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Post-Punk Britain 1975-Present - V1420 - Lucy Robinson | Sussex University 09/30/21 Post-Punk Britain 1975-present - V1420 - Lucy Robinson | Sussex University Post-Punk Britain 1975-present - V1420 - View Online Lucy Robinson Adams, R. (2008a). The Englishness of English punk: Sex Pistols, subcultures, and nostalgia. Popular Music and Society, 31(4), 469–488. https://doi.org/10.1080/03007760802053104 Adams, R. (2008b). The Englishness of English punk: Sex Pistols, subcultures, and nostalgia. Popular Music and Society, 31(4), 469–488. https://doi.org/10.1080/03007760802053104 Albertine, V. (2015). Clothes, Clothes, Clothes, Music, Music, Music, Boys, Boys, Boys. Faber & Faber. Albiez, S. (2003). Know history!: John Lydon, cultural capital and the prog/punk dialectic. Popular Music, 22(3), 357–374. http://www.jstor.org.ezproxy.sussex.ac.uk/stable/3877580 Albiez, S. (2006). Print the truth, not the legend. The Sex Pistols: Lesser Free Trade Hall, Manchester, June 4, 1976. In I. Inglis (Ed.), Performance and Popular Music: History, Place and Time: Vol. Ashgate popular and folk music series (pp. 92–106). Ashgate. https://contentstore.cla.co.uk/secure/link?id=ec23bb39-3b0e-e711-80c9-005056af4099 Albiez, S. (2012a, March 4). Print the truth, not the legend: Sex Pistols: Lesser Free Trade Hall. 4 June 1976. https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnx zZWFuYWxiaWV6fGd4OjRmNWI5NTE5ZmI0OTU3NDk&pli=1 Albiez, S. (2012b, March 4). Print the truth, not the legend: Sex Pistols: Lesser Free Trade Hall. 4 June 1976. https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnx zZWFuYWxiaWV6fGd4OjRmNWI5NTE5ZmI0OTU3NDk&pli=1 Albiez, S. (2012c, March 4). Print the truth, not the legend: Sex Pistols: Lesser Free Trade Hall. 4 June 1976. https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnx zZWFuYWxiaWV6fGd4OjRmNWI5NTE5ZmI0OTU3NDk&pli=1 Albini, S. (1997). Commodify Your Dissent | Ch: ‘The problem with music’. In M. Weiland & T. Frank (Eds.), Commodify Your Dissent: Salvos from ’The Baffler" (pp. 164–176). W.W.Norton. https://contentstore.cla.co.uk/secure/link?id=5c484992-350e-e711-80c9-005056af4099 Allen, R. (1993). The Complete Richard Allen, vol. 2: ‘Skinhead Girls’, ‘Sorts’, ‘Knuckle 1/36 09/30/21 Post-Punk Britain 1975-present - V1420 - Lucy Robinson | Sussex University Girls’: Vol. 2: ‘Skinhead Girls’, ‘Sorts’, ‘Knuckle Girls’. S.T. Publishing. Almond, M. (1999). Tainted Life. Sidgwick & Jackson. Anderson, S. (2003). Television Histories | Ch: ‘History TV and popular memory’. In G. R. Edgerton & P. C. Rollins (Eds.), Television Histories: Shaping Collective Memory in the Media Age (pp. 19–36). University Press of Kentucky. Ant, A. (2007). Stand & Deliver: the Autobiography ([Updated ed.]). Pan. Aston, M. (2013). Facing the Other Way: the Story of 4AD. The Friday Project. Atton, C. (2010). Popular music fanzines: genre, aesthetics, and the ‘democratic conversation’. Popular Music and Society, 33(4), 517–531. https://doi.org/10.1080/03007761003694316 Attwood, F. (2007). Sluts and Riot Grrrls: female identity and sexual agency. Journal of Gender Studies, 16(3), 233–247. https://doi.org/10.1080/09589230701562921 Back, L. (2000). Voices of hate, sounds of hybridity: black music and the complexities of racism. Black Music Research Journal, 20(2), 127–149. http://www.jstor.org.ezproxy.sussex.ac.uk/stable/779464 Baker, S., & Huber, A. (2013a). Notes towards a typology of the DIY institution: identifying do-it-yourself places of popular music preservation. European Journal of Cultural Studies, 16(5), 513–530. https://doi.org/10.1177/1367549413491721 Baker, S., & Huber, A. (2013b). Notes towards a typology of the DIY institution: identifying do-it-yourself places of popular music preservation. European Journal of Cultural Studies, 16(5), 513–530. https://doi.org/10.1177/1367549413491721 Barnard, M. (1996). Chapter 6 ‘Fashion, clothing and social revolution’. In Fashion as Communication. Routledge. Baron, S. W. (1989). Resistance and its consequences: the street culture of punks. Youth & Society, 21(2), 207–237. https://doi.org/10.1177/0044118X89021002005 Bayton, M. (1998). Frock Rock: Women Performing Popular Music. Oxford University Press. Becker, S. (2012). Editor’s Note: ‘The world’s a mess it’s in my kiss': punk women and why they matter. Women’s Studies, 41(2), 117–120. https://doi.org/10.1080/00497878.2012.636326 Beer, D. (2014). Punk Sociology. Palgrave Pivot. Bell, D., & Valentine, G. (1995). Mapping Desire: Geographies of Sexualities. Routledge. Bennett, A. (1999). Subcultures or neo-tribes? Rethinking the relationship between youth, style and musical taste. Sociology, 33(3), 599–617. https://doi.org/10.1177/S0038038599000371 2/36 09/30/21 Post-Punk Britain 1975-present - V1420 - Lucy Robinson | Sussex University Bennett, A. (2004). Consolidating the music scenes perspective. Poetics, 32(3-4), 223–234. https://doi.org/10.1016/j.poetic.2004.05.004 Bennett, A. (2006). Punk’s not dead: the continuing significance of punk rock for an older generation of fans. Sociology, 40(2), 219–235. https://doi.org/10.1177/0038038506062030 Bennett, A. (2009a). As young as you feel: youth as a discursive construct. In P. Hodkinson & W. Deicke (Eds.), Youth Cultures: Scenes, Subcultures and Tribes: Vol. Routledge Advances in Sociology. Routledge. Bennett, A. (2009b). As young as you feel: youth as a discursive construct. In W. Deicke & P. Hodkinson (Eds.), Youth Cultures: Scenes, Subcultures and Tribes: Vol. Routledge Advances in Sociology. Routledge. Bennett, A. (2009c). ‘Heritage rock’: rock music, representation and heritage discourse. Poetics, 37(5-6), 474–489. https://doi.org/10.1016/j.poetic.2009.09.006 Bennett, A. (2011). The post-subcultural turn: some reflections 10 years on. Journal of Youth Studies, 14(5), 493–506. https://doi.org/10.1080/13676261.2011.559216 Bennett, A. (2013). Music, Style, and Aging: Growing Old Disgracefully? Temple University Press. http://eu01.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pa ckage_service_id=10397752260002461&institutionId=2461&customerId=2460 Bennett, A., & Hodkinson, P. (2012). Ageing and Youth Culture: Music, Style and Identity (English edition). Berg. Bennett, A., & Peterson, R. A. (2004a). Music Scenes: Local, Translocal and Virtual (1st ed). Vanderbilt University Press. https://ebookcentral.proquest.com/lib/suss/detail.action?docID=3039989 Bennett, A., & Peterson, R. A. (2004b). Music Scenes: Local, Translocal and Virtual (1st ed). Vanderbilt University Press. https://ebookcentral.proquest.com/lib/suss/detail.action?docID=3039989 Bennett, A., & Stratton, J. (2010). Britpop and the English Music Tradition. Ashgate. https://ebookcentral.proquest.com/lib/suss/detail.action?docID=564095 Benyon, J. (1984). Scarman and After: Essays Reflecting on Lord Scarman’s Report, the Riots, and their Aftermath (1st ed). Pergamon Press. Berger, G. (2009). The Story of Crass. PM Press. http://www.loc.gov/catdir/enhancements/fy1010/2008934200-b.html Bernie ̀ re, V., Primois, M., & Roberts, A. F. (2013). Punk Press: Rebel Rock in the Underground Press, 1968-1980 (English-language edition). Abrams. Bestley, R. (2011). From ‘London’s Burning’ to ‘Sten Guns in Sunderland’. Punk & Post 3/36 09/30/21 Post-Punk Britain 1975-present - V1420 - Lucy Robinson | Sussex University Punk, 1(1), 41–71. https://doi.org/10.1386/punk.1.1.41_1 Bestley, R., & Ogg, A. (2012). The Art of Punk: the Illustrated History of Punk Rock Design. Voyageur Press. BFI. (n.d.). Anarchy in the UK. http://www.bfi.org.uk/archive-collections/introduction-bfi-collections/bfi-mediatheques/anar chy-uk Bill Grundy interviews the Sex Pistols, 1 December 1976 (Youtube). (n.d.). http://www.youtube.com/watch?v=0knFHyDD150 Black, P. (2012). Black by Design: a 2-Tone Memoir. Serpent’s Tail. Blake, M., & Harry, D. (2008). Punk: the Whole Story. DK Publishing. Boëthius, U. (1995). Youth Culture in Late Modernity | Ch: ‘Youth, the media and moral panics’. In J. Fornas & G. Bolin (Eds.), Youth Culture in Late Modernity (pp. 39–57). Sage. Bovey, S. (2006). ‘Don’t tread on me’: the ethos of '60s garage punk. Popular Music and Society, 29(4), 451–459. https://doi.org/10.1080/03007760600787515 Boym, S. (2002). The Future of Nostalgia. BasicBooks. Brake, M. (1980). The Sociology of Youth Culture and Youth Subcultures: Sex and Drugs and Rock ‘n’ Roll? Routledge and Kegan Paul. Brandellero, A., & Janssen, S. (2013). Popular music as cultural heritage: scoping out the field of practice. International Journal of Heritage Studies, 1–17. https://doi.org/10.1080/13527258.2013.779294 Brewster, B., & Broughton, F. (2000). Last Night a DJ Saved my Life: the History of the Disc Jockey (Updated ed). Headline. Bridger, S. (Ed.). (2 C.E.). Punk Britannia: 2. Punk 1976-1978. In BoB : Learning on Screen (Issue Episode 2). BBC4. https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp.sussex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F029F5AA0%3Fbcast%3D92702054 Brighton Podcasts - VisitBrighton. (n.d.). http://www.visitbrighton.com/things-to-do/walking-guides/podcasts Brill, D. (2009). Gender status and subcultural capital on the Goth scene. In P. Hodkinson & W. Deicke (Eds.), Youth Cultures: Scenes, Subcultures and Tribes: Vol. Routledge advances in sociology (pp. 111–125). Routledge. Brody, N., & Wozencroft, J. (1988). The Graphic Language of Neville Brody. Thames and Hudson. Browne, K. (2007). A party with politics? (Re)making LGBTQ Pride spaces in Dublin and Brighton. Social & Cultural Geography, 8(1), 63–87. 4/36 09/30/21 Post-Punk Britain 1975-present - V1420 - Lucy Robinson | Sussex University https://doi.org/10.1080/14649360701251817 Brown, J. (2011). ‘Brown girl in the ring’: Poly Styrene, Annabella Lwin, and the politics of anger. Journal of Popular Music Studies, 23(4), 455–478. https://doi.org/10.1111/j.1533-1598.2011.01306.x Brown, T. S. (2004). Subcultures, pop music and politics: skinheads and ‘Nazi Rock’ in England and Germany. Journal of Social History, 38(1), 157–178. http://www.jstor.org.ezproxy.sussex.ac.uk/stable/3790031 Bull, G., & Baxter, M.
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