DOCSLIB.ORG

Selected Discography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Selected Discography 479 of 522 selected discography 6932 Lawrence / LOVE SAVES THE DAY / sheet The following discography lists all of the recordings referred to in Love Saves the Day. It provides basic information on the name of the artist, the title of the recording, the name of the label that originally released the recording, and the year in which the recording was first released. Entries are listed in alphabetical order, first according to the name of the artist, and subsequently according to the title of the recording. Albums are highlighted in italics, whereas individual album cuts, seven-inch singles, and twelve-inch singles are written in normal typeface. Abaco Dream. ‘‘Life and Death in G & A.’’ , . Area Code . ‘‘Stone Fox Chase.’’ Polydor, . Ashford & Simpson. ‘‘Found a Cure.’’ Warner Bros., . '.‘‘It Seems to Hang On.’’ Warner Bros., . '. ‘‘Over and Over.’’ Warner Bros., . '. ‘‘Stay Free.’’ Warner Bros., . Atmosfear. ‘‘Dancing in Outer Space.’’ Elite, . Auger, Brian, & the Trinity. ‘‘Listen Here.’’ , . Ayers, Roy, Ubiquity. ‘‘Don’t Stop the Feeling.’’ Polydor, . '. ‘‘Running Away.’’ Polydor, . Babe Ruth. ‘‘The Mexican.’’ Harvest, . Barrabas. Barrabas. , . '. ‘‘Wild Safari.’’ , . '. ‘‘Woman.’’ , . Barrow, Keith. ‘‘Turn Me Up.’’ Columbia, . Bataan, Joe. ‘‘Aftershower Funk.’’ Mericana, . '. ‘‘Latin Strut.’’ Mericana, . '. ‘‘Rap-O Clap-O.’’ Salsoul, . '. Salsoul. Mericana, . Bean, Carl. ‘‘I Was Born This Way.’’ Motown, . Beatles. ‘‘Here Comes the Sun.’’ Apple, . Tseng 2003.10.1 08:35 481 of 522 !. ‘‘It’s Too Funky in Here.’’ Polydor, . !. ‘‘Mother Popcorn (You Got to Have a Mother for Me).’’ King, . Brown, Peter. ‘‘Do Ya Wanna Get Funky With Me.’’ , . !. ‘‘Love in Our Hearts.’’ , . B. T. Express. ‘‘Do It (’Til You’re Satisfied).’’ Scepter, . !. ‘‘Express.’’ Scepter/Roadshow, . !. ‘‘Peace Pipe.’’ Scepter/Roadshow, . Bumble Bee Unlimited. ‘‘Lady Bug.’’ Red Greg, . !. ‘‘Love Bug.’’ Red Greg, . Byrd, Bobby. ‘‘Hot Pants—I’m Coming,Coming, I’m Coming.’’ BrownStone,. Candido. ‘‘Dancin’ and Prancin’.’’ Salsoul, . !. ‘‘Jingo.’’ Salsoul, . !. ‘‘Thousand Finger Man.’’ Salsoul, . Cara, Irene. ‘‘Flashdance...What a Feeling.’’ Casablanca, . 6932 Lawrence / LOVE SAVES THE DAY / sheet Carn, Jean. ‘‘Was That All It Was.’’ Philadelphia International, . Cerrone. ‘‘Black Is Black.’’ Cotillion, . !. ‘‘Call Me Tonight.’’ Atlantic, . !. ‘‘Love in ‘C’ Minor.’’ Cotillion, . !. ‘‘Midnight Lady.’’ Cotillion, . !. Supernature. Cotillion, . !. ‘‘Supernature.’’ Cotillion, . Chakachas. ‘‘Jungle Fever.’’ Polydor, . Change. ‘‘A Lover’s Holiday.’’ RFC, . Charo and the Salsoul Orchestra. ‘‘Dance a Little Bit Closer.’’ Salsoul, . Cher. ‘‘Take Me Home.’’ Casablanca, . Chic. ‘‘Dance Dance Dance (Yowsah, Yowsah, Yowsah).’’ Atlantic, . !. ‘‘Good Times.’’ Atlantic, . !. ‘‘Le Freak.’’ Atlantic, . Chicago. ‘‘I’m a Man.’’ Columbia, . !. ‘‘Street Player.’’ Columbia, . Chocolat. Kings of Clubs. Salsoul, . C. J. & Co. ‘‘Devil’s Gun.’’ Westbound, . !. ‘‘We’ve Got Our Own Thing.’’ Westbound, . Class Action featuring Christine Wiltshire. ‘‘Weekend.’’ Sleeping Bag, . Clifford, Linda. ‘‘Runaway Love.’’ Curtom, . Collins, Lynn. ‘‘Think (About It).’’ People, . Consumer Rapport. ‘‘Ease On Down the Road.’’ Wing & a Prayer, . Cookie Monster & the Girls. ‘‘C Is for Cookie.’’ Sesame Street, . Costandinos, Alec, and the Syncophonic Orchestra. Romeo and Juliet. Casablanca, . Creative Source. ‘‘Who Is He and What Is He to You?’’ Sussex, . Crown Heights Affair. ‘‘Say a Prayer for Two.’’ De-Lite, . selected discography 459 Tseng 2003.10.1 08:35 482 of 522 Curtis, Chantal. ‘‘Get Another Love.’’ Key, . Cymande. ‘‘Bra.’’ Janus, . Dash, Sarah. ‘‘Sinner Man.’’ Kirshner, . Dees, Rick, and His Cast of Idiots. ‘‘Disco Duck.’’ , . De La Fe, Alfredo. ‘‘Hot to Trot.’’ Criollo, . '. ‘‘My Favorite Things.’’ Criollo, . Deodato, Eumir. ‘‘Night Cruiser.’’ Warner Bros., . Dibango, Manu. ‘‘Soul Makossa.’’ Atlantic, . Disco Dub Band. ‘‘For the Love of Money.’’ Movers Records, . Disco Tex & the Sex-O-Lettes. ‘‘Get Dancin’.’’ Chelsea, . Dinosaur. ‘‘Kiss Me Again.’’ Sire, . Doobie Brothers. ‘‘Long Train Running.’’ Warner Bros., . Doors. ‘‘Roadhouse Blues.’’ Elektra, . Double Exposure. ‘‘My Love Is Free.’’ Salsoul, . 6932 Lawrence / LOVE SAVES THE DAY / sheet '. ‘‘Ten Percent.’’ Salsoul, . Douglas, Carl. ‘‘Kung Fu Fighting.’’ th Century, . Douglas, Carol. ‘‘Doctor’s Orders.’’ Midland International, . '. ‘‘Midnight Love Affair.’’ Midland International, . Downing, Al. ‘‘I’ll Be Holding On.’’ Chess, . Downing, Don. ‘‘Dream World.’’ Scepter, . Dozier, Lamont. ‘‘Going Back to My Roots.’’ Warner Bros., . Dr. Buzzard’s Original Savannah Band. ‘‘Cherchez la Femme.’’ , . '. Dr. Buzzard’s Original Savannah Band. , . '. ‘‘I’ll Play the Fool.’’ , . '. ‘‘Sour and Sweet.’’ , . Duke, George. ‘‘I Want You for Myself.’’ Epic, . Dury, Ian. ‘‘Hit Me with Your Rhythm Stick.’’ Stiff, . Dynamic Corvettes. ‘‘Funky Music Is the Thing.’’ Abet, . Earth, Wind & Fire. ‘‘Boogie Wonderland.’’ , . Easy Going. ‘‘Baby I Love You.’’ Prism, . Ecstasy, Passion & Pain. ‘‘Ask Me.’’ Roulette, . Ecstasy, Passion & Pain featuring Barbara Roy. ‘‘Touch and Go.’’ Roulette, . El Coco. ‘‘Let’s Get It Together.’’ , . Emotions. ‘‘I Don’t Wanna Lose Your Love.’’ Columbia, . Equals. ‘‘Black Skinned Blue Eyed Boys.’’ President, . Executive Suite. ‘‘When the Fuel Runs Out.’’ Babylon, . Extensions from (). ‘‘Manhattan Shuffle.’’ Friends & Co., . Exuma. ‘‘Exuma, the Obeah Man.’’ Mercury, . Fair, Yvonne. ‘‘It Should Have Been Me.’’ Motown, . Faithfull, Marianne. ‘‘Why D’Ya Do It?’’ Island, . Fatback. ‘‘King Tim III (Personality Jock).’’ Spring, . Fidenco, Nico. Emanuelle Nera. West End, . 460 selected discography Tseng 2003.10.1 08:35 483 of 522 First Choice. ‘‘Armed and Extremely Dangerous.’’ Philly Groove, . %. Delusions. Gold Mind, . %. ‘‘Double Cross.’’ Gold Mind, . %. ‘‘Doctor Love.’’ Gold Mind, . %. ‘‘Guilty.’’ Philly Groove, . %. Hold Your Horses. Gold Mind, . %. ‘‘Hold Your Horses.’’ Gold Mind, . %. ‘‘Let No Man Put Asunder.’’ Gold Mind, . %. ‘‘Love and Happiness.’’ Philly Groove, . %. ‘‘Love Thang.’’ Gold Mind, . %. ‘‘Newsy Neighbors.’’ Philly Groove, . %. ‘‘Smarty Pants.’’ Philly Groove, . %. So Let Us Entertain You. Warner Bros., . %. ‘‘The Player.’’ Philly Groove, . 6932 Lawrence / LOVE SAVES THE DAY / sheet Four Tops. ‘‘I Can’t Help Myself (Sugar Pie Honey Bunch).’’ Motown, . %. ‘‘Still Waters.’’ Motown, . Franklin, Aretha. ‘‘Ain’t No Way.’’ Atlantic, . %. ‘‘Respect.’’ Atlantic, . Front Page. ‘‘Love Insurance.’’ Panorama, . Funk Machine. ‘‘Funk Machine.’’ , . Gardner, Taana. ‘‘When You Touch Me.’’ West End, . %. ‘‘Work That Body.’’ West End, . Gaye, Marvin. ‘‘I Heard It Through the Grapevine.’’ Tamla, . %. ‘‘What’s Going On.’’ Tamla, . Gaynor, Gloria. ‘‘Casanova Brown.’’ , . %. ‘‘I Will Survive.’’ Polydor, . %. ‘‘(If You Want It) Do It Yourself.’’ , . %. ‘‘How High the Moon.’’ , . %. Never Can Say Goodbye. , . %. ‘‘Never Can Say Goodbye.’’ , . %. Park Avenue Sound. Polydor, . %. ‘‘Substitute.’’ Polydor, . Gentry, Bobbie. ‘‘Ode to Billie Joe.’’ Capitol, . Giorgio. From Here to Eternity. Casablanca, . Glass House. ‘‘I Can’t Be You (You Can’t Be Me).’’ Invictus, . Grant, Eddy. ‘‘Living on the Frontline.’’ Epic, . %. ‘‘Walking on Sunshine.’’ Epic, . Green, Al. ‘‘Let’s Stay Together.’’ Hi, . %. ‘‘Love and Happiness.’’ Hi, . Green, Jesse. ‘‘Nice & Slow.’’ Scepter, . Hammond, Johnny. ‘‘Los Conquistadores Chocolatés.’’ Fantasy, . Harris, Damon. ‘‘It’s Music.’’ Fantasy/, . selected discography 461 Tseng 2003.10.1 08:35 484 of 522 Hartman, Dan. ‘‘Instant Replay.’’ Blue Sky, . %. ‘‘Vertigo/Relight My Fire.’’ Blue Sky, . Hayes, Isaac. ‘‘By the Time I Get to Phoenix.’’ Enterprise, . %. Hot Buttered Soul. Enterprise, . %. ‘‘Theme from Shaft.’’ Enterprise, . Heart and Soul Orchestra. ‘‘Love in C’ Minor.’’ Casablanca, . Hendrix, Jimi. Band of Gypsys. Capitol, . Holloway, Brenda. ‘‘Just Look What You’ve Done.’’ Tamla, . Holloway, Loleatta. ‘‘Dreamin’.’’ Gold Mind, . %. ‘‘The Greatest Performance of My Life.’’ Gold Mind, . %. ‘‘Hit and Run.’’ Gold Mind, . %. ‘‘I May Not Be There When You Want Me (But I’m Right On Time).’’ Gold Mind, . %. ‘‘Is It Just a Man’s Way?’’ Gold Mind, . 6932 Lawrence / LOVE SAVES THE DAY / sheet %. Loleatta. Gold Mind, . %. ‘‘Love Sensation.’’ Gold Mind, . %. Queen of the Night. Gold Mind, . %. ‘‘We’re Getting Stronger (The Longer We Stay Together).’’ Gold Mind, . Horne, Jimmy ‘‘Bo.’’ ‘‘Gimme Some.’’ Alston, . %. ‘‘Spank.’’ Sunshine Sound, . Houston, Thelma. ‘‘Don’t Leave Me This Way.’’ Tamla, . %. ‘‘I’m Here Again.’’ Tamla, . Hues Corporation. ‘‘Rock the Boat.’’ , . %. ‘‘Rockin’ Soul.’’ , . Hutch, Willie. ‘‘Brother’s Gonna Work it Out.’’ Motown, . %. ‘‘Love Power.’’ Motown, . Inner Life featuring Jocelyn Brown. ‘‘I’m Caught Up (In a One Night Love Affair).’’ Prelude, . %. ‘‘Make It Last Forever.’’ Salsoul, . Instant Funk. ‘‘Bodyshine.’’ Salsoul, . %. ‘‘I Got My Mind Made Up (You Can Get It Girl).’’ Salsoul, . %. ‘‘Slap Slap Lickedy Lap.’’ Salsoul, . Intruders. ‘‘I’ll Always Love My Mama.’’ Philadelphia International, . %. ‘‘(We’ll Be) United.’’ Gamble, . Isley Brothers. ‘‘Get Into Something.’’ T-Neck, . Jackson, Jermaine. ‘‘Erucu.’’ Motown, . Jackson . ‘‘.’’ Motown, . Jacobs, Debbie. ‘‘Don’t You Want My Love.’’ , . Jakki. ‘‘You Are the Star.’’ West End, . J.B.’s. ‘‘Gimme Some More.’’ People, . Jiani, Carol. ‘‘Hit and Run Lover.’’ Unidisc, . 462 selected discography Tseng 2003.10.1 08:35 485 of 522 Johnson, General. ‘‘Can’t Nobody Love Me Like You.’’ Arista, . Johnston, Bruce. ‘‘Pipeline.’’ Columbia, . Jones, Grace. Fame. Island, . %. ‘‘I Need a Man.’’ Beam Junction,
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Title MPOP Collection Vol.3, 400 Songs NR
    NR. NO ARTIST A PICTURE OF ME (WITHOUT YOU) 50995 GEORGE JONES A WOMAN ALWAYS KNOWS 52017 DAVID HOUSTON AFRICA 08044 TOTO AFTER MIDNIGHT 06810 ERIC CLAPTON AFTER THE LOVIN' 06802 ENGELBERT HUMPERDINCK AIN'T THAT LONELY YET 50474 DWIGHT YOAKAM ALL FOR LOVE 06148 B.ADAMS / R.STEWART / STING ALL FOR YOU 07049 JANET JACKSON ALL I WANT 50161 TOAD THE WET SPROCKET ALL MY LIFE 52037 AMERICA ALL MY LOVING 06196 BEATLES ALL OUT OF LOVE 06042 AIR SUPPLY ALMOST PARADISE 06006 MIKE RENO & ANN WILSON ALWAYS 06328 BON JOVI AMANDA 52018 WAYLON JENNINGS AMAZED 50475 LONESTAR AMAZING GRACE 07152 JUDY COLLINS AND I LOVE HER 06198 BEATLES ANDANTE, ANDANTE 08141 ABBA ANNIE'S SONG 07112 JOHN DENVER ANYTHING IS POSSIBLE 50218 WILL YOUNG ANYTIME 50191 THE JETS ANYWHERE BUT HERE 50628 HILARY DUFF APRIL COME SHE WILL 50299 SIMON & GARFUNKEL ARE YOU EXPERIENCED? 52038 JIMI HENDRIX AUTUMN LEAVES 06091 ANDY WILLIAMS BABY 51782 ASHANTI BABY I'M A WANT YOU 09424 BREAD BAD 07427 MICHAEL JACKSON www.magic-sing.be Title MPOP Collection Vol.3, 400 songs NR. NO ARTIST BAD DAY 52091 FUEL BE 07506 NEIL DIAMOND BE MY BABY 07785 RONETTES BEAUTY AND THE BEAST 06487 CELINE DION / P.BRYSON BECAUSE I LOVE YOU 51736 PHIL COLLINS BECAUSE OF YOU 06013 98 DEGREES BEDTIME STORY 07974 TAMMY WYNETTE BELIEVE 06497 CHER BETTER CLASS OF LOSERS 52032 RANDY TRAVIS BIGGER THAN MY BODY 08186 JOHN MAYER BLACK CAT 51786 JANET JACKSON BLACK OR WHITE 07431 MICHAEL JACKSON BLACK SHEEP 50338 JOHN ANDERSON BLUE 50631 EIFFEL 65 BOOGIE WONDERLAND 50409 EARTH WIND & FIRE BOOGIE WOOGIE BUGLE BOY 09605
    [Show full text]
  • Lesbian and Gay Music
    Revista Eletrônica de Musicologia Volume VII – Dezembro de 2002 Lesbian and Gay Music by Philip Brett and Elizabeth Wood the unexpurgated full-length original of the New Grove II article, edited by Carlos Palombini A record, in both historical documentation and biographical reclamation, of the struggles and sensi- bilities of homosexual people of the West that came out in their music, and of the [undoubted but unacknowledged] contribution of homosexual men and women to the music profession. In broader terms, a special perspective from which Western music of all kinds can be heard and critiqued. I. INTRODUCTION TO THE ORIGINAL VERSION 1 II. (HOMO)SEXUALIT Y AND MUSICALIT Y 2 III. MUSIC AND THE LESBIAN AND GAY MOVEMENT 7 IV. MUSICAL THEATRE, JAZZ AND POPULAR MUSIC 10 V. MUSIC AND THE AIDS/HIV CRISIS 13 VI. DEVELOPMENTS IN THE 1990S 14 VII. DIVAS AND DISCOS 16 VIII. ANTHROPOLOGY AND HISTORY 19 IX. ACKNOWLEDGEMENTS 24 X. EDITOR’S NOTES 24 XI. DISCOGRAPHY 25 XII. BIBLIOGRAPHY 25 I. INTRODUCTION TO THE ORIGINAL VERSION 1 What Grove printed under ‘Gay and Lesbian Music’ was not entirely what we intended, from the title on. Since we were allotted only two 2500 words and wrote almost five times as much, we inevitably expected cuts. These came not as we feared in the more theoretical sections, but in certain other tar- geted areas: names, popular music, and the role of women. Though some living musicians were allowed in, all those thought to be uncomfortable about their sexual orientation’s being known were excised, beginning with Boulez.
    [Show full text]
  • EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018
    EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018 Rebellion, genre, drugs, freedom, unity, sex, technology, place, community …………………. Disco • Disco marked the dawn of dance-based popular music. • Growing out of the increasingly groove-oriented sound of early '70s and funk, disco emphasized the beat above anything else, even the singer and the song. • Disco was named after discotheques, clubs that played nothing but music for dancing. • Most of the discotheques were gay clubs in New York • The seventies witnessed the flowering of gay clubbing, especially in New York. For the gay community in this decade, clubbing became 'a religion, a release, a way of life'. The camp, glam impulses behind the upsurge in gay clubbing influenced the image of disco in the mid-Seventies so much that it was often perceived as the preserve of three constituencies - blacks, gays and working-class women - all of whom were even less well represented in the upper echelons of rock criticism than they were in society at large. • Before the word disco existed, the phrase discotheque records was used to denote music played in New York private rent or after hours parties like the Loft and Better Days. The records played there were a mixture of funk, soul and European imports. These "proto disco" records are the same kind of records that were played by Kool Herc on the early hip hop scene. - STARS and CLUBS • Larry Levan was the first DJ-star and stands at the crossroads of disco, house and garage. He was the legendary DJ who for more than 10 years held court at the New York night club Paradise Garage.
    [Show full text]
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • MUSIC WEEK MAY 19, 1984 Album Tern Rulings Outside Top 20 End Top 50:- •• Good, ••Loir -Poor Soles Predicted in Oivn Specialist Market
    MUSIC WEEK MAY 19, 1984 Album tern rulings outside Top 20 end Top 50:- •• good, ••loir -poor soles predicted in oivn specialist market. Star rating under General■ heading indicates sales potential in general pop rock market, mlh • • •rating indicating onny Into lite lonicr hall ■ of chart only. High Road To China is the new film starring Tom "Magnum" Solleck and the music has been composed by that well- TOP 50 known film score veteran, John Barry. Nostalgia That's Entertainment Records has proved BRUCE FOXTON the sales potential in this area of the Touch Sensitive. Arista 206251. music market and A&R plans to release NOEL COWARD Producers: Stan Shaw/Steve Lilly- both new scores and re-issues of classic The Revues. World Records SHB 44. white. Mild-mannered rock from the film music. VARIOUS former Jam bassist. It's pleasant enough Film Themes of the 40's and 50's. SH in a conventional format, but lacks CHAIRMAN OF THE BOARD 384. dynamism — even on those tracks with Salute The General. HDH/Demon LOUIS ARMSTRONG production supremo Lillywhite at the Records LP 001. Distribution: Rough The Legend 1925-26. SH 404. controls. Ultimately a little disappointing, Trade and the Cartel. Recordings JOE LOSS but will chart, as his singles have, on the originally released on the Holland-Dozier- Party Dance Time, SH 1078251. strength of the Jam connection. Holland label Invictus now making their FELIX MENDELSSOHN FELA ANIKULAPO KUTI reappearance on vinyl via the HDH label Serenade to Hawaii, SH 1078261. Live In Amsterdam. EMI FELA 24 0129 deal with Demon.
    [Show full text]
  • Disco Top 15 Histories
    10. Billboard’s Disco Top 15, Oct 1974- Jul 1981 Recording, Act, Chart Debut Date Disco Top 15 Chart History Peak R&B, Pop Action Satisfaction, Melody Stewart, 11/15/80 14-14-9-9-9-9-10-10 x, x African Symphony, Van McCoy, 12/14/74 15-15-12-13-14 x, x After Dark, Pattie Brooks, 4/29/78 15-6-4-2-2-1-1-1-1-1-1-2-3-3-5-5-5-10-13 x, x Ai No Corrida, Quincy Jones, 3/14/81 15-9-8-7-7-7-5-3-3-3-3-8-10 10,28 Ain’t No Stoppin’ Us, McFadden & Whitehead, 5/5/79 14-12-11-10-10-10-10 1,13 Ain’t That Enough For You, JDavisMonsterOrch, 9/2/78 13-11-7-5-4-4-7-9-13 x,89 All American Girls, Sister Sledge, 2/21/81 14-9-8-6-6-10-11 3,79 All Night Thing, Invisible Man’s Band, 3/1/80 15-14-13-12-10-10 9,45 Always There, Side Effect, 6/10/76 15-14-12-13 56,x And The Beat Goes On, Whispers, 1/12/80 13-2-2-2-1-1-2-3-3-4-11-15 1,19 And You Call That Love, Vernon Burch, 2/22/75 15-14-13-13-12-8-7-9-12 x,x Another One Bites The Dust, Queen, 8/16/80 6-6-3-3-2-2-2-3-7-12 2,1 Another Star, Stevie Wonder, 10/23/76 13-13-12-6-5-3-2-3-3-3-5-8 18,32 Are You Ready For This, The Brothers, 4/26/75 15-14-13-15 x,x Ask Me, Ecstasy,Passion,Pain, 10/26/74 2-4-2-6-9-8-9-7-9-13post peak 19,52 At Midnight, T-Connection, 1/6/79 10-8-7-3-3-8-6-8-14 32,56 Baby Face, Wing & A Prayer, 11/6/75 13-5-2-2-1-3-2-4-6-9-14 32,14 Back Together Again, R Flack & D Hathaway, 4/12/80 15-11-9-6-6-6-7-8-15 18,56 Bad Girls, Donna Summer, 5/5/79 2-1-1-1-1-1-1-1-2-2-3-10-13 1,1 Bad Luck, H Melvin, 2/15/75 12-4-2-1-1-1-1-1-1-1-1-1-2-2-3-4-5-5-7-10-15 4,15 Bang A Gong, Witch Queen, 3/10/79 12-11-9-8-15
    [Show full text]
  • Frühaufsteher 158 Titel, 11,6 Std., 1,02 GB
    Seite 1 von 7 -FrühAufsteher 158 Titel, 11,6 Std., 1,02 GB Name Dauer Album Künstler 1 Africa 3:36 Best Of Jukebox Hits - Comp 2005 (CD3-VBR) Laurens Rose 2 Agadou 3:22 Oldies Saragossa Band 3 All american girls 3:57 The Very Best Of - Sister Sledge 1973-93 (RS) Sister Sledge 4 All right now 5:34 Best Of Rock - Comp 2005 (CD1-VBR) Free 5 And the beat goes on 3:26 1000 Original Hits 1980 - Comp 2001 (CD-VBR) The Whispers 6 Another brick in the wall 3:11 Music Of The Millenium II - Comp 2001 (CD1-VBR) Pink Floyd 7 Automatic 4:48 Best Of - The Pointer Sisters - Comp 1995 (CD-VBR) The Pointer Sisters 8 Bad girls 4:55 Bad Girls - Donna Summer - 1979 (RS) Summer Donna 9 Best of my love 3:40 Dutch Collection Earth, Wind & Fire 10 Big bamboo (Ay ay ay) 3:55 Best of Saragossa Band Saragossa Band 11 Billie Jean 4:54 History 1 - Michael Jackson - Comp 1995 (CD-VBR) Jackson Michael 12 Black & white 3:41 Single A Patto 13 Blame it on the boogie 3:35 Good Times - Best Of 70s - Comp 2001 (CD2-VBR) Jackson Five 14 Boogie on reggae woman 4:56 Fulfillingness' First Finale - Stevie Wonder - 1974 (RS) Wonder Stevie 15 Born to be alive 3:09 Afro-Dite Väljer Sina Discofav Hernandez Patrick 16 Break my stride 3:00 80's Dance Party Wilder Matthew 17 Carwash 3:19 Here Come The Girls - Sampler (RS) Royce Rose 18 Celebration 4:59 Mega Party Tracks 06 CD1 - 2001 Kool & The Gang 19 Could it be magic 5:18 A Love Trilogy - Donna Summer - 1976 (RS) Summer Donna 20 Cuba 3:49 Hot & Sunny - Comp 2001 (CD) Gibson Brothers 21 D.I.S.C.O.
    [Show full text]
  • 1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
    "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music Studies, 20, 3, 2008, 276-329 This story begins with a skinny white DJ mixing between the breaks of obscure Motown records with the ambidextrous intensity of an octopus on speed. It closes with the same man, debilitated and virtually blind, fumbling for gospel records as he spins up eternal hope in a fading dusk. In between Walter Gibbons worked as a cutting-edge discotheque DJ and remixer who, thanks to his pioneering reel-to-reel edits and contribution to the development of the twelve-inch single, revealed the immanent synergy that ran between the dance floor, the DJ booth and the recording studio. Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends. It would make sense, then, for Gibbons to be considered alongside these and other towering figures in the pantheon of turntablism, but he died in virtual anonymity in 1994, and his groundbreaking contribution to the intersecting arts of DJing and remixology has yet to register beyond disco aficionados.1 There is nothing mysterious about Gibbons's low profile. First, he operated in a culture that has been ridiculed and reviled since the "disco sucks" backlash peaked with the symbolic detonation of 40,000 disco records in the summer of 1979.
    [Show full text]
  • Catalogo Nov2003.Pdf
    Via Savona 12, 20144 Milano - tel/fax 02.89401623 - e-mail: [email protected] CATALOGO - POP / ROCK > A-G < novembre 2003 AUTORE/GRUPPO TITOLO ANNO CASA DISCOGRAFICA CODICE STAMPA N/U/O PREZZO A-HA Hunting high and low 1986 REPRISE 9204830 Tedesca LP-U MIX 5,5 ABBA Greatest hits vol.2 1979 ATLANTIC 16009 Americana LP-U 8 ABBA Arrival 1976 POLYDOR 2310483 Olandese LP-U 10,5 ADAM AND THE ANTS Prince charming 1981 CBS 85268 Italiana LP-U 5,5 ADAM AND THE ANTS Strip 1983 CBS 25705 Italiana LP-U 5,5 AEROSMITH Rocks 1976 CBS 32360 Olandese LP-U 6 AFRIKA BAMBAATAA AND FAMILY Decade of darkness 1991 D.F.C. 57705 Italiana LP-U 5,5 ALABAMA Just us 1987 RCA 86495 Italiana LP-U 5,5 ALARM Eye of the hurricane 1987 I.R.S. 42061 Canadese LP-U 5,5 ALBION BAND Rise up like the sun 1978 ATTIC 1047 Canadese LP-U 15,5 ALBION BAND Under the rose 1984 SPINDRIFT 110 Inglese LP-U 5,5 ALIEN SEX FIEND R.i.p. 1984 ANAGRAM 18 Francese LP-U MIX 8 ALLEN DAEVID Now is the happiest time.... 1977 AFFINITY 3 Inglese LP-U 13 ALLMAN BROTHERS BAND Wipe the check the oil .... 1976 CAPRICORN 2637103 Americana DBL LP-U 31 ALPHA BAND Spark in the dark 1977 ARISTA 4145 Americana LP-U 10,5 ALVIN DAVE Romeo’s escape 1986 EPIC 40921 Canadese LP-U 8 AMEN CORNER Greatest hits 1978 IMMEDIATE(LINEA TRE) 33059 Italiana LP-U 5,5 AMERICA Homecoming 1972 WARNER 46180 Francese LP-U 10,5 AMERICA History greatest hits 1975 WARNER BROS 56169 Italiana LP-U 5,5 AMERICA The very best 1991 FIVE RECORDS 30002 Italiana LP-U 5,5 AMERICA Hliday 1974 WARNER BROS.
    [Show full text]
  • ASB Candidates Win Election Victories
    ASB candidates win election victories by Lisa Marchesoni Richard Langford, Buddy Creasman and Jeff Combos captured the top three positions of ASB president, speaker of the senate and speaker of the house after a two-day election Tuesday and yesterday. Langford amassed 776 votes against presidential contenders Tom Wells (354) and Jim Stutts (280). Creasman outpolled competitor Larry Robinson with 789 votes to 452. Incumbent Jeff Combos earned 1,016 votes over write-in candidate Tony Petty with 73 votes. Seventeen senators were elected for graduate, senior, junior and sophomore seats. In the graduate senate race. Earl Lammons netted 37 votes while write-in candidate Salem Aswad totalled seven. Five senators elected to fill senior senate posts are Betty Barnes (231), Jeff Eason (227), Steve Ruckhart (221), Tony Petty (200) and Don Morris (179). In the junior senate race, Breta Parsons (215), Allan Betts (200), Frank Brothers (187), Denise Veazey (172) and Riley Clark (156) in won the five posts. Sherry Clark (297), Bob Harlan (225), Jim Rungee (254), Melody Os Riggan (243) and Melinda Stubble- ASB President Ted Helberg (right) congratulates President-elect field (240) were elected to fill the Richard Langford after votes were tallied last night. Langford won the five sophomore senate seats. election with 54 per cent of the to al vote. Charlie Steed Photo A total of 1470 ballots was cast in -2 should feel free to come by the The interest in the senate races the election. office and talk, he added. "looks good," Creasman said. "Before the end of the semester, "This interest says a lot for the etf I want to start working against No set priorities within the future of the senate." student apathy so that when proposed policies have been House speaker-elect Jeff Combos established yet, Langford said, but students come back this fall they said "I am confident all the any student input will be accepted.
    [Show full text]
  • The Funky Diaspora
    The Funky Diaspora: The Diffusion of Soul and Funk Music across The Caribbean and Latin America Thomas Fawcett XXVII Annual ILLASA Student Conference Feb. 1-3, 2007 Introduction In 1972, a British band made up of nine West Indian immigrants recorded a funk song infused with Caribbean percussion called “The Message.” The band was Cymande, whose members were born in Jamaica, Guyana, and St. Vincent before moving to England between 1958 and 1970.1 In 1973, a year after Cymande recorded “The Message,” the song was reworked by a Panamanian funk band called Los Fabulosos Festivales. The Festivales titled their fuzzed-out, guitar-heavy version “El Mensaje.” A year later the song was covered again, this time slowed down to a crawl and set to a reggae beat and performed by Jamaican singer Tinga Stewart. This example places soul and funk music in a global context and shows that songs were remade, reworked and reinvented across the African diaspora. It also raises issues of migration, language and the power of music to connect distinct communities of the African diaspora. Soul and funk music of the 1960s and 1970s is widely seen as belonging strictly in a U.S. context. This paper will argue that soul and funk music was actually a transnational and multilingual phenomenon that disseminated across Latin America, the Caribbean and beyond. Soul and funk was copied and reinvented in a wide array of Latin American and Caribbean countries including Brazil, Panama, Jamaica, Belize, Peru and the Bahamas. This paper will focus on the music of the U.S., Brazil, Panama and Jamaica while highlighting the political consciousness of soul and funk music.
    [Show full text]