Mediaobrazovanie) Media Education (M Ediaobrazovanie
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Social Condenser’ in Eldar Ryazanov’S Irony of Fate VOL
ESSAY Soviet Bloc(k) Housing and the Self-Deprecating ‘Social Condenser’ in Eldar Ryazanov’s Irony of Fate VOL. 113 (MARCH 2021) BY LARA OLSZOWSKA A completely atypical story that could happen only and exclusively on New Year's Eve. – Eldar Ryazanov, Irony of Fate, 1976. Zhenya lives in apartment № 12 of unit 25 in the Third Builder Street, and so does Nadia, only that she lives in Leningrad, whereas Zhenya lives in Moscow. After a heavy drinking session at the bathhouse with friends on New Year’s Eve, Zhenya accidentally gets on a flight to Leningrad one of his friends had booked for himself. Still intoxicated on arrival, he gives his address to a taxi driver and arrives “home”. He lets himself into Nadia’s flat with his key – even their locks match – and falls asleep. When Nadia wakes him, the comical love story between the two takes center stage and the coincidence of their matching housing blocks seems to be little more than a funny storytelling device. Upon further examination it is far more significant. The misleading epigraph at the start of Eldar Ryazanov’s Irony of Fate quoted above links the ludicrous events that follow to the date on which they unfold. On New Year’s Day 1976, the film was first broadcast to television audiences across the Soviet Union, telling an extraordinary tale in a very ordinary place. This “atypical story” is not really a result of the magic of New Year’s Eve alone, but more so a product of its setting: a Soviet apartment in a Soviet housing block in a socialist city. -
SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN the LINES by Olga Klimova Specialist Degree, Belarusian State University
SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES by Olga Klimova Specialist degree, Belarusian State University, 2001 Master of Arts, Brock University, 2005 Master of Arts, University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Olga Klimova It was defended on May 06, 2013 and approved by David J. Birnbaum, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Lucy Fischer, Distinguished Professor, Department of English, University of Pittsburgh Vladimir Padunov, Associate Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Aleksandr Prokhorov, Associate Professor, Department of Modern Languages and Literatures, College of William and Mary, Virginia Dissertation Advisor: Nancy Condee, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh ii Copyright © by Olga Klimova 2013 iii SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES Olga Klimova, PhD University of Pittsburgh, 2013 The central argument of my dissertation emerges from the idea that genre cinema, exemplified by youth films, became a safe outlet for Soviet filmmakers’ creative energy during the period of so-called “developed socialism.” A growing interest in youth culture and cinema at the time was ignited by a need to express dissatisfaction with the political and social order in the country under the condition of intensified censorship. I analyze different visual and narrative strategies developed by the directors of youth cinema during the Brezhnev period as mechanisms for circumventing ideological control over cultural production. -
AST Publishers Is One of the Lead
publishing projects AST Publishers ST Publishers is one of the lead NATIONAL MANUSCRIPT ing companies on the Russian book CONTEST OF THE YEAR market. More than half of books in OLGA MURAVIEVA, our rich catalogue are children’s ti In 2009, the national award Manuscript of the Head of AST tles. In 2018, AST published around Year was founded. Only the authors who have children’s department A5,000 children’s and young adult books with never been published take part in the com the total print run of 22 mln copi es. We work petition. Applicants automatically get the with different genres: fiction, non-fiction, chance to be published. Thanks to the award, early learning, preschool, leisure books and such authors as Narine Abgaryan, Maria Ru encyclopedias – and we always look for new pasova, Nadezhda Sherbakova and many oth trends and projects! AST cooperates with the ers gained popularity. The total circulation of world’s leading publishing houses and agen the prize winners’ books has already exceeded cies. However Russian books remain the most 600,000 copies. important and impressive part of our cata In 2014, the literary courses Master of the log. AST is constantly cooperating with top Text were opened. Russian authors and illustrators. Children’s 1990 illustrated classics are still in high demand and WE BUY BOOK RIGHTS AST PUBLISHERS we are proud of working with prominent Rus ESTABLISHED sian artists of classical fine art: Erik Bulatov, The share of translated children’s editions in Oleg Vasiliyev, Viktor Chizhikov, German Ma 2018 was 14.3 % of the total number of titles zurin and many others. -
9781474437257 Refocus The
ReFocus: The Films of Andrei Tarkovsky 66616_Toymentsev.indd616_Toymentsev.indd i 112/01/212/01/21 111:211:21 AAMM ReFocus: The International Directors Series Series Editors: Robert Singer, Stefanie Van de Peer, and Gary D. Rhodes Board of advisors: Lizelle Bisschoff (University of Glasgow) Stephanie Hemelryck Donald (University of Lincoln) Anna Misiak (Falmouth University) Des O’Rawe (Queen’s University Belfast) ReFocus is a series of contemporary methodological and theoretical approaches to the interdisciplinary analyses and interpretations of international film directors, from the celebrated to the ignored, in direct relationship to their respective culture—its myths, values, and historical precepts—and the broader parameters of international film history and theory. The series provides a forum for introducing a broad spectrum of directors, working in and establishing movements, trends, cycles, and genres including those historical, currently popular, or emergent, and in need of critical assessment or reassessment. It ignores no director who created a historical space—either in or outside of the studio system—beginning with the origins of cinema and up to the present. ReFocus brings these film directors to a new audience of scholars and general readers of Film Studies. Titles in the series include: ReFocus: The Films of Susanne Bier Edited by Missy Molloy, Mimi Nielsen, and Meryl Shriver-Rice ReFocus: The Films of Francis Veber Keith Corson ReFocus: The Films of Jia Zhangke Maureen Turim and Ying Xiao ReFocus: The Films of Xavier Dolan -
Abstracts from the 50Th European Society of Human Genetics Conference: Electronic Posters
European Journal of Human Genetics (2019) 26:820–1023 https://doi.org/10.1038/s41431-018-0248-6 ABSTRACT Abstracts from the 50th European Society of Human Genetics Conference: Electronic Posters Copenhagen, Denmark, May 27–30, 2017 Published online: 1 October 2018 © European Society of Human Genetics 2018 The ESHG 2017 marks the 50th Anniversary of the first ESHG Conference which took place in Copenhagen in 1967. Additional information about the event may be found on the conference website: https://2017.eshg.org/ Sponsorship: Publication of this supplement is sponsored by the European Society of Human Genetics. All authors were asked to address any potential bias in their abstract and to declare any competing financial interests. These disclosures are listed at the end of each abstract. Contributions of up to EUR 10 000 (ten thousand euros, or equivalent value in kind) per year per company are considered "modest". Contributions above EUR 10 000 per year are considered "significant". 1234567890();,: 1234567890();,: E-P01 Reproductive Genetics/Prenatal and fetal echocardiography. The molecular karyotyping Genetics revealed a gain in 8p11.22-p23.1 region with a size of 27.2 Mb containing 122 OMIM gene and a loss in 8p23.1- E-P01.02 p23.3 region with a size of 6.8 Mb containing 15 OMIM Prenatal diagnosis in a case of 8p inverted gene. The findings were correlated with 8p inverted dupli- duplication deletion syndrome cation deletion syndrome. Conclusion: Our study empha- sizes the importance of using additional molecular O¨. Kırbıyık, K. M. Erdog˘an, O¨.O¨zer Kaya, B. O¨zyılmaz, cytogenetic methods in clinical follow-up of complex Y. -
Current Issues of the Russian Language Teaching XIV
Current issues of the Russian language teaching XIV Simona Koryčánková, Anastasija Sokolova (eds.) Current issues of the Russian language teaching XIV Simona Koryčánková, Anastasija Sokolova (eds.) Masaryk University Press Brno 2020 Sborník prací pedagogické fakulty mu č. 276 řada jazyková a literární č. 56 Edited by: doc. PhDr. Mgr. Simona Koryčánková, Ph.D., Mgr. Anastasija Sokolova, Ph.D. Reviewed by: Elena Podshivalova (Udmurt State University), Irina Votyakova (University of Granada) © 2020 Masaryk University ISBN 978-80-210-9781-0 https://doi.org/10.5817/CZ.MUNI.P210-9781-2020 BYBY NC NDND CC BY-NC-ND 4.0 Crea�ve Commons A�ribu�on-NonCommercial-NoDeriva�ves 4.0 CONTENTS METHODOLOGY ISSUES ............................................................................ 5 A Reading-Book in Russian Literature: The Text Preparation and the First Opinion of its Use ............................................................. 6 Josef Dohnal Poetic Text Of Vasily Shukshin – The Red Guelder Rose In Russian As A Foreign Language Class ....................................................................................................13 Marianna Figedyová Language Games in Teaching Russian as a Foreign Language ................................................21 Olga Iermachkova Katarína Chválová Specificity of Language Material Selection for Introduction of Russian Imperative Mood in “Russian as a Foreign Language” Classes ........................................................................... 30 Elena Kolosova Poetic Texts in Teaching of -
Cuban and Russian Film (1960-2000) Hillman, Anna
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Carnivals of Transition: Cuban and Russian Film (1960-2000) Hillman, Anna The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/xmlui/handle/123456789/9733 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] 1 Carnivals of Transition: Cuban and Russian Film (1960-2000) Anna M. Hillman Submitted in accordance with the requirements for the Ph.D. degree. Queen Mary, University of London, School of Languages, Linguistics and Film. The candidate confirms that the thesis does not exceed the word limit prescribed by the University of London, and that work submitted is her own and that appropriate credit has been given to research done by others. 2 ABSTRACT This thesis focuses on ‘carnivals of transition’, as it examines cinematic representations in relation to socio-political and cultural reforms, including globalization, from 1960 to 2000, in Cuban and Russian films. The comparative approach adopted in this study analyses films with similar aesthetics, paying particular attention to the historical periods and the directors chosen, namely Leonid Gaidai, Tomás Gutiérrez Alea, El’dar Riazanov, Juan Carlos Tabío, Iurii Mamin, Daniel Díaz Torres and Fernando Pérez. -
Uefa Nations League
UEFA NATIONS LEAGUE - 2018/19 SEASON MATCH PRESS KITS Dinamo Stadion - Minsk Monday 15 October 2018 20.45CET (21.45 local time) Belarus Group D2 - Matchday 4 Moldova Last updated 15/10/2018 10:48CET Previous meetings 2 Squad list 3 Head coach 5 Match officials 6 Competition facts 7 Match-by-match lineups 10 Legend 12 1 Belarus - Moldova Monday 15 October 2018 - 20.45CET (21.45 local time) Match press kit Dinamo Stadion, Minsk Previous meetings Head to Head UEFA Nations League Stage Date Match Result Venue Goalscorers reached 11/09/2018 GS-FT Moldova - Belarus 0-0 Chisinau FIFA World Cup Stage Date Match Result Venue Goalscorers reached 03/09/2005 QR (GS) Moldova - Belarus 2-0 Chisinau Rogaciov 15, 49 Omelyanchuk 45, Kutuzov 65, Bulyga 09/10/2004 QR (GS) Belarus - Moldova 4-0 Minsk 75, Romashchenko 90 UEFA EURO 2004 Stage Date Match Result Venue Goalscorers reached Dadu 26, Covalciuc 10/09/2003 PR (GS) Moldova - Belarus 2-1 Tiraspol 87; Vasilyuk 90 (P) Kutuzov 43, Gurenko 29/03/2003 PR (GS) Belarus - Moldova 2-1 Minsk 58; B. Cebotari 14 Final Qualifying Total tournament Home Away Pld W D L Pld W D L Pld W D L Pld W D L GF GA Total Belarus 2 2 0 0 2 0 0 2 1 0 1 0 8 3 3 2 10 7 Moldova 2 2 0 0 2 0 0 2 1 0 1 0 8 2 3 3 7 10 2 Belarus - Moldova Monday 15 October 2018 - 20.45CET (21.45 local time) Match press kit Dinamo Stadion, Minsk Squad list Belarus League phase No. -
Content Report $0/5&/5 3&1035 $0
$*4$C0/5&/5ONTENT$C0/5&/53R3&1035EPORT&1035 $C 3FWJFXPGBVEJPWJTVBMDPOUFOUQSPEVDUJPOBOEEJTUSJCVUJPOJOUI¥¸¾ÅÇÄŹÅÈɼÀÇÒÄÁ·ÆÇÅ¿¾¹Å»Èɹ·¿»¿ÈÉÇ¿¸ÊÍ¿¿·Ê»¿Å¹¿¾Ê·ÂÓÄźОбзор новостей рынка производства и дистрибуции аудиовизуальногF$*4DPVOUSJFTÅÁÅÄɼÄÉ·о контента Media«»¥М¡ЕДИ ResourcesА ©Рª¬©ª´ЕСУРСЫ ¥МManagement¦¥¦«ЕНЕДЖМЕНТ Í¾»É¹ÄØ ØÆ»¹ÉØ №2 1 April, 2011 §¡¢£¡¥ÇºÁµÂÃÁºÅµfocus ¦ ££¥«DearÆÀ÷Ãź¹µ¿Ë½ colleagues½ ƹÐÁ˾ÄÕÆ¹ØÐ¹ÊËÕŹ˾ÉÁ¹Äǻʾ¼Ç½ÆØÑƾ¼Ç¬¿¾It¬¿¾ is our »» ȾɻԾȾɻԾ great pleasure ½ÆÁ½ÆÁ ÆÇ»Ç¼ÇÆÇ»Ç¼Ç to present ¼Ç½¹¼Ç½¹ ƹŠƹŠtoday ɾ½¹ÃÏÁÁɾ½¹Ã the secÏÁÁ- Ë¾ÎÆÁÃǦǾÊÄÁ¿¾¼Ç»ÇÉÁËÕÇùоÊË»¾ÊǨ¾É»ÔÂdramatically–¨¾É»Ô ÆÇžɯÇÅ¾É it become $POUFOU$POUFOU 3FQPSUstronger3FQPSU »ÔÎǽÁË»ÔÎǽÁË in terms »» of ùÆÌÆÃ ¹ÆÌpurÆ- RКe¢£§§¥ ±¢°ИНОТЕ v i v a l АТРo f a АЛЬНЫ n i m a tЙ i o n ÆÇžɹ$POUFOU3FQPSU ÊɹÀÌÊ˹ÄÇÈÇÆØËÆÇ ÐËÇ»Åond$POUFOU issue3FQPSU ÈÇÊ»ØÒ¾Æ¹ of CIS:ÊɹÀÌ ContentÊ˹ÄÇ Ë¾Ä¾»ÁÀÁÇÆÆÇÅÌ Report.ÈÇÆØËÆÇ ThankÐËÇ» ÈÉǽ¹Ã you forÅ ½¾É¿¹Ë¾ÄÕÆÇ¼ÇªË¹ÉǼǦǻǼǼǽ¹ ÃÇËÇÉÔ ƹÃÇÆ¾ÏËÇ À¹chaseªË¹ÉÇ¼Ç abilities,¦Ç»Ç¼Ç more ƹÈÇÄÆ¾ÆÁؼǽ¹ interestingÃÇËÇÉÔ Á ƹÃÇÆ¾ÏËÇ ÊÅÔÊĹin terms ÈÉÇÁÀof coÀ¹- £g¥°¢£РЫН e£ n ¥RОe§ ¢ ±¢ Кin В ¨R УuК s¥¢Р s АИН i a aЕ n£: d £ ÑÆÌÈɾ¿½¾»Ê¾¼ÇÖËÇÀ¹Å¾ËÆÇÁÀÃÇÄÁоÊË»¹»Ê¾ÅԺ̽¾ÅÌʾɽÆÇÁƾÌÊË¹ÆÆÇËÉ̽ÁËÕÊØ ¹your»Ê¾ÅÔ kindºÌ½¾Å repliesÌʾɽÆÇ and registrationsÁƾÌÊË¹ÆÆÇ ËÉ̽ÁËÕÊØfor free trials. -
Sensory-Somatic Enhancers As an Alternative to Rational and Emotional Ones
SHS Web of Conferences 104, 03005 (2021) https://doi.org/10.1051/shsconf/202110403005 ICHTML 2021 Foreign language virtual teaching optimization: sensory-somatic enhancers as an alternative to rational and emotional ones 1 1, 2 3 Nataliia Slukhai , Liudmyla Slavova ∗, Sergii Slukhai , and Maryna Omelianchuk 1Institute of Philology, Taras Shevchenko National University of Kyiv, 14 Shevchenko Blvd., Kyiv, 01601, Ukraine 2Faculty of Economics, Taras Shevchenko National University of Kyiv, 90a Vasylkivska Str., Kyiv, 03022, Ukraine 3Potebnia Institute of Linguistics of the National Academy of Sciences of Ukraine, 4 Hrushevsky Str., Kyiv, 01001, Ukraine Abstract. Based on the use of potentials of human analogue thinking and cognitive effects as an indispensable component of the cognitive activity, the article considers atypically located in the frame structure and sugges- tively loaded rational and emotional motivators for learning a foreign language. The article focuses on sensory- somatic enhancers of the new information reception. It is shown that stimulation of the analogue language learning is mostly successfully carried out with suggestive or emotional motivation, as well as through visual, audio, kinesthetic channels alongside with the verbal one during games. It is proved that such games were used in the history of human ontogenesis. Game resources of virtual reality are considered as new stimulating sug- gestions, since a game is a way to detach from the profane in favor of the sacred information space. The ways of optimization of virtual foreign language learning by means of sensory-somatic enhancers are described. 1 Introduction of educational concepts has been developed with the fo- cus on self-study: self-directed learning, self-determined Observing the foreign languages learning process in the learning, self-regulated learning. -
F I L M O T E C a E S P a Ñ O L A
F I L M O T E C A E S P A Ñ O L A Sede: Cine Doré C/ Magdalena nº 10 c/ Santa Isabel, 3 28012 Madrid 28012 Madrid Telf.: 91 4672600 Telf.: 913693225 Fax: 91 4672611 913691125 (taquilla) [email protected] 913692118 (gerencia) http://www.mcu.es/cine/MC/FE/index.html Fax: 913691250 Precio Normal: 2,50€ por sesión y sala 20,00€ abono de 10 sesiones. Estudiante: 2,00€ por sesión y sala 15,00€ abono de 10 sesiones. Horario de taquilla: MINISTERIO DE EDUCACIÓN, CULTURA Y DEPORTE 16.15h. hasta 15 minutos después del comienzo de la última sesión. PROGRAMACIÓN A los10 minutos de comenzada la sesión no se venderán entradas para la noviembre misma. 2014 Venta anticipada 1/3 del aforo para las sesiones del día siguiente. De 21.00 hasta cierre de taquilla (mínimo 21.30) Horario de cafetería: 21.00 h. hasta cierre de la taquilla para las sesiones del día siguiente hasta un tercio del aforo. 16.00 h. – 23.00 h. Horario de librería: 17.00h – 22.00h Tel.: 634595636 [email protected] Lunes(cerrado) (*) Subtitulado electrónico NOVIEMBRE 2014 Las sesiones anunciadas pueden sufrir cambios debido a la diversidad de la procedencia de las películas programadas. Las copias que se exhiben son las de mejor calidad disponibles. Las duraciones que figuran en el programa son aproximadas. Los títulos originales de las películas y los de su distribución en España figuran en negrita. Los que aparecen en cursiva corresponden a una traducción literal del original o a títulos habitualmente utilizados en español. -
Project Deliverable D2.3B
Project Deliverable D2.3b Project Number: Project Acronym: Project Title: Information Technologies to Open Knowledge for Eastern 231665 ISTOK-SOYUZ Europe and Central Asia Instrument: Thematic Priority SUPPORT ACTION INTERNATIONAL COLLABORATION Title D2.3b. Final report about networking and liaison activities with stakeholders Contractual Delivery Date: Actual Delivery Date: Month 30 (June 2011) Month 30 (June 2011) Start date of project: Duration: January, 1st 2009 30 months Organization name of lead contractor for this deliverable: Document version: RTTN V2.0 Dissemination level ( Project co-funded by the European Commission within the Seventh Framework Programme) PU Public X PP Restricted to other programme participants (including the Commission) RE Restricted to a group defined by the consortium (including the Commission) CO Confidential, only for members of the consortium (including the Commission) ISTOK-SOYUZ D2.3b. Final report about networking and liaison activities 231665 ISTOK-SOYUZ with stakeholders Authors (organizations) : Oleg LUKSHA (RTTN) - Chapter 1, 2, 3.1, 4 Anton YANOVSKY, Gennady PILNOV (RTTN), Nikolay PAKULIN (ISPRAS) – Chapter 3.1 (Russia) , 3.3 (Central Asia) Anna Hovakimyan (YSU) – Chapter 3.4 (Armenia) Alexander Uspenskiy (RCTT) – Chapter 3.3 (Belarus) Timur Shalabayev (NIF) – Chapter 3.5 (Kazakhstan) Nadya Yefimova (TBI) – Chapter 3.2 (Ukraine) Validated by: Svetlana KLESSOVA (inno AG) The present paper describes the project approach and concrete networking and liaison activities with relevant national stakeholders implemented by ISTOK-SOYUZ project in all addressed countries. It also includes description of activities planned by partners behind of the project end. These activities reflect sustainability of the achieved results came from networking and liaison activities realized by ISTOK-SOYUS project.