $16.00 SC • U.S. – 1st classRIBE, in envelope: $22.00 Prisoners: $22.00 • Canada: $25.00 • Mexico: $33.00 Anywhere else: $50.00 (U.S. funds: checks, cash, or money order) We Do Our Part www.razorcake.org Name Email Used if we have any questions. We won’t bother you needlessly. Address City State Zip The next 50 U.S. subscribers (sorry world, int’l postage sucks) will receive either The Brokedowns These Colors Don’t Run (The Musical) (Big Action) or Madison Bloodbath Gettin’ Loose with... (ADD). (Although it never hurts to circle one, we can’t promise what you’ll get.) Yes! I have a turntable. Yes! I’d like to be on the Razorcake Website Army list. Return this with your payment to: Razorcake, PO Box 42129, LA, CA 90042 If you want your subscription to start with an issue other than #49 please indicate what number. We would like to say THANK YOU To everyone who donated some money, bought some distro, placed an ad, or picked up a sub this year. Without you, this magazine would not exist and we wouldn't be able to print pictures of board member Leo Tober III in his bat girl costume. razorcake.org Fuck You, Dale I’m a fan of doing stupid shit. Well-planned, long-term stupid was when we were duplicating the CDs for the reviewers, the song shit. It keeps me amused. As many may know, I’m a big fan of the sequence got knocked out of whack on some—if not all—of the EDQG'LOOLQJHU)RXU0DQ\\HDUVDJRZKHQ,ZDVZRUNLQJDWFlipside, burns. Those who are familiar with D4 know that their albums are Erik, one of D4’s singers, said, “Todd, did you know that you guys layered. I knew that the reviewers would need lyrics and the correct have reviewed Midwestern Songs of the Americas at least once an song order to write well-informed reviews, but I also knew this hair- issue for about a year and a half?” I smiled at him, not thinking that EUDLQHG VFKHPH KDG D ¿QDQFLDO WKUHVKROG RI DERXW WHQ GROODUV 6R anyone had noticed. D4’s label at the time, Hopeless, hadn’t noticed LQVWHDGRIFDMROLQJ9LQFHDQG$GULDQWRUHEXUQIRUW\¿YH&'VDQG and they had sent me a box of thirty CDs which I slowly released then photocopying the lyrics, I wrote a short explanation/apology to our contributors (who didn’t know they were part of a slow-drip to our reviewers. “Computers want to kill me. Dillinger Four is recruitment drive for Dillinger Four). awesome. Songs out of order. Find lyrics on interweb. Want to run Fast forward over a decade. Dillinger Four just released a great many simultaneous reviews. Don’t mind if you don’t like it. Intrepid new record, Civil War. Due to a fundamental Razorcake policy of leader, –Todd.” always seeking new bands to cover, we won’t interview the same I’ve always been a fan of multiple reviews of a single piece EDQGWZLFHHYHUHYHQLIWKH\¶UHDSHUVRQDOWRS¿YHRIDOOWLPH+RZ of music in a zine. It shows that Razorcake’s not a bunch of folks else to celebrate this momentous occasion? I knew the record didn’t using the same brain, we’re not a clique, and that we don’t consider blow. I was given access to it before its release to write the bio/one- ourselves a monolith that can make or break a band. We’re a widely sheet dealie for their current label, Fat. scattered bunch of people who happen to like music and DIY culture I emailed Fat and asked for thirty full copies of Civil War. They a whole lot. I think we’re pretty good at what we do. respectfully declined, but did send some download cards. Due to In the end, why did I do it? Because I could. Because independent 5D]RUFDNH³RI¿FLDOO\´EHLQJPHPEHUVRIWKHSUHVVDQGDVVXPLQJZH publishing means we’re free to take chances. Because I always want KDYHPRUHÀH[LEOHWHUPVZLWKWKHODZZLWKSURSDJDWLQJRXULGHDVDERXW to take a small step back and celebrate the things that truly make me music, I asked my friends over at Fat if I could burn some copies on happy. Because I’m a geek who still can’t get enough of great music our dime, give the copies to every active reviewer, and have the record that’s being made all around us. So, if you’re a band or label that reviewed as many times as possible. They basically said, “Sure, knock turned in some music for review and it’s not in this issue because we yourself out” and probably didn’t give it another thought. printed 7,000 words on Civil War instead, yeah, you’re right. We’re It’s been abundantly clear in the last three months that computers dumb. I admit it. (But we’ve been working a lot with on our website, want me dead. Not stabby-shooty-killy dead, but crazy-mania-don’t- too, and there’s a good chance it’s posted on there.) work-right-jump-in-front-of-bus-insane dead. And a small hiccup –Todd Taylor AD DEADLINES Contact Razorcake via our regularly THANK YOU: Cow skull, full moon, eyeball, cactus, mountains (without updated website, www.razorcake.org bandana’d coyote) thanks to Horsebites! for designing the cover and ISSUE #49 or PO Box 42129, LA, CA 90042 Danny Bengston for the cover photo (look closely. There’s part of a February 1st, 2009 penguin in there); Toby Tober for wearing the Bat Girl costume (adjacent page). When he got out of the restroom in rural Florida, a biker gang ISSUE #50 “You owe your readers not your came roaring in. Luckily it was Halloween; Even in failure, there can 0DUFKst, 2009 industry only but your judgment, and be beauty thanks to Nation of Amanda for her illo. in Liz O’s column; We totally scored the dude who did all the pictures on the No Idea Visit www.razorcake.org you betray instead of serve them if website thanks to Jason Armadillo for his illo. in Jim’s column; If we Click "Ads" for rates and details. UKQO=?NEł?AEPPKSD=PI=UKNI=U ever become a live action cartoon instead of a zine, I want Steve Larder Our ad rates are super duper. not be their opinion.” to draw us all thanks for his illo. in Amy’s column; Tubby tigers! Oh my! thanks to Brad Beshaw for his illo. in Sean’s column; Well stocked toilet Cover artwork by Horsebites –Edmund Burke rolls thanks to Replay Dave for his photo of the Rhythm Chicken; Barry! www.horsebitesdesign.com Cover photo by Danny Bengston Ramone! thanks to Kiyoshi Nakazawa for his illo. in Dale’s column; Im“peck”able drawing of the Famous Chicken señor Clem—some may The last two months have seen the loss of four souls who were important to say “egg”cellent; Probably the most salt we’ll ever give to fuckin’ Led Razorcake. This issue is dedicated to the memory of Ava Lilliana Medina, Zeppelin thanks to Ryan Gelatin for his illo.
Recommended publications
  • Grindcore.Pdf
    Obsah: 1. Úvod..........................................................................................................................2 1.1 Ideová východiska práce.............................................................................2 1.2 Stav bádání, primární a sekundární literatura.............................................3 1.3 Definice grindcore, důležité pojmy.............................................................3 1.4 Členění práce a metodologie.......................................................................6 1.5 Cíl práce......................................................................................................8 2. Historický úvod – žánrová typologie........................................................................9 2.1 Počátky žánru a dva hlavní proudy grindcoru............................................9 2.2 Další vývoj grindcoru................................................................................13 3. Grindcore – hledání extrémního hudebního projevu ….........................................17 3.1 Transformace zpěvu..................................................................................17 3.2 Vývoj rytmu, rytmické sekce....................................................................19 3.3 Vývoj hry na kytaru a baskytaru …..........................................................20 3.4 Vývoj formy a mikrostruktury..................................................................20 3.5 Goregrindové intro....................................................................................22
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Anal Cunt • Deceased • Executioner Fistula • Panzerbastard • Psycho Rampant Decay/Kruds • Rawhide Revilers • Slimy Cunt & the Fistfucks Strong Intention
    PRESENTS RELEASES FROM: ANAL CUNT • DECEASED • EXECUTIONER FISTULA • PANZERBASTARD • PSYCHO RAMPANT DECAY/KRUDS • RAWHIDE REVILERS • SLIMY CUNT & THE FISTFUCKS STRONG INTENTION Now Exclusively Distributed by ANAL CUNT Street Date: Fuckin’ A, CD AVAILABLE NOW! INFORMATION: Artist Hometown: Boston, MA Key Markets: Boston, New York, Los Angeles, Portland OR For Fans of: GG ALLIN, NAPALM DEATH, VENOM, AGORAPHOBIC NOSEBLEED Fans of strippers, hard drugs, punk rock production and cock rock douchebaggery, rejoice: The one and only ANAL CUNT have returned with a new album, and this time around, they’re shooting to thrill –instead of just horrifically maim. They’re here to f*** your girlfriend, steal your drugs, piss in your whiskey, and above all, ROCK! (The late) Seth Putnam channels Sunset Strip scumbags like MOTLEY ARTIST: ANAL CUNT CRUE and TWISTED SISTER to bring you a rock’n’roll nightmare fueled TITLE: Fuckin’ A by their preferred cocktail of sex, violence, and unbridled disgust. From LABEL: PATAC ripping off theCRUE’s cover art to the massive hard rock riffs of “Hot Girls CAT#: PATAC-011 on the Road,” “Crankin’ My Band’s Demo on a Box at the Beach,” and “F*** FORMAT: CD YEAH!” and tender ballad “I Wish My Dealer Was Open,” Fuckin’ A is an GENRE: Metal instant scuzz rock classic. BOX LOT: 30 SRLP: $10.98 UPC: 628586220218 EXPORT: NO SALES TO THE UK Marketing Points: • 1ST PRESS LIMITED TO 1000 COPIES. Currently on its third pressing! • Final album before the passing of ANAL CUNT frontman Seth Putnam Tracklist: • Print ads in Maximumrocknroll, Decibel, Short Fast & Loud and Chips & Beer 1.
    [Show full text]
  • The Queers Beat Off Mp3, Flac, Wma
    The Queers Beat Off mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Beat Off Country: US Released: 2014 Style: Punk MP3 version RAR size: 1883 mb FLAC version RAR size: 1330 mb WMA version RAR size: 1281 mb Rating: 4.3 Votes: 828 Other Formats: AAC MP4 MIDI DMF AC3 TTA FLAC Tracklist Hide Credits A1 Steak Bomb 0:48 A2 Drop The Attitude Fucker 1:40 A3 You Make Me Wanna Puke 2:07 A4 Teenage Gluesniffer 2:35 A5 Ben Weasel 2:16 A6 Voodoo Doll 3:01 Mirage B1 2:56 Written By – T. Hart B2 Grounded 1:45 B3 Live This Life 1:37 B4 Half Shitfaced 1:30 B5 Too Many Twinkies 1:13 B6 All Screwed Up 3:25 My Old Man's A Fatso B7 Written-By – Angry Samoans Credits Bass, Vocals – B-Face Drums – Dan Panic Guitar, Vocals – Danny Vapid, Joe King Producer – Ben Weasel Recorded By – Mark Schwartz, Mass Giorgini Remix, Remastered By – Mass Giorgini Written-By – B-Face (tracks: B4, B6), Joe King (tracks: A1-A5, B1-B6) Notes This limited edition of 400 features hand-screened artwork and is pressed on black vinyl. Other versions Category Artist Title (Format) Label Category Country Year The Beat Off (LP, Lookout! Lookout #81 Lookout #81 US 1994 Queers Album) Records Lookout! Lk 0081CD, The Beat Off (CD, Records, Lk 0081CD, US 1994 #81 LOOKOUT Queers Album) Lookout! #81 LOOKOUT Records The Beat Off (Cass, Lookout! LOOKOUT #81 LOOKOUT #81 US 1994 Queers Album) Records The Beat Off (CD, Asian Man ASM 142 CD ASM 142 CD US 2007 Queers Album, RE) Records The Beat Off (LP, Lookout! Lookout #81 Lookout #81 US Unknown Queers Album) Records Related Music albums to Beat Off by The Queers The Putz - Hole In One Artemisia Absinthium / Weasel Walter - Split AA/ WW Cletus - Grease, Grits And Gravy Screeching Weasel - Weasel Mania Don Winsley - Rise Of The Weasel King Remix EP Various - Punk USA Goat Perversion - Mass-åKra Screeching Weasel - Snappy Answers For Stupid Questions Screeching Weasel - Kill The Musicians The Queers - Everything's O.K.
    [Show full text]
  • Junk City Issac J
    Northern Michigan University NMU Commons All NMU Master's Theses Student Works 2010 Junk City Issac J. Coleman Northern Michigan University Follow this and additional works at: https://commons.nmu.edu/theses Recommended Citation Coleman, Issac J., "Junk City" (2010). All NMU Master's Theses. 367. https://commons.nmu.edu/theses/367 This Open Access is brought to you for free and open access by the Student Works at NMU Commons. It has been accepted for inclusion in All NMU Master's Theses by an authorized administrator of NMU Commons. For more information, please contact [email protected],[email protected]. JUNK CITY By Isaac J. Coleman THESIS Submitted to Northern Michigan University In partial fulfillment of the requirements For the degree of MASTER OF ARTS Graduate Studies Office 2010 SIGNATURE APPROVAL FORM This thesis by [Your Name] is recommended for approval by the student’s Thesis Committee and Department Head in the Department of English and by the Associate Provost and Dean of Graduate Studies. ____________________________________________________________ Committee Chair: Russell Prather Date ____________________________________________________________ First Reader: Jennifer Howard Date ____________________________________________________________ Second Reader: [Name] Date ____________________________________________________________ Department Head: Dr. Raymond J. Ventre Date ____________________________________________________________ Associate Provost and Dean of Graduate Studies: Date Dr. Cynthia Prosen OLSON LIBRARY NORTHERN MICHIGAN UNIVERSITY THESIS DATA FORM In order to catalog your thesis properly and enter a record in the OCLC international bibliographic data base, Olson Library must have the following requested information to distinguish you from others with the same or similar names and to provide appropriate subject access for other researchers. NAME: Coleman, Isaac James DATE OF BIRTH: November 28, 1979 ABSTRACT JUNK CITY By Isaac J.
    [Show full text]
  • The Care of Chickens
    Journal of the Department of Agriculture, Western Australia, Series 3 Volume 3 Number 3 May- June,1954 Article 16 5-1954 The care of chickens R H. Morris Department of Agriculture L J. Gaffney Department of Agriculture Follow this and additional works at: https://researchlibrary.agric.wa.gov.au/journal_agriculture3 Recommended Citation Morris, R H. and Gaffney, L J. (1954) "The care of chickens," Journal of the Department of Agriculture, Western Australia, Series 3: Vol. 3 : No. 3 , Article 16. Available at: https://researchlibrary.agric.wa.gov.au/journal_agriculture3/vol3/iss3/16 This article is brought to you for free and open access by Research Library. It has been accepted for inclusion in Journal of the Department of Agriculture, Western Australia, Series 3 by an authorized administrator of Research Library. For more information, please contact [email protected]. THE CARE OF CHICKENS By R. H. MORRIS, B.Sc. (Agric), Officer-in-Charge, Poultry Branch. and L. J. GAFFNEY, B.Sc. (Agric), Poultry Adviser. rpHE purpose of this article is to provide purchasers of young chickens with an out- -1- line of the procedures and problems associated with successful chicken raising, and perhaps to serve as a reminder to those poultry farmers who already have a good knowledge of the subject. The wide range of subject matter has made it necessary to present much of the material in a condensed form, and reference should be made to various departmental leaflets for an elaboration of many of the points mentioned in this article. The advisory service of the Department of Agriculture, Poultry Branch, is available to poultry farmers seeking information.
    [Show full text]
  • Ramones 2002.Pdf
    PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri­ fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re­ earth: The airwaves were ruled by crotchety old di­ corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con­ The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen­ Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world.
    [Show full text]
  • Anp 313 Poultry Production
    COURSE GUIDE ANP 313 POULTRY PRODUCTION Course Team Dr. (Mrs) C.D. Tuleun (Course Developer/Writer) - Animal Nutrition Department, University of Agriculture, Makurdi, Nigeria Professor A. Adebanjo (Programme Leader) – NOUN Dr. N.E. Mundi (Course Coordinator) – NOUN NATIONAL OPEN UNIVERSITY OF NIGERIA ANP 313 COURSE GUIDE © 2018 by NOUN Press National Open University of Nigeria Headquarters University Village Plot 91, Cadastral Zone Nnamdi Azikiwe Expressway Jabi, Abuja Lagos Office 14/16 Ahmadu Bello Way Victoria Island, Lagos e-mail: [email protected] URL: www.nou.edu.ng All rights reserved. No part of this book may be reproduced, in any form or by any means, without permission in writing from the publisher. Printed 2008, 2013, 2018 ISBN: 978-058-066-2 ii ANP 313 COURSE GUIDE CONTENTS PAGE Introduction………………………………………………... iv Course Aims………………………………………………. iv Course Objectives…………………………………………. iv Working through this Course ……………………………… v Course Material……………………………………………. v Study Units………………………………………………… v Textbooks and References………………………………... vi The Assignment File……………………………………… vii Assessment ……………………………………………….. vii Tutor-Marked Assignment ………………………………… vii iii ANP 313 COURSE GUIDE INTRODUCTION ANP 313 Poultry Production: This is a 2 unit course to be taken in one semester. It is divided into four modules with Modules 1 and 2 consisting of three units each while Modules 3 and 4 consist of four units each. Poultry production is one of the courses listed for students intending to obtain a Bachelors degree in Agricultural Science to offer with a view of making them have a holistic understanding of integrated agriculture. The Course Guide provides you with access to brief information on poultry production and husbandry techniques, what you are expected to know in each unit, what course materials you need to use and how you can systematically go through these materials.
    [Show full text]
  • Coming up at the Aquarium Tickets at Dempsey's, Orange Records and Ticketweb.Com • 21+ Upstairs at 226 Broadway in Fargo • Online at Aquariumfargo.Com
    COMING UP AT THE AQUARIUM TICKETS AT DEMPSEY'S, ORANGE RECORDS AND TICKETWEB.COM • 21+ UPSTAIRS AT 226 BROADWAY IN FARGO • ONLINE AT AQUARIUMFARGO.COM SIMON JOYNER & THE GHOSTS • THURSDAY, JUNE 6 MAUNO • MONDAY, JUNE 24 Lo-fi folk cited as an influence by Conor Oberst, Idiosyncratic, tumbling indie pop w/ plumslugger, Gillian Welch, Kevin Morby and Beck w/ Parliament Lite and Bryan Stanley (First show! Richard Loewen and Walker Rider • Doors @ 8 Backed by members of Naivety ) • Doors @ 8 MUSCLE BEACH + MCVICKER • FRIDAY, JUNE 7 ROYAL TUSK • THURSDAY, JUNE 27 A double dose of noisy Minneapolis Blue-collar troubadours merging riffy hooks punk rock n roll w/ locals Under Siege, with a thick bottom end and loud-as-hell guitars Plumslugger and HomeState • Doors @ 9 w/ The Dose • Jade Presents event • Doors @ 7 EMO NIGHT • SATURDAY, JUNE 8 MEGAN HAMILTON • FRIDAY, JUNE 28 Drink some drinks, dance, hang out and have Funky house tunes w/ SLiPPERS, Force Induction, some fun singing along to all your favorite early DeziLou, 2Clapz and Alex Malard • Playback 2000s emo jams • No cover • Starts @ 10 Shows + Wicked Good Time event • Doors @ 9 PAPER PARLOR + STOVEPIPES • SUNDAY, JUNE 9 JESSICA VINES + KARI MARIE TRIO • SATURDAY, JUNE 29 Psychedelic blues fusion jam rockers Guitar-driven, poppy, funky, rockin’ R&B + piano comin' in hot from Duluth + local blues rock from members of The Human Element and rock favorites Stovepipes • Doors @ 8 Hardwood Groove among others • Doors @ 8 HIP-HOP + COMEDY NIGHT • FRIDAY, JUNE 14 YATRA + GREEN ALTAR • SUNDAY, JUNE 30 Music by Durow, X3P Suicide, Stan Cass and Stoner, sludge and doom metal from Baltimore and DJ Affilination.
    [Show full text]
  • Newsletter 19/06 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 19/06 DIGITAL EDITION Nr. 190 - September 2006 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 19/06 (Nr. 190) September 2006 editorial Hallo Laserdisc- und DVD-Fans, sein, mit der man alle Fans, die bereits ein lich zum 22. Bond-Film wird es bestimmt liebe Filmfreunde! Vorgängermodell teuer erworben haben, wieder ein nettes Köfferchen geben. Dann Was gibt es Neues aus Deutschland, den ärgern wird. Schick verpackt in einem ed- möglicherweise ja schon in komplett hoch- USA und Japan in Sachen DVD? Der vor- len Aktenkoffer präsentiert man alle 20 auflösender Form. Zur Stunde steht für den liegende Newsletter verrät es Ihnen. Wie offiziellen Bond-Abenteuer als jeweils 2- am 13. November 2006 in den Handel ge- versprochen haben wir in der neuen Ausga- DVD-Set mit bild- und tonmäßig komplett langenden Aktenkoffer noch kein Preis be wieder alle drei Länder untergebracht. restaurierten Fassungen. In der entspre- fest. Wer sich einen solchen sichern möch- Mit dem Nachteil, dass wieder einmal für chenden Presseerklärung heisst es dazu: te, der sollte aber nicht zögern und sein Grafiken kaum Platz ist. Dieses Mal ”Zweieinhalb Jahre arbeitete das MGM- Exemplar am besten noch heute vorbestel- mussten wir sogar auf Cover-Abbildungen Team unter Leitung von Filmrestaurateur len. Und wer nur an einzelnen Titeln inter- in der BRD-Sparte verzichten. Der John Lowry und anderen Visionären von essiert ist, den wird es freuen, dass es die Newsletter mag dadurch vielleicht etwas DTS Digital Images, dem Marktführer der Bond-Filme nicht nur als Komplettpaket ”trocken” wirken, bietet aber trotzdem den digitalen Filmrestauration, an der komplet- geben wird, sondern auch gleichzeitig als von unseren Lesern geschätzten ten Bildrestauration und peppte zudem alle einzeln erhältliche 2-DVD-Sets.
    [Show full text]
  • Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
    15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture.
    [Show full text]