DE ÚLTIMO MINUTO ‘Mr

Total Page:16

File Type:pdf, Size:1020Kb

DE ÚLTIMO MINUTO ‘Mr 05/08/2011 20:48 Cuerpo E Pagina 1 Cyan Magenta Amarillo Negro E SÁBADO 6 DE AGOSTO DE 2011 Editores: FABIOLA GURROLA Y RICARDO PEREDA [email protected] AGENCIAS Desde U2 hasta Pearl Jam han sido contagiados por la ‘rockumentalmanía’. EL UNIVERSAL México, DF. Tal parece que los amantes del rock - más en específico del rock de los no- venta- tendran que preparar muchas palomitas para disfrutar de los distin- tos “rockumentales” que se estrenan para el presente año. Desde Foo Fighters, pasando por dos cintas próximas a presentarse en 20 años. Pearl Jam celebra sus veinte años no sólo con una serie de conciertos que incluyen a México en noviembre. También prota- Toronto, hasta las sorpresas que alis- gonizan un documental dirigido por Cameron Crowe. tan Jane’s Addiction e incluso Marilyn Manson, este bajo la dirección de Shia LaBeouf, el protagonista de la zaga de ‘Transformers’. Tal como se había mencionado an- tes, un medio para aprender del ori- gen y desarrollo de la música moder- na es el llamado “documental”, ese gé- nero del cine que ofrece un testimonio audiovisual de la historia y realida- des, en este caso, de artistas favoritos y por supuesto sus obras musicales. ‘Back and forth’ ‘Pearl Jam twenty’ Los imperdibles Apenas en abril de este año se estrenó este documental de Pearl Jam celebra sus veinte años no solo con una serie de La revista Rolling Stone recientemente enlis- Foo Fighters, grabado durante la producción del disco conciertos que incluyen a México en noviembre. También tó los que considera los quince ‘rockumen- ‘Wasting light’ y bajo la dirección de James Moll. protagonizan un documental dirigido por Cameron Crowe - tales’ imperdibles, que en orden de impor- La película arranca con antiguas tomas de un Dave Grohl mejor conocido por ‘Almost famous’ y ‘Jerry Maguire’- tancia puso así: haciendo ruido con la banda Scream y la narración de próximo a estrenarse en el Festival Internacional de Cine de Michael Jackson: ‘This is it’ Butch Vig -productor del ‘Nevermind’- recordando cómo Toronto. Led Zeppelin: ‘The song remains the same’ encontró al entonces nuevo baterista de Nirvana. “He querido reflejar lo mejor del pasado y del presente de Roy Orbison: ‘Black & white night’ Además del trauma por la muerte de Kurt Cobain, Grohl Pearl Jam y ofrecer al público un documento de amor a la The Who: ‘The Vegas job’ rememora las críticas que sufrió al integrar casi de música, protagonizado por un grupo que se ha ganado a Madonna: ‘Sticky and sweet tour’ Jimmy Page, The Edge, Jack White: inmediato a Foo Fighters, a quien vemos como telonero de pulso su presencia en la historia del rock”, explicó el director ‘It might get loud’ Mike Watt y Hovercraft con Eddie Vedder. y también ex colaborador de la revista Rolling Stone. Rolling Stones: ‘Stones in exile’ John Lennon: ‘Imagine’ We Jam Econo: ‘The story of the minutemen’ Iggy & The Stooges: ‘Live in Detroit’ ‘From the ‘Jane’s Addiction Wilco: ‘I am trying to break your heart’ sky down’ en 3D’ The Flaming Lips: ‘The fearless freaks’ The Doors: ‘When you’re strange’ Es el documental que Para el 4 de agosto, los autores de James Brown, B.B. King y otros: abrirá el 8 de ‘Been caught stealing’ prometen la ‘Soul Power’ septiembre el ya aparición de un documental hecho Harry Nilsson: ‘Who is Harry Nilsson?’ mencionado festival a base de imágenes 3D tomadas Como siempre sucede con los propues- de cine de Toronto. El por los propios fans. tas de esta publicación, no faltaron los lec- guion trata sobre U2, Y es que el 25 de julio, Perry Farell tores que reclamaron la ausencia de clási- en una de las etapas y compañía transmitieron un cos como ‘Gimme shelter’ de los Rolling Sto- más interesantes de su trayectoria: la producción del disco concierto en directo, grabado en nes, o bien ‘Woodstock: 3 days of peace & ‘Achtung baby’ de 1991. la terminal 5 del aeropuerto John F. music’, sin mencionar los documentales que El realizador es Davis Guggenheim (foto) quien ganó el Kennedy de Nueva York. Las tomas de la gente fueron relatan en general la historia del género, ti- Oscar por ‘Una verdad incómoda’, de 2006, la película registradasconteléfonosLGThrill4Gylapelículafinal po ‘Seven ages of rock’. sobre el calentamiento global. Ahora regresa para narrar tendrá una duración de 60 minutos. YouTube albergará el Por lo pronto y para no hacer corajes, mejor enfocarse en los guiones que filmaron las grabaciones de clásicos del rock como ‘One’. estreno. este 2011 diversos directores sobre cuatro Este trabajo completa la colección de cintas referentes al Por cierto que la ‘adicción de Jane’ prepara también para de las bandas favoritas. A continuación los cuarteto irlandés, junto a la legendaria ‘Rattle and hum’ y septiembre el lanzamiento de ‘The great escape artist’, su detalles de cada uno de ellos... la espectacular ‘U2 3D’. cuarto álbum de estudio. DE ÚLTIMO MINUTO ‘Mr. Bean’ sufre accidente El actor Rowan Atkinson, célebre por sus torpezas al volante en los progra- mas de televisión y pelí- culas de ‘Mr. Bean’, se re- cupera en un hospital lue- go de chocar con su auto deportivo en el sur de In- glaterra. Sus agentes con- firmaron que el come- diante de 56 años sufrió un accidente el jueves por la noche y sufrió lesiones menores. (AGENCIAS) www.elsiglodedurango.com.mx.
Recommended publications
  • A Purim Reader
    Consider the Grogger: A Purim Reader 18forty.org/articles/consider-the-grogger-a-purim-reader Consider: Why do we use a grogger? In a world in which it sometimes feels like everything makes just a bit too much noise, why do we use these most annoying of noisemakers? In David Zvi Kalman’s award winning piece, “The Strange and Violent History of the Ordinary Grogger,” Kalman traces the history of this loud yet under-considered instrument of merry noise-making. As you might (not) expect, the grogger has a long history in a less than traditionally Puriminian context: celebrations of the burning of Judas. Judas, betrayer of a famous close friend of his (and namesake to a recent movie), has often been a stand-in for antisemitic anger over history. In Kalman’s words: The Burning of Judas was never officially sanctioned by the Roman Catholic or Orthodox Church, but it was common practice in Europe until the 20th century and is still frequently performed in Latin America. While details vary by location, the basics are the same: An effigy of Judas is first hanged, then burned. It was in the context of this ceremony that the crotalus first morphed from church object to child object, as children responded to the flaming effigy by twirling their rattles in celebration. It still happens today; you can find images of a Czech anti- Judas rattle procession. Early on, the rattle’s distinctive sound became part of the ritual. As elsewhere, people understood it to be a violent sound; some compared it to the sound of nails being driven into Jesus’ hands.
    [Show full text]
  • Vinyl Theory
    Vinyl Theory Jeffrey R. Di Leo Copyright © 2020 by Jefrey R. Di Leo Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to publish rich media digital books simultaneously available in print, to be a peer-reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. The complete manuscript of this work was subjected to a partly closed (“single blind”) review process. For more information, please see our Peer Review Commitments and Guidelines at https://www.leverpress.org/peerreview DOI: https://doi.org/10.3998/mpub.11676127 Print ISBN: 978-1-64315-015-4 Open access ISBN: 978-1-64315-016-1 Library of Congress Control Number: 2019954611 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Without music, life would be an error. —Friedrich Nietzsche The preservation of music in records reminds one of canned food. —Theodor W. Adorno Contents Member Institution Acknowledgments vii Preface 1 1. Late Capitalism on Vinyl 11 2. The Curve of the Needle 37 3.
    [Show full text]
  • The Nerve Interview: It Might Get Loud Director Davis Guggenheim | Nerve Entertainment 10/11/09 7:59 PM
    The Nerve Interview: It Might Get Loud director Davis Guggenheim | Nerve Entertainment 10/11/09 7:59 PM PERSONALS | RSS | HELP | SITE MAP | ADVERTISE ON NERVE FEATURES ADVICE ENTERTAINMENT PHOTOGRAPHY BLOGS DATING CONFESSIONS 1 Aug 11th, 2009 With It Might Get Loud, director Davis Guggenheim wanted to tell the personal stories of three guitar legends from different generations: Jack White from the White Stripes, The Edge from U2, and Jimmy Page from Led Zeppelin. Guggenheim, who directed the 2007 global-warming doc An Inconvenient Truth, wanted to stay away from typical rock-documentary tactics. It Might Get Loud has no rock critics, no ex-girlfriends, and no narration. Instead Guggenheim focuses on why these three write and play the way they do and how they developed their personal styles. Guggenheim wanted the three to open up — and they did. Jimmy Page plays air guitar while listening to music that influenced him as a kid, Jack White writes an original song on camera, and The Edge talks about how he drives everyone crazy trying to get the music in his head to come out of the amps. The movie brings the three together on a soundstage to share stories, show one another their songs, and play. Nerve spoke with Guggenheim about the men behind the legends. — Emily Wilson You won an Oscar for An Inconvenient Truth. After that, why did you choose to do a movie about the electric guitar? I just make movies about people that fascinate me. The next one could be about an archeologist or I don’t know, a proctologist.
    [Show full text]
  • Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
    Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A.
    [Show full text]
  • Seven Ages of Rock 1080P Torrent
    Seven Ages Of Rock 1080p Torrent 1 / 4 Seven Ages Of Rock 1080p Torrent 2 / 4 3 / 4 Vea 7 capítulos de la serie documental seven ages of rock online en documaniaTV.. The Seven Ages of Rock (BBC 2007 - Complete) (download torrent) - TPB) If you look at my age, then you'll understand why this has been so .... 4k Movies: The .... 7 Ages of Rock - Heavy Metal (Never Say Die). matrixracer. Seguir. hace 6 años|13.1K visualizaciones. 4 .... With Julian Rhind- Tutt, Charles Shaar Murray, David Fricke, John Harris.. Provide for you:-Sevenbt Torrents Search Page 1.. seven ages of rock 720p or 1080p future proof 1080p gpu boss nirvana live at reading 1992 .... Rock of Ages (2012) download Download. Select movie ... BLU 1080p.BLU. 851.35 MB. 1280*720 ... Read More. Reviewed by adonis98-743-186503 7 / 10 / 10 .... Seven Ages Of Rock 1080p Torrent. April 9 2020 0. bbc seven ages of rock, seven ages of rock left of the dial, seven ages of rock documentary, seven ages of .... ... Filme os minions completo dublado torrent · Seven nation army zella day torrent ... Age of empire 2 hd torrent tnt · Elementary 2 temporada legendado torrent .... DvdRip-HINDI]] The Croods: A New Age!(2020) Full Movie Watch online ... signed a seven-contract deal with Marvel Movie Download Torrent.. The Seven Ages of Rock (BBC 2007 - Complete) (download torrent) - TPB) If you look at my age, then you'll understand why this has been so .... Seven Ages of Rock | 2007 | Inglaterra | Documentário | 59 min ... Com entrevistas de grandes ícones do Rock como: Rolling Stones, Pink Floyd, David Bowie, Sex Pistols, Black Sabbath, U2, The ..
    [Show full text]
  • Black Sabbath the Complete Guide
    Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N.
    [Show full text]
  • 0 Musical Borrowing in Hip-Hop
    MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch.
    [Show full text]
  • Authenticity, Politics and Post-Punk in Thatcherite Britain
    ‘Better Decide Which Side You’re On’: Authenticity, Politics and Post-Punk in Thatcherite Britain Doctor of Philosophy (Music) 2014 Joseph O’Connell Joseph O’Connell Acknowledgements Acknowledgements I could not have completed this work without the support and encouragement of my supervisor: Dr Sarah Hill. Alongside your valuable insights and academic expertise, you were also supportive and understanding of a range of personal milestones which took place during the project. I would also like to extend my thanks to other members of the School of Music faculty who offered valuable insight during my research: Dr Kenneth Gloag; Dr Amanda Villepastour; and Prof. David Wyn Jones. My completion of this project would have been impossible without the support of my parents: Denise Arkell and John O’Connell. Without your understanding and backing it would have taken another five years to finish (and nobody wanted that). I would also like to thank my daughter Cecilia for her input during the final twelve months of the project. I look forward to making up for the periods of time we were apart while you allowed me to complete this work. Finally, I would like to thank my wife: Anne-Marie. You were with me every step of the way and remained understanding, supportive and caring throughout. We have been through a lot together during the time it took to complete this thesis, and I am looking forward to many years of looking back and laughing about it all. i Joseph O’Connell Contents Table of Contents Introduction 4 I. Theorizing Politics and Popular Music 1.
    [Show full text]
  • A Statistical Network Analysis of Underground Punk Worlds in Manchester and Liverpool 2013-2015
    The Persistence of Punk Rock: A Statistical Network Analysis of Underground Punk Worlds in Manchester and Liverpool 2013-2015 A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2019 Joseph B. Watson School of Social Sciences Contents Abstract………………………………………………………………………..6 Declaration…………………………………………………………………….7 Copyright Statement…………………………………………………………....7 The Author…………………………………………………………………….8 Acknowledgements…………………………………………………………….8 Chapter One: Punk, Networks and the North West……………………………9 1.1 Introduction……………………………………………………...9 1.2 What is a Music World?…………………………………………11 1.3 What is Punk Music?……………………………………………12 1.3.1 Defining Punk Music…………………………………….13 1.3.2 My Experience of Punk Music as a Participant…………...14 1.3.3 Underground Punk in a Modern UK Context……………15 1.4 Manchester and Liverpool as Musical Cities…………………….17 1.5 Social Network Analysis………………………………………...18 1.5.1 The Network Lens……………………………………….18 1.5.2 The Analytical Toolbox…………………………………..19 1.6 Thesis Structure…………………………………………………19 Chapter Two: Music Worlds………………………………………………….22 2.1 Introduction…………………………………………………….22 2.2 Subculture………………………………………………………22 2.3 Towards Art Worlds…………………………………………….25 2.4 Collective Activity………………………………………………26 2.5 Conventions…………………………………………………….26 2.6 Resources……………………………………………………….28 2.7 Venues………………………………………………………….30 2.8 Music Making…………………………………………………...32 2.9 Underground Punk in Manchester and Liverpool……………….33 2.10 Social Networks and Music Worlds……………………………..34
    [Show full text]
  • AXS TV Schedule for Mon. September 24, 2018 to Sun. September 30, 2018
    AXS TV Schedule for Mon. September 24, 2018 to Sun. September 30, 2018 Monday September 24, 2018 Premiere 8:00 AM ET / 5:00 AM PT 9:00 PM ET / 6:00 PM PT Nashville The English Patient I Saw The Light - Rayna brings her kids and sister on tour, but doesn’t like the effect Juliette is A tragic and torrid love affair is recounted in a small Italian villa during the closing days of having on her girls; Juliette starts to look at Dante differently; Deacon reconsiders life on the World War II in Anthony Minghella’s Oscar winning epic drama. Starring Ralph Fiennes, Juliette road; a handsome new neighbor befriends Gunnar and Scarlett. Binoche, and Kristin Scott Thomas. Directed by Anthony Minghella. (1996 - R) 9:00 AM ET / 6:00 AM PT 12:00 AM ET / 9:00 PM PT The Big Interview The X Factor UK Neil Young - Music legend Neil Young sits down for a rare and candid interview about his career, Audition Show 8 - The X Factor UK is back for its 15th season to find the next big star! his music and his environmental activism. 1:00 AM ET / 10:00 PM PT 10:00 AM ET / 7:00 AM PT The English Patient Bruce Springsteen And The E Street Band: Live In Barcelona A tragic and torrid love affair is recounted in a small Italian villa during the closing days of Recorded in 2002, touring behind the timeless album The Rising, Bruce Springsteen and the E World War II in Anthony Minghella’s Oscar winning epic drama.
    [Show full text]
  • MS141 Música Popular Conte
    Música Popular Contemporánea I-MS141-201802 Item Type info:eu-repo/semantics/report Authors Raygada Frank Oscar Adolfo; Olazo Davalos Jorge Antonio Publisher Universidad Peruana de Ciencias Aplicadas (UPC) Rights info:eu-repo/semantics/openAccess; Attribution- NonCommercial-ShareAlike 3.0 United States Download date 29/09/2021 21:42:35 Item License http://creativecommons.org/licenses/by-nc-sa/3.0/us/ Link to Item http://hdl.handle.net/10757/647701 I. INFORMACIÓN GENERAL CURSO : Música Popular Contemporánea I CÓDIGO : MS141 CICLO : 201802 CUERPO ACADÉMICO : Olazo Davalos, Jorge Antonio Raygada Frank, Oscar Adolfo CRÉDITOS : 3 SEMANAS : 16 HORAS : 3 H (Teoría) Semanal ÁREA O CARRERA : Escuela de Musica II. MISIÓN Y VISIÓN DE LA UPC Misión: Formar líderes íntegros e innovadores con visión global para que transformen el Perú. Visión: Ser líder en la educación superior por su excelencia académica y su capacidad de innovación. III. INTRODUCCIÓN Descripción: el curso Música Popular Contemporánea I le permitirá al estudiante analizar el fascinante mundo del género musical conocido actualmente como "Rock", desde sus inicios, evolución y tendencias actuales, hasta los fenómenos sociales y culturales que le dieron forma a través de los años. Propósito: el curso Música Popular Contemporánea I ha sido diseñado con el propósito de permitir al futuro músico el conocimento del género musical conocido como "Rock", a través del análisis de su origen, su evolución y las tendencias actuales así como de aquellos factores sociales y culturales que enmarcaron su inicio y desarrollo. Es una asignatura de especialidad de la Carrera de Música, de carácter teórico, dirigida a los estudiantes del 7º.
    [Show full text]
  • Analizar El Rol De La Moda En La Creación De La Identidad Del Punk Y El Grunge
    Índice Índice de figuras……………………………………………………………………..… p. 5 Introducción…...…………………………………………………………….…….…… p. 6 1. Estilo en relación a identidad …………………………………………..…..…..… p. 10 1. 1 Creación de una identidad a partir de la moda 1. 1. 1 Definición de Identidad 1. 1. 2 Relaciones Identidad/moda 1. 2 Jóvenes: grupo social independiente 2. 2. 1 Antecedentes 2. 2. 2 Tribus Urbanas 2. Manifestaciones dentro del rock que repercutieron en la moda. ……...……..… p. 18 2. 1 Contexto rebelde, el nacimiento del rock & roll 2. 2 Glam rock 2. 2. 1 Contexto social, bandas y público 2. 2. 2 propuesta estética 1 3. El lenguaje indumentario………………………….…………………………..… p. 27 3. 1 La estampa 3. 1. 2 Estampa roquera 3. 2 Signo 3. 2. 1 Relación triádica del signo 3. 2. 2 El icono 3. 2. 3 El índice 3. 2. 4 El símbolo 3. 3 Elementos de la semiología en el grunge y el punk 3. 2. 1 Signos pertenecientes al punk 3. 2. 2 Signos pertenecientes al grunge 4. Relevamiento de marcas………………………………………………………..… p. 38 4. 1 Marcas internacionales 4. 1. 1 Marc Jacobs 4. 1. 2 Vivienne Westwood 4. 2 Marcas nacionales 2 4. 2. 1 A.Y. Not Dead 4. 2. 2 Rapsodia 5. Propuesta de indumentaria………………………..…………………………..… p. 44 5. 1. Punk 5. 1. 1 La rebeldía dentro del punk 5. 1. 2. Antecedentes, el proto- punk 5. 1. 3. Propuesta estética 5. 1. 4. Punk obrero 5. 1. 5 Propuesta estética 5. 1. 6 New wave 5. 1. 7 Propuesta estética 5. 1. 8 Punk argento 5. 1. 9 Propuesta estética 5. 2 Grunge 5. 2.
    [Show full text]