Spanish Paracelsus Revisited and Decontaminated
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The Holinshed Editors: Religious Attitudes and Their Consequences
The Holinshed editors: religious attitudes and their consequences By Felicity Heal Jesus College, Oxford This is an introductory lecture prepared for the Cambridge Chronicles conference, July 2008. It should not be quoted or cited without full acknowledgement. Francis Thynne, defending himself when writing lives of the archbishops of Canterbury, one of sections of the 1587 edition of Holinshed that was censored, commented : It is beside my purpose, to treat of the substance of religion, sith I am onelie politicall and not ecclesiasticall a naked writer of histories, and not a learned divine to treat of mysteries of religion.1 And, given the sensitivity of any expression of religious view in mid-Elizabethan England, he and his fellow-contributors were wise to fall back, on occasions, upon the established convention that ecclesiastical and secular histories were in two separate spheres. It is true that the Chronicles can appear overwhelmingly secular, dominated as they are by scenes of war and political conflict. But of course Thynne did protest too much. No serious chronicler could avoid giving the history of the three kingdoms an ecclesiastical dimension: the mere choice of material proclaimed religious identity and, among their other sources, the editors drew extensively upon a text that did irrefutably address the ‘mysteries of religion’ – Foxe’s Book of Martyrs.2 Moreover, in a text as sententious as Holinshed the reader is constantly led in certain interpretative directions. Those directions are superficially obvious – the affirmation 1 Citations are to Holinshed’s Chronicles , ed. Henry Ellis, 6 vols. (London, 1807-8): 4:743 2 D.R.Woolf, The Idea of History in Early Stuart England (Toronto, 1990), ch 1 1 of the Protestant settlement, anti-Romanism and a general conviction about the providential purposes of the Deity for Englishmen. -
Genre and Identity in British and Irish National Histories, 1541-1691
“NO ROOM IN HISTORY”: GENRE AND IDENTIY IN BRITISH AND IRISH NATIONAL HISTORIES, 1541-1691 A dissertation presented by Sarah Elizabeth Connell to The Department of English In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of English Northeastern University Boston, Massachusetts April 2014 1 “NO ROOM IN HISTORY”: GENRE AND IDENTIY IN BRITISH AND IRISH NATIONAL HISTORIES, 1541-1691 by Sarah Elizabeth Connell ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April 2014 2 ABSTRACT In this project, I build on the scholarship that has challenged the historiographic revolution model to question the valorization of the early modern humanist narrative history’s sophistication and historiographic advancement in direct relation to its concerted efforts to shed the purportedly pious, credulous, and naïve materials and methods of medieval history. As I demonstrate, the methodologies available to early modern historians, many of which were developed by medieval chroniclers, were extraordinary flexible, able to meet a large number of scholarly and political needs. I argue that many early modern historians worked with medieval texts and genres not because they had yet to learn more sophisticated models for representing the past, but rather because one of the most effective ways that these writers dealt with the political and religious exigencies of their times was by adapting the practices, genres, and materials of medieval history. I demonstrate that the early modern national history was capable of supporting multiple genres and reading modes; in fact, many of these histories reflect their authors’ conviction that authentic past narratives required genres with varying levels of facticity. -
PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance
Graduate School ETD Form 9 (Revised 12/07) PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By Angela C. Ghionea Entitled RECURRING THOUGHT PATTERNS AND RESURFACING ALCHEMICAL SYMBOLS IN EUROPEAN, HELLENISTIC, ARABIC, AND BYZANTINE ALCHEMY FROM ANTIQUITY TO THE EARLY MODERN PERIOD Doctor of Philosophy For the degree of Is approved by the final examining committee: James R. Farr Chair Myrdene Anderson Anthony T. Grafton To the best of my knowledge and as understood by the student in the Research Integrity and Copyright Disclaimer (Graduate School Form 20), this thesis/dissertation adheres to the provisions of Purdue University’s “Policy on Integrity in Research” and the use of copyrighted material. Approved by Major Professor(s): ____________________________________James R. Farr ____________________________________ Approved by: Douglas R. Hurt 04/16/2013 Head of the Graduate Program Date RECURRING THOUGHT PATTERNS AND RESURFACING ALCHEMICAL SYMBOLS IN EUROPEAN, HELLENISTIC, ARABIC, AND BYZANTINE ALCHEMY FROM ANTIQUITY TO THE EARLY MODERN PERIOD A Dissertation Submitted to the Faculty of Purdue University by Angela Catalina Ghionea In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2013 Purdue University West Lafayette, Indiana UMI Number: 3591220 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3591220 Published by ProQuest LLC (2013). -
Alchemylab Articles\374
Alchemical Theory The One Thing (or the Subtle Ether) Space, whether interplanetary, inner matter, or inter-organic, is filled with a subtle presence emanating from the One Thing of the universe. Later alchemists called it, as did the ancients, the subtle Ether. This primordial fluid or fabric of space pervades everything and all matter. Metal, mineral, tree, plant, animal, man; each is charged with the Ether in varying degrees. All life on the planet is charged in like manner; a world is built up in this fluid and move through a sea of it. Alchemical Ether, which some Hermeticists call the Astral Light, determines the constitution of bodies. Hardness and softness, solidity and liquidity, all depend on the relative proportion of ethereal and ponderable matter of which they me composed. The arbitrary division and classification of physical science, the whole range of physical phenomena, proceeds from the primary Ether, for science has reduced matter as we know it to nothing but Ether, which, although not solid matter, is still matter, the First Matter of the alchemists. When most of us speak of matter, of course, we usually visualize solid substance, but it has been proved by that matter is not actually solid, but merely a stress, a strain in the etheric field of time and space. The atom and the electrons and protons of which it is composed, all move in a sea of Ether, so, that in accordance with this theory of alchemy, the very air we breathe, the very bodies we inhabit, all things most likewise be moving in this sea of Ether, the parent element from which all manifestation has come. -
Alchemical Reference in Antony and Cleopatra
SYDNEY STUDIES Alchemical Reference in Antony and Cleopatra LYNDALL ABRAHAM Lepidus: Your serpent of Egypt is bred now of your mud by the operation of your sun: so is your crocodile. (II.vii.26-7) The phrase "the operation of your sun" is a distinctly alchemical term. It refers to the opus alchymicum as a whole and is first known to occur in one of the oldest and most famous alchemical documents, the Emerald Table: "What I have said concerning the operation of the Sun is finished."1 The Tabula Smaragdina or Emerald Table, ascribed to Hermes Tris megistus or the Egyptian Thoth, was not only one of the most important sources of medieval alchemy, but continued to be considered as the basis of alI alchemical law by alchemists right through to the seventeenth cen tury. The earliest known version was discovered by E. J. Holmyard in an eighth-century Arabic text, and it was translated into Latin around the time of the thirteenth century. The first English translation appears as a part of Roger Bacon's The Mirror of Alchimy (London 1597). The con tents of the influential Table occur repeatedly in both Renaissance and seventeenth-century alchemical treatises, including John Dee's Monas Hieroglyphica (1564: reprinted in 1591 and included in the alchemical anthology Theatrum Chemicum in 1602), the De Alchemia (1541-Table included in full), George Ripley's The Compound of Alchymie (1591), William Bloomfield's Bloomfield's Blossoms, Thomas Norton's Ordinal of Alchemy (1477), and Michael Maier's Atalanta Fugiens (1617).2 In Euphrates or The Waters -
What Painting Is “A Truly Original Book
More praise for What Painting Is “A truly original book. It will make you look at paintings differently and think about paint differently.”—Boston Globe “ This is a novel way of considering paintings, and excitingly different from standard art criticism.”—Atlantic Monthly “The best books often introduce new worlds. What Painting Is exposes the reader to painting materials, brushstroke techniques, and alchemy of all things, in a book filled with rich descriptions and illuminating insight. Read this and you’ll never look at paintings in the same way again.”— Columbus Dispatch “ James Elkins, his academic laces untied, traces a mysterious, evocation and an utterly convincing parallel between two spirits grounded in the earth—alchemy and painting. The author is an alchemist of ideas, and a painter. His openness to the love of quicksilver and sulfur, to putrefying animal excretions, and his expertise in imprimaturas, his feeling for the mysteries of the brushstroke —all of these allow him to concoct a heady elixir.” —Roald Hoffmann, Winner of the Noble Prize in Chemistry, 1981 What Painting Is How to Think about Oil Painting, Using the Language of Alchemy James Elkins Routledge New York • London Published in 2000 by Routledge 29 West 35th Street New York, NY 10001 This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Published in Great Britain by Routledge 11 New Fetter Lane London EC4P 4EE Copyright © 1999 by Routledge All rights reserved. -
The Philosophers' Stone: Alchemical Imagination and the Soul's Logical
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2014 The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life Stanton Marlan Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Marlan, S. (2014). The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/874 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Stanton Marlan December 2014 Copyright by Stanton Marlan 2014 THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan Approved November 20, 2014 ________________________________ ________________________________ Tom Rockmore, Ph.D. James Swindal, Ph.D. Distinguished Professor of Philosophy Professor of Philosophy Emeritus (Committee Member) (Committee Chair) ________________________________ Edward Casey, Ph.D. Distinguished Professor of Philosophy at Stony Brook University (Committee Member) ________________________________ ________________________________ James Swindal, Ph.D. Ronald Polansky, Ph.D. Dean, The McAnulty College and Chair, Department of Philosophy Graduate School of Liberal Arts Professor of Philosophy Professor of Philosophy iii ABSTRACT THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan December 2014 Dissertation supervised by Tom Rockmore, Ph.D. -
El Código Secreto Del Esopete Ystoriado En El Contexto De La Exégesis Literaria Y Su Evolución Hacia Un Método Científico Tardomedieval
El Código Secreto del Esopete Ystoriado en el Contexto de la Exégesis Literaria y su Evolución Hacia un Método Científico Tardomedieval Item Type text; Electronic Dissertation Authors Anchondo, Luis Adrian Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 08/10/2021 19:39:10 Link to Item http://hdl.handle.net/10150/314672 EL CÓDIGO SECRETO DEL ESOPETE YSTORIADO EN EL CONTEXTO DE LA EXÉGESIS LITERARIA Y SU EVOLUCIÓN HACIA UN MÉTODO CIENTÍFICO TARDOMEDIEVAL by Luis Anchondo __________________________ Copyright © Luis Anchondo 2014 A Dissertation Submitted to the Faculty of the DEPARTMENT OF SPANISH AND PORTUGUESE In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN SPANISH In the Graduate College THE UNIVERSITY OF ARIZONA 2014 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Luis Anchondo, titled “El código secreto del Esopete ystoriado en el contexto de la exégesis literaria y su evolución hacia un método científico tardomedieval” and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _______________________________________________________________________ Date: Richard P. Kinkade _______________________________________________________________________ Date: Malcolm Compitello _______________________________________________________________________ Date: Eliud Chuffe Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. -
APOLOGÉTICA DE LA ALQUIMIA EN LA CORTE DE FELIPE II. RICHARD STANIHURST Y SU “EL TOQUE DE ALQUIMIA” (1593) Juan Pablo Bubel
MAGALLÁNICA, Revista de Historia Moderna: 2 / 4 (Varia) Enero-Junio 2016, ISSN 2422-779X APOLOGÉTICA DE LA ALQUIMIA EN LA CORTE DE FELIPE II. RICHARD STANIHURST Y SU “EL TOQUE DE ALQUIMIA” (1593) Juan Pablo Bubello Universidad de Buenos Aires/Universidad Nacional de La Plata, Argentina Recibido: 29/04/2016 Aceptado: 28/06/2016 RESUMEN Richard Stanihurst fue uno de los alquimistas más importantes en la corte de Felipe II. La segunda mitad del siglo XVI asiste a un escenario cultural de persecuciones, prohibiciones e impugnaciones contra la alquimia, heredero del que se venía desarrollando en Occidente desde, al menos, tres siglos, dentro y fuera de España. En ese marco, con su El toque de alquimia (1593) el Dublinense va a citar a Paracelso, Mattioli, Ripley y Llull como fuentes de autoridad, buscando no sólo distinguir a los verdaderos de los falsos philosophos, sino construir un verdadero discurso apologético sobre el arte. PALABRAS CLAVE: alquimia; apologética; Stanihurst; Felipe II. APOLOGETICS OF ALCHEMY IN THE COURT OF PHILIP II. RICHARD STANIHURST AND HIS “EL TOQUE DE ALQUIMIA” (1593) ABSTRACT Richard Stanihurst was one of the most important alchemists in the court of Philip II. The second half of the sixteenth century attends a cultural scene, with persecutions, prohibitions and objections to alchemy, heir that had been developed in the West since, at least, three centuries, inside and outside Spain. In this context, with his El toque de alquimia (1593) the Dubliner will quote Paracelsus, Mattioli, Ripley and Llull as sources of authority, seeking not only to distinguish the true from the false philosophos, but to build a true apologetic discourse on the art. -
“Unheard of Curiosities” an Exhibition of Rare Books on the Occult and Esoteric Sciences
“Unheard of Curiosities” An Exhibition of Rare Books on the Occult and Esoteric Sciences Exhibition Catalog by Erika B. Gorder February 2014 Special Collections and University Archives Rutgers University Libraries About the Exhibition “Unheard-of Curiosities”: An Exhibition of Rare Books on the Occult and Esoteric Sciences showcases rare books from Special Collections and University Archives that display evidence of the enduring popular interest in a diverse constellation of “occult” topics from the 16th century to the present day. The exhibition primarily features books collected by the late Rutgers Professor of English, Clement Fairweather (the "Fairweather Collection"), which predominantly center on astrology and early astronomy from the 17th through the 19th centuries. Secondary topics include prediction and prophecy, demons and the devil, witchcraft and magic, the mysteries of ancient Egypt, and the 19th and-early-20th-century occult revival. A temporal rift in the collection is evident, roughly divided between works from the 17th century and the 19th century. The exhibition's topical boundaries are drawn by the Fairweather Collection itself—both its strengths and weaknesses. The curators reviewed the collection of nearly 300 volumes and identified major areas of concentration: astrology, astronomy, astrological medicine, alchemy and hermeticism, witchcraft, and prophecy and prognostication. Some topics, though not documented with great depth in the Fairweather Collection, are nonetheless featured because of their novelty or significance within the framework of the history of the occult. These include Merlin, magic and spells, Aleister Crowley, Egyptology, and cartomancy. Where relevant, books from the general rare book collection are included to enhance and illuminate a subject. -
Edmund Campion, Santo
BIBLIOTECA UNIVERSITARIA DI GENOVA – PERCORSI TEMATICI UNIVERSALITAS & PERVASIVITAS il costituirsi e diffondersi della S.J. e suoi echi (1540 - 1773) di A. Pisani Schede autori Attività missionaria Edmund Campion, santo Early years and education (1540–1569) Born in London on January 24, 1540, Campion received his early education at Christ's Hospital, and, as the best of the London scholars, was chosen in their name to make the complimentary speech when Queen Mary visited the city. He then attended St John's College, Oxford, becoming a fellow in 1557 and taking the Oath of Supremacy on the occasion of his degree in 1564. When Sir Thomas White, the founder of the college, was buried in 1567, the Latin oration fell to the lot of Campion. Two years later he welcomed Queen Elizabeth to the university, and won her lasting regard. He was selected to lead a public debate in front of the queen. By the time the Queen had left Oxford, Campion had earned the patronage of the powerful William Cecil and also the Earl of Leicester, tipped by some to be future husband of the young Queen. People were now talking of Campion in terms of being a future Archbishop of Canterbury, in the newly established Anglican Church. Rejecting Anglicanism Religious difficulties now arose; but at the persuasion of Richard Cheyney, Bishop of Gloucester, although holding Catholic doctrines, he received deacon's orders in the Anglican Church. Inwardly "he took a remorse of conscience and detestation of mind." Rumours of his opinions began to spread and he left Oxford in 1569 and went to Ireland to take part in a proposed establishment of the University of Dublin. -
Irish Studies Round the World - 2013
Estudios Irlandeses , Number 9, 2014, pp. 178-207 ____________________________________________________________________________________________ AEDEI IRISH STUDIES ROUND THE WORLD - 2013 Patricia A. Lynch (ed.) Copyright (c) 2014 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the authors and journal are properly cited and no fee is charged for access. Reflections on Irish Writing in 2013 by Patricia A. Lynch .......................................................................................................... 179 Viewpoints . Theoretical Perspectives on Irish Visual Texts (2013) by Claire Bracken and Emma Radley (eds.) Irene Gilsenan Nordin......................................................................................................... 185 Irish Myth, Lore and Legend on Film / Reimagining Ireland – Volume 27 (2013) by Dawn Duncan Beatriz Kopschitz Bastos ................................................................................................... 188 Up the Republic! : Towards a New Ireland (2012) by Fintan O’Toole (ed.) Alfred Markey .................................................................................................................... 190 Ireland Through European Eyes: Western Europe, the EEC, and Ireland 1945-1973 (2013) by Mervyn O’Driscoll, Dermot Keogh, Jerome aan de Wiel (eds.) Edward Moxon-Browne..................................................................................................... 193 The Otherworld : Music & Song from