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МИНИСТЕРСТВО КУЛЬТУРЫ РФ ГОСУДАРСТВЕННАЯ ДУМА ФЕДЕРАЛЬНОГО СОБРАНИЯ РФ АДМИНИСТРАЦИЯ КРАСНОДАРСКОГО КРАЯ АДМИНИСТРАЦИЯ МУНИЦИПАЛЬНОГО ОБРАЗОВАНИЯ ГОРОД-КУРОРТ АНАПА ООО “ГОД КИНО” СОЮЗ КИНЕМАТОГРАФИСТОВ РФ АНО ФЕСТИВАЛЬ “КИНОШОК” 29 ОТКРЫТЫЙ РОССИЙСКИЙ КИНОФЕСТИВАЛЬ «КИНОШОК» АНАПА 17 - 23 ОКТЯБРЯ 2020 1 Дорогие друзья! С радостью приветствую гостей и участников XXIX Открытого фестиваля кино стран СНГ и Национальных кинематографий «Киношок» в Анапе! Для Краснодарского края почетно и ответственно вновь принимать одно из самых значимых мероприятий отечественной киноиндустрии. Фестиваль помогает талантам заявить о себе, способствует развитию нашего кино, сохранению единого кинематографического пространства. Это долгожданное событие не только для деятелей культуры, но и для многих жителей Кубани. Благодаря фестивалю зрители знакомятся с качественными фильмами и яркими представителями киноискусства. В этот непростой год особенно важно, что «Киношок» состоится, пусть и в условиях ограничений. Желаю фестивалю достигнуть всех поставленных целей и оставить самые приятные впечатления у участников и гостей! ВЕНИАМИН КОНДРАТЬЕВ Глава администрации (губернатор) Краснодарского края My dear friends! I am happy to welcome the guests and participants of the XXIX Open Film Festival of the CIS Countries and National Cinematographies "Kinoshock" in Anapa! It is an honor and responsibility for the Krasnodar Region to host one of the most significant events in the Russian film industry again. The festival helps talent to declare themselves, contributes to the development of our cinema, preservation of a united cinematic space. This is a long-expected event not only for people of culture, but also for many residents of the Kuban. Thanks to the festival, viewers get acquainted with high-quality films and outstanding representatives of cinematography. In this difficult year, it is especially important that “Kinoshock” will take place, even under conditions of restrictions. I wish the festival to achieve all its goals and leave the most pleasant impressions for the participants and guests! VENIAMIN KONDRATIEV Head of Administration (Governor) of the Krasnodar Region 2 Приветствую участников XXIX открытого фестиваля «Киношок»! Несмотря на сложную ситуацию, связанную с коронавирусом, фестиваль кино стран СНГ и Национальных кинематографий продолжает выполнять свою основную миссию – находить и поддерживать талантливых кинематографистов. Кубань не зря является домом «Киношока», здесь много талантливых режиссеров и сценаристов. Место его проведения остается неизменным – Анапа. Именно с этим курортом ассоциируется форум. В дни фестиваля город наполняется атмосферой творчества, креативного духа и свободного общения. За долгие годы существования «Киношок» по праву завоевал статус значимого форума, объединяющего кинематографические школы стран ближнего зарубежья. А дух состязательности придает конкурсу остроту и интерес. Жюри предстоит оценить полнометражные, короткометражные и документальные фильмы национальных киностудий. Желаю участникам успеха и пусть в борьбе за главный приз фестиваля – «Золотая лоза» победит сильнейший! АННА МИНЬКОВА Заместитель главы администрации (губернатора) Краснодарского края I’m happy to greet the participants of the XXIX open festival "Kinoshock"! Despite the difficult situation related to the coronavirus, the film festival of the CIS countries and National Cinematographies continues to fulfill its main mission - searching for and supporting talented filmmakers. It is not for nothing that Kuban is the birthplace of «Kinoshock»; there are many talented directors and screenwriters here. The venue remains unchanged - Anapa. The forum is associated with this resort. During the festival, the city is filled with an atmosphere of creativity, creative spirit and free communication. Over the long years of its existence, "Kinoshock" has rightfully won the status of a significant forum uniting the cinematographic schools of the neighboring countries. And the spirit of competition gives the competition spice and interest. The jury will evaluate feature films, short films and documentaries from national film studios. I wish the participants success and may the strongest win in the struggle for the main prize of the festival - "Golden Vine"! ANNA MINKOVA Deputy Head of Administration (the Governor) of the Krasnodar Region 3 Уважаемые участники, гости и организаторы кинофестиваля! Поздравляю любителей и ценителей киноискусства, что несмотря на те сложности, которые переживает сегодня весь мир, XXIX "Киношок" продолжает писать свою славную историю. Почти три десятилетия фестиваль сохраняет свои позиции крупнейшего события на кинофестивальной карте России. Гостеприимная кубанская земля, наша солнечная Анапа всегда с нетерпением ждут этого яркого события. Фестиваль объединяет на своих площадках опытных мэтров, талантливую молодежь, демонстрирует богатую палитру стилей и направлений современного киноискусства и всегда оправдывает ожидания самых взыскательных зрителей. И пусть в этом году фестиваль пройдёт не в привычном широком формате, его традиции должны продолжатся! Уверена, что сила искусства кино столь велика, что никакие преграды и опасности ему не страшны. А те, что возникают на пути, обязательно станут творческим трамплином для достижения новых высот! Ведь люди мира кино не просто создают его, они живут им! Как говорил народный артист РСФСР советский режиссёр театра и кино, сценарист Андрей Арсеньевич Тарковский: "Если на показе моего фильма в зале осталось восемь человек, я работаю для них". Желаю представительному жюри фестиваля интересной работы. Уверена, что фестиваль откроет новые возможности для развития современного кино и послужит укреплению профессиональных контактов. Спасибо, что помогаете возрождению национальных культур России и сопредельных государств, сотрудничеству между кинематографистами стран СНГ, а также республик и регионов Российской Федерации. Всем участникам фестиваля желаю успехов, а зрителям – интересных открытий и незабываемых впечатлений! ВИКТОРИЯ ЛАПИНА Министр культуры Краснодарского края Dear participants, guests and organizers of the film festival! I congratulate lovers and connoisseurs of the art of cinema, that despite the difficulties that the whole world is going through today, XXIX "Kinoshock" continues to write its glorious history. For nearly three decades the festival has retained its position as the largest event on the Russian film festival map. Hospitable Kuban land, our sunny Anapa are always looking forward to this bright event. The festival brings together experienced masters, talented young people at its venues, demonstrates a rich palette of styles and trends in modern cinema and always meets the expectations of the most demanding spectators. And even though this year the festival will not be held in its usual wide format, its traditions must continue! I am sure that the power of the art of cinema is so great that it is not afraid of any obstacles and dangers. And those that appear on the way will definitely become a creative springboard for reaching new heights! After all, the people of the world of cinema do not just create it, they live throug it! As People's Artist of the RSFSR, Soviet theater and film director, screenwriter Andrei Arsenievich Tarkovsky said: "If eight people are left in the audience at the screening of my film, I work for them." I wish the representative jury of the festival interesting work. I am sure that the festival will open up new opportunities for the development of modern cinema and will serve to strengthen professional contacts. Thank you for helping the revival of the national cultures of Russia and neighboring states, cooperation between filmmakers from the CIS countries, as well as the republics and regions of the Russian Federation. I wish all the participants of the festival success, and the audience - interesting discoveries and unforgettable impressions! VICTORIA LAPINA Minister of Culture of The Krasnodar Region 4 Дорогие друзья! В 29-й раз Анапа встречает фестиваль «Киношок». Этот год для всего мира особенный, и для мира кино тоже. Но никакие преграды и сложности не смогли нарушить традицию и помешать провести на нашем курорте настоящий кинопраздник. Снова нас ждут интереснейшие конкурсные работы, конструктивные обсуждения и жаркие споры, снова на несколько осенних дней Анапа станет киностолицей Юга России. Сегодня кинематограф является той созидательной, исключительно важной и действенной силой, которая объединяет людей разных стран и национальностей. Поэтому значимость нашего фестиваля, который уже почти 30 лет сплачивает ценителей хорошего кино, только возрастает. Искренне желаю всем участникам и гостям «Киношока», чтобы Анапа порадовала вас теплой и солнечной погодой, а мы в свою очередь гарантируем южное гостеприимство и солнечное настроение. Желаю открыть новые имена на кинематографической карте России и увидеть конкурсные работы, которые успешно пройдут испытание временем и станут классикой. Пусть каждый фестивальный день будет наполнен яркими событиями! В добрый путь, «Киношок»! ВАСИЛИЙ ШВЕЦ Мэр города-курорта Анапа Dear friends! For the 29th time, Anapa meets the “Kinoshock” festival. This year is special for the whole world, and for the world of cinema too. 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    Director Alexey Uchitel Screenplay by Advotya Smirnova Director of Photography Yury Klimenko, Pavel Kostomarov Production Designer Eugene Mitta Music by Alexey Goribol Costume designer Elena Suprun Producer Alexey Uchitel Cast Irina Pegova, Pavel Barshak, Eugeny Tsyganov, Eugeny Grishkovets Production Rock Films with the support of the Federal Agency for Culture and Cinematography Country of production Russia Time 90 min Genre Melodrama Budget $ 0,4 mln Today’s twenty-something Russians are the first generation in the country’s post-communist history to have grown up free. Their twenties are the age of freedom, of fast-changing events and intense emotions. Perhaps only at this age they can live a whole life in one day. A young girl and her two accident companions walk halfway around St.-Petersburg; they flirt and tease each other, and for ninety minutes they act out a real-time romantic drama. This stroll is full of laughter and tears against a backdrop of the hustle and bustle of the streets and some mystifying secret that keeps the audience in suspense. In the end, the mystery is resolved, forever uniting the story with the city. St. Petersburg has never been seen like this before. The city is not shown as a phantom, museum, specter or ruin. This is Petersburg on-line, a beautiful, busting city, in which young Russian Europeans live and suffer freely and easily. Selected Awards: International Film Festival Cottbus 2003: Special Jury Prize for the Outstanding Artistic Solution, FIPRESCI Prize, Boulder Prize; International Film Festival Cleveland
  • In the Soviet Cinema of the Cold War

    In the Soviet Cinema of the Cold War

    Diacronie Studi di Storia Contemporanea N° 30, 2 | 2017 Ponti fra nazioni e continenti Spy and Counterspy as a “Cultural Hero” in the Soviet Cinema of the Cold War Viktoria A. Sukovataya Electronic version URL: http://journals.openedition.org/diacronie/5689 DOI: 10.4000/diacronie.5689 ISSN: 2038-0925 Publisher Association culturelle Diacronie Electronic reference Viktoria A. Sukovataya, « Spy and Counterspy as a “Cultural Hero” in the Soviet Cinema of the Cold War », Diacronie [Online], N° 30, 2 | 2017, document 3, Online since 29 July 2017, connection on 19 April 2019. URL : http://journals.openedition.org/diacronie/5689 ; DOI : 10.4000/diacronie.5689 Creative Commons License Diacronie Studi di Storia Contemporanea 30, 2/2017 Ponti fra nazioni e continenti: diplomazia, immaginari e conoscenze tecniche Spy and Counterspy as a “Cultural Hero” in the Soviet Cinema of the Cold War Viktoria A. SUKOVATAYA Per citare questo articolo: SUKOVATAYA, Viktoria A., «Spy and Counterspy as a “Cultural Hero” in the Soviet Cinema of the Cold War», Diacronie. Studi di Storia Contemporanea : Ponti fra nazioni e continenti: diplomazia, immaginari e conoscenze tecniche, 30, 2/2017, 29/7/2017, URL: < http://www.studistorici.com/2017/07/29/sukovataya_numero_30/ > Diacronie Studi di Storia Contemporanea → http://www.diacronie.it Rivista storica online. Uscita trimestrale. [email protected] Comitato di direzione: Naor Ben-Yehoyada – João Fábio Bertonha – Christopher Denis-Delacour – Maximiliano Fuentes Codera – Anders Granås Kjøstvedt – John Paul Newman – Deborah Paci – Niccolò Pianciola – Spyridon Ploumidis – Wilko Graf Von Hardenberg Comitato di redazione: Jacopo Bassi – Luca Bufarale – Gianluca Canè – Fausto Pietrancosta – Alessandro Salvador – Matteo Tomasoni Diritti: gli articoli di Diacronie.
  • Moldova Country Situation

    Moldova Country Situation

    PREFACE This regional study on the Situation of and challenges in the region and in Cinema and the Audiovisual Industries individual countries. in the Eastern Partnership (EaP) Region is part of the project ‘Short term high The study has been implemented by quality studies to support activities the study team under the leadership of under the Eastern Partnership – Mr Terry Sandell who was supported on HiQSTEP, EuropeAid/132574/C/SER/ data collection by Ms Maria Mirzoyan Multi’, carried out by an international (Armenia), Mr Jahangir Selimkhanov consortium under the leadership of (Azerbaijan), Mr Anton Sidarenka Kantor Management Consultants to (Belarus), Ms Lana Ghvinjilia (Georgia), support the activities of Platform 4 Mr Ion Bunduchi (Moldova) and Ms `Contacts between people`. Julia Sinkevych (Ukraine). In the context of Creative Europe and Overall supervision of the study has of the EaP Platform 4 Work Programme been carried out by Przemysław this mapping study was supposed to Musiałkowski, Team Leader of the enhance the EaP countries knowledge HiQSTEP Project. of the regional context in which their industries operate and of the situation Sincere thanks go to the national in other countries. It was also supposed stakeholders in the Eastern Partnership to help the European Commission Countries who provided information to structure the discussions under in interviews and responses to Platform 4 and readjust its actions questionnaires. to better address the actual needs July 2015 TABLE OF CONTENTS Objectives . 2 Study background . .2 Current practices of the Eastern Partnership Audiovisual Industries . 3 Cinema and Film: Priority Areas in All the EaP Countries . 3 Dealing with the Past and Common Needs and Themes .
  • On Behalf of the Federal Agency of Culture and Cinematography I

    On Behalf of the Federal Agency of Culture and Cinematography I

    ƒÓÓ„Ë ‰ÛÁ¸ˇ! Dear friends! ŒÚ ËÏÂÌË ÃËÌËÒÚÂÒÚ‚‡ ÍÛθÚÛ˚ Ë Ï‡ÒÒÓ‚˚ı On behalf of the Ministry of Culture and Mass ÍÓÏÏÛÌË͇ˆËÈ –ÓÒÒËÈÒÍÓÈ ‘‰‡ˆËË Communications of the Russian Federation I ÔË‚ÂÚÒÚ‚Û˛ ‚ÒÂı Û˜‡ÒÚÌËÍÓ‚ Ë „ÓÒÚÂÈ XVIII welcome all participants and visitors of the 18th ŒÚÍ˚ÚÓ„Ó ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÙÂÒÚË‚‡Îˇ Open Russian Film Festival ´Kinotavrª! ´üËÌÓÚ‡‚ª! This annual event is an integral part of our ≈„Ó ÂÊ„ӉÌÓ Ôӂ‰ÂÌË ˇ‚ΡÂÚÒˇ ÌÂÓÚ˙ÂÏÎÂÏÓÈ State policy on the support of the national ˜‡ÒÚ¸˛ „ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÓÎËÚËÍË ÔÓ ÔÓ‰‰ÂÊÍ cinema. ´Kinotavrª can, without exaggeration, ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÂχÚÓ„‡Ù‡. ´üËÌÓÚ‡‚ª be called the most anticipated event in the ÏÓÊÌÓ ·ÂÁ ÔÂÛ‚Â΢ÂÌˡ ̇Á‚‡Ú¸ Ò‡Ï˚Ï Russian film-season. For the 17 years of its ÓÊˉ‡ÂÏ˚Ï ÒÓ·˚ÚËÂÏ ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÒÂÁÓ̇. «‡ existence this main national cinema event has ÒÂÏ̇‰ˆ‡Ú¸ ÎÂÚ Ò‚ÓÂ„Ó ÒÛ˘ÂÒÚ‚Ó‚‡Ìˡ „·‚Ì˚È gained a strong position, both in the Russian ̇ˆËÓ̇θÌ˚È ÍËÌÓÒÏÓÚ Á‡‚Ó‚‡Î ÔÓ˜Ì˚È film world and abroad. ‡‚ÚÓËÚÂÚ, Í‡Í ‚ ÓÒÒËÈÒÍÓÈ The festival is developing fast, becoming more ÍËÌÂχÚÓ„‡Ù˘ÂÒÍÓÈ Ò‰Â, Ú‡Í Ë ‚ Á‡Û·ÂÊÌÓÈ. dynamic and alive, saturated and informative. ‘ÂÒÚË‚‡Î¸ ÒÚÂÏËÚÂθÌÓ ‡Á‚Ë‚‡ÂÚÒˇ, ÒÚ‡ÌÓ‚ˇÒ¸ The success of festival films among Russian ·ÓΠ‰Ë̇Ï˘Ì˚Ï Ë ÊË‚˚Ï, ̇Ò˚˘ÂÌÌ˚Ï Ë audiences once again confirms that there is a ËÌÙÓχÚË‚Ì˚Ï.
  • 255 Copyright © 2020 by Academic Publishing House Researcher S.R.O

    255 Copyright © 2020 by Academic Publishing House Researcher S.R.O

    Media Education (Mediaobrazovanie), 2020, 60(2) Copyright © 2020 by Academic Publishing House Researcher s.r.o. Published in the Slovak Republic Media Education (Mediaobrazovanie) Has been issued since 2005 ISSN 1994-4160 E-ISSN 1994-4195 2020, 60(2): 255-263 DOI: 10.13187/me.2020.2.255 www.ejournal53.com Soviet Feature Films about Children in the War and It’s Use in the Training of Future Teachers Ilya Hazanov a , * а Kurgan State University, Kurgan Pedagogical College, Russian Federation Abstract The article gives the theoretical justification of a professionally oriented approach to the analysis of the film and its application in the educational process. The main category of professionally-oriented approach is the pedagogical analysis of the film, which is understood as a set of targeted intellectual actions to identify and substantiate the socio-psychological, historical, moral and ethical problems of the film, educational situations, factors that create conditions for the development of personal qualities of children and youth, their worldview and behavior patterns. The pedagogical essence of Soviet cinema as a means of personality formation is disclosed. It is noted that the Soviet feature film about children in the war reveals the features of the socio- psychological and ideological conditions for the development of the child’s personality, shows the circumstances that contribute to the unity of young citizens with the adult world and increase the effectiveness of education. The main thematic lines of Soviet films about children in the war are highlighted. The results of the study of the potential of Soviet feature films about children in the war as a means of moral and civic education and the ideas of future teachers about the conditions and ways of using these films in educational work are analyzed.
  • Mediaobrazovanie) Media Education (M Ediaobrazovanie

    Mediaobrazovanie) Media Education (M Ediaobrazovanie

    Media Education (Mediaobrazovanie) Has been issued since 2005. ISSN 1994–4160. E–ISSN 1994–4195 2020, 60(1). Issued 4 times a year EDITORIAL BOARD Alexander Fedorov (Editor in Chief ), Prof., Ed.D., Rostov State University of Economics (Russia) Imre Szíjártó (Deputy Editor– in– Chief), PhD., Prof., Eszterházy Károly Fõiskola, Department of Film and Media Studies. Eger (Hungary) Ben Bachmair, Ph.D., Prof. i.r. Kassel University (Germany), Honorary Prof. of University of London (UK) Oleg Baranov, Ph.D., Prof., former Prof. of Tver State University Elena Bondarenko, Ph.D., docent of Russian Institute of Cinematography (VGIK), Moscow (Russia) David Buckingham, Ph.D., Prof., Loughborough University (United Kingdom) Emma Camarero, Ph.D., Department of Communication Studies, Universidad Loyola Andalucía (Spain) Irina Chelysheva, Ph.D., Assoc. Prof., Anton Chekhov Taganrog Institute (Russia) Alexei Demidov, head of ICO “Information for All”, Moscow (Russia) Svetlana Gudilina, Ph.D., Russian Academy of Education, Moscow (Russia) Tessa Jolls, President and CEO, Center for Media Literacy (USA) Nikolai Khilko, Ph.D., Omsk State University (Russia) Natalia Kirillova, Ph.D., Prof., Ural State University, Yekaterinburg (Russia) Sergei Korkonosenko, Ph.D., Prof., faculty of journalism, St– Petersburg State University (Russia) Alexander Korochensky, Ph.D., Prof., faculty of journalism, Belgorod State University (Russia) W. James Potter, Ph.D., Prof., University of California at Santa Barbara (USA) Robyn Quin, Ph.D., Prof., Curtin University, Bentley, WA (Australia) Alexander Sharikov, Ph.D., Prof. The Higher School of Economics, Moscow (Russia) Vladimir Sobkin, Acad., Ph.D., Prof., Head of Sociology Research Center, Moscow (Russia) Kathleen Tyner, Assoc. Prof., Department of Radio– Television– Film, The University of Texas at Austin (USA) Svetlana Urazova, PhD., Assoc.