DOCSLIB.ORG

MUSIC WEEK MAY 19, 1984 Album Tern Rulings Outside Top 20 End Top 50:- •• Good, ••Loir -Poor Soles Predicted in Oivn Specialist Market

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MUSIC WEEK MAY 19, 1984 Album Tern Rulings Outside Top 20 End Top 50:- •• Good, ••Loir -Poor Soles Predicted in Oivn Specialist Market MUSIC WEEK MAY 19, 1984 Album tern rulings outside Top 20 end Top 50:- •• good, ••loir -poor soles predicted in oivn specialist market. Star rating under General■ heading indicates sales potential in general pop rock market, mlh • • •rating indicating onny Into lite lonicr hall ■ of chart only. High Road To China is the new film starring Tom "Magnum" Solleck and the music has been composed by that well- TOP 50 known film score veteran, John Barry. Nostalgia That's Entertainment Records has proved BRUCE FOXTON the sales potential in this area of the Touch Sensitive. Arista 206251. music market and A&R plans to release NOEL COWARD Producers: Stan Shaw/Steve Lilly- both new scores and re-issues of classic The Revues. World Records SHB 44. white. Mild-mannered rock from the film music. VARIOUS former Jam bassist. It's pleasant enough Film Themes of the 40's and 50's. SH in a conventional format, but lacks CHAIRMAN OF THE BOARD 384. dynamism — even on those tracks with Salute The General. HDH/Demon LOUIS ARMSTRONG production supremo Lillywhite at the Records LP 001. Distribution: Rough The Legend 1925-26. SH 404. controls. Ultimately a little disappointing, Trade and the Cartel. Recordings JOE LOSS but will chart, as his singles have, on the originally released on the Holland-Dozier- Party Dance Time, SH 1078251. strength of the Jam connection. Holland label Invictus now making their FELIX MENDELSSOHN FELA ANIKULAPO KUTI reappearance on vinyl via the HDH label Serenade to Hawaii, SH 1078261. Live In Amsterdam. EMI FELA 24 0129 deal with Demon. Includes of course their SEMPRINI 3. Producer: artist Lavish gatefold 2-LP big UK hits. Give Me Just A Little More Concert Hour. SH 1078281. from one of the big three African names Time and (You've Got Me) Dangling On A selection from the excellent Retrospect (along with King Sunny Ade and Chief i A String. Also re-issued on HDH is Freda series on World Records which EMI is Ebenezer Obey), this combines all the THE PSYCHEDELIC FURS (above) Payne's Band Of Gold (LP 002). Both now marketing strongly. excitement of one of the Black Mirror Moves. CBS 25950. releases will be welcomed by fans who The Coward is a mono 2LP, and is a President's gigs without all the intermin- Producer: Koith Forsoy. remember the recordings first time cherishable collection which features the able waiting around that he often inflicts TOP 20 BOB MARLEY and the WAILERS around — and maybe the newer master himself on most tracks and the on his audience. An impressive blend of Legend. The Best Of. Island BMW 1. generation of record buyers too. titles of the other LPs all speak for them- jazz funk and African music with sweet HUMAN LEAGUE •• (both albums) selves quite eloquently. Excellent backing vocals from four of the artist's Hysteria. Virgin V2315. JERMAINE JACKSON nostalgia stock. wives. Well-timed for the summer and Dynamite. Arista 206 317. VARIOUS after Fela's UK tour not long ago. this Phil Guy. Bad Luck Boy. JSP Records should chart. HANOI ROCKS JOE "KING" CARRASCO & 1061 (direct from 112 Sunny Gardens Ail Those Wasted Years. Johanna THE CROWNS Road, London NW4). VARIOUS HANOI DLP 1 (import-available through Tales From The Crypt. ROIR A A-128. Lightnin' Hopkins. Electric Lightnin', Judy Garland At The Grove. Capitoi Jungle Records). Two-album live set Producer Joe Nick Patoskl. Summer's JSP 1067. CAPS 26 00071. that includes Mental Beat, Malibu Beach here and the time is right for dancing to Various. Downhome Blues. JSP 1068. Dinah Shore and Andre Previn. Songs Indies Nightmare, 11th Street Kids and Train the happy sounds of the Southern states Louis Jordan. Jump 'n' Jive. JSP In A Midnight Mood. Capitol CAPS 26 Kept A Rolling, plus other in concert of America. JKC will be familiar to a 1069. 00081. VARIOUS favourites. broader circle than just Tex-Mex Walter Horton. The Deep Blues Dakota Staton. The Late Late Show. Auftakt. East-West Records EWLP 1. enthusiasts after his Stiff tour of a few Harmonica. JSP 1071. Capitol CAPS 26 00101. Distribution: Pinnacle. Compilation years back. And of belter sound quality More collectable titles from the specialist This Is June Christy. Capitol CAPS 26 album to introduce Cherry Red Records' TIM STORY than the average from this tape-only blues label, JSP, which is run by John 0051 1. new East West Trading Company label Untitled. Unitorn U 024. Distribution: outfit. Tales could do well with the onset Stedman in North London. The main More worthwhile releases from the .which specialises in non-UK product. The Pinnacle. If any of the tracks on this LP of summer and the renewed interest in point of interest is that the albums are not Capitol Records archives that will delight acts featured here are mainly German — were taken up as the theme tune to some ethnic American music. archive material but recent recordings. record collectors throughout the country. Alvi & The Alviettes, Die Zwei, Strafe Fur TV drama (and many are eminently suit- The Horton record was made in a Garland At The Grove includes Zingl Rebellion and Camp Sophisto. A good able), this LP could be a sort of Chicago club in the late Sixties and has Went The Strings Of My Heart, and You taster of things to come. Norwegian Tubular Bells. As it is, unless VARIOUS never been previously issued while the Made Me Love You Medley and, of some enterprising producer picks up on 50 Classic Pub Songs. A&R Records Lightnin' Hopkins set, also unissued course. Over The Rainbow. Garland was DAVE BROCK it, it will fade into obscurity. A one-man PUB 50. Distribution: Spartan. before, is a Sixties studio session. The one of the few artists who always came Earthed To The Ground. Flicknife production, right down to the cover illus- Following the old Stars & Garters style, name of Louis Jordan was brought to a over better live than in the studio SHARP 018. Distribution; Pinnacle. tration, Untitled is a gentle keyboards this LP features various medleys of all- new generation of fans via Joe Jackson's Dinah Sings — Previn Plays includes More a fifth-form imagery from Hawk- dominated-LP, which could potentially time family favourites (Roll Out The Jumpin' Jive LP, and this JSP album, standards like That Old Feeling, The Man wind mainman Brock. With track titles have across the board appeal. A little too Barrel, Auld Lang Syne, etc) and it recorded in 1974, features one of the late I Love and Melancholy Baby — great late- like Oscillations, Green Finned Demon drowsy at times, the inclusion of the best sounds like a good time was had by all. legend's last live dates. The compilation night music, as is the Dakota Staton LP, and Machine Dream it seems (and track, the strangely clerical Seventh album, Downhome Blues, includes originally released in 1957. This Is June sounds) like only yesterday since Silver Chance, on Uniton's forthcoming OST material by Lightnin' Hopkins, John Lee Christy features more Fifties recordings sampler should introduce Story to the High Road To China. A&R Records Hooker and Louisiana Red — all tracks by a singer whose catalogue has been Machine. Hawkwind fans are loyal FILM 001. Distribution: Spartan. A new again previously unissued. much neglected in recent years. enough to give this one reasonable sales. UK. label specialising in the OST market — •• (each album) " * * (each album) Edited by BARRY LAZELL RADIO Product Pointing the way news BREAK MACHINE: Break SOME NEW imports worth watching out Dance Party Record Shack" for include several releases by familiar EVERYTHING BUT THE GIRL: THE BANK holiday had the sound, to the extent that the newie chart into something of a family dancefloor names. On the 12-inch front, Each And Every characteristic braking effect on chart has taken the pop chart by storm affair, with Bobby's brother Cecil the currently-charted SOS Band have a One bianco y negro movements, with a lower than usual almost before the club DJs and the sitting strongly at five with their US newie with For Your Love (Tabu); the EDDY GRANT: Romancing turnout of new entries. However, dance audience discovered it. Still, once-again-hot Love Wars package. Trammps return on a Dutch label there are still notable moves with the its entry on the disco singles chart at Both albums, of course, are also (Injection) with Move; Herbie Hancock The Stone Ice 34 is almost certain to herald another showing strongly on the pop album has a new Mega-Mix (by Grandmaster LOOSE ENDS: Emergency Pointer Sisters stealing the top slot DST) which bears little relation to the (Dial 999) Virgin from Jocelyn Brown on the singles top 10 place next week, and possibly chart. British mix released last year (US THE O'JAYS: Extraordinary chart at the same time as their Break a second chart-topper. Love Wars has already produced a Columbia); the O'Jays offer Extraordinary Girl Philadelphia International Out album crashes the LP list at Among the other new entries, fast-rising hit single with its title Girl (Philadelphia Int); and Evelyn King POINTER SISTERS: number three. Elbow Bones also returns with his tracks, but it is still not clear yet has a remixed Shake Down (RCA). Automatic Planet The Pointers tend to hit rather follow-up — again getting less radio when (or if) a single will be extracted The biggest recent import album is intermittently in Britain (Slow Hand push (so far) than its predecessor, from The Poet II. If dancefloor Rose Royce's Music Magic (Montage), DENIECE WILLIAMS; Let's while the Detroit Spinners have the reaction alone is the gauge which which has already made an LP chart entry Hear It For Thfe Boy CBS and Fire were three and five years highest new entry at 29 with Right at number 19 this week, and is outselling TERRI WELLS: I'll Be Around ago respectively), but when they are Motown will use, then Tell Me Why the 12-inch-extracted New Love.
Load more

Recommended publications
  • Mow!,'Mum INN Nn
    mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show.
    [Show full text]
  • Hawkwind – 50Th Anniversary Live
    Hawkwind – 50th Anniversary Live (58:39 + 48:56, CD, Vinyl, Cherry Red Records, 2020) So kennt man die Space-Rock- Urgesteine. Da feiern Hawkwind ihr 50-jähriges Jubiläum, aber statt darum ein Riesenbrimborium zu veranstalten bauen die Mannen um Dave Brock völlig unprätentiös eine Setlist aus einiges unverwüstlichen Klassikern, aber ebenfalls Material des aktuellen Studioalbums „All Aboard The Skylark“ zusammen. Optisch ansprechend verpackt mit einer Laserhsow, dazu als Gast den langzeitig freundschaftlich verbundenen Kompagnon Phil Campbell – seines Zeichens Gitarrist bei Motörhead – und fertig ist das individuelle Geburtstagspaket. Der Mitschnitt zu diesem Livealbum entstand auf dem Abschlusskonzert der „50th Anniversay Tour“ im November 2019 in der legendären Royal Albert Hall in London. Es steht zwar „50“ drauf, aber letztendlich steckt natürlich etwas weniger drinnen. Denn Hawkwind streifen eben nur einige Stationen ihrer umfangreichen Karriere, setzen zwar in erster Linie auf die Klassiker der 70er wie z.B. ‚Born To Go‘, ‚Space Is Deep‘, ‚Spirit Of The Age‘, ‚The Watcher‘, ‚Silver Machine‘ oder die beiden Doppelpacks ‚Assault And Battery / The Golden Void‘ und ‚Master Of The Universe / Welcome To The Future‘. Doch genauso bekommen insgesamt fünf Stücke aus „All Aboard The Skylark“ ihr Recht. Letztendlich ist dies ein teilweise übergangslos ineinander greifender Mix aus offensichtlichen Klassikern, wenngleich ohne die ganz großen Überraschungen. Dazu noch ein kurzes Blitzlicht in die 80er und 90er, angereichert um aktuelle Stücke. Immerhin gedenkt man beim unverwüstlichen ‚Silver Machine‘ dem legendären ehemaligen Bandmitglied Lemmy Kilmister, wobei ebenfalls der typische augenzwinkernde Humor nicht fehlen darf. Denn der bei diesem Stück den Gesang übernehmende Schlagzeuger Richard Chadwick kontert ganz locker die Frage „Richard verliert seine Stimme, möchtest Du noch ‚Silver Machine‘ singen?“ mit einem klaren „Es geht noch“ und schon geht die sprichwörtliche und gut geölte Space-Rock-Post, der Trip in weite Sphären, mit Volldampf ab.
    [Show full text]
  • Break Machine Break Dance Party Mp3, Flac, Wma
    Break Machine Break Dance Party mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop Album: Break Dance Party Country: US Released: 1984 Style: Breaks, Electro MP3 version RAR size: 1655 mb FLAC version RAR size: 1978 mb WMA version RAR size: 1741 mb Rating: 4.7 Votes: 179 Other Formats: APE FLAC AAC MP2 AIFF ASF AU Tracklist A1 Break Dance Party 6:34 A2 Street Dance 6:28 A3 Are You Ready 5:47 B1 Break Your Body Down 5:36 B2 Let Your Body Move 5:04 B3 Let's Break The Ice 5:05 B4 Break Dance Party (Part. 2) 4:20 Credits Engineer – Bill Scheniman Engineer [Assistant] – Dave Greenberg, Sehra Yun Producer – Jacques Morali Notes Produced by Jacques Morali (Toutoune Productions) for Can't Stop Productions, Inc. Executive producer: Henri Belolo. Arranger / assistant producer: Fred Zarr. Recorded at Power Station, NYC. Mixed at Power Station, NYC & Continental Studio, Paris. Engineer: Bill Scheniman, assisted by David Greenberg & Sehra Yun. Other versions Category Artist Title (Format) Label Category Country Year Break Break Dance PL 70369 RCA Victor PL 70369 Sweden 1984 Machine Party (LP, Album) Break Break Dance (LP, 6002 Gira 6002 Portugal 1984 Machine Album) Break Break Dance Incolve (Industria Musical PM-1024 PM-1024 Colombia 1984 Machine Party (LP, Album) Colombo-Venezolana) Break Dance Break VPK1 6681 Party (Cass, RCA Victor VPK1 6681 Australia 1984 Machine Album) Break Break Dance RCA Limited Australia and VPL1 6681 VPL1 6681 Australia 1984 Machine Party (LP) New Zealand Related Music albums to Break Dance Party by Break Machine Various - Les N° 1 Eté 84 Break Machine - Break Dance Party / Street Dance Pita - (Break) Trans-X / Franek Kimono - 3-D Dance / Break - Dance Break Machine - Break Machine Dr.
    [Show full text]
  • (159) [PL5] Sample Some Of
    Sample Some Of This, Sample Some Of That (160) [PL6] ✔ INEZ FOXX / Let Me Down Easy [Volt/Stax (LP)] PHFNG / Nie lubię [phfng (LP)] JOHN COLTRANE w/ Duke Ellington / My Little Brown Book [Impulse! (LP)] KAZIK / Na każdy temat [S.P. Records (LP)] JOHN COLTRANE QUARTET / Feelin' Good [UMG (LP)] FISZ / Bla bla bla [Asfalt (LP)] KRZYSZTOF KOMEDA / Niekochana [Power Bros. (LP)] FISZ / Bla bla bla (DJ 600V w autobusie remix) [Asfalt (LP)] DIONNE WARWICK / The Look Of Love [Duchesse (LP)] PEJA - SLUMS ATTACK / WOS [T1-teraz (LP)] BETTYE LAVETTE & HANK BALLARD / Hello, Sunshine [Charly (LP)] LUCJAN & SYMONO f/ Rico / Bądź luksusowy (remix) [Yaneck (LP)] GEORGE BENSON / The Changing World [CTI (LP)] DJ 600V f/ Tede / Świat zwariował w 23 lata (e?!) [RRX (LP)] PHFNG f/ Dwa Sławy / Teściowa (I used to love h.e.r.) (remix) [phfng (LP)] Sample Some Of This, Sample Some Of That (159) [PL5] ✔ VLADIMIR VYSOTSKY / Dom chrustalnyj [Melodija (LP)] KALIBER 44 / Konfrontacje [S.P. Records (LP)] SHARON REDD / Takin' A Chance On Love [Prelude (LP)] DJ 600V f/ Jajo, Grubas, Gano (HaiHaieR) / Nie jestem kurwa biznesmenem [RRX (LP)] JERZY MILIAN TRIO / Rewelacyjny Luciano [Polskie Nagrania (LP)] DJ 600V f/ Jajo, Grubas, Gano (HaiHaieR) / Nie jestem kurwa biznesmenem (remix) [RRX (LP)] NINA SIMONE / Four Women (DJ OBaH's Recycled Funk remix) [Bstrd Boots Nuggets! (7")] FISZ EMADE / Heavi Metal [Asfalt (LP)] BERNARD PURDIE / Lialeh [Light In The Attic (LP)] SINY f/ Roszja / Aleja życia [Blend (LP)] KLEEER / Tonight [Atlantic (LP)] TRZYHA/WARSZAFSKI DESZCZ / Sobota [RRX (LP)] SÈYFU YOHANNÈS / Mèla Mèla [Buda Musique (LP)] POE (PROJEKT OSTRY EMADE) / Nadzieja [Asfalt (LP)] ENNIO MORRICONE / Main Theme ("A Fistful Of Dynamite", O.S.T.) [Decca (LP)] PEJA - SLUMS ATTACK / Mój rap, moja rzeczywistość [T1-teraz (LP)] Sample Some Of This, Sample Some Of That (158) [PL4] ✔ SILNA GRUPA POD WEZWANIEM / Rozprawa o robokach [Polskie Nagrania Muza (LP)] KAZIK / Wewnętrzne sprawy [S.P.
    [Show full text]
  • Break Machine Break Machine Mp3, Flac, Wma
    Break Machine Break Machine mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop Album: Break Machine Country: UK Released: 1984 Style: Breaks, Electro MP3 version RAR size: 1303 mb FLAC version RAR size: 1713 mb WMA version RAR size: 1324 mb Rating: 4.4 Votes: 513 Other Formats: VOC AUD APE VQF AA XM DTS Tracklist A1 Break Dance Party 6:34 A2 Street Dance 6:28 A3 Are You Ready 5:47 B1 Break Your Body Down 5:36 B2 Let Your Body Move 5:04 B3 Let's Break The Ice 5:05 B4 Break Dance Party (Part 2) 4:20 Companies, etc. Mastered At – Musitech Distributed By – IDS Produced For – Can't Stop Productions Recorded At – Power Station Mixed At – Continental Studio Published By – Record Shack Music Published By – Jess Music (Leosong) Phonographic Copyright (p) – Can't Stop Productions Copyright (c) – Can't Stop Productions Credits Arranged By [Arranger], Producer [Producers Assistant] – Fred Zarr Design [Cover Design] – Torchlight, London* Engineer – Bill Scheniman Engineer [Assisted By] – D. Greenberg*, Sehra Yun Executive-Producer – Henri Belolo Lyrics By – Henri Belolo, Keith Rodgers Music By – Fred Zarr, Jacques Morali Performer [Break Machine Are] – Cortez*, Lindell Blake, Lindsay Blake Photography By – Max Colin Producer – Jacques Morali Notes Produced by Jacques Morali (Toutoune Productions) for Can't Stop Productions N.Y.C. Recorded at: Power Station N.Y.C. Mixed at: Continental Studios, Paris. U.K. Publishers: Record Shack Music/Jess Music (Leosong) ℗ 1984 Can't Stop Productions © 1984 Can't Stop Productions Manufactured in the UK (labels) © Record Shack Music/Jess Music (Leosong) (sleeve) © Record Shack Music/Jess Music (Leosongs) Housed inside stickered picture sleeve.
    [Show full text]
  • Capturing Hip Hop Histories
    capturing hip hop histories SOUTH-WEST HEADZ Master Blast Roadshow poster by Raz (Kilo), 1986. Photograph: Kilo. First published 2021 2021 Adam de Paor-Evans Cover graff by Remser Remser started writing in 1997 after seeing dubs and pieces by Sceo, Fixer, Teach, and G-Sane at the M5 pillar spot in Exeter. His school bus used to loop around Sannerville Way and the pieces could be seen from the road as well as the train. A couple of years prior to this, Remser’s mum randomly bought him a copy of Spraycan Art, and he knew straight away that it was something he wanted to be part of. In early 2000 he moved to London and hooked up with the DNK/CWR boys, they were way better than him and super-active but this experience pushed him to develop his style and learn about all aspects of graffiti writing. Respect and love to all of the South-West writers and hip hop headz, too many to mention but you know who you are! DNK CWR Waxnerds forever... Approved for free Cultural Works Creative Commons Licence Attribution 4.0 International Published by Squagle House, United Kingdom Printed in Great Britain Although every precaution has been taken in the preparation of this publication, the publisher and author assume no responsibility for errors or omissions. Neither is any liability assumed for damages resulting from the use of information contained herein. RHYTHM•obscura: revealing hidden histories through ethnomusicology and cultural theory is a long-term research venture that explores the relationships of the non-obvious and regional-rural phenomena within music cultures.
    [Show full text]
  • Exhibition Brochure Is There A
    ‘Is There Anyone Out There?’ Documenting Birmingham’s Alternative Music Scene 1986-1990 Acknowledgements and Thanks Thanks to Dave Travis for opening up his incredible archive and recalling the histories associated with The Click Club. Likewise, thanks to Steve (Geoffrey S. Kent) Coxon for his generous insights and for taking a road trip to tell us almost everything. Thanks on behalf of all Click Clubbers to Travis and Coxon for starting it and for program- ming so many memorable nights for creating an environment for people to make their own. Thanks to Dave Chambers (and Andy Morris), Donna Gee, Bridget Duffy and Bryan Taylor Thankswho provided to all of particular those who materials contributed for the written exhibition memories: (Bryan Steve for some Byrne; fine Craig writing!). Hamilton; Andrew Davies; Sarah Heyworth; Neil Hollins; Angela Hughes; Rhodri Marsden; Dave Newton; Daniel Rachel; Lara Ratnaraja; Spencer Roberts; John Taggart; Andy Tomlinson and Maria Williams. Acknowledgements to the many contributors to Facebook Groups for The Click Club and Birmingham Music Archive. John Hall and Ixchelt Corbett Mighty Mighty: Russell Burton, Mick Geoghegan, Pete Geoghegan, D J Hennessy Hugh McGuinness. Lyle Bignon, Boris Barker, Darren Elliot, Graham Bradbury, Richard March Yasmin Baig-Clifford (Vivid Projects), John Reed at Cherry Red Records, Ernie Cartwright, Birmingham Music Archive, Justin Sanders, Naomi Midgley. Neil Hollins for production of the podcast interview with Steve Coxon and Dave Travis. Digital Print Services who produced the images. Special thanks to: Neil Taylor, Ellie Gibbons, Anna Pirvola, Aidan Mooney and Beth Kane. What was The Click Club? Established in 1986 by Dave Travis and Steve Coxon, ‘The Click Club’ was the name of a concert venue and disco associated with Birmingham’s alternative music culture.
    [Show full text]
  • Obscene Gestures: Sexual Transgression and Late Twentieth-Century American Political Culture
    Obscene Gestures: Sexual Transgression and Late Twentieth-Century American Political Culture Patrick Scott Lawrence, PhD University of Connecticut, 2016 Tracing a cultural history from the 1970s to the 1990s, Obscene Gestures places popular and legal notions of obscenity in conversation with anti-consumerist and anti-capitalist resistance movements, women of color feminism, and LGBTQ activism. Since the 1973 Supreme Court ruling in Miller v. California, obscenity discourse has policed the shape of the nation by marking non-normative bodies as objectionable. The dissertation’s study of the cultural artifacts this discourse concerns opens by situating the history of literary obscenity alongside the key theories of sexuality, power, race, and knowledge. The first body chapter links the Miller ruling with 1970s-era neoconservative policies by considering some of the decade’s major novels, including Thomas Pynchon’s Gravity’s Rainbow (1973), revealing a home- front cultural politics that stymied dissent by classing as out of bounds many forms of political speech, including Huynh Cong Ut’s 1972 photo The Terror of War. Chapter Two builds upon the polarization this moment caused via an analysis of the feminist battles over pornography in the early 1980s. I juxtapose figures on both sides of this debate with works by women of color, such as Alice Walker’s The Color Purple (1983), that address the histories of embodiment that this debate tended to obscure. The occlusion of race in organizing around pornography parallels the role of possessive individualism in justifying racial wealth disparities during the Reagan administration, which the third chapter highlights. Working in the shadow of the 1986 Meese Commission report, this chapter interprets neoliberal economic policies as an enactment of racial indifference through the metaphors of sex and violence in The Bonfire of the Vanities (1987) and American Psycho (1990).
    [Show full text]
  • 8. Hip Hop, Graffiti, Break, Rap, Jóvenes Y Cultura Urbana. Francisco Reyes
    Revista_Juventud78.qxd 27/9/07 16:48 Página 125 Fracisco Reyes Sánchez. Profesor de Publicidad. Universidad Complutense de Madrid. ELDOCUM TEMAENTOS 85 Hip hop, graffiti, break, rap, jóvenes y cultura urbana. Qué es el Hip Hop. El Hip Hop es un movimiento urbano, juvenil y trasgresor que surge en Nueva York a finales de los años 60 y que engloba tres disciplinas artísticas: La pintura (el graffiti), la danza (el breakdance) y la música (rap, electro, breakbeat, beat-box, ragga...) Es un término desconocido que las personas ajenas al Hip Hop, utilizan sobre todo para referirse a la música rap. Los medios de comunicación usan indiscriminadamente el término Hip Hop para referirse a actitudes, ropas, músicas, pinturas o bailes que poco o nada tienen que ver con el Hip Hop. Los DJ´s fueron los primeros en acuñar el término Hip Hop, pero nadie parece ponerse de acuerdo sobre su significado. Literalmente, en inglés, “hip” es saltar y “hop” cadera, y sobre la palabra Hip Hop, algunos de los pioneros de la vieja escuela de Nueva York, opinan que hace referencia al gesto, al movimiento de los DJ´s al saltar de un plato (giradiscos) a otro en sus sesiones: “you hip and you hop”. A los seguidores del Hip Hop, a los integrantes de este movimiento, de la cultura Hip Hop, se les llama B.Boys. Hay varias versiones sobre el origen y significado de la palabra B.Boy (Break Boy, Beat Boy, Bad Boy...) pero la más acertada es la de Break Boy, “los chicos del break”, así les llamaban los primeros DJ´s que realizaban sus sesiones en los parques neoyorquinos a los chicos que se contorsionaban en el suelo al ritmo de su música.
    [Show full text]
  • MM" ,/ Ljtta) Fln; #-{
    I99 KINGSToN RoAD LoNDON SW}g TeI,OI_540 oasi.. l 'rv MM" ,/ lJttA) fln; #-{ tru'rtterry Xffm-ry*LSS.e.Re.ffiS. seeffixss eg-ge"k&R"-4ffi *es-e cherry Red Recolds r. the Lond,on baeed, independ.ont Record. conpanyr have slgned, a three yo&r llce,'se a,greenent wtth the Sristol based gecords. Eeartbeat cherr! n"a sill-be marke! ?"d. prornote arl Eeartbeat product whicb wtli i*clud.ed, ritb cherry Redrs d,istriiutlon d.ear rriu-fp"rtan Rec ordg r First new release und,er the agreement nill be a l2,r track single by 3ristol. band. t0LAX0 4 $ersht6$ho"'A}n3.1'"]';f;i".;i'i:}'ix$i*;';;'kgr+BABrEsr wh,Lch iE rereased of stoqk for ine rait i;;; rsonthE. said raln Mc$ay on behar.f ol cherry Red,r?here are talented acts energlng f:rom tnl gristor so&e vexy will retaia totarTeY coirtioi-over &r€*r seaibeat conplo tetv ret'ain tbeir i"u*i-ii-"iiti.tbatr A. arrd, R. gid,e and havo the ad.vantage fiowever, they irr.rl 'ow of nationar *riirruutron asd havE il:fffr,tronotionaL and' markotlns raciriii.u ;;-*;;; i*,*r" ].lore luformatioa lain Uc$ay on 540 6g5I. ilrrsct*r: IeenMclrlry Registered Office, fr* S*uth .&udi*y Stre*t, fu*nc3*n W I t{u*r,r*+xl b€gK\S* €.ft*Jz-lr{ & Glaxo Babies : rliine Ilionths to the liscot (Cherry Red./ Heartbeat) Of all the new bands spawned in the Sristol area over the last few years, very few have had any lasting effect on the national scener most having dissolved into a mediochre pop/p.p soup.
    [Show full text]
  • Selected Discography
    479 of 522 selected discography 6932 Lawrence / LOVE SAVES THE DAY / sheet The following discography lists all of the recordings referred to in Love Saves the Day. It provides basic information on the name of the artist, the title of the recording, the name of the label that originally released the recording, and the year in which the recording was first released. Entries are listed in alphabetical order, first according to the name of the artist, and subsequently according to the title of the recording. Albums are highlighted in italics, whereas individual album cuts, seven-inch singles, and twelve-inch singles are written in normal typeface. Abaco Dream. ‘‘Life and Death in G & A.’’ , . Area Code . ‘‘Stone Fox Chase.’’ Polydor, . Ashford & Simpson. ‘‘Found a Cure.’’ Warner Bros., . '.‘‘It Seems to Hang On.’’ Warner Bros., . '. ‘‘Over and Over.’’ Warner Bros., . '. ‘‘Stay Free.’’ Warner Bros., . Atmosfear. ‘‘Dancing in Outer Space.’’ Elite, . Auger, Brian, & the Trinity. ‘‘Listen Here.’’ , . Ayers, Roy, Ubiquity. ‘‘Don’t Stop the Feeling.’’ Polydor, . '. ‘‘Running Away.’’ Polydor, . Babe Ruth. ‘‘The Mexican.’’ Harvest, . Barrabas. Barrabas. , . '. ‘‘Wild Safari.’’ , . '. ‘‘Woman.’’ , . Barrow, Keith. ‘‘Turn Me Up.’’ Columbia, . Bataan, Joe. ‘‘Aftershower Funk.’’ Mericana, . '. ‘‘Latin Strut.’’ Mericana, . '. ‘‘Rap-O Clap-O.’’ Salsoul, . '. Salsoul. Mericana, . Bean, Carl. ‘‘I Was Born This Way.’’ Motown, . Beatles. ‘‘Here Comes the Sun.’’ Apple, . Tseng 2003.10.1 08:35 481 of 522 !. ‘‘It’s Too Funky in Here.’’ Polydor, . !. ‘‘Mother Popcorn (You Got to Have a Mother for Me).’’ King, . Brown, Peter. ‘‘Do Ya Wanna Get Funky With Me.’’ , . !. ‘‘Love in Our Hearts.’’ , . B. T. Express. ‘‘Do It (’Til You’re Satisfied).’’ Scepter, .
    [Show full text]
  • John Wetton's Official Website
    John Wetton's Official Website http://www.johnwetton.com/index.html LATEST NEWS January 31st 2020--- Today is the 3rd anniversary of the untimely death of John Wetton. Today we remember the genius of John and we share love with John’s son, Dylan, and John’s wife Lisa. Please keep subscribed to John’s social media. More details relating to the forthcoming John Wetton box set will shortly be released. The stories and tributes being assembled are a mind-blowing testament to John’s legacy. December 12th 2019--- American guitarist Fernando Perdomo has recorded a tribute album of King Crimson songs. The Crimson Guitar includes two songs from John Wetton's time in the band - Starless and Book of Saturday. There is also a dedication to John Wetton's memory inside the album. Amazon CD: https://geni.us/CrimsonGuitar June 12th 2019--- The John Wetton Estate proudly announces work has commenced on a solo career box set featuring expanded editions of his iconic albums and a lavish hardback book. 12th June 2019 would have been John’s 70th birthday. 1 of 42 16/03/2020, 12:18 John Wetton's Official Website http://www.johnwetton.com/index.html Since John Wetton’s passing in January 2017, his family, friends and management have been working on finding a fitting tribute to such a remarkable man and iconic artist. The result of this labour of love is a box set entitled “An Extraordinary Life”, dedicated entirely to John’s solo career. The project has the full support of John’s wife, Lisa, and his son, Dylan, who are wholly involved with compiling the contents.
    [Show full text]