DOCSLIB.ORG

Seven Ages of Rock 1080P Torrent

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Seven Ages of Rock 1080P Torrent Seven Ages Of Rock 1080p Torrent 1 / 4 Seven Ages Of Rock 1080p Torrent 2 / 4 3 / 4 Vea 7 capítulos de la serie documental seven ages of rock online en documaniaTV.. The Seven Ages of Rock (BBC 2007 - Complete) (download torrent) - TPB) If you look at my age, then you'll understand why this has been so .... 4k Movies: The .... 7 Ages of Rock - Heavy Metal (Never Say Die). matrixracer. Seguir. hace 6 años|13.1K visualizaciones. 4 .... With Julian Rhind- Tutt, Charles Shaar Murray, David Fricke, John Harris.. Provide for you:-Sevenbt Torrents Search Page 1.. seven ages of rock 720p or 1080p future proof 1080p gpu boss nirvana live at reading 1992 .... Rock of Ages (2012) download Download. Select movie ... BLU 1080p.BLU. 851.35 MB. 1280*720 ... Read More. Reviewed by adonis98-743-186503 7 / 10 / 10 .... Seven Ages Of Rock 1080p Torrent. April 9 2020 0. bbc seven ages of rock, seven ages of rock left of the dial, seven ages of rock documentary, seven ages of .... ... Filme os minions completo dublado torrent · Seven nation army zella day torrent ... Age of empire 2 hd torrent tnt · Elementary 2 temporada legendado torrent .... DvdRip-HINDI]] The Croods: A New Age!(2020) Full Movie Watch online ... signed a seven-contract deal with Marvel Movie Download Torrent.. The Seven Ages of Rock (BBC 2007 - Complete) (download torrent) - TPB) If you look at my age, then you'll understand why this has been so .... Seven Ages of Rock | 2007 | Inglaterra | Documentário | 59 min ... Com entrevistas de grandes ícones do Rock como: Rolling Stones, Pink Floyd, David Bowie, Sex Pistols, Black Sabbath, U2, The ... TORRENTS + LEGENDAS. Seven Ages Of Rock 720p Torrent -- http://cinurl.com/12zkxx. 55a97c10fc. bollywood video songs hd 1080p 2014 gmc yalan dunya 41 bolum 720p izle The rock revolution of the 1960s seen through the life and music of Jimi Hendrix. We see how he became the first, ultimately doomed, icon of rock. The Birth Of .... Deborah seven ages rock, bbc seven ages of rock, seven ages of ... seven ages of rock watch online, seven ages of rock dvd, seven ages of ... Download Never Say Die Fast and for Free. never-say-die Torrent Downloads.. Pilot Ninety seven years ago nuclear Armageddon decimated planet Earth destroying civilization. Jan 31 2019 Avengers Age Of Ultron 720p Download Yify. ... Planet Earth II TV Series torrent download full episodes with HD quality. ... in high definition Planet Earth is an unparalleled portrait of the third rock from the sun.. Provide for you:-Sevenbt Torrents Search Page 1.. seven ages of rock 720p or 1080p future proof 1080p gpu boss nirvana live at reading 1992 .... Tony Stark, after .... Vea la revolución rock de los 60 a través de la vida y música de Jimi Hedrix. Exploraremos a Dylan, el poeta y profeta tecnológico y la influencia del rhythm .... Find yify The Seven Ages of Elvis (2017) yts Released On rarbg 2017-08-16 ... The Seven Ages of Elvis (2017) Torrent Movie – Film Rarbg Quality in HD / Rarbg .... Seven Ages Of Rock 1080p Torrent. 10 Juin 2020 … seven ages rock, bbc seven ages of rock, seven ages of rock documentary, seven ages of rock left of the .... This is "7 Ages of Rock - Documentary" by Media and Creative Industries on ... Upload, livestream, and create ... dee5df5a7f Automailmerge Plugin For Adobe Acrobat Crack 15 aline barros cd caminho da fe playback gratis punch software home landscape design torrent Nasha marathi movie download 720p Advanced MP3 Catalog Pro v3.36 avec Serial download pc animoto full crack apk download ACCA P5 Advanced Performance Management: Practice And Revision Kit.epub Pizzicato Pro Logiciel Torrent Crack boys and girls having sex naked sajna hai mujhe remix download full song 4 / 4 Seven Ages Of Rock 1080p Torrent.
Load more

Recommended publications
  • Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
    Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A.
    [Show full text]
  • Black Sabbath the Complete Guide
    Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N.
    [Show full text]
  • 0 Musical Borrowing in Hip-Hop
    MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch.
    [Show full text]
  • Authenticity, Politics and Post-Punk in Thatcherite Britain
    ‘Better Decide Which Side You’re On’: Authenticity, Politics and Post-Punk in Thatcherite Britain Doctor of Philosophy (Music) 2014 Joseph O’Connell Joseph O’Connell Acknowledgements Acknowledgements I could not have completed this work without the support and encouragement of my supervisor: Dr Sarah Hill. Alongside your valuable insights and academic expertise, you were also supportive and understanding of a range of personal milestones which took place during the project. I would also like to extend my thanks to other members of the School of Music faculty who offered valuable insight during my research: Dr Kenneth Gloag; Dr Amanda Villepastour; and Prof. David Wyn Jones. My completion of this project would have been impossible without the support of my parents: Denise Arkell and John O’Connell. Without your understanding and backing it would have taken another five years to finish (and nobody wanted that). I would also like to thank my daughter Cecilia for her input during the final twelve months of the project. I look forward to making up for the periods of time we were apart while you allowed me to complete this work. Finally, I would like to thank my wife: Anne-Marie. You were with me every step of the way and remained understanding, supportive and caring throughout. We have been through a lot together during the time it took to complete this thesis, and I am looking forward to many years of looking back and laughing about it all. i Joseph O’Connell Contents Table of Contents Introduction 4 I. Theorizing Politics and Popular Music 1.
    [Show full text]
  • DE ÚLTIMO MINUTO ‘Mr
    05/08/2011 20:48 Cuerpo E Pagina 1 Cyan Magenta Amarillo Negro E SÁBADO 6 DE AGOSTO DE 2011 Editores: FABIOLA GURROLA Y RICARDO PEREDA [email protected] AGENCIAS Desde U2 hasta Pearl Jam han sido contagiados por la ‘rockumentalmanía’. EL UNIVERSAL México, DF. Tal parece que los amantes del rock - más en específico del rock de los no- venta- tendran que preparar muchas palomitas para disfrutar de los distin- tos “rockumentales” que se estrenan para el presente año. Desde Foo Fighters, pasando por dos cintas próximas a presentarse en 20 años. Pearl Jam celebra sus veinte años no sólo con una serie de conciertos que incluyen a México en noviembre. También prota- Toronto, hasta las sorpresas que alis- gonizan un documental dirigido por Cameron Crowe. tan Jane’s Addiction e incluso Marilyn Manson, este bajo la dirección de Shia LaBeouf, el protagonista de la zaga de ‘Transformers’. Tal como se había mencionado an- tes, un medio para aprender del ori- gen y desarrollo de la música moder- na es el llamado “documental”, ese gé- nero del cine que ofrece un testimonio audiovisual de la historia y realida- des, en este caso, de artistas favoritos y por supuesto sus obras musicales. ‘Back and forth’ ‘Pearl Jam twenty’ Los imperdibles Apenas en abril de este año se estrenó este documental de Pearl Jam celebra sus veinte años no solo con una serie de La revista Rolling Stone recientemente enlis- Foo Fighters, grabado durante la producción del disco conciertos que incluyen a México en noviembre. También tó los que considera los quince ‘rockumen- ‘Wasting light’ y bajo la dirección de James Moll.
    [Show full text]
  • A Statistical Network Analysis of Underground Punk Worlds in Manchester and Liverpool 2013-2015
    The Persistence of Punk Rock: A Statistical Network Analysis of Underground Punk Worlds in Manchester and Liverpool 2013-2015 A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2019 Joseph B. Watson School of Social Sciences Contents Abstract………………………………………………………………………..6 Declaration…………………………………………………………………….7 Copyright Statement…………………………………………………………....7 The Author…………………………………………………………………….8 Acknowledgements…………………………………………………………….8 Chapter One: Punk, Networks and the North West……………………………9 1.1 Introduction……………………………………………………...9 1.2 What is a Music World?…………………………………………11 1.3 What is Punk Music?……………………………………………12 1.3.1 Defining Punk Music…………………………………….13 1.3.2 My Experience of Punk Music as a Participant…………...14 1.3.3 Underground Punk in a Modern UK Context……………15 1.4 Manchester and Liverpool as Musical Cities…………………….17 1.5 Social Network Analysis………………………………………...18 1.5.1 The Network Lens……………………………………….18 1.5.2 The Analytical Toolbox…………………………………..19 1.6 Thesis Structure…………………………………………………19 Chapter Two: Music Worlds………………………………………………….22 2.1 Introduction…………………………………………………….22 2.2 Subculture………………………………………………………22 2.3 Towards Art Worlds…………………………………………….25 2.4 Collective Activity………………………………………………26 2.5 Conventions…………………………………………………….26 2.6 Resources……………………………………………………….28 2.7 Venues………………………………………………………….30 2.8 Music Making…………………………………………………...32 2.9 Underground Punk in Manchester and Liverpool……………….33 2.10 Social Networks and Music Worlds……………………………..34
    [Show full text]
  • MS141 Música Popular Conte
    Música Popular Contemporánea I-MS141-201802 Item Type info:eu-repo/semantics/report Authors Raygada Frank Oscar Adolfo; Olazo Davalos Jorge Antonio Publisher Universidad Peruana de Ciencias Aplicadas (UPC) Rights info:eu-repo/semantics/openAccess; Attribution- NonCommercial-ShareAlike 3.0 United States Download date 29/09/2021 21:42:35 Item License http://creativecommons.org/licenses/by-nc-sa/3.0/us/ Link to Item http://hdl.handle.net/10757/647701 I. INFORMACIÓN GENERAL CURSO : Música Popular Contemporánea I CÓDIGO : MS141 CICLO : 201802 CUERPO ACADÉMICO : Olazo Davalos, Jorge Antonio Raygada Frank, Oscar Adolfo CRÉDITOS : 3 SEMANAS : 16 HORAS : 3 H (Teoría) Semanal ÁREA O CARRERA : Escuela de Musica II. MISIÓN Y VISIÓN DE LA UPC Misión: Formar líderes íntegros e innovadores con visión global para que transformen el Perú. Visión: Ser líder en la educación superior por su excelencia académica y su capacidad de innovación. III. INTRODUCCIÓN Descripción: el curso Música Popular Contemporánea I le permitirá al estudiante analizar el fascinante mundo del género musical conocido actualmente como "Rock", desde sus inicios, evolución y tendencias actuales, hasta los fenómenos sociales y culturales que le dieron forma a través de los años. Propósito: el curso Música Popular Contemporánea I ha sido diseñado con el propósito de permitir al futuro músico el conocimento del género musical conocido como "Rock", a través del análisis de su origen, su evolución y las tendencias actuales así como de aquellos factores sociales y culturales que enmarcaron su inicio y desarrollo. Es una asignatura de especialidad de la Carrera de Música, de carácter teórico, dirigida a los estudiantes del 7º.
    [Show full text]
  • Analizar El Rol De La Moda En La Creación De La Identidad Del Punk Y El Grunge
    Índice Índice de figuras……………………………………………………………………..… p. 5 Introducción…...…………………………………………………………….…….…… p. 6 1. Estilo en relación a identidad …………………………………………..…..…..… p. 10 1. 1 Creación de una identidad a partir de la moda 1. 1. 1 Definición de Identidad 1. 1. 2 Relaciones Identidad/moda 1. 2 Jóvenes: grupo social independiente 2. 2. 1 Antecedentes 2. 2. 2 Tribus Urbanas 2. Manifestaciones dentro del rock que repercutieron en la moda. ……...……..… p. 18 2. 1 Contexto rebelde, el nacimiento del rock & roll 2. 2 Glam rock 2. 2. 1 Contexto social, bandas y público 2. 2. 2 propuesta estética 1 3. El lenguaje indumentario………………………….…………………………..… p. 27 3. 1 La estampa 3. 1. 2 Estampa roquera 3. 2 Signo 3. 2. 1 Relación triádica del signo 3. 2. 2 El icono 3. 2. 3 El índice 3. 2. 4 El símbolo 3. 3 Elementos de la semiología en el grunge y el punk 3. 2. 1 Signos pertenecientes al punk 3. 2. 2 Signos pertenecientes al grunge 4. Relevamiento de marcas………………………………………………………..… p. 38 4. 1 Marcas internacionales 4. 1. 1 Marc Jacobs 4. 1. 2 Vivienne Westwood 4. 2 Marcas nacionales 2 4. 2. 1 A.Y. Not Dead 4. 2. 2 Rapsodia 5. Propuesta de indumentaria………………………..…………………………..… p. 44 5. 1. Punk 5. 1. 1 La rebeldía dentro del punk 5. 1. 2. Antecedentes, el proto- punk 5. 1. 3. Propuesta estética 5. 1. 4. Punk obrero 5. 1. 5 Propuesta estética 5. 1. 6 New wave 5. 1. 7 Propuesta estética 5. 1. 8 Punk argento 5. 1. 9 Propuesta estética 5. 2 Grunge 5. 2.
    [Show full text]
  • Catalogo ENGLISH
    catalogo ENGLISH - ITALIANO OVER 12000 DVD TITLES OF ROCK MUSIC - WE ARE THE BIGGEST ROCK VIDEO STORE ON INTERNET ALL OUR TITLES ON DVD ARE ORIGINALS - ARE NOT DVD-R BURNED COPIES!! HOW TO READ OUR DVD CATALOG 2012 1. NAME OF THE ARTIST/BAND - 2. TITLE OF VIDEO - 3. TIME IN MINUTES - 4. MEDIUM - 5. VIDEO/AUDIO QUALITY example: 1. AC/DC 2. LIVE AT SAINT LOUIS ARENA, DETROIT 1983 3. 55 4. DVD 5. ProShot ofic = Oficial Video; boot = Bootleg = image/audio quality is not alwais good but the historical value is high Proshot = is not a oficial video but the image/audio quality is HIGH! All DVD are delivered betwen 24/48 hours; COSTS Each title can include 1-2-3 DVD - The cost is for disk not for title. 1(one) DVD costs 9,99 €(euro) MINIMUN ORDER: 5 TITLES (OR 5 DVD) = 50 €(euro) FOR ORDERS GREATER THAN 20 TITLES THE COST OF 1 DVD IS 8,99 €(euro) FOR ORDERS GREATER THAN 50 TITLES THE COST OF 1 DVD IS 7,99 €(euro) more SHIPPING EXPENSES : from 9 euro to 15 ( weight and country) FOR FURTHER INFORMATIONS VISIT WWW.rockdvd.wordpress.com or WRITE US AT: [email protected] 1agina p catalogo ----------------------------------------------------------------------------- ITALIANO TUTTI I NOSTRI DVD SONO ORIGINALI E NON SONO COPIE SU DVD-R COME LEGGERE I TITOLI DEL CATALOGO 2012 1. NOME DEL ARTISTA - 2. TITOLO DEL VIDEO - 3. TEMPO IN MINUTI - 4. TIPO DI SUPPORTO - 5. QUALITA' AUDIO/VIDEO Esempio: 1. AC/DC 2. LIVE AT SAINT LOUIS ARENA, DETROIT 1983 3.
    [Show full text]
  • The Evolution of Popular Music: USA 1960-2010: Supporting Information
    The Evolution of Popular Music: USA 1960{2010 Matthias Mauch,1∗ Robert M. MacCallum,2 Mark Levy,3 Armand M. Leroi2 1School of Electronic Engineering and Computer Science, Queen Mary University of London, E1 4NS. United Kingdom, 2Division of Life Sciences, Imperial College London, SW7 2AZ. United Kingdom, 3Last.fm, 5{11 Lavingdon Street, London, SE1 0NZ. United Kingdom In modern societies, cultural change seems ceaseless. The flux of fashion is especially obvious for popular music. While much has been written about the origin and evolution of pop, most claims about its history are anecdotal rather than scientific in nature. To rectify this we investigate the US Billboard Hot 100 between 1960 and 2010. Using Music Information Retrieval (MIR) and text-mining tools we analyse the musical properties of 17,000 recordings that appeared in the charts and demonstrate quantitative trends in∼ their harmonic and timbral properties. We then use these properties to produce an audio-based classification of musical styles and study the evolution of musical diversity and disparity, testing, and rejecting, several classical theories of cultural change. Finally, we investigate whether pop musical evolution has been gradual or punctuated. We show that, although pop music has evolved continuously, it did so with particular rapidity during three stylistic \revolutions" around 1964, 1983 and 1991. We conclude by discussing how our study points the way to a quantitative science of cultural change. Introduction The history of popular music has long been debated by philosophers, sociologists, journal- ists and pop stars [1{6]. Their accounts, though rich in vivid musical lore and aesthetic judgements, lack what scientists want: rigorous tests of clear hypotheses based on quanti- tative data and statistics.
    [Show full text]
  • Department of English and American Studies English Language And
    Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Jakub Kolář Differences Between the American and the British First Wave of Punk Bachelor’s Diploma Thesis Supervisor: doc. PhDr. Tomáš Pospíšil, Ph. D. 2017 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature I would like to thank my supervisor, doc. PhDr. Tomaš Pospišil, Ph. D. for his advice, encouragement, and willingness to work with a punk like me. Table of Contents Introduction.......................................................................................................................1 1. The Punk Subculture and Its Beginnings.......................................................................3 2. Hooray for the USA.......................................................................................................7 2. 1. The '70s Punk in America.....................................................................................7 2. 2. We Are the Ramones, and You've Heard It First.................................................11 3. Anarchy in the UK.......................................................................................................17 3. 1. The '70s Punk in Great Britain............................................................................17 3. 2. Never Mind the Bollocks, Here's the Sex Pistols...............................................21 4. The Differences between
    [Show full text]
  • Download Date 23/09/2021 15:51:43
    Música Popular Contemporánea I-MS141-201901 Item Type info:eu-repo/semantics/report Authors Raygada Frank Oscar Adolfo; Olazo Davalos Jorge Antonio Publisher Universidad Peruana de Ciencias Aplicadas (UPC) Rights info:eu-repo/semantics/openAccess; Attribution- NonCommercial-ShareAlike 3.0 United States Download date 23/09/2021 15:51:43 Item License http://creativecommons.org/licenses/by-nc-sa/3.0/us/ Link to Item http://hdl.handle.net/10757/647702 I. INFORMACIÓN GENERAL CURSO : Música Popular Contemporánea I CÓDIGO : MS141 CICLO : 201901 CUERPO ACADÉMICO : Olazo Davalos, Jorge Antonio Raygada Frank, Oscar Adolfo CRÉDITOS : 3 SEMANAS : 16 HORAS : 3 H (Teoría) Semanal ÁREA O CARRERA : Escuela de Musica II. MISIÓN Y VISIÓN DE LA UPC Misión: Formar líderes íntegros e innovadores con visión global para que transformen el Perú. Visión: Ser líder en la educación superior por su excelencia académica y su capacidad de innovación. III. INTRODUCCIÓN Descripción: el curso Música Popular Contemporánea I le permitirá al estudiante analizar el fascinante mundo del género musical conocido actualmente como "Rock", desde sus inicios, evolución y tendencias actuales, hasta los fenómenos sociales y culturales que le dieron forma a través de los años. Propósito: el curso Música Popular Contemporánea I ha sido diseñado con el propósito de permitir al futuro músico el conocimento del género musical conocido como "Rock", a través del análisis de su origen, su evolución y las tendencias actuales así como de aquellos factores sociales y culturales que enmarcaron su inicio y desarrollo. Es una asignatura de especialidad de la Carrera de Música, de carácter teórico, dirigida a los estudiantes del 7º.
    [Show full text]